Bøger udgivet af Lee Miller Archives Publishing

In this moving, revealing and highly readable memoir, Antony Penrose has composed a fitting tribute to his father, which also faces up to some of the more controversial aspects of Roland Penrose's life.

1937 could be named the summer of love for Lee Miller and Roland Penrose, who had recently met for the fi rst time, and their friends Max Ernst, Leonora Carrington, Picasso, Dora Maar, Man Ray, Ady Fidelin and more. This facsimile of Lee and Roland's photograph albums shows their summer holiday together, as portrayed in the feature fi lm Lee, and demonstrates the freedom and friendship of these artists as the Second World War looms on the horizon.

The exterior of Farleys House gives no hint of the visual excitements to be discovered within. The brightly coloured walls, rambling corridors are filled with a remarkable and eclectic collection of artworks and this book provides the reader with a glimpse into the amazing lives of its owners Photographer, Lee Miller and Artist, Roland Penrose. Bought in 1949 this anniversary edition of 75 years at Farleys has new photography and never seen before insights to the house interior

Insights into the home of surrealists Lee Miller and Roland Penrose. Following the austere and traumatic years of World War II, surrealists Lee Miller and Roland Penrose made their home at Farleys in the Sussex countryside. Penrose, a painter, author, and collector, and Miller, a photographer and war correspondent, moved to Farleys not to settle down, but to create, entertain, and inspire. In this book their son, Antony Penrose, recalls visitors and occasions at Farleys with a fascinating insight into his parents' lives. This accessible book includes images of the array of visitors during the 1950s against the backdrop of Farleys as it transforms from a traditional farmhouse into a twentieth-century international hub of art with unexpected innovative decoration, surreal living, and daring.

One hundred photographs explore Lee Miller's prolific fashion photography during World War II. Lee Miller "has borne the whole weight of our studio production through the most difficult period in Brogue's history," wrote British Vogue editor Audrey Withers in the summer of 1941. Despite this, much of Miller's fashion photography--which dominated the pages of British Vogue during World World II--has since been forgotten or overshadowed by her subsequent war reportage. Drawn from a research base of nearly four thousand vintage negatives, this collection showcases more than one hundred stunning photographs from the war era, many of which have not been seen since they were first shot and published in the 1940s. Lee Miller's recently transcribed appointment diaries and accompanying text by British Vogue Archives's Robin Muir, fashion historian Amber Butchart, and Miller's granddaughter, Ami Bouhassane, provide a wealth of new information about the artist's prolific wartime fashion portfolio.

A Surrealist before she even knew of the movement, Lee Miller was one of the most original photographic artists of the twentieth century. David E. Scherman, LIFE photographer and Miller's close friend, described her as "caustically brilliant, yet totally loyal, unpretentious, human and intolerant of sham. She was a consummate artist and a consummate clown; at once an upstate New York hick and cosmopolitan grande dame; a cold, soignée fashion model and a hoyden. . . . She was the nearest thing I knew to a mid-20th century renaissance woman." The Surrealist eye informed everything Miller did, and her work presents the world in a way that encourages us to view it in a different manner. Written and collected by her son Antony, Surrealist Lee Miller amasses more than one hundred full-page images from throughout the artist's life as an attestation to her wonderful way of seeing.

A facsimile of the practical manual, discussing the necessity for camouflage; nature as a guide for camouflage; the importance of background, texture, colour, shadows and more. "Officially approved by the War Office."