Bøger udgivet af La Fabrica

In this collaborative volume, black-and-white photographs by London-based Russian photographer Gusov (born 1960) document the shooting of Russian film director Andrei Konchalovsky's (born 1937) film The Sin.

Perrin's beautiful photographs, wrapped in black, dive into the very soul of Justo Gallego's work, into its heartbeat, and allow the mystery of the place to unfold.

Barbara Brändli's (1932-2011) work has revolved around a multiple, changing, contradictory Venezuela. This volume from the PHotoBolsillo series follows her career as she photographed the indigenous peoples of Venezuela, urban Caracas, cultural institutions and Andean farmers in the deserted páramo.

This majestic volume presents the full-color prints, made by various artists, of the flora found during Mutis' famous 1783 botanical expedition to New Granada (modern Colombia). The expedition started in 1783 and spanned three decades. It did not generate spectacular scientific findings, but the drawing school that was created to record the flora produced prints of exceptional quality.

A fantastic cornucopia of print propaganda by Soviet Russia's avant-garde artists and writersHoused in a printed slipcase, Avant-garde and Propaganda compiles a selection of publications--photobooks and magazines, along with other related documents--demonstrating the great flowering of typography, photomontage and photobooks in the Soviet Union in the period between 1913 and 1941. Art as applied to book and magazine production achieved its most magnificent expression through the avant-garde movements at the beginning of the 20th century and was particularly innovative in the Soviet Union, where artistic movements such as suprematism and constructivism, the partnership between Russian artists and graphic designers, and the poetic and literary circles of Ilya Ehrenberg and Vladimir Mayakovsky all made for an exceptionally fruitful print culture in the service of the new communist state. This wealth of illustrated material, drawn from the collection of the Lafuente Archive, includes work by El Lissitzky, Alexander Rodchenko, Varvara Stepanova, André Lhote, Natalia Goncharova, Kazimir Malevich and others.

The Soviet Century is a major and comprehensive new assessment of Soviet photography from the years 1917 to 1972. Over 500 photographs from the collection of Spain's Archivo Lafuente present a deep survey of Soviet life through depictions of political meetings, factories, demonstrations and farms, as well as portraits of political leaders, artists, peasants and workers. Photographs by both well-known and little-known artists including Max Alpert, Mikhail Grachev, Yakov Khalip, Fedor Kislov, Ivan Kobozev, El Lissitzky, Gyorgy Petrusov, Aleksandr Rodchenko, Ivan Shagin, Aleksander Ustinov and Giorgi Zelma are grouped into thematic sections surveying the 1917 Revolution, the artistic avant-garde, peasant life, World War II and more. This 600-page volume includes three historical essays that examine the complex artistic and ideological status of photography throughout the period, caught between state-led imperatives to achieve political ends and formal, artistic experimentation, especially with the 1920s avant-garde.

The color photographs of Iranian-born Swiss photographer Arunà Canevascini (born 1991) presented in this photobook document her family story. She captures images of Villa Argentina, the family house in the South of Switzerland, where she and her mother discuss such issues as domesticity, femininity and migration.

"Navia has created a photographic style which is related to literary construction... He stops the world and activates suggestion, with images that are constructed with the same imperfections as life..." - series director Chema Conesa.

Artificial Infinite is a photographic enquiry on the aesthetic category of the sublime, which is represented as a controlled fear that attracts the soul, present in qualities like immensity, infinity, emptiness, loneliness, and silence.

Miro Round Trip focuses on the last period of Joan Miro's relationship with the island of Majorca, an environment that gave him its light, the Mediterranean's blueness, and the calm of time. Here, Miro -already an acclaimed artist and in his old age-opened the door to a new artistic attitude; to new approaches and challenges.

A selection of artistically significant contemporary photography defined by a playful spirit of rule-breaking, featuring work from Raymond Depardon, Martin Parr, Patrick Zachmann and many others.

Ricardo Jime nez (Caracas, 1951) is an active sightseer who has learned to get lost in the city so he can later find it again, and on the way find himself.

The vantage point offered by this book allows us to delve deeper into Campu a's work and discover him as a multifaceted figure. It offers us the chance to overcome stereotypes, expand our viewpoint and see the portrait created as an entire society walked in front of the camera held by this great master of 20th-century Spanish photography.

The award-winning Spanish photographer Cristina de Middel presents her striking latest project, The Perfect Man. With Chaplin's film Modern Times as a starting point for the book's narrative structure, De Middel reflects on the peculiar understanding of masculinity in India, through the relationships between man, machine and work.

Where does money come from? How does the financial system work? Twenty Red Lights is a photographic reflection on modern capitalism and global financial economy, issues that have rarely been rigorously addressed from an artistic and critical perspective.

The Venice Biennale is one of the most important contemporary art events in the world, with the participation of dozens of countries through their national pavilions and its open-mindedness towards avant-garde approaches.

A collection of the most exciting emerging photographers working in Catalonia and Spain today.

This issue of Matador magazine presents a visual, philosophical and cultural guide to the idea of 'the Future': how we've seen it throughout the twentieth century and how we see it today; how its depictions have changed over the years and which of these depictions eventually became true.

La Fa brica presents this spectacular large-format book with hardcover binding and full-color photographs.

The life and work of Italian-born photographer Tina Modotti is magnificently portrayed in this generously illustrated volume by expert Margaret Hooks.

Wannabe is a photographic project about doll-like girls in Japanese culture, about the objectification of these women to serve societal customs that lead to android-like behaviour.

Alfredo Cortina (Carabobo, 1903-Caracas, 1988) was not only a photographer but also a famous scriptwriter for Venezuelan radio and television, a publicist and an inventor.

This volume, which compiles the photographs from the exhibition Transiciones (Transitions), held as part of PHotoEspana 2016, shows the evolution in the photographer's eye from the 1980 to the 1990s.

Notebooks, post-its, facades, dustbins, cars... And people. The eye of the photographer who arrives in London as a foreigner captures an entire universe of insignificant things (trifles) which, however, can mean a lot to the newcomer.

This is a unique volume in the guise of an artist's book which captures 45 years of work by an indispensable author.

In the work Muchismo, the photographer Cristina de Middel digs around in her studios and brings all of her images to light, exactly the way she has them stored, in colossal, gorgeous chaos.

In this volume, photographer Reiner Riedler (born 1968) photographs machines that save lives or improve patients' well-being--inventions such as dialysis machines, respirators and cardiac pacemakers at a hospital in Vienna. The work was inspired by Riedler's son, who was in a neonatal intensive care unit as a newborn.

In this volume, the award-winning photographer Cristina Garcia Rodero presents the images she took in Lalibela, an Ethiopian World-Heritage city of the eleventh century, which is a holy city and an important pilgrimage site for the Coptic Christians of Ethiopia.

A polyphonic conceptual and aesthetic line, open to new views and perspectives, free from strict attachments to any given technique or aesthetic, those are the main characteristics of the NOPHOTO collective of photographers.

This volume documents the career of Juana Biarnés (born 1935), who has photographed celebrities such as the Beatles, Jackie Kennedy, Louis Armstrong, Jack Lemmon, Roman Polanski, Rudolf Nureyev, Orson Welles, Lee Marvin, Marisol, Yul Brynner, Salvador Dalí, Romy Schneider, Charlie Rivel and many others.