Bøger udgivet af Library of America

In one authoritative volume, here are two landmark story collections by one of America's most beloved authors, plus 27 stellar, speculative, and strange tales from other collections, including 7 restored to print The author of over 400 short stories, Ray Bradbury was a master not only in the science fiction genre, for which he is best known, but also in speculative, horror, and dark fantasy. Here are two of Bradbury's most beloved collections, along with twenty-seven other stories, that together represent the best of Bradbury's stories of the 1940s, 50s, and 60s. The Illustrated Man--the more Earthbound science fiction companion to Bradbury's classic collection The Martian Chronicles--contains eighteen short stories bound together by the unifying metaphor of a strangely tattooed outcast. The stories explore both the dehumanizing possibilities of space-age technology--in "The Veldt" and "The Rocket Man"--and the pessimistic, dark side of humanity, as in "The Visitor." The October Country collects nineteen short stories: macabre carnival tales, speculative horror, and strange fantasy. "Uncle Einar" and "Homecoming" concern the monstrous and immortal Elliott family. In "The Next in Line," a woman becomes convinced that she'll never leave the small, Mexican town she's traveled to on vacation. And in "Touched with Fire," two old men have learned to predict future murders. This edition restores the original artwork by Joe Mugnaini. Rounding out the volume are twenty-seven other short stories from the first half of Bradbury's career selected by Bradbury scholar Joanthan R, Eller, including "Frost and Fire," in which humans on another planet live only eight days; "The Pedestrian," about the only man in the world who does not watch television, and "I Sing the Body Electric!," in which a family purchases a robotic grandmother. Also includes such hard to find stories as "R is for Rocket," "Asleep in Armageddon," and "The Lost City of Mars."

In one volume, four novels by "the real Fitzgerald": scintillating, sexually frank tales of the desperate pursuit of pleasure and status in Jazz Age America.Here in one volume are four gripping novels about the anxious pursuit of pleasure and status in the Jazz Age by the writer who has been called "the real Fitzgerald." In the brilliant debut Appointment in Samarra (1934), the life of car dealer Julian English unravels with stunning swiftness after he throws a highball in another man's face. Butterfield 8 (1935), based on the notorious case of the drowned socialite Starr Faithfull, is the still-shocking story of one young woman's defiant recklessness amid the desperate revels of Prohibition-era Manhattan. The long out-of-print Hope of Heaven (1938) shifts the scene to Los Angeles for a noirish tale of ill-fated love. And Pal Joey (1940), inspiration for the enduring Rodgers & Hart musical, presents O'Hara's perhaps most memorable character, a sleazy nightclub emcee whose wised-up talk highlights O'Hara's matchless ear for the American language. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

An eminent paleontologist with the soul and skill of a poet, Loren Eiseley (1907-1977) was among the twentieth century's greatest inheritors of the literary tradition of Henry David Thoreau, Charles Darwin, and John Muir, and a precursor to such later writers as Stephen Jay Gould, Richard Dawkins, and Carl Sagan. After decades of fieldwork and discovery as a "bone-hunter" and professor, Eiseley turned late in life to the personal essay, and beginning with the surprise million-copy seller The Immense Journey (1957) he produced an astonishing succession of books that won acclaim both as science and as art. Now for the first time, the Library of America presents his landmark essay collections in a definitive two-volume set.This second volume begins with The Invisible Pyramid (1970), a book of meditations on the origins and possible futures of humankind set against the backdrop of the Apollo 11 landings. As Western civilization attains new heights of scientific awareness and technological skill, is it also blind to its own limits, doomed to destroy itself like the lost civilizations of the ancients or other "spore-bearers" in our evolutionary past? Eiseley makes an urgent, environmentalist plea in these essays: we must protect the planet from which we emerged against our unchecked power to overpopulate and pollute and consume it. The essays in The Night Country (1971) look not to the stars but backward and inward: to the haunted spaces of Eiseley's lonely Nebraska childhood and to those moments, often dark and unexpected, when chance observations disturb our ordinary understandings of the universe. The naturalist here seeks neither "salvation in facts" nor solace in wild places: encountering an old bone, or a nest of wasps, he recognizes what he calls "the ghostliness of myself," his own mortality, and the paradoxes of the evolution of consciousness. Shortly before his death, Eiseley made plans for what would be his last book, published posthumously as The Star Thrower (1978). Here are late essays on the life and legacy of Henry David Thoreau, the writer to whom he turned more often than any other; thoughts on the "two cultures" he sought to bring together throughout his career; and on the relations between hard science and "awe before the universe." Of particular interest are two early stories discovered among his papers, "The Dance of the Frogs" and "The Fifth Planet." A companion volume gathers The Immense Journey (1957), The Firmament of Time (1960), The Unexpected Universe (1969), and a selection of Eiseley's uncollected prose.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

For the 150th anniversary of the Emancipation Proclamation, here is a collection of writings that charts our nation's long, heroic confrontation with its most poisonous evil. It's an inspiring moral and political struggle whose evolution parallels the story of America itself. To advance their cause, the opponents of slavery employed every available literary form: fiction and poetry, essay and autobiography, sermons, pamphlets, speeches, hymns, plays, even children's literature. This is the first anthology to take the full measure of a body of writing that spans nearly two centuries and, exceptionally for its time, embraced writers black and white, male and female. Benjamin Franklin, Thomas Paine, Phillis Wheatley, and Olaudah Equiano offer original, even revolutionary, eighteenth century responses to slavery. With the nineteenth century, an already diverse movement becomes even more varied: the impassioned rhetoric of Frederick Douglass and William Lloyd Garrison joins the fiction of Harriet Beecher Stowe, Louisa May Alcott, and William Wells Brown; memoirs of former slaves stand alongside protest poems by John Greenleaf Whittier, Henry Wadsworth Longfellow, and Lydia Sigourney; anonymous editorials complement speeches by statesmen such as Charles Sumner and Abraham Lincoln. Features helpful notes, a chronology of the antislavery movement, and a16-page color insert of illustrations.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Together, the nine works in Harlem Renaissance Novels form a vibrant collective portrait of African American culture in a moment of tumultuous change and tremendous hope. • Cane, Jean Toomer • Home to Harlem, Claude McKay • Quicksand, Nella Larsen • Plum Bun, Jessie Redmon Fauset • The Blacker the Berry, Wallace Thurman • Not Without Laughter, Langston Hughes • Black No More, George Schuyler • The Conjure-Man Dies, Rudolph Fisher • Black Thunder, Arna Bontemps LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Famous as a scientist, statesman, philosopher, businessman, and civic leader, Benjamin Franklin was also one of the most powerful and controversial American writers of his time. He has been a subject of intense debate ever since: to Matthew Arnold, he exemplified "victorious good sense"; to D. H. Lawrence, he was "the first dummy American." Franklin's classic Autobiography, one of the great foundational works of American literature, is his last word on his most remarkable literary invention-his own invented persona, the original incarnation of the American success story. For almost thirty years, The Library of America has presented America's best and most significant writing in acclaimed hardcover editions. Now, a new series, Library of America Paperback Classics, offers attractive and affordable books that bring The Library of America's authoritative texts within easy reach of every reader. Each book features an introductory essay by one of a leading writer, as well as a detailed chronology of the author's life and career, an essay on the choice and history of the text, and notes. The contents of this Paperback Classic are drawn from Benjamin Franklin: Autobiography, Poor Richard, & Later Writings, volume #37B in the Library of America series. It is joined in the series by a companion volume, #37A, Benjamin Franklin: Silence Dogood, The Busy-Body, & Early Writings. Both volumes were edited by J. A. Leo Lemay.

In one volume, three unforgettable memoirs that capture the brutality, fear, and heroism of the American land, air, and sea war in the Pacific. "Every generation is a secret society," former Marine pilot Samuel Hynes wrote. "The secret that my generation-the one that came of age during the Second World War-shared was simply the war itself." This volume brings together the powerful memoirs of three Americans who came of age fighting in the Pacific and who survived to tell their stories. Remarkable literary achievements that capture history with the immediacy of lived experience, all three-presented here in an illustrated collector's edition-are classics of the modern literature of war. In With the Old Breed at Peleliu and Okinawa (1981) Marine veteran E. B. Sledge bears unflinching witness to the horror, fear, and degradation of prolonged close-quarters combat. A mortarman serving in a front-line rifle company, Sledge survived thirty days of nightmarish fighting on the remote coral island of Peleliu, where heat, thirst, filth, and fear and hatred of the Japanese "eroded the veneer of civilization and made savages of us all." On Okinawa he faced an even greater test of endurance amid deep mud, driving rain, and incessant shelling, as men "fought and bled in an environment so degrading I believed we had been flung into hell's own cesspool." Written with precision and clarity, Sledge's memoir is a haunting testament to his struggle to hold on to decency and sanity, and a moving tribute to the esprit de corps of the U.S. Marines.Flights of Passage (1988) is Samuel Hynes' evocative and elegiac memoir of his "fairly ordinary flying war." A "true believer in the religion of flight," he writes with lyricism, candor, and humor about the joys and dangers of his stateside training as a dive-bomber pilot, the beauty and excitement he experienced flying in combat over the Ryukyu Islands, and his wartime education in the realities of friendship, sex, love, and sudden, random death.Alvin Kernan enlisted in the Navy in 1941 at age seventeen to escape life on a failing Wyoming ranch. Crossing the Line (1994, revised 2007) is a vividly written account of his remarkable service on three aircraft carriers, first as an aviation ordnanceman and then as an air gunner. A perceptive and thoughtful observer of the sailor's life at sea and on shore, Kernan witnessed the aftermath of the Pearl Harbor attack and the launching of the Doolittle Raid, armed planes at Midway, survived the sinking of the Hornet, and flew on the final mission of the fighter ace Butch O'Hare.With thirty-two pages of photographs and endpaper maps.

This capstone novel in Library of America's Bernard Malamud edition brings together his three final novels: The Tenants, about the growing tension between two male writers -- one Jewish, the other Black -- who are the only inhabitants of a crumbling Manhattan tenement house; Dubin's Lives, a revealing study in the perils and and promise of love in middle age; and God's Grace, a postapocalyptic tale of upended evolution in which redemption depends on the lone human survivor's ability to find common ground with a talking chimp. Edited by Malamud's definitive biographer, the volume is rounded out with thirteen masterful short stories and the memoir "Long Work, Short Life" as well as a fascinating autobiographic sketch, " A Lost Bar-Mitzvah," published here for the first time.