Bøger udgivet af LIB OF AMER

"In an unprecedented anthology edited by the poet and critic Rigoberto Gonzâalez, Library of America brings together more than 180 poets whose poems bear witness to the beauty and power of this vital and expanding tradition: its profound engagement with pasts both mythical and historical, its reckoning with the complexities of language, land, and identity, and its vision of a nation enriched by the stories of immigrants, exiles, refugees, and their descendants."-- Provided by publisher.

"The premise of Ronald Fair's short, parable-like novel, Many Thousand Gone: An American Fable (1965), is that in a rural corner of Mississippi--the fictional Jacobs County--slavery did not end in 1865 but continued uninterrupted into the 1960s through the brutal tactics of the local sheriff's office and the willing complicity of surrounding counties. Black outsiders are not allowed into Jacobs County while Black inhabitants attempting to escape are hunted down and killed. All the Black women in the county have been made sexually available to any white man for generations, resulting in the mixed blood of nearly all the enslaved population.When the last all-Black child, "the Black Prince," is born, he is secreted out of the county by his great-grandmother and a family friend, and eventually makes his way north to join his father. Years later, when the Black Prince becomes a celebrated writer in Chicago, his growing fame puts an unwanted spotlight on Jacobs County, emboldening the enslaved population, exposing the white supremacists' false sense of superiority, and setting in motion a series of events that will change everything. Will the white population change with the times? Or will they willingly see the destruction of Jacobsville--the county's principal town--before sharing power with the Black population?"--Provided by publisher.

In the 1960s a number of gifted writers--some at the peak of their careers, others newcomers--reimagined American crime fiction through formal experimentation and the exploration of audacious new subjects and themes. This is the second of two volumes gathering the best of their work, nine novels of astonishing variety and inventiveness that pulse with the energies of that turbulent, transformative decade. In Margaret Millar's The Fiend (1964) a nine-year-old girl disappears and a local sex offender comes under suspicion. So begins a suspenseful investigation of an apparently tranquil California suburb that will expose a hidden tangle of fear and animosity, jealousy and desperation. Ed McBain (a pen name of Evan Hunter) pioneered the multi-protagonist police procedural in his long-running series of 87th Precinct novels, set in a parallel Manhattan called Isola. Doll (1965) opens at a pitch of extreme violence and careens with breakneck speed through a tale that mixes murder, drugs, the modeling business, and psychotherapy with the everyday professionalism of McBain's harried cops. The racial paranoia of a drunken police detective in Run Man Run (1966) leads to a double murder and the relentless pursuit of the young Black college student who witnessed it. In Chester Himes's breathless narrative, New York City is a place with no safe havens for a fugitive whom no one wants to believe. In Patricia Highsmith's The Tremor of Forgery (1969) a man whose personality is disintegrating is writing a book called The Tremor of Forgery about a man whose personality is disintegrating, "like a mountain collapsing from within." Stranded unexpectedly in Tunisia, Howard Ingham struggles to hold on to himself in a strange locale, while a slightly damaged typewriter may be the only trace of a killing committed almost by accident.

In the 1960s a number of gifted writers--some at the peak of their careers, others newcomers--reimagined American crime fiction through formal experimentation and the exploration of audacious new subjects and themes. This is the first of two volumes gathering the best of their work, nine novels of astonishing variety and inventiveness that pulse with the energies of that turbulent, transformative decade. In The Murderers (1961) by Fredric Brown, an out-of-work actor, hanging out with Beat drifters on the fringes of Hollywood, concocts a murder scheme that devolves into nightmare. This late work by a master in many genres is one of his darkest and most ingenious. Dan J. Marlowe's The Name of the Game Is Death (1962) channels the inner life of a violent criminal who freely acknowledges the truth of a prison psychiatrist's diagnosis: "Your values are not civilized values." Written with unnerving emotional authenticity, the story hurtles toward an annihilating climax. Charles Williams drew on his experience in the merchant marine for his thriller Dead Calm (1963). A newlywed couple alone on a small yacht find themselves at the mercy of the mysterious survivor they have rescued from a sinking ship, in a suspenseful story that chillingly evokes the perils of the open ocean. In the beautifully told and sharply observant The Expendable Man (1963), Dorothy B. Hughes's final masterpiece of suspense, a young man in the American Southwest runs afoul of racial assumptions after he picks up a hitchhiker who is soon found dead. In twenty-four brilliantly constructed novels, Richard Stark (a pen name of Donald Westlake) charted the career of Parker, a hard-nosed professional thief, with rigorous clarity. The Score (1964), a stand-out in the series, finds Parker and his criminal associates hatching a plot to rob simultaneously all the jewelry stores, payroll offices, and banks in a Larsonremote Western mining town, only to come up against the human limits of even the most intricate planning.

Library of America presents the definitive novel of the Jazz Age in an authoritative new text--along with a quartet of brilliant stories that explore variations on the theme of desperate longing for an unattainable someone or something --

Library of America inaugurates its edition of the complete fiction of one of America's most beloved living writersFor more than fifty years, in eight novels and fortytwo short stories, Wendell Berry (b. 1934) has created an indelible portrait of rural America through the lens of Port William, Kentucky, one of the most fully imagined places in American literature. Taken together, these novels and stories form a masterwork of American prose: straightforward, spare, and lyrical. Now, for the first time, in an edition prepared in consultation with the author, Library of America is presenting the complete story of Port William in the order of narrative chronology. This first volume, which spans from the Civil War to World War II, gathers the novels Nathan Coulter (1960, revised 1985), A Place on Earth (1967, revised 1983), A World Lost (1996), and Andy Catlett: Early Travels (2006), along with twenty-three short stories, among them such favorites as "Watch With Me," "Thicker than Liquor," and "A Desirable Woman." It also features a newly researched chronology of Berry's life and career, a map and a Port William Membership family tree, and helpful notes.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

For the 250th anniversary of John Quincy Adams's birth, a landmark new selected edition of an American masterpiece: the incomparable self-portrait of a man and his times from the Revolution to the coming of the Civil War.The diary of John Quincy Adams is one of the most extraordinary works in American literature. Begun in 1779 at the age of twelve and kept more or less faithfully until his death almost 70 years later, and totaling some fifteen thousand closely-written manuscript pages, it is both an unrivaled record of historical events and personalities from the nation's founding to the antebellum era and a masterpiece of American self-portraiture, tracing the spiritual, literary, and scientific interests of an exceptionally lively mind. Now, for the 250th anniversary of Adams's birth, Library of America and historian David Waldstreicher present a two-volume reader's edition of diary selections based for the first time on the original manuscripts, restoring personal and revealing passages suppressed in earlier editions.Volume 2 opens with Adams serving as Secretary of State, amid political maneuverings within and outside James Monroe's cabinet to become his successor, a process that culminates in Adams's election to the presidency by the House of Representatives after the deadlocked four-way contest of 1824. Even as Adams takes the oath of office, rivals Henry Clay, his Secretary of State, John C. Calhoun, his vice president, and an embittered Andrew Jackson, eye the election of 1828. The diary records in candid detail his frustration as his far-sighted agenda for national improvement founders on the rocks of internecine political factionalism, conflict that results in his becoming only the second president, with his father, to fail to secure reelection. After a short-lived retirement, Adams returns to public service as a Congressman from Massachusetts, and for the last seventeen years of his life he leads efforts to resist the extension of slavery and to end the notorious "gag rule" that stifles debate on the issue in Congress. In 1841 he further burnishes his reputation as a scourge of the Slave Power by successfully defending African mutineers of the slave ship Amistad before the Supreme Court. The diary achieves perhaps its greatest force in its prescient anticipation of the Civil War and Emancipation, an "object," as Adams described it during the Missouri Crisis, "vast in its compass, awful in its prospects, sublime and beautiful in its issue."

Into the Blue revisits the remarkable trajectory of Americans in air and space, gathering sixty of the best eyewitness and participant narratives from Benjamin Franklin's letters on the first hot air balloons to Chris Jones's account of being marooned on the International Space Station. Here are those who made flight happen: Orville and Wilbur Wright, self-taught pioneers whose homespun invention stunned the world; World War I ace Eddie Rickenbacker, whose memoirs (excerpted here for the first time in unedited form) describe the frightening novelties of aerial combat; and daredevils like Texas barnstormer Slats Rodgers and test pilot Jimmy Collins. Ernest Hemingway offers a vivid dispatch on a 1922 flight over France, and Gertrude Stein muses on the look of America from the air; Charles A. Lindbergh and Amelia Earhart narrate their groundbreaking transatlantic flights; Ralph Ellison reflects on the experience of African American airmen at Tuskegee; William F. Buckley Jr. recounts his mishaps as an amateur pilot; Wernher von Braun envisions a space station of the future, while astronauts John Glenn, Michael Collins and Buzz Aldrin provide firsthand recollections of the conquest of space. Here too, among many other subjects, are scenes and episodes in the development of commercial aviation, from the hiring of the first stewardesses and the high stress lives of air traffic controllers to the new ubiquity of what Walter Kirn calls "Airworld." A thirty-two-page insert offers photographs, some previously unpublished, of the writers and their crafts.

Thomas Jefferson defined, at the moment of our nation's birth, the issues that still direct our political life. Displaying his extraordinary variety of interests and powerful and precise style, Jefferson's writings are an invaluable and incisive record of the landscape, inhabitants, life, and daily customs of America in the Revolutionary and early national eras, as well as a testimony to the brilliance of one of the most influential and controversial figures in our nation's history.

From the American Revolution to the present day, public oratory has profoundly shaped American history and culture-not only our politics but our language and our sense of national identity. Edited by historian and former presidential speechwriter Ted Widmer, American Speeches presents the complete texts of forty-seven of the greatest speeches in American history: from Patrick Henry's address before the Virginia Convention in 1775 ("give me liberty, or give me death!") to "A More Perfect Union," Barack Obama's profound meditation on race from the 2008 presidential campaign. Classic speeches like Sojourner Truth's stirring declamation to the 1851 Women's Rights Convention, Abraham Lincoln's masterpiece at Gettysburg, John F. Kennedy's still-inspiring inaugural address, Martin Luther King, Jr.'s prophetic "I Have a Dream" speech, and Ronald Reagan's clarion call at the Brandenburg Gate come together to form a dynamic portrait of our ongoing struggle to define and to realize the possibilities of the American experiment. For almost thirty years, The Library of America has presented America's best and most significant writing in acclaimed hardcover editions. Now, a new series, Library of America Paperback Classics, offers attractive and affordable books that bring The Library of America's authoritative texts within easy reach of every reader. This book features detailed biographical notes about the speakers, an essay on the choice of the texts, and explanatory notes.

Jonathan Lethem, editor "The most outré science fiction writer of the 20th century has finally entered the canon," exclaimed Wired Magazine upon The Library of America's May 2007 publication of Philip K. Dick: Four Novels of the 1960s, edited by Jonathan Lethem. Now comes a companion volume collecting five novels that offer a breathtaking overview of the range of this science-fiction master. Philip K. Dick (1928-82) was a writer of incandescent imagination who made and unmade world-systems with ferocious rapidity and unbridled speculative daring. "The floor joists of the universe," he once wrote, "are visible in my novels." Martian Time-Slip (1964) unfolds on a parched and thinly colonized Red Planet where schizophrenia is a contagion and the unscrupulous seek to profit from a troubled child's time-fracturing visions. Dr. Bloodmoney, or How We Got Along After the Bomb (1965) chronicles the deeply-interwoven stories of a multi-racial community of survivors, including the scientist who may have been responsible for World War III. Famous, among other reasons, for a therapy session involving a talking taxicab, Now Wait for Last Year (1966) explores the effects of JJ-180, a hallucinogen that alters not only perception, but reality. In Flow My Tears, the Policeman Said (1974), a television star seeks to unravel a mystery that has left him stripped of his identity. A Scanner Darkly (1977), the basis for the 2006 film, envisions a drug-addled world in which a narcotics officer's tenuous hold on sanity is strained by his new surveillance assignment: himself. Mixing metaphysics and madness, phantasmagoric visions of a post-nuclear world and invading extraterrestrial authoritarians, and all-too-real evocations of the drugged-out America of the 70s, Dick's work remains exhilarating and unsettling in equal measure.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.