Bøger udgivet af Lexington Books

This volume brings forensic and cultural anthropology closer together through case studies of structural violence and power. Paying attention to how death further marginalizes minoritized populations, this volume goes beyond conventional forensic anthropology and sheds light on the field's potential to address social injustice.

This volume examines East and Southeast Asian folktales unfamiliar to most Western audiences and highlights similarities to and differences from Western folktales. The discussion includes folktales from Vietnam, Laos, Cambodia, Burma, China, Japan, and Korea.

The United States Supreme Court is commonly thought to be an institution far removed from American public opinion. Yet nearly two-thirds of modern Supreme Court decisions reflect popular attitudes. Comparing over 500 Supreme Court decisions with timely nationwide poll questions since the mid-1930s, Thomas R. Marshall shows that most Supreme Court decisions agree with poll majorities or pluralities across time and across issues and often represent Americans' views to the same degree as federal policymakers. This book looks beyond the litigants, economic interests, social movements, organized interest groups, or units of governments typically involved and instead examines how well the Court or the justices represent Americans' views. Using nationwide public opinion, broken down by key subgroups, race, gender, education, and party affiliation, better describes exactly whom Supreme Court decisions and the justices' individual votes best represent. His book will be of interest to scholars in political science, legal studies, history, and sociology.

Ted Hughes, Sylvia Plath, and Writing Between Them: Turning the Table examines early draft manuscripts and published poems by Ted Hughes and Sylvia Plath in order to uncover the compositional approaches that they held in common. Both poets not only honed the minutiae of individual poems but also reworked the shape of overall sequences in order to cultivate unique theories of an ars poetica. The book incorporates drafts of their work from Indiana University's Lilly Library, Emory University's Manuscripts, Archives, and Rare Books Library, Smith College's Mortimer Rare Book Room, and the British Library. After assessing the writing and revision strategies that the poets' early drafts reveal, the book investigates the material that they borrowed from one another and then reimagined through two major sequences: Plath's Ariel and Hughes's Crow. The book enhances its analysis of the poets' shared techniques by discussing several pairs of poems from Ariel and Hughes's Birthday Letters that respond to one another. Its final chapter also includes an evaluation of some of Hughes's unpublished journal entries and unpublished letters that comment on his last collection's public reception. In the conclusion, the author chronicles Hughes's and Plath's own remarks on their writing process as further evidence of their ars poetica.

Afro-Caribbean Women's Writing and Early American Literature is both pedagogical and critical. The text begins by re-evaluating the poetry of Wheatley for its political commentary, demonstrates how Hurston bridges several literary genres and geographies, and introduces Black women writers of the Caribbean to some American audiences.

The rock and roll music that dominated airwaves across the country during the 1950s and early 1960s is often described as a triumph for integration. Black and white musicians alike, including Chuck Berry, Little Richard, Elvis Presley, and Jerry Lee Lewis, scored hit records with young audiences from different racial groups, blending sonic traditions from R&B, country, and pop. This so-called desegregation of the charts seemed particularly resonant since major civil rights groups were waging major battles for desegregation in public places at the same time. And yet the centering of integration, as well as the supposition that democratic rights largely based in consumerism should be available to everyone regardless of race, has resulted in very distinct responses to both music and movement among Black and white listeners who grew up during this period. Rock and Roll, Desegregation Movements, and Racism in the Post-Civil Rights Era: An Integrated Effort traces these distinctions using archival research, musical performances, and original oral histories to determine the uncertain legacies of the civil rights movement and early rock and roll music in a supposedly post-civil rights era.

This volume addresses the nexus between the East African citizens and the integration agenda, with special focus on the concepts of popular participation, eastafricanness, eastafricanization, and democratization.

Through a green criminological perspective, Angus Nurse examines the contemporary reality of corporate environmental crime and illegal activities that have become normalized within many major corporations. Arguably this is an inevitable consequence of a corporate culture that prioritizes profits and the smooth operation of market activities over environmental concerns coupled with the increased political power of major corporations that can act almost with impunity and where problems do occur, can literally buy itself out of trouble. These same corporations are broadly perceived as being responsible actors. However, Nurse argues that corporate environmental offending is often deliberate and that corporations understand that they will often be allowed to continue with polluting and non-compliant behavior because the likely enforcement responses are fines and settlements rather than criminal prosecution. Using several case studies, Nurse explores biopiracy and the rights of indigenous peoples, the behavior of oil companies in African states, the regulation of corporate social responsibility and corporate environmental responsibility, an analysis of contemporary environmental legislation and the prosecution of environmental harm, and state-corporate crime and air pollution. Dealing with these problems requires a wider notion of crime and wrongdoing that directly engages with the types of environmental offending that represent a threat to human populations and non-human nature irrespective of whether these are defined as crime by justice systems.

Shakespeare and the Elizabethan Reformation: Literary Negotiation of Religious Difference explores how Shakespeare's plays dramatize key issues of the Elizabethan Reformation, the conflict between the sacred, the critical, and the disenchanted; alternatively, the Catholic, the Protestant, and the secular. Each play imagines their reconciliation or the failure of reconcilation. The Catholic sacred is shadowed by its degeneration into superstition, Protestant critique by its unintended (fissaparous) consequences, the secular ordinary by stark disenchantment. Shakespeare shows how all three perspectives are needed if society is to face its intractable problems, thus providing a powerful model for our own ecumenical dialogues. Shakespeare begins with history plays contrasting the saintly but impractical King Henry VI, whose assassination is the 'primal crime,' with the pragmatic and secular Henry IV, until imagining in the later 1590's how Hal can reconnect with sacred sources. At the same time in his comedies, Shakespeare imagines cooperative ways of resolving the national 'comedy of errors,' of sorting out erotic and marital and contemplative confusions by applying his triple lens. His late Elizabethan comedies achieve a polished balance of wit and devotion, ordinary and the sacred, old and new orders. Hamlet is Shakespeare's ultimate Elizabethan consideration of these issues, its so-called lack of objective correlation a response to the unsorted trauma of the Reformation.

Mentoring While White provides a provocative and illuminating account of the mentoring experiences of Black college and university students based on their racialized and marginalized identities. The editors bring together a diverse group of scholars to present compelling argum...

Holy Hype: Religious Fervor in the Advertising of Goods and the Good News defines and explores the intersection of the sacredreligious symbols, themes, and rhetoricwithin the profane realm of advertising and promotion. Susan H. Sarapin and Pamela L. Morris trace the historical overlap of consumer and religious ideologies in society, offering detailed examples of its use throughout history through analyses of over a hundred collected advertisements, from monks selling copiers, to billboard messages from God, to angels and the worship of vodka. Throughout the book, the authors continually evaluate if and when the technique of ';holy hype' is effective through its use of recognizable sacred symbols that capture audiences' attentions and inspire both positive and negative emotions. Scholars of communication, media studies, religion, advertising, and cultural studies will find this book particularly useful.

This book brings into focus the perception of Muslim women in the United States, often overlooked in research literature and common media narratives, but at the same time facing increasing hate and aggression based on their religious and gendered identities. Guided by data from three original experiments and theories of priming and media effects, Alexis Tan and Anastasia Vishnevskaya discuss how stereotypes of Muslim women in the media influence public stereotypes, and how public stereotypes direct aggressions towards them. This book contributes to existing literature in the field by presenting evidence that both verbal and visual symbols in the media can activate implicit prejudices, and that activation can be controlled by people who self-identify as social liberals. Ultimately, Tan and Vishnevskaya suggest both media and intrapersonal interventions to mitigate harmful consequences of prejudice towards Muslim women in the United States. Scholars of media studies, communication, religious studies, gender studies, and cultural studies will find this book particularly useful.

In Belfast Imaginary: Art and Urban Reinvention, Katharine Keenan argues for the reimagining of place in Belfast, Northern Ireland in the context of Brexit. This deeply researched ethnography depicts the work of artists and policy makers as they imagine and perform a new urban identity for Belfast in the liminal time between the Good Friday Agreement and Brexit.

To the extent that we worry about the future, we tend to do so with the apprehension that something may go terribly wrong. Nietzsche and Tocqueville on the Democratization of Humanity is animated more by the apprehension, what if everything should go terribly right? That foreboding indelibly colored the outlook of Friedrich Nietzsche and Alexis de Tocquevilletwo thinkers seldom paired. As David A. Eisenberg argues, each in his own way envisaged the terminus toward which modernity speeds. Examining their thought allows us not only to glimpse the future that filled them with dread, but to survey a road that stretches back millennia to Athens and Jerusalem, when ideas about the primacy of reason and inborn equality of souls took root. Armed with such revolutionary teachings, a particular human type, namely the democratic, gained ascendancy. The reign of this human type portends to be so total that all other human types will be precluded in the democratic future, so that what mankinds democratization augurs is not the diversification of the species but its homogenization. The questions raised in Nietzsche and Tocqueville on the Democratization of Humanity are intended to broaden the horizons that historys democratizing forces conspire to contract.

The thirteen essays in this book offer various interpretations of Mel Gibson's work, treating this brilliant but controversial figure not only as a filmmaker but as a historian, religious thinker, and social philosopher.

"This work can be used as a basic reference book. In addition, this book is one of the most comprehensive and up-to-date studies in the field of International Relations (IR) and Security Studies"--

Gregory M. Fulkerson offers a complete portrait of what communities are, how they work, and how they are embedded in urbanrural systems at regional, national, and global scales. After explaining the concept of urbanrural systems, Fulkerson walks through the central dynamics of environmental demography, political economy, culture, social interaction, the built environment, and community connections. His focus on urbanrural systems ensures that communities are understood as nodes within a network, overcoming the tendency to view them as self-contained. Each chapter in Community in UrbanRural Systems: Theory, Planning, and Development offers a blend of classical and contemporary theories and concludes with relevant planning considerations. An additional chapter on community development provides strategies for translating planning considerations into action. The conclusion offers insights into long-term principles of community sustainability and justice.

The publication of the Harry Potter series in the United States coincided with the coming-of-age of its main target audience, the millennial generation. Harry Potter and the Myth of Millennials: Identity, Reception, and Politics takes an interdisciplinary view of Harry Potter, as a series and a phenomenon, to uncover how the appeal of Harry became a lifestyle, a moral compass, and a guiding light in an era fraught with turbulence and disharmony. As a new phenomenon at the time, Harry Potter provided comfort through the heroism of the main characters, showing that perseverance and ';constant vigilance,' to quote one of the professors, could overcome the darkest of times. Hobbs argues that Harry Potter prepared an entire generation for the chaotic present marked by the 2016 Election and 2020 Pandemic by shaping the political attitudes of its readers, many of whom were developing their political identities alongside Harry. Her analysis focuses on both the novels themselves and the ways in which fans connected globally through the Internet to discuss the books, commiserate about the events swirling around them, and answer calls to action through Harry Potter-inspired activism. In short, Harry Potter and the Myth of Millennials examines how Harry Potter became a generations defining mythology of love, unity, and transformation.

Where is the space for contemporary environmentalism when both the utopian promises of a clean and pure earthly Eden and the dystopian prophecies of an environmental apocalypse have failed to be fully realized? Rather than falling into one of these familiar environmental categories, contemporary space is configured, as this book outlines, as heterotopia, an in-between space of dissonance, where encounters with waste are a daily occurrence and where dirty matter refuses to submit to human demands and intentions. Through an exploration of a series of spaces in which acts of leisure and recreation are configured alongside vibrant dirty matter, this book explores how contemporary heterotopia offer entanglements with a dirty other that promote novel opportunities for humans to ethically respond and be responsible to the continued presence of waste and to generate a sense of ecological care for a dirty world. In doing so, the book urges readers away from a utopian vision of what the environment should be and instead asks how we can ethically exist within and around the dirtied environment as it is. This book will be of interest to scholars of cultural studies, environmental rhetorics, and environmental ethics.

Is the USA hospitable to the slow movement? The land of fast food, get-rich-quick schemes, and 24/7 news feeds? In Slow Culture and the American Dream: A Slow and Curvy Philosophy for the Twenty-First Century, Mary Caputi argues that the slow movement has much to teach the United States at this moment in time. Although slow philosophy is in many ways opposite to the prevalent American Dream, the current cultural setting demands that we heed its teachings. The climate crisis should make us rethink our fast-paced, ever-accelerating lifestyle so that we can lighten our carbon footprint and decelerate--if not reverse-- the damage done to the planet. Equally important, however, is the movement's mandate that we slow down and savor life, focusing on quality, beauty, and calm rather than quantity and speed. Slow Food, Cittaslow (slow cities), slow fashion, slow travel, and slow parenting are examples of a philosophy that seeks to shift our focus away from "progress" as currently understood and revalue quality-of-life issues. Drawing deeply on her involvement with Slow Food and Cittaslow, the author advocates mainstreaming the philosophy of slow and thus reprioritizing the American Dream in ways that sustain the planet and teach Americans to develop a more refined aesthetic principle.

Crime in TV, the News, and Film provides a fresh look at the interplay between criminal events and the media outlets that cover them. The authors' diverse backgrounds a criminologist researcher, a documentarian and media professor, a police officer, and a criminologist who is a former TV reporter allow for frank discussion. Combining field experience with criminological research, the book gives insight to the everyday media operations that can produce most people's views on crime and profoundly influence public opinion public opinion that often frames public policy.Viewers of crime dramas and consumers of news will gain a new understanding of the way their programs are produced. Readers will become more aware of the issues and biases that sometimes cloud perceptions of crime and criminals. Finally, both experts and scholars interested in the subject will improve their discernment of media stories and media depictions, shining a light on crime in a hazy field. This book can be used in the classroom for an array of courses in the fields of media and communications, criminology, sociology, and more.

This book examines Joseph Stalin's increasing popularity in the post-Soviet space, and analyzes how his image, and the nostalgia it evokes, is manipulated and exploited for political gain. The author argues that, in addition to the evil dictator and the Georgian comrade, there is a third portrayal of Stalinthe one projected by the generation that saw the tail end of the USSR, the post-Soviet millennials. This book is not a biography of one of the most controversial historical figures of the past century. Rather, through a combination of sociopolitical commentary and autobiographical elements that are uncommon in monographs of this kind, the attempt is to explore how Joseph Stalin's complex legacies and the conflicting cult of his irreconcilable tripartite of personalities still loom over the region as a whole, including Russia and, perhaps to an even deeper extent, Koba's native landnow the independent Republic of Georgia, caught between its unreconciled Soviet past and the potential future within the European Union.

Women of the 1920s led a revolt against the old standards of womanhood that were dominating US culture. Flappers and feminists, they spoke and acted out, inspiring other women to follow. This book analyzes the work of eleven important 1920s female authors who chronicled this revolt: Anzia Yezierska, Anita Loos, Mae West, Josephine Lovett, Nella Larsen, Mourning Dove, Djuna Barnes, Amy Lowell, Gertrude Stein, Bessie Smith, and Dorothy Parker. These trailblazers wrote counter-narratives to the sexism, racism, classism, and homophobia women faced during the Jazz Age. The author brings their novels, poems, plays, film scenarios, and blues lyrics into conversation with each other for the first time to show different approaches female readers could take to become autonomous individuals and full citizens. The works also encouraged readers to maintain supportive relationships with other progressive women. The author argues these works presented female readers with examples of how they could act individually and collectively to attain the political power, social status, economic independence, sexual freedom, and artistic recognition they deserved.

Francophone Sephardic Fiction:Writing Migration, Diaspora, and Modernity approaches modern Sephardic literature in a comparative way to draw out similarities and differences among selected francophone novelists from various countries, with a focus on North Africa. The definition of Sepharad here is broader than just Spain: it embraces Jews whose ancestors had lived in North Africa for centuries, even before the arrival of Islam, and who still today trace their allegiance to ways of being Jewish that go back to Babylon, as do those whose ancestors spent a few hundred years in Iberia. The author traces the strong influence of oral storytelling on modern novelists of the twentieth and early twenty-first centuries and explores the idea of the portable homeland, as exile and migration engulfed the long-rooted Sephardic communities. The author also examines diaspora concepts, how modernity and post-modernity threatened traditional ways of life, and how humor and an active return into history for the novel have done more than mere nostalgia could to enliven the portable homeland of modern francophone Sephardic fiction.

The Covid-19 pandemic and the disruptions of climate change are features of post-normal times. In Sociology in Post-Normal Times, Charles Thorpe contends that the modern project of creating normalcy within the nation state has broken down. Integral to this is sociology, which is the science of social reform. Drawing from the work of seminal theorists such as Zygmunt Bauman and Anthony Giddens, Thorpe contends that sociologys ';society' is no longer viable because globalization has put an end to social reform, thus the assumptions and goals of sociology must be left behind in order to create a new global humanity. In the face of the pandemic and climate change, Sociology in Post-Normal Times demands no less than the birth of a global humanity beyond nation states as the precondition for human survival.

The emergence of the social sciences, established in the mid to late nineteenth-century, had a substantial bearing on how researchers, academics, and eventually the general public thought about criminal behavior. Using Modernism as a lens, Stephen Brauer, examines how these disciplines shaped Americans' understanding of criminality in the twentieth-century and how it provides a new way to think about culture, social norms, and ultimately, laws. In theory, laws act as articulations and codifications of a community's beliefs, values, and principles. By breaking laws, criminals help us reinforce social norms by providing the opportunity to affirm what is believed to be right. By operating outside the bounds of acceptable behavior, the criminal serves as a useful figure to understand what is at stake in the culture, what the central issues of that culture might be, and what the fears and anxieties are. Criminality serves as a lens through which we can read ourselves and how the criminal operates as a cultural figure signifies the things we are negotiating in our lives and in our communities. Brauer focuses on two main concepts, central to the very concept of Modernism, to explore criminality: contingency, the idea that the individual might not be in control of their own deviance, and agency, the notion that the criminal makes a conscious choice to use crime as a means of economic success. The figure of the criminal is a powerful one and is key to exploring American twentieth-century culture. This book would be of interest to students and scholars in criminology, sociology, cultural studies, literary studies, history, and many others.

To be considered innocent is to be viewed as vulnerable to harm and worthy of protection from harm. An innocent person's pain is recognized, acknowledged, and addressed. Mediated Misogynoir: Erasing Black Women's and Girls' Innocence in the Public Imagination interrogates contemporary media culture to illuminate the ways the intersections of anti-blackness and misogyny, i.e., misogynoir, converge to obscure public perceptions of Black women and girls as people with any claim to innocence. When pained images of Black female bodies appear on media devices, the socio-political responses are telling, not only in their lack of urgency, but also in their inability to be read empathetically. By examining viral videos, memes, and recent film and television, Kalima Young makes a striking case for the need to create a new Black feminist media studies framework broad enough to hold the complexity and agency of Black women and girls in a digital age invested in framing them as inherently adulterated and impure.