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Henry VIII used his wardrobe, and that of his family and household, as a way of expressing his wealth and magnificence. This book encompasses the first detailed study of male and female dress worn at the court of Henry VIII (1509-47) and covers the dress of the King and his immediate family, the royal household and the broader court circle. Henry
Slander and satire were contentious practices in early seventeenth-century France. Seeking to wound, ridicule, destroy or reform, they occupied either side of a dangerous border zone between legitimate and illegitimate criticism.
Taken from a conference of the Society for Medieval Archaeology held at York University in 2002, these fifteen papers, with an introduction and conclusion from the editors, examine the nature of urban and rural life in the Middle Ages.
Although never named as such, the landscape of Sanremo was a visual source for Calvino's fiction. This recurring theme provides both a link between some very different works and an insight into the autobiographical dimension of an author whose attitude to privacy is protective but detached.
Emanating from a joint conference of the Society for Post-Medieval Archaeology and the Association for Industrial Archaeology, this volume aims to break down the barriers, both cultural and chronological, between the two disciplines. It addresses subjects, including: the relationships between production and consumption.
This book brings together critical essays on the role of the actor-author, spanning the period from the Renaissance to the present. It surveys the works of Dario Fo, De Filippo, and Bene, and casts light on a tradition which continues into Neapolitan and Sicilian theatre today.
This classic textbook has been reprinted by The Institute of Materials to provide undergraduates with a broad overview of metallurgy from atomic theory, thermodynamics, reaction kinetics and crystal physics, to elasticity and plasticity.
In the second half of the twentieth century, the Italian historical novel provided an unrivalled number of best sellers and publishing 'phenomena'. The success of the genre is closely related to a more general interest in revisiting the past in the light of a changed understanding of the nature, or philosophy, of history.
This work on the wardrobe of Queen Elizabeth I is illustrated with photographs of portraits, minatures, tomb sculptures, engravings, woven textiles and embroiders. Two indexes are provided: the first of paintings, persons, places and events; the second offering information on fashionable dress.
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