Bøger udgivet af Manchester University Press

This ethnographic study examines the hopes, imaginaries, and everyday lives of young male migrants from Western and Central Africa who find themselves 'stuck' in Morocco. The book deepens and humanises understandings of sub-Saharan migration, exploring migrants' conceptualisation of 'the adventure' as an epic quest to carve out a better life and future in the face of violent, transnational politics of migration. The adventure sheds light on the moral, gendered, affective, social and political aspects of migrants' own experiences and representations of their journeys and struggles. Steering away from aesthetics of despair, victimhood and criminality, the book focuses on young men's efforts to face up to bordering practices to retain control over their lives and mobility. The adventure provides a crucial light on migrants' own experiences and understandings of their entrapped mobility in Douar Hajja and Maâdid, two peripheral neighbourhoods of the Moroccan capital Rabat. The book's focus on how migrants articulate and act on their entrapped mobility offers important insights to critically engage with prominent concepts like illegality in policy debates and scholarship. Such focus is crucial to unstitch the Eurocentric focus in analyses of migration articulated around 'crisis'. The adventure is a quest for 'une vie plus supportable' (a more bearable life), a hopeful and risky journey to become the person one aspires to be, to reach a place where one's dignity and rights might be respected.

Saga emotions is an essential exploration of the representation and function of key emotional states in Old Norse-Icelandic saga literature. Ranging widely across the more historically oriented sagas, the thirteen chapters collected here each take as their starting point a particular Old Norse emotion term - such as reiði (anger), gleði (joy), or the peculiarly Old Norse víghugr (killing-mood) - offering a detailed account of the term's usage in the saga corpus. Illuminating textual case studies are also provided to demonstrate the literary function in saga narrative of each emotion term. A key aim of the book is to avoid potentially misleading and anachronistic projections of modern emotional systems and terminology onto the very different emotion repertoire of Old Norse saga writers. Thus, the book's methodological approach maps the native, often overlapping, emotion models of Norse textual culture in fine-grained detail. It charts changes over time that reflect the emergence of new historical and social conditions in medieval Iceland, in particular the far-reaching impact of Christian emotional systems. Written by leading international scholars in saga and emotion studies, Saga emotions adds a much-needed level of emotional granularity to the study of saga literature. Breaking new ground in both saga studies and studies in emotion and their history, this important essay collection pioneers a lexically oriented approach to the textual representation of emotions as complex psychological and physical phenomena and thus provides a secure foundation for future research into the sagas, literature and history of medieval Iceland.

[Not final] On 9 October 1934, a terrorist gunman assassinated King Aleksandar I of Yugoslavia before a crowd of hundreds of onlookers in Marseille. The Croatian ultranationalist Ustashe was responsible for the murder. The Ustashe hoped that the king's death would cause the collapse of Yugoslavia and the liberation of the Croat people. This book examines the circumstances, processes, and trajectories that shaped the Ustashe terrorists and their attack in Marseille. Its focus is historical, yet it maintains an eye on approaches to the study of contemporary terrorism and how recent manifestations of the phenomenon may inform understandings of past political violence, and vice versa. The book poses questions that transcend chronological boundaries: what prompts people to join terrorist organisations? How are these people 'radicalised' to commit violence? Are processes of 'radicalisation' generalisable across time? How do terrorists understand, explain, and justify their actions? What roles do women play in terrorism? Which factors, internal and external to a terrorist act, facilitate its success? Can states give terrorists a fair trial? In responding to these questions, Murder in Marseille bridges the scholarly gap between historical and contemporary terrorism, paying attention to, and often guided by, current concerns, ideas, theories, and notions about such violence while remaining firmly rooted in the history of early twentieth-century Europe.

'Head in the game provides illuminating insights that could come only from a diverse group of experts. Each chapter offers a nuanced analysis of oft-overlooked dimensions of sports concussion. Timely and important, this book is essential reading for anyone who wants to understand the cultural and social dynamics contributing to a health issue that is increasingly framed as a crisis in sport.' Professor Kathryn Henne, The Australian National University Head in the game brings together scholars from across the humanities, social sciences and scientific disciplines to critically examine one of the most vexing issues in global sport: concussion. Internationally, there are growing concerns that repeated brain trauma puts athletes at risk of long- and short-term neurological damage. These concerns have created a crisis for sport, the solutions to which remain elusive despite the best efforts of the scientific and medical communities. Head in the game argues that science and medicine alone cannot solve the concussion crisis: sociocultural factors must also be considered. This edited collection draws attention to the ways in which social, cultural, historical, political, literary, philosophical and legal factors have shaped the concussion crisis in sport. By employing a socioecological framework, the book reveals a tangled web of sociocultural factors that influence concussion-related attitudes, behaviours and policy. Featuring a fully referenced introduction and conclusion, and fourteen essays written by leading international scholars, Head in the game provides readers with opportunities to examine sports concussion from new and sometimes unexpected angles. This innovative book is essential reading for those who want to understand how the concussion crisis came to be, and provides guidance for developing ethical and evidence-based solutions in the future.

At the intersection of heritage, design history and contemporary art, this book offers new perspectives on the way historical interiors are encountered by, and viewed and presented for, present-day audiences. Many studies have highlighted the historical significance and meanings embedded in the landscape, architecture, decoration and objects to be found within houses and homes. But what about the social meanings of these spaces? Central to this book is the idea that in reflecting, remaking and reimagining historical interiors, the contributions of artists, designers and craftspeople should be foregrounded in constructing ideas of authenticity, transparency, and materiality in the making process. The chapters present a range of case studies that reflect upon how historical interiors are remade and reimagined by looking in and out; at how a reassembling of spaces ought to avoid narrowing our understanding of the social itself. Surveying a range of interior 'types' from a number of historical periods, the book includes contributions from practitioners, scholars and makers. From digital reconstructions of a seventeenth-century Belgian constcamer to the interior and exterior worlds of specific historical figures, including Charles Rennie Mackintosh and Beatrix Potter, the book considers how these spaces have powerful significance for contemporary audiences, particularly in ways that are relatable to shared experiences of work, leisure, family, community, power and politics. This book will be of interest to scholars of the history of interiors and collections, museology, archaeology, architectural history, art, and design history, as well as curators and caretakers of historical sites, spaces and objects.

Conservatism, Christian Democracy and the dynamics of transformation explores the traditions, cooperation, and influence of centre-right politics in northern and western Europe across the second half of the twentieth century. It analyses the ideological and political affinities between Conservatism and Christian Democracy within an ambitious transnational and comparative framework and examines how centre-right parties and intellectuals influenced each other and built networks, organisations, and institutions in the pursuit of a transnational Conservatism. The book addresses the dearth of historical analysis on the centre-right that goes beyond national narratives or official histories of single parties. It offers a rare up to date insight for international readers into the often-overlooked history of the Conservative parties in the Nordic countries and brings Nordic Conservatism into the larger narrative on European Conservatism and Christian Democracy. Focusing on the dynamics of transformation of these political traditions, it shows how the centre-right parties constantly adapted their politics to changing social, political, and cultural circumstances. It investigates the nebulous connections between the Conservative and Christian Democrat acceptance of the welfare state and state intervention in the economy in the decades immediately after 1945 and those neoliberal influences that did much to shape Conservatism and Christian Democracy from the 1970s. The book contributes to a deeper understanding of the crisis of the centre-right today by showing the composite and contested nature of Conservative and Christian Democratic politics in the latter half of the twentieth century.

[Not final] The Global 1923 looks at Treaty of Lausanne, one of the twentieth century's most controversial international agreements, that settled the long great war of the Eastern Mediterranean. Drawing upon extensive research on British, French, Italian, Turkish, Greek, American, Armenian, and other archival material, The Global 1923 demonstrates the importance of reconsidering the peace settlement in Lausanne within the evolving global and regional power contexts. The findings call attention to diverging peace aims within the so-called united allied front and underscore the degree to which the negotiators themselves considered the Eastern Question as the framework to shape the settlement. In doing so, the role of the alliances, the military might, the strive for winning the public opinion, and the business elites are being foregrounded. The book discusses the role of imperialism and the Eastern Question discourse at the Lausanne Peace Conference. The Global 1923 reassesses the different strategies pursued by the delegations involved in the 1923 conference. Though the Soviets were only allowed to be part in settling only one issue at the Conference, the Global 1923 highlights the Turco-Soviet relations that shaped the settlement. In similar vein, the Kurdish, Armenian and Arab grievances that sprouted out of the Great War and were neglected at Lausanne constitute some of the contested and intricate issues in the Middle Eastern politics. The American influence, even if the US delegation had only an observer status, is addressed in a broader political economical setting. Finally, the Global 1923 reveals how the entanglement and the contestation at Lausanne continues to inform our contemporary politics today.

Gathering essays from an international team of emerging and established scholars, Translating Petrarch in early modern Britain explores the many ways in which Petrarch's famous poetic works, the Canzoniere and Triumphi, were translated, adapted, reshaped and transformed by English and Scottish writers across the early modern period. For English-language poets, translating Petrarch's verse meant joining a prestigious transnational literary movement. While Wyatt and Surrey's translations famously launched the English sonnet, versions of Petrarch remained a crucial component of Britain's literary tradition throughout the period, featuring in lyric sequences, poetic miscellanies, and even songbooks. Through their literary and commercial success, these productions also contributed to shaping early modern Britain's cultures of manuscript and print. This collection examines the specific role of translation, in all its early modern variety, as a key mode of poetic, imaginative, and cultural engagement with one the most revered and imitated authors in early modern Europe. It revisits well-known works such as Tottel's Miscellany, the productions of the 'Castalian band' at the Scottish court of James IV/I, and versions of the Triumphi by Elizabeth I, Mary Sidney Herbert, and Anna Hume. It also pays attention to lesser-known pieces by anonymous, or 'minor' translators, poets considered marginal to English Petrarchism, and alternative modes of translation such as indirect translation and musical transposition. By examining the interconnected trajectories of both the Canzoniere and Triumphi in English translation, this collection sheds new light on early modern translation practices, British Petrarchism, and its place in the European literary landscape.

The nineteenth-century present explores the multiple ways in which history was understood, structured, and reassessed in literary, theological, and political contexts across the nineteenth century. This scope of the chapters covers a range of British authors from Walter Scott to G.K. Chesterton, demonstrating how the issues raised regarding historicity in recent methodological debates in all aspects of society, including social hierarchies, religion, science, gender, and burgeoning mass media were already concerns in the nineteenth century. The book questions the opposition between state-sanctioned narratives and counter-histories, the challenges of scientific breakthroughs, and the political and metaphysical tensions between the idea of open-ended continuity and the expectation of an ending. Employing a range of methodologies and welcoming a diversity of representations, these wide-ranging case studies demonstrate the diversity of writing (about) history in nineteenth-century literary texts and its continuities, as well as differences with twentieth and twenty-first century historiographical approaches.

Empirical art: Filmmaking for fieldwork in practice is an insightful exploration of what the craft of filmmaking brings to social science research. Providing creative avenues on how to narrate encounters, relationships and experiences during fieldwork, this comprehensive volume offers a rich tapestry of theoretical explorations and explorative methodologies. Skilfully connecting the worlds of ethnography, art and cinema, the contributors in this book act as a compass for filmmakers and researchers venturing to use a camera and microphone to relate and narrate their research collaborations and field sites. Drawing from the authors' extensive experience in disciplines like social anthropology, environmental humanities and political science, Empirical art breaks down the intricate process of crafting ethnographic films that depart from the researcher's subjectivity. Covering aspects of filmmaking from conceptualisation to production and distribution, readers are equipped with a treasure trove of collaborative techniques, innovative approaches and ethical considerations necessary to generate and examine storytelling practices in contemporary fields of study. The authors discuss the significance of the multiple roles that technologies of filmmaking play in reflecting on cultural practices, social dynamics and (beyond) human storytelling and their transformative potentials. Whether a seasoned filmmaker, an aspiring ethnographer or an academic seeking new dimensions for their research, Empirical art serves as a guide to integrating visual storytelling, cinema craft and empirical research.

What went wrong with Britain? presents a comprehensive account of the devastating legacy left by the Conservative government. Shining a light into every dark corner, the book exposes the full extent of the damage inflicted on the country's economy, social fabric and political integrity. When the Conservatives were voted out of government in July 2024, they left behind a miserable record of rising poverty, inequality and division. This book reveals the forces that have driven the country to the point of crisis, from austerity and economic mismanagement to sheer political dysfunction. Each chapter offers new insights into the far-reaching consequences of government policies that prioritised ideology, personal ambition and party politics over the public good. Examining the rise of populism, the politics of Brexit, the UK's response to the pandemic and the steady erosion of public trust, this shocking account of the legacy of Conservative government from 2010 to 2024 is a must-read for anyone who wants to understand exactly what went wrong with Britain.

Feeling blue is the first historical study of colour in modern British hospitals. The book uses colour to understand the layered meanings of modernity in twentieth-century Britain and its relationship to the 'mundane' or everyday life of hospitals. Colour has long been a crucial part of hospital design and the daily activity of hospitals, from the uniforms that mark out different jobs, to the colour schemes that sort hospital waste. Despite this importance, the history of hospital colour is often overlooked as a subject of study. This book examines colour in relation to six key themes - hygiene, emotion, humanisation, homeliness, play and consumerism - which are tied together by the idea of the 'modern' hospital. Feeling blue opens important new understandings of a wide range of subjects including histories of emotions, health, politics, design, architecture, culture and society, and offers a new framework for thinking about 'modernity' and change over time.

Feminist movement building is largely theorised and understood from the view of established peaceful liberal democracies. This book illustrates, through rich empirical data and analysis, that there is much to be gleaned from an exploration of feminist and gender activism in a society emerging from division and violent conflict. Taking the 1998 peace agreement in Northern Ireland as a critical juncture point, Claire Pierson argues that alternative political identities, namely feminism, have created spaces both within and outside formal politics to articulate a collective feminist voice and pursue feminist goals. Drawing on theoretical debates in feminism on movement building, policymaking, abortion rights, gender-based violence and the UN women, peace and security agenda, Pierson examines both the opportunities and ongoing challenges in articulating a feminist vision and creating feminist spaces in a society and politics dominated by ethno-national antagonisms. Women's Troubles sets out to capture the complexities of feminist movement building in a divided society and contribute to ongoing analysis of contemporary global feminisms.

Few women in the history of cinema have taken on as many creative roles as Ida Lupino. Her forty eight year career spanned five decades and a variety of genres, mediums and creative roles. This book delves into who Ida Lupino was on both sides of the camera, both as a constructed screen persona and a creative individual working in the industry. Born in London in 1918 into a prestigious and long-established theatrical family, a teenage Lupino relocated to Hollywood to pursue a career in acting, signed first to Paramount Pictures and then Warner Brothers. By the 1950s she was acting for leading Hollywood studios and directing, producing and writing social realism films for her own independent film company, The Filmakers. This book examines Ida Lupino's impressive cinematic and televisual career by exploring key themes that regularly occurred throughout her work and life. Concerned specifically with gender relations, alienation and isolation and disability, the study argues both for Lupino's importance within cinematic history and the position of women within the industry more generally. The volume aims to better remember Lupino, shining light on her overlooked and under researched acting skills and star persona, as well as her established position as a serious filmmaker.

In May 2019, Narendra Modi won the world's largest election. Defying expectations, he led his Bharatiya Janata Party to a resounding victory, with the highest vote share for any party in thirty years, and was re-elected as India's Prime Minister. What accounts for the scale of Modi's win? Why, despite economic hardship and social strife, did Indians vote so overwhelmingly for him and the BJP? This book explains the economic, social and cultural processes that shaped political passions in India during the spring and summer of 2019. It takes an interdisciplinary approach, bringing together a stellar team of economists, political scientists, sociologists, historians and geographers to explain Modi's win. Together, the contributors compel us to take seriously the 'structures of feeling' in politics. Love him or hate him, Modi secured for himself a decisive re-election as India's Prime Minister. Passionate politics is essential reading for anyone who wants to understand how that happened.

Turning revolt into style: The process and practice of punk graphic designis a ground-breaking analysis of the complex relationship between punk visual aesthetics and the graphic design and print professions, from the innovations of punk DIY pioneers to radical changes in the commercial design industry. These changes reflected not just the influence of an emerging cohort of young designers who aligned themselves with the new subculture, but also the advent of new technologies, particularly in the printing industry during the early days of photocomposition and digital reproduction. Drawing on interviews with leading punk and post-punk designers including Malcolm Garrett, Bill Smith, Chris Morton, Steve Averill, Mike Coles, Bob Last, Rob O'Connor, Jill Mumford, and Neville Brody, along with detailed archival and historical research, this book reveals the implicit tensions between a new creative vanguard and the design establishment, together with the opportunities offered by new technologies and dramatic parallel changes in labour relations and working practices. Along with a close analysis of punk and post-punk record covers, fanzines, and other artefacts, Turning revolt into style charts the story of a seismic cultural shift that was to have a lasting impact for decades to come. The text centres on two key questions: how did a new generation of young, punk-inspired graphic designers navigate the music graphics profession in the late 1970s and early 1980s? And how did significant changes in printing technology, labour relations and working practices in the design profession impact their work during that period?

[Not final] The decades following the Second World War saw new mothers' experiences of loneliness, boredom and unhappiness become increasingly widely acknowledged. The language of postnatal depression was often attached to this, but mothers themselves articulated and organised around their discontent in ways that challenged medical models. Unhappy Mothers explores the ways that mothers' discontent came to be recognised by five communities: general practitioners, health visitors, self-help groups, and feminists both inside and outside the academy. Drawing attention to the social, political, and professional contexts within which this knowledge developed, the book argues that expertise about unhappy mothering was increasingly claimed by women themselves. The solutions to the problems of early mothering that they proposed were social and political. Using an extensive array of sources that includes local and national newspapers, autobiographies, medical texts, social surveys, feminist writings, self-help literature, and sociological studies, Unhappy Mothers shines a light on those who spoke into the silence around unhappy motherhood.

Debating medieval Europe serves as an entry point for studying and teaching medieval history. Where other textbooks simply present foundational knowledge or introduce sources, this collection of essays provides the reader with the frameworks they will need in order to understand the unique historiography of this fascinating period. Digging beneath the accounts provided elsewhere, it exposes the contested foundations of apparently settled narratives, opening a space for discussion and debate, as well as providing essential context for the intimidating array of specialist scholarship. This second volume covers the central and later Middle Ages, c. 1050 - c. 1450. The chapters move from discussion of the 'great institutions' of medieval Europe - the papacy and the empire, both of which traced their inheritance from Roman antiquity - to consider central themes in the study of its different geographical regions across this long period, from France and Iberia through the British Isles and the German-speaking lands to Sicily and the Latin East.

Debating medieval Europe serves as an entry point for studying and teaching medieval history. Where other textbooks simply present foundational knowledge or introduce sources, this collection of essays provides the reader with the frameworks they will need in order to understand the unique historiography of this fascinating period. Digging beneath the accounts provided elsewhere, it exposes the contested foundations of apparently settled narratives, opening a space for discussion and debate, as well as providing essential context for the intimidating array of specialist scholarship. This second volume covers the central and later Middle Ages, c. 1050 - c. 1450. The chapters move from discussion of the 'great institutions' of medieval Europe - the papacy and the empire, both of which traced their inheritance from Roman antiquity - to consider central themes in the study of its different geographical regions across this long period, from France and Iberia through the British Isles and the German-speaking lands to Sicily and the Latin East.

Though its legal mandate to act in the field of health is limited, the European Union (EU) has a vast and important health policy. Focusing on the EU's health objectives and how they are pursued, this book documents the varied and dynamic governance of health in the EU. It offers a detailed overview of the development of EU health policy, and five in-depth case studies of specific policy fields. These reveal the enduring effectiveness of soft law initiatives, as well as the proliferation of hard law instruments. Post-COVID innovations - namely the European Health Union and the Recovery and Resilience Facility - continue these dynamics and are accompanied by a remarkable, if delicate, political commitment to strengthening the EU's role in health. Assessing these developments in the context of longer-term governance trends, the book argues that contemporary EU health policy remains vulnerable to political re-prioritisation, reliant on policy entrepreneurialism, and in want of a coherent central strategy. In exploring its substance and governance, the book illustrates the scope and influence of EU health policy, the book illustrates, and informs critique of the EU's significant role in shaping health policies - and therefore health outcomes - within its member states and beyond.

The 1980 national steelworkers strike was an epic social and political event. It was the first national industrial conflict between trade unions and the new Thatcher government, lasting for three months and involving over 100,000 workers. The strike was also, at that time, the longest national industrial stoppage since 1926.The strike was nominally in response to a 2% pay offer made by British Steel Corporation (BSC), at a time when inflation was 17%, but was generated by deeper factors, namely the widespread works closures that were devastating the industry. Over 60,000 jobs were lost between 1973-1978 and shortly before the strike occurred, BSC had announced a further 52,000 redundancies, around one-third of the workforce.> Using oral history testimonies taken from workers throughout the country, the book explores the strike, its origins, development, outcome, and longer-term impact and consequences. It argues that the strike was a critical turning point in British history and one which would have serious implications for working class organisations and communities in the years that followed.

This book is concerned with the complexities of defining 'place', of observing and 'seeing' place, and how we might write a poetics of place. From Kathy Acker to indigenous Australian poet Jack Davis, the book touches on other writers and theorists, but in essence is a hands-on 'praxis' book of poetic practice. The work extends John Kinsella's theory of 'international regionalism' and posits new ways of reading the relationship between place and individual, between individual and the natural environment, and how place occupies the person as much as the person occupies place. It provides alternative readings of writers through place and space, especially Australian writers, but also non-Australian. Further, close consideration is given to being of 'famine-migrant' Irish heritage and the complexities of 'returning'. A close-up examination of 'belonging' and exclusion is made on a day-to-day basis. The book offers an approach to creating poems and literary texts constituted by experiencing multiple places, developing a model of polyvalent belonging known as 'polysituatedness'. It works as a companion volume to Kinsella's earlier Manchester University Press critical work, Disclosed Poetics: Beyond Landscape to Lyricism.

This book focuses on alternative forms of knowledge production and speculation in nineteenth century US-American society, and highlights the strategies that minoritarian subjects developed to understand and navigate these complex cultures of knowledge and capital. -- .

Investigating the functioning of travel in political culture by using early modern small states as a case study, this book examines the complex relationship between Jacobitism, educational travel, and small-state diplomacy. -- .

This book centres the perspectives of First Nations and majority-world researchers and provides insightful descriptions of anti-colonial research praxis from around the world. By engaging with the diverse examples, reflections, and methodological knowledge in this collection, readers will change how they think about research in a definitive way. -- .

The first multi-authored volume on the work of contemporary British writer Dennis Kelly, Beautiful Doom examines the full range of his work for stage and screen, from new writing to adaptations of classic playtexts, musical theatre, and original works for television. -- .

Britain's 'Mr X' explores the long and influential career of the British diplomat Sir Frank Roberts, including his close collaboration with the renowned American diplomat, George F. Kennan (the cryptonymous author 'X' of an influential 1947 article) at the dawn of the Cold War. -- .

Cinematic Ethnography proposes an interdisciplinary approach to theories and practices that reside within the fertile zone where anthropology and filmmaking intersect. -- .

Bordering social reproduction explores how migrants subjected to policies that seek to deny them the means of life endeavour to make and sustain meaningful lives. It develops innovative theorisations of welfare bordering and advances the novel concept of weathering to comprehend mother's and children's life-making practices under duress. -- .

This book explores Shakespeare's presence in the American cultural imaginary at the beginning of the twenty-first century. It traces how his texts are disseminated and reassembled in contemporary TV shows such as The Wire, Deadwood, Westworld, House of Cards and The Americans. -- .