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Library of America inaugurates its edition of the complete fiction of one of America's most beloved living writersFor more than fifty years, in eight novels and fortytwo short stories, Wendell Berry (b. 1934) has created an indelible portrait of rural America through the lens of Port William, Kentucky, one of the most fully imagined places in American literature. Taken together, these novels and stories form a masterwork of American prose: straightforward, spare, and lyrical. Now, for the first time, in an edition prepared in consultation with the author, Library of America is presenting the complete story of Port William in the order of narrative chronology. This first volume, which spans from the Civil War to World War II, gathers the novels Nathan Coulter (1960, revised 1985), A Place on Earth (1967, revised 1983), A World Lost (1996), and Andy Catlett: Early Travels (2006), along with twenty-three short stories, among them such favorites as "Watch With Me," "Thicker than Liquor," and "A Desirable Woman." It also features a newly researched chronology of Berry's life and career, a map and a Port William Membership family tree, and helpful notes.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
Into the Blue revisits the remarkable trajectory of Americans in air and space, gathering sixty of the best eyewitness and participant narratives from Benjamin Franklin's letters on the first hot air balloons to Chris Jones's account of being marooned on the International Space Station. Here are those who made flight happen: Orville and Wilbur Wright, self-taught pioneers whose homespun invention stunned the world; World War I ace Eddie Rickenbacker, whose memoirs (excerpted here for the first time in unedited form) describe the frightening novelties of aerial combat; and daredevils like Texas barnstormer Slats Rodgers and test pilot Jimmy Collins. Ernest Hemingway offers a vivid dispatch on a 1922 flight over France, and Gertrude Stein muses on the look of America from the air; Charles A. Lindbergh and Amelia Earhart narrate their groundbreaking transatlantic flights; Ralph Ellison reflects on the experience of African American airmen at Tuskegee; William F. Buckley Jr. recounts his mishaps as an amateur pilot; Wernher von Braun envisions a space station of the future, while astronauts John Glenn, Michael Collins and Buzz Aldrin provide firsthand recollections of the conquest of space. Here too, among many other subjects, are scenes and episodes in the development of commercial aviation, from the hiring of the first stewardesses and the high stress lives of air traffic controllers to the new ubiquity of what Walter Kirn calls "Airworld." A thirty-two-page insert offers photographs, some previously unpublished, of the writers and their crafts.
Thomas Jefferson defined, at the moment of our nation's birth, the issues that still direct our political life. Displaying his extraordinary variety of interests and powerful and precise style, Jefferson's writings are an invaluable and incisive record of the landscape, inhabitants, life, and daily customs of America in the Revolutionary and early national eras, as well as a testimony to the brilliance of one of the most influential and controversial figures in our nation's history.
From the American Revolution to the present day, public oratory has profoundly shaped American history and culture-not only our politics but our language and our sense of national identity. Edited by historian and former presidential speechwriter Ted Widmer, American Speeches presents the complete texts of forty-seven of the greatest speeches in American history: from Patrick Henry's address before the Virginia Convention in 1775 ("give me liberty, or give me death!") to "A More Perfect Union," Barack Obama's profound meditation on race from the 2008 presidential campaign. Classic speeches like Sojourner Truth's stirring declamation to the 1851 Women's Rights Convention, Abraham Lincoln's masterpiece at Gettysburg, John F. Kennedy's still-inspiring inaugural address, Martin Luther King, Jr.'s prophetic "I Have a Dream" speech, and Ronald Reagan's clarion call at the Brandenburg Gate come together to form a dynamic portrait of our ongoing struggle to define and to realize the possibilities of the American experiment. For almost thirty years, The Library of America has presented America's best and most significant writing in acclaimed hardcover editions. Now, a new series, Library of America Paperback Classics, offers attractive and affordable books that bring The Library of America's authoritative texts within easy reach of every reader. This book features detailed biographical notes about the speakers, an essay on the choice of the texts, and explanatory notes.
Jonathan Lethem, editor "The most outré science fiction writer of the 20th century has finally entered the canon," exclaimed Wired Magazine upon The Library of America's May 2007 publication of Philip K. Dick: Four Novels of the 1960s, edited by Jonathan Lethem. Now comes a companion volume collecting five novels that offer a breathtaking overview of the range of this science-fiction master. Philip K. Dick (1928-82) was a writer of incandescent imagination who made and unmade world-systems with ferocious rapidity and unbridled speculative daring. "The floor joists of the universe," he once wrote, "are visible in my novels." Martian Time-Slip (1964) unfolds on a parched and thinly colonized Red Planet where schizophrenia is a contagion and the unscrupulous seek to profit from a troubled child's time-fracturing visions. Dr. Bloodmoney, or How We Got Along After the Bomb (1965) chronicles the deeply-interwoven stories of a multi-racial community of survivors, including the scientist who may have been responsible for World War III. Famous, among other reasons, for a therapy session involving a talking taxicab, Now Wait for Last Year (1966) explores the effects of JJ-180, a hallucinogen that alters not only perception, but reality. In Flow My Tears, the Policeman Said (1974), a television star seeks to unravel a mystery that has left him stripped of his identity. A Scanner Darkly (1977), the basis for the 2006 film, envisions a drug-addled world in which a narcotics officer's tenuous hold on sanity is strained by his new surveillance assignment: himself. Mixing metaphysics and madness, phantasmagoric visions of a post-nuclear world and invading extraterrestrial authoritarians, and all-too-real evocations of the drugged-out America of the 70s, Dick's work remains exhilarating and unsettling in equal measure.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
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