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In Thomas Mitchell's collection, Crow Genesis, poems emerge with a musicality, a precision, that offers a persuasive affirmation of what it means to know ourselves, and to recognize the magic that appears all around us.
Virlana Tkacz's Three Wooden Trunks is a collection of poems about memory, the poet's Ukrainian roots, and the poet's family's pursuit of a sweeter, easier life in America.
Apricots of Donbas is a bilingual collection by award-winning contemporary Ukrainian poet Lyuba Yakimchuk. Born and raised in a small coal-mining town in Ukraine's industrial east, Yakimchuk lost her family home in 2014 when the region was occupied by Russian-backed militants and her parents and sister were forced to flee as refugees. Reflecting her complex emotional experiences, Yakimchuk's poetry is versatile, ranging from sumptuous verses about the urgency of erotic desire in a war-torn city to imitations of childlike babbling about the tools and toys of military combat. Playfulness in the face of catastrophe is a distinctive feature of Yakimchuk's voice, evoking the legacy of the Ukrainian Futurists of the 1920s. The poems' artfulness go hand in hand with their authenticity, offering intimate glimpses into the story of a woman affected by a life-altering situation beyond her control.
A New Orthography by Serhiy Zhadan is the fifth volume in Lost Horse Press's Contemporary Ukrainian Poetry Series. In these poems, the poet focuses on daily life during the Russo-Ukrainian war, rendering intimate portraits of the country's residents as they respond to crisis. Zhadan revives and revises the role of the nineteenth-century Romantic bard, one who portrays his community with clarity, preserving its most precious aspects and darkest nuances. The poems investigate questions of home, exile, solitude, love, and religious faith, making vivid the experiences of noncombatants, refugees, soldiers, and veterans. This collection will be of interest to those who study how poetry observes and mirrors the shifts within a country during wartime, and it offers solace as well.
Presents poetry from the perspective of a Dakota speaker: words echo a relative Lakota dialect. In this book, the author's narratives are personal and descriptive of a life lived as a Dakota on the Fort Peck reservation.
Yuri Izdryk was born in western Ukraine, in Kalush, Ivano-Frankivsk region, in 1962. One of Ukraine¿s most original and playful voices, Izdryk is a writer, musician, and visual and performance artist. He is the author of several books of prose and received wide critical acclaim for his 1997 experimental novel Wozzeck. In the past decade, Izdryk has primarily focused on poetry, which he featured in his livejournal blog ¿The Dead Diary.¿
An anthology of poems from women who proudly celebrate their own nastiness and that of other women who have served as nasty role models; poems by and about women defying limitations and lady-like expectations; women refusing to be ΓÇ£nice girls;ΓÇ¥ women embracing their inner bitch when the situation demands it; women being formidable and funny; women speaking to power and singing for the good of their souls; women being strong, sexy, strident, super-smart, and stupendous; women who want to encourage little girls to keep dreaming.
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