Bøger udgivet af Liverpool University Press

Starting with a focus on past objects, this volume brings together essays from art historians, historians, archaeologists, literary scholars and museum curators to reveal the different disciplinary approaches and methods taken to the study of objects and what this can reveal about transformations in material culture 1000-1700.

Ovid's calendar poem the Fasti is a vivid journey through ancient Rome via the calendar. The reader triumphantly tours the monuments of the Augustan-era city, witnesses urban and rustic seasonal festivals, and commemorates epic events of history and myth. Includes Latin text, English prose translation, introduction, and extensive commentary.

Libanius of Antioch (AD 314-93), teacher and rhetorician, was one of late antiquity's most prolific letter writers. This volume contains the first English-language translation of all 273 letters written between 388 and 393. They provide insights into his professional and personal circumstances as well as the political and social environment of the age.

Sounds Senses takes sound as a point of departure for engaging the francopphone postcolonial condition. Offering a synthetic overview of sound studies, the book dismantles the oculocentrism and retinal paradigms of francophone postcolonial studies. It introduces two primary theoretical thrusts - the unheard and the unintegrated - to the project of analyzing, extending, and rejuvenating francophone postcolonial studies.

The essays of this volume examine physical culture in literature written in French from around the Francophone world, focusing on texts from a wide variety of periods and genres in order to consider the fundamental - yet highly neglected - place of athletic activities in literature and culture from the French-speaking world.

In 1234, four mendicant friars arrived in the Byzantine city of Nicaea to discuss the possibility of a union between the Greek and Roman Churches. Brought together, these sources represent the largest collection of material describing any dialogue between the churches in the thirteenth century.

This interdisciplinary collection explores how Irish people - both at home and abroad - thought about the future during the long nineteenth century. It showcases new scholarship on utopian and dystopian visions, and includes chapters on Ireland and empire, emigration, female agency, the Irish language, and on technology as a modernizing force.

This volume argues that our oldest styles of poetic articulation - the elegy, the ode, the hymn - have figured all too briefly in modern genealogies of the lyric poem, and have proved especially popular among experimental poets since 1945. Their recourse to familiar forms and shapes of thought should prompt us to reconsider late modernism as a crucial phase in the evolving history of lyric.

Migrant Representations pairs twenty-four carefully selected histories in order to compare how migrants themselves - Irish labourer, Lithuanian refugee or Indian doctor - and their social investigators capture in words and images defining private and historical moments.

Charting new territory in filmmaking technologies and Steven Spielberg's oeuvre, MinorityReport (2002) portrays a dystopian near-future that comments on our increasingly science-fictional world and pays homage to the history of SF cinema. In this comprehensive monograph, D. Harlan Wilson recounts the film's inception, production, reception, and afterlife since its release in 2002 while depicting it as a symptom of contemporary media pathology, post-9/11 paranoia, consumer-capitalist aggression, religious mania, and above all, the screen culture that has come to define the human condition. At the same time, Wilson explores the many self-reflexive flourishes that render the movie a commentary on Spielberg's style and the precession of the SF genre.

This book scrutinizes the events of 1919 from below: the global underside of the Wilsonian moment. This process began prior to war's end with mutinies, labour and consumer unrest, colonial revolt but reached a high point in 1919.

The Masque of the Red Death (1964), the seventh collaboration between producer-director Roger Corman and horror icon Vincent Price, became the crowning achievement for both men, their masterpiece.

Moving Verses analyses the relationship between poetry and cinema in Argentina. How do film and poetry transform each another when placed into productive dialogue? Case-studies include Argentina's most exciting and radical contemporary directors as well as established modern masters, with a critical framework drawing on contemporary studies of intermediality and "impure" cinema.

Iberian and Translation Studies: Literary Contact Zones brings together a variety of essays by multilingual scholars whose conceptual and empirical research places itself at the intersection of translation and literary Iberian studies, thus opening up a new interdisciplinary field of enquiry: Iberian translation studies.

This book examines themes of exile, mobility, and identity in contemporary autofictional narratives written in French by women writers from across the francophone world. It reads exile in light of both gender and literary genre, arguing that autofiction gives women the space to reconfigure their exile on their own terms.