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At the turn of the twentieth century East European Jews underwent a radical cultural transformation, which turned a traditional religious community into a modern nation, struggling to find its place in the world. An important figure in this Jewish Renaissance was the American-Yiddish writer and activist Joseph Opatoshu (1886-1954).
At the point of its creation in 1873, Budapest was intended to be a pleasant rallying point of orderliness, high culture and elevated social principles: the jewel in the national crown.
Eighteenth-century French cultural life was often characterised by quarrels, and the arrival of Viennese composer Christoph Willibald Gluck in Paris in 1774 was no exception, sparking a five-year pamphlet and press controversy which featured a rival Neapolitan composer, Niccolo Piccinni.
The coming together of linguistics and sociology in the 1960's, most notably via the work of William Labov, marked a revolution in the study of language and provided a paradigm for the understanding of variation and change.
The first volume in many years to synthesize results from the Catalhoyuk Research Project into a broad ranging volume reviewing current understanding of the site and recent methodological developments. In particular, the volume explores how close inter-disciplinarity, and the assembling of different forms of data from different sub-disciplines, al
This book deals with detection of stress corrosion cracking (SCC) initiation in nuclear power plant environments - essentially high-temperature water at around 300°C. It emphasises the importance of corrosion monitoring to limit corrosion in power plants and other nuclear applications.
In 1973 the Department of Environment and the Deserted Medieval Village Research Group arranged a rescue excavation to examine the earthworks of the medieval village of Cladecote before they were levelled and ploughed.
Recent representations of the Holocaust have increasingly required us to think beyond rigid demarcations of nation and history, medium and genre. Holocaust Intersections sets out to investigate the many points of conjunction between these categories in recent images of genocide.
A fascination with childhood unites the artist Louise Bourgeois (1911-2010) and the writers Samuel Beckett (1906-89) and Marcel Proust (1871-1922). But while many commentators have traced their childhood images back to memories of lived experiences, there is more to their mythologies of childhood that waits to be explored.
This book explores both the narrative design and fundamental thematic preoccupations of short comic tales that flourished in late medieval Germany and that provided bawdy entertainment for larger audiences of public recitals as well as for smaller numbers of individual readers.
Jacques Derrida (1930-2004) was unquestionably one of the most celebrated and reviled French thinkers of the last thirty years. Outside France his influence in comparative literature circles, through deconstruction and other ideas, has been so profound that his personal role as a leader of contemporary French philosophy has been almost overlooked.
The strange M. Proust - the narrator, the author, and the embodiment of A la Recherche du Temps perdu - is now so canonical a writer that his very strangeness is easily overlooked.
This book maps French intellectual history in the twentieth century through an interpretative engagement with the thought and legacy of Georges Bataille. It highlights the influence of Bataille and the movement of the concept of sacrifice through his work and in its wake.
Whereas the centrality of femininity to nineteenth-century French fiction has been the focus of widespread critical attention, masculinity has, until recently, received little sustained treatment in either the literary or socio-historical domains.
This book provides an introduction to the Shapwick Project's objectives, geographical background and previous work in the Somerset. It deals with excavations in the outlying parish and focuses on work in the village at Shapwick House.
This book provides the first book-length comparative analysis of the concept of dilettantism. It shows how French nineteenth-century uses of the concept dissolved the Weimar Classicist distinction between dilettantism and art.
Grain Size Control provides an excellent account of the understanding of many matters concerning grains, grain structure, and grain growth in controlling the grain size of polycrystalline metals. It considers the application of the principles of grain growth.
In the course of the nineteenth century France built up a colonial empire second only to Britains. The literary tradition in which it dealt with its colonial 'Other' is frequently understood in terms of Edward Said's description of Orientalism as both a Western projection and a 'will to govern' over the Orient.
The British Archaeological Association's 2007 conference celebrated the material culture of medieval Coventry, the fourth wealthiest English city of the later middle ages.
First published in 2009. Routledge is an imprint of Taylor & Francis, an informa company.
The fourteen papers collected in this volume explore the medieval art, architecture and archaeology of King's Lynn and the Fens. They arise out of the Association's 2005 conference, and reflect its concern to engage with a broad range of monuments and themes, rather than focusing on a single major building.
In this book, Claire Boyle presents an account of the death of autobiography in the post-war era of French literature. She challenges assumptions that are sometimes made about why it is that writers are reluctant to be associated with the genre of autobiography.
This book looks beyond the concepts of carnival and dialogue and traces the transformation of the Bakhtin Circle's thought from its introduction to the West in Julia Kristeva's seminal late-1960s theory of intertextuality, through Tzvetan Todorov's landmark study.
Texts about paintings, painters and sculptors are obvious test cases for issues of representation. A significant corpus of artist stories is scattered through Honore de Balzac's Comedie humaine which, from Marx to Lukacs to Roland Barthes's enormously influential S/Z (1970), has been a key literary work for critical debates around French realism.
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