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The wandering poet has always been a feature of our cultural imagination. Odysseus journeys home, his famous flair for storytelling seducing friend and foe. The Romantic poets tramped all over the Lake District searching for inspiration. Now Simon Armitage, with equal parts enthusiasm and trepidation, as well as a wry humor all his own, has taken on Britain's version of our Appalachian Trail: the Pennine Way. Walking "the backbone of England" by day (accompanied by friends, family, strangers, dogs, the unpredictable English weather, and a backpack full of Mars Bars), each evening he gives a poetry reading in a different village in exchange for a bed. Armitage reflects on the inextricable link between freedom and fear as well as the poet's place in our bustling world. In Armitage's own words, "to embark on the walk is to surrender to its lore and submit to its logic, and to take up a challenge against the self."

Before Alfred Hitchcock adapted her debut novel, Strangers on a Train, for the big screen; before her suave and sociopathic Thomas Ripley snaked his way into the canon of psychological suspense; and before The Price of Salt became a cult classic of romantic obsession, who was Patricia Highsmith?Focused on her formative years in Manhattan, this condensed edition of Highsmith's monumental Diaries and Notebooks reveals "Pat" at her most passionate and florescent. Beginning in 1941 at Barnard College and encompassing the Texas native's adventurous twenties,?The New York Years intertwines scenes from her dizzying social life-rife with sleepless nights barhopping in the queer underground Greenwich Village scene, always juggling too many lovers-with an intimate self-portrait of a young artist who by day dispassionately wrote comics for a paycheck. Amid all the hangovers and the breakups, she read voraciously and honed her craft with verve. Laid bare in this perennial reader's edition are the bold, hilarious, romantic, tragic, and maddeningly contradictory observations of one of "our greatest modernist writers" (Gore Vidal).

A towering figure in the field of economics, Amartya Sen is perhaps best known for his work on poverty and famine, as inspired by events in his boyhood home of West Bengal, India. But Sen has, in fact, called many places "home," from Dhaka in modern Bangladesh to Trinity College, Cambridge. In Home in the World, these "homes" collectively form an unparalleled and profoundly truthful vision of twentieth- and twenty-first century life. Interweaving scenes from his youth with candid reflections on wealth, welfare, and social justice, Sen shows how his life experiences-in Asia, Europe, and later America-vitally informed his work, culminating in the ultimate "portrait of a citizen of the world" (Philip Hensher, Spectator).. "Sen is more than an economist, moral philosopher or even an academic. He is a life-long campaigner . . . for a more noble idea of home." -Edward Luce, Financial Times (UK). "[Sen] is an unflinching man of science but also insistently humane." -Tunku Varadarajan, Wall Street Journal

In a bunker deep below Berlin's Old Reich Chancellery, Adolf Hitler and his new bride, Eva Braun, took their own lives just after 3:00 p.m. on April 30, 1945-Hitler by gunshot to the temple, Braun by ingesting cyanide. But the Führer's suicide did not instantly end either Nazism or the Second World War in Europe. Far from it: the eight days that followed were among the most traumatic in modern history, witnessing not only the final paroxysms of bloodshed and the frantic surrender of the Wehrmacht, but the total disintegration of the once-mighty Third Reich.In Eight Days in May, the award-winning historian and Hitler biographer Volker Ullrich draws on an astonishing variety of sources, including diaries and letters of ordinary Germans, to narrate a society's descent into Hobbesian chaos. In the town of Demmin in the north, residents succumbed to madness and committed mass suicide. In Berlin, Soviet soldiers raped German civilians on a near-unprecedented scale. In Nazi-occupied Prague, Czech insurgents led an uprising in the hope that General George S. Patton would come to their aid but were brutally put down by German units in the city. Throughout the remains of Third Reich, huge numbers of people were on the move, creating a surrealistic tableau: death marches of concentration-camp inmates crossed paths with retreating Wehrmacht soldiers and groups of refugees; columns of POWs encountered those of liberated slave laborers and bombed-out people returning home.A taut, propulsive narrative, Eight Days in May takes us inside the phantomlike regime of Hitler's chosen successor, Admiral Karl Dönitz, revealing how the desperate attempt to impose order utterly failed, as frontline soldiers deserted and Nazi Party fanatics called on German civilians to martyr themselves in a last stand against encroaching Allied forces. In truth, however, the post-Hitler government represented continuity more than change: its leaders categorically refused to take responsibility for their crimes against humanity, an attitude typical not just of the Nazi elite but also of large segments of the German populace. The consequences would be severe. Eight Days in May is not only an indispensable account of the Nazi endgame, but a historic work that brilliantly examines the costs of mass delusion.

"If you want to understand American history, listen to its popular music," writes renowned NPR host Rob Kapilow. "If you want to understand America's popular music, listen to its history." Through the songs of eight legendary American composers-Kern, Porter, Gershwin, Arlen, Berlin, Rodgers, Bernstein, and Sondheim-Kapilow listens for the history not just of musical theater, but of America itself. Combining close readings of Broadway hits like "Summertime" and "Stormy Weather" with a wide-angled historical point of view, Listening for America shows us how we too can listen along as America discovered its identity through the epochal transformations of the twentieth century.

Grounded in a lifetime of research and interpretive work and informed by careful study of recent archaeological discoveries of alternate versions of the text, Brook Ziporyn, one of the preeminent explicators of Eastern religions in English, brings us a revelatory new translation-and a radical reinterpretation-of the central text of Taoist thought. Ziporyn offers an alternative to the overly comforting tone of so many translations, revealing instead the electrifying strangeness and explosively unsettling philosophical implications of this famously ambiguous work. In Ziporyn's hands, this is no mere "wisdom book" of anodyne affirmations or mildly diverting brain-teasers-this pathbreaking Daodejing will forever change how the text is read and understood in the West.

Internationally renowned as one of the twentieth century's foremost public intellectuals, Hannah Arendt was also intensely private. Though she often acknowledged that the language of poetry-especially that of Dickinson, Goethe, and Lowell-informed her work, only a few people knew that Arendt herself wrote poems.In fact, between 1923 and 1961, Arendt wrote seventy-four poems, many of them signposts in an otherwise unwritten autobiography. For nearly forty years after her death, these poems remained hidden among the archives of the Library of Congress, until 2011, when they were rediscovered by scholar and translator Samantha Rose Hill. Now, for the first time in English, Hill and Genese Grill present Arendt's poems in chronological order, taking us from the zenith of the Weimar Republic to the Cold War, and from Marburg, Germany, to New York's Upper West Side.Throughout, Arendt uses poetry to mark moments of joy, love, loss, and reflection. In "W. B.," written in 1942, she remembers Walter Benjamin, who died near the French-Spanish border while attempting to flee the Nazis: "Gentle whispering melodies / Sound from the darkness. / We listen so we can let go." So, too, she reflects on mutability and transience in 1946: "I know that the houses have fallen. / We entered the world in them, wonderfully sure, that they / were more durable than ourselves." She tries to understand her place in the world: "Ironically foolish, / I've forgotten nothing, / I know the emptiness, / I know the burden, / I dance, I dance / In ironic splendor." A gift to all readers of Arendt, this stunning, dual-language edition provides an unparalleled view into the inner sanctum of one of our most original thinkers.

There must be in the world many parents who, like the present author, have young children whom they are anxious to educate as well as possible, but reluctant to expose to the evils of most existing educational institutions. Thus from love for our own children we are driven, step by step, into the wider sphere of politics and philosophy. Contents: Postulates of Modern Educational Theory; Aims of Education; Education of Character; Fear; Play and Fancy; Constructiveness; Selfishness and Property; Truthfulness; Punishment; Importance of Other Children; Affection and Sympathy; Sex Education; Nursery School; Intellectual Education; School Curriculum Before Fourteen; Last School Years; Day Schools and Boarding Schools; The University.

Standing alongside Marjane Satrapi's Persepolis and Joe Sacco's Palestine, Nina Bunjevac's Fatherland renders the searing history of the Balkans in the twentieth century through the experiences of the author and her family. In 1975, fearing her husband's growing fanaticism, Nina Bunjevac's mother fled her marriage and adopted country of Canada, taking Nina-then only a toddler-and her older sister back to Yugoslavia to live with her parents. Her husband and Nina's father, Peter, was a die-hard Serbian nationalist who was forced to leave his country in the 1950s. Remaining in Canada, he became involved with a terrorist organization bent on overthrowing the Communist Yugoslav government and attacking its supporters in North America. Then in 1977, while his family was still in Yugoslovia, Peter was killed in an accidental explosion while building a bomb.Through exquisite and haunting black-and-white art, Nina Bunjevac documents the immediate circumstances surrounding her father's death and provides a sweeping account of the former Yugoslovia under Fascism and Communism, telling an unforgettable true story of how the scars of history are borne by family and nation alike.

A remarkable and delightful variety of poetic languages is displayed throughout the work: songs, hymns, invective, elegy, sermons, polemic, and prose poetry. It is rich in historical and literary associations and is at the same time accessible to all.

From the best-selling author of Why Does the World Exist? comes this outrageous, uproarious compendium of absurdity, filth, racy paradox, and gratuitous  offensiveness-just the kind of mature philosophical reflection readers have come to expect from the ever-entertaining Jim Holt. Indeed, Stop Me If You'veHeard This is the first book to trace the evolution of the joke all the way from the standup comics of ancient Athens to the comedy-club Seinfelds of today. After exploring humor's history in Part One, Holt delves into philosophy in Part Two: Wall Street jokes; jokes about rednecks and atheists, bulimics and politicians; jokes you missed if you didn't go to a Catholic girls' school; jokes about logic and existence itself . . . all became fodder for the grand theories of Aristotle, Kant, Freud, and Wittgenstein in this heady mix of the high and low, of the ribald and profound, from America's most beloved philosophical pundit.

The Divine Comedy is the precursor of modern literature, and Clive James's translation-decades in the making-gives us the entire epic as a single, coherent, and compulsively readable lyric poem. For the first time ever in an English translation, James makes the bold choice of switching from the terza rima composition of the original Italian-a measure that strains in English-to the quatrain. The result is "rhymed English stanzas that convey the music of Dante's triple rhymes" (Edward Mendelson). James's translation reproduces the same wonderful momentum of the original Italian that propels the reader along the pilgrim's path from Hell to Heaven, from despair to revelation.

On the Nightmare is a searching investigation of this mysterious, often terrifying phenomenon. Curiously enough, no disorder in the history of medical science has evoked such consistent superstition on the part of layfolk--even today, when nearly every one of us is still unconsciously superstitious, as our customs of knocking wood, crossing fingers and Friday the Thirteenth readily prove.In explaining the weird nightmare occurrences, all peoples and faiths have invoked mythological creatures: werewolves, vampires, incubi, and succubi (stealthy ravishers of the night), devils, witches, etc. The modern psychological theory of the nightmare is mainly the product of the researches of Sigmund Freud.Dr. Ernest Jones draws for this definitive study upon psychiatry, history, literature and mythology. As a result of these investigations, he has evolved an important theory concerning the relationship between religion, upon whose unconscious significance these superstitions throw light, and the burden of guilt inherited by everyone "from the deepest stirrings of mental life, the primordial conflict over incest."As President of the International Psychoanalytical Association and author of numerous widely-read books and articles, he is one of the world's leading authorities on psychiatry and related studies.

Almost fifty years since the anthology's first appearance, it is still the only such one ever attempted. By "pure poetry" Moore meant lasting objects of verbal beauty and imagination that serve no purpose other than poetic enjoyment. Thus this delightful book of selections from both familiar and surprising sources-among others, Ben Jonson, Blake, Tennyson, Poe Walter Savage Landor, and Swinburne.

In Problems of Human Pleasure and Behavior he addresses himself to a variety of subjects of interest to both the layman and the practicing clinical psychologist or psychiatrist: among others, sex and society, masturbation, discipline, menstruation, punishment, aging, and parapsychology. His famous essay, "The Doctor, His Patient, and the Illness," is here along with important accounts of Pavlov, Sandor Ferenczi, the Marquis de Sade, and Geza Roheim.

This book is a definitive general selection from all his works, including Appeal to the Young, Law and Authority, The Wage System, and Anarchism. The major works represented include Memoirs of a Revolutionist; Mutual Aid; The Great French Revolution; and Fields, Factories, and Workshops.

Ford's accounts of his literary collaboration with Joseph Conrad, of Stephen Crane's last years in England, and of Henry James at home in Rye are fascinating. A most valuable, long out of print book by the author of The Good Soldier, No More Parades, A Man Could Stand Up, and Last Post.

One of the pioneers of Gestalt psychology, Wolfgang Köhler (1887-1967) broke new ground in numerous areas of human thought. This collection of writings spans Köhler's brilliant and productive career, beginning with his earliest formulations of Gestalt theory through to his last scientific paper--a perceptive overview of the significant advances of Gestalt psychology. Many of these essays have never before been published in English. Together they illustrate the diversified, highly innovative contributions of this great psychologist. But they go beyond that to clarify problems in psychology, philosophy, natural science, biology, and anthropology through the Gestalt approach.