Bøger udgivet af McClelland & Stewart

The eighteen pieces collected in Mrs. Golightly and Other Stories bring together the many and subtle voices of Ethel Wilson, demonstrating her extraordinary range as a writer. From the gentle mockery of the title story to the absurdist reportage of "Mr. Sleepwalker,” Wilson exerts unerring narrative control. Revealing what is "simple and complicated and timeless” in everyday life, these stories also venture into irrational realms of experience where chance encounters assume a malevolent form and coincidence transmuted into nightmare.First published in 1961, Mrs. Golightly and Other Stories is a diverse and rewarding collection, unified by Ethel Wilson's distinct and engaging wit.

"Throughout her life my mother, Doris, lived in two places at once: Kingston, Jamaica, where she raised a family of nine children, and Harvey River, in the parish of Hanover, where she was born and grew up.”When Doris Harvey's English grandfather, William Harvey, discovers a clearing at the end of a path cut by the feet of those running from slavery, he gives his name to what will become his family's home for generations. For Doris, Harvey River is the place she always called home, the place where she was one of the "fabulous Harvey girls,” and where the rich local bounty of Lucea yams, pimentos, and mangoes went hand in hand with the Victorian niceties of her parents' house. It is a place she will return to in dreams when her fortunes change, years later, and she and her husband, Marcus Goodison, relocate to "hard life” Kingston and encounter the harsh realities of urban living in close quarters.In Lorna Goodison's spellbinding memoir of her forebears, we meet a cast of wonderfully drawn characters, including George O'Brian Wilson, the Irish patriarch of the family who married a Guinea woman after coming to Jamaica in the mid-1800s; Doris's parents, Margaret and David, childhood sweethearts who became the first family of Harvey River; and their eight children, Cleodine, straight-backed and imperious; serious Albertha, called "Miss Jo” because she was missing all sense of joviality; beautiful Howard, who dies an early death; Rose, whose loveliness inspires devotion but whose own heart is never fulfilled; taxi-man Edmund, who yearns for the freedoms of the big city; Flavius, who spends his life searching for the true church of God; large-hearted, practical-minded Doris, whose bottomless cooking pot often feeds more than just her family; and vivacious, hard-headed Ann, whose gift of reading hair tells her the future. In lush, vivid prose, textured with the cadences of Creole speech, Lorna Goodison weaves together memory and mythology to create a vivid tapestry. She takes us deep into the heart of a complete world to tell a universal story of family and the ties that bind us to the place we call home.

The only book written by Jack Layton (1950-2011) on his political life and vision, this is the former NDP leader's passionate call to action and will inspire all Canadians to embrace a better future. On August 22, 2011, Jack Layton, Official Opposition Leader, died as he lived, with dignity, bestowing to his country a message of hope. Canada was in mourning and within hours of his death, tens of thousands of Canadians -- from NDP supporters to political opponents -- paid tribute to the man and his legacy through public vigils, memorials, and expressions of grief. Originally published in 2006, Speaking Out Louder represents Layton's "blueprint for Canada" Highly acclaimed and powerfully written, this book captures Jack Layton's political vision and exemplifies the optimism that marked his life's work. In it he shares personal stories and fascinating, behind-the-scenes details of his career in national politics and talks about the big issues (poverty, AIDS and healthcare, childcare, housing, education) and the ideas that work for Canadians.

David Bidini, rhythm guitarist with the Rheostatics, knows all too well what the life of a rock band in Canada involves: storied arenas one tour and bars wallpapered with photos of forgotten bands the next. Zit-speckled fans begging for a guitar pick and angry drunks chucking twenty-sixers and pint glasses. Opulent tour buses riding through apocalyptic snowstorms and cramped vans that reek of dope and beer. Brilliant performances and heart-sinking break-ups.Bidini has played all across the country many times, in venues as far flung and unalike as Maple Leaf Gardens in Toronto and the Royal Albert Hotel in Winnipeg. In 1996, when the Rheostatics opened for the Tragically Hip on their Trouble at the Henhouse tour, Bidini kept a diary. In On a Cold Road he weaves his colourful tales about that tour with revealing and hilarious anecdotes from the pioneers of Canadian rock - including BTO, Goddo, the Stampeders, Max Webster, Crowbar, the Guess Who, Triumph, Trooper, Bruce Cockburn, Gale Garnett, and Tommy Chong - whom Bidini later interviewed in an effort to compare their experiences with his. The result is an original, vivid, and unforgettable picture of what it has meant, for the last forty years, to be a rock musician in Canada.

The award-winning author of River in a Dry Land explores the Nature that we - and our religions - sprang fromThe Genesis story of Jacob, the patriarch of the Judeo-Christian tradition, wrestling with a spirit has been interpreted in a multitude of ways, but never more persuasively than by Trevor Herriot in Jacob's Wound. He sees it as a struggle between Jacob and his wilder twin brother, Esau, whose birthright Jacob has swindled. The central idea of Herriot's brilliantly written, observant, and groundbreaking book is the wound that Jacob, the farmer, the civilized man, suffered in vanquishing Esau, the hunter, the primitive man. And the central question posed is whether we, as Jacob did with Esau, can eventually reconcile with the wildness we conquered and have been estranged from for so long.As if ambling through the author's beloved Qu'Appelle Valley in Saskatchewan, Jacob's Wound takes readers on an untrodden path through history, memoir, science, and theology. Along the way, Herriot tells us stories of the past and present that illuminate what we once were and what we have become. It's a measured journey motivated by curiosity rather than by destination, and at every turn there is insight and beautiful writing.

For readers of Fatimah Asghar’s If They Come for Us, here is a searing, multidimensional debut about the search for language and self, which is life itself.I knew it was time to build what could carry, what could find the high point to name what I knew to be the world and carry it with meAt the heart of The Knot of My Tongue is Zehra Naqvi’s storying of language itself and the self-re-visioning that follows devastating personal rupture. Employing a variety of poetic forms, these intimate, searching poems address generations, continents, and dominions to examine loss of expression in the aftermath of collisions with powerful forces, ranging from histories to intimacies. Naqvi follows a cast of characters from personal memory, family history, and Quranic traditions, at instances where they have either been rendered silent or found ways to attempt the inexpressible—a father struggling to speak as an immigrant in Canada; a grandmother as she loses her children and her home after the 1947 Partition; the Islamic story of Hajar, abandoned in the desert without water; the myth of Philomela who finds language even after her husband cuts off her tongue.  Brilliantly blending the personal and the communal, memory and myth, theology and tradition, the poems in this collection train our attention—slow and immediate, public and private—on our primal ability to communicate, recover, and survive. This example is striking for the power of its speaking through loss and a singular, radiant vision.

A vivid, expansive vision of intergenerational witness and repair.The village is tilting on its axis. It is turning. All its organs are spilling into the bay.shima is a mosaic of the emotional, psychic, and generational toll that exile from a pillaged culture impresses on a poet and his community. Come to haunt yamagushiku’s practice of ancestor veneration are photographs and a narrative that spans his own life and a mythic parallel filled with a voice as spare as it is present, yearning as it is precise. The poet says, I am taking the sharpest stick and poking the root ancestor. I am insisting that if he awakens I will have something useful to say.Speaking through a cultural amnesia collected between a sunken past and a sensed, ghostly-dreamed future, shima anchors this interrogation of the relationship between father and son in the fragile connective tissue of memory where the poet’s homeland is an impossible destination.

"Astonishing." -Claudia Dey, author of Daughter. A hallucinatory horror novel set deeply in the consciousness of a woman exploring a changed and frightening world.Our protagonist comes to in a basement, tied to a chair, with a man looming over her. But someone has a knife. We follow her as she emerges from captivity into an unnamed, nightmarish city, seeking some meaning to her new reality. As figures emerge from the night, some offering sanctuary, and others judgement,  she keeps moving, making her way through this fever dream of a narrative. SUPPLICATION is a haunting, embodied tale of alienation, fear, and the quest for respite.

A singular, stunning debut that transcends and transfigures genre—at once a bold retelling of biblical tales and an unforgettable contemporary coming-of-age story, connected in collapsing time across millennia.There are few love stories in the holy books. Love is what ruins. Love is what costs. Love is a flaming sword at our backs, a garden left to ruin and to wild.In Dayspring, Anthony Oliveira brings to vibrant, glorious life the gospel according to the disciple Christ loved—his companion in the days before the crucifixion, the only instrument that remembers with fidelity his sound.Sacred, profane, and rich with explicit desire and a poetic attention to form, Dayspring weaves electric and heart-wrenching stories of passion, grief, destruction, and survival into a narrative unmoored in space and time, one that re-examines and re-frames great and doomed figures from scripture and history, even as it casts its keen eye on the trials of modern life.Seamlessly blending fiction, memoir, and verse in the exhilarating tradition of Anne Carson and Madeline Miller, Dayspring is an immersive, mesmerizing work, one that wrenches beauty from cataclysm and finds bliss in apocalypse.

An ambitious and wholly original poetry collection that examines the ways that life is confined and sometimes defined by the city and the ubiquity and invisibility of state violence.The poems in Empires of the Everyday give voice to the many “you” who move through a city—one that resembles many modern cities—where plywood shelters are demolished in pandemic winters. Where everyday violence is palpable, but the related media reporting is offhand, cool, distanced, piecemeal, uncontextualized.In an attempt to access a more revelatory language, the poems spar with an AI translator, disturbing the disease of twenty-first century life that the city makes solid and covers up. Slavery, permanent war, and Empire titter in the resulting language, in its bending of what is possible, as only poetry can do. The poems trace the relationship between the human “you” and the machine “I” through five powerful, nuanced, and thought-provoking episodes. Anna Lee-Popham’s impressive debut collection is immersed in the current ruptures of the world, rendering a translation of Empire and beyond-Empire to a possible convergence for “you” and “I.”

CBC Poetry Prize finalist and National Magazine Award honoree Faith Arkorful’s breathtaking, surpassingly thoughtful debut collection of poems.Hauntings form the canopy of The Seventh Town of Ghosts. These titular towns, centred in yesterdays, tomorrows, and the ongoing, lead to a special kind of singing: songs to the reader who wrestles with existence, the unsure peace within family, and the often-tense interdependence of life.Here, discernment is ever-present, guided by Faith Arkorful’s insights on not only the ravages of the state and the police upon the Black family and life at large, but also on a kaleidoscope of connections—sisterhood, daughterhood, kinship, solitude, death, romance—and how tenderness, chosen and repeated, can shield against life’s blows. These towns also enchant, shape-lifting through humour, irony, and the small refractions of language where Arkorful guides us through the fault lines and the undertow, in the form of fruit, island volcanoes, Formula 1, and the expansive hum of life.This poet-as-sojourner bears careful, caring witness, her attention reserved not only for her living and her dead but hyphenated two-fold by the fragile things and the lasting things. These poems remind us of what contours our mysterious and fleeting presence on Earth.

INSTANT NATIONAL BESTSELLERFrom global art superstar Kent Monkman and his long-time collaborator Gisèle Gordon, a transformational work of true stories and imagined history that will remake readers’ understanding of the land called North America.For decades, the singular and provocative paintings by Cree artist Kent Monkman have featured a recurring character—an alter ego of sorts, a shape-shifting, time-travelling elemental being named Miss Chief Eagle Testickle. Though we have glimpsed her across the years in films and on countless canvases, it is finally time to hear her story, in her own words. And, in doing so, to hear the whole history of Turtle Island anew. The Memoirs of Miss Chief Eagle Testickle: A True and Exact Accounting of the History of Turtle Island is a genre-demolishing work of genius, the imagined history of a legendary figure through which profound truths emerge—a deeply Cree and gloriously queer understanding of our shared world, its past, its present, and its possibilities.Volume One, which covers the period from the creation of the universe to the confederation of Canada, follows Miss Chief as she moves through time, from a complex lived experience of Cree cosmology to the arrival of European settlers, many of whom will be familiar to students of history. An open-hearted being, she tries to live among those settlers, and guide them to a deeper understanding of the interconnectedness of all beings and the world itself. As their numbers grow, though, so does conflict, and Miss Chief begins to understand that the challenges posed by the hordes of newly arrived Europeans will mean ever greater danger for her, her people, and, by extension, all of the world she cherishes.Blending history, fiction, and memoir in bold new ways, The Memoirs of Miss Chief Eagle Testickle are unlike anything published before. And in their power to reshape our shared understanding, they promise to change the way we see everything that lies ahead.

"A pulse-pounding new thriller from the bestselling author of Wherever She Goes and Every Step She Takes. If someone were threatening your home, how far would you go to protect it? A stranger is trespassing in Celeste Turner's backyard, moving through the shadows around her shed. It could be a harmless backpacker seeking temporary refuge, but experience has taught Celeste to be extra wary. Not wishing to draw unwanted attention, she cannot turn to the police. Celeste is an outsider to this region of rural Florida, and all the locals see is a "city girl" who swooped in to secure her inheritance. But Celeste needs her new life to work, so she must confront her intruder. To her surprise, she finds out that her unwanted guest is a young backpacker named Daisy. She is polite and friendly, just taking advantage of some shelter as she makes her way through the area. Swiftly, they begin an unlikely and beneficial friendship--Celeste can't help herself, and besides, Daisy will be moving on soon. Why not take advantage of the extra help? Both women have secrets they want to keep buried, and when a body is discovered near Celeste's house, they must move quickly to prove their innocence and protect the lives they've built for themselves."--

From Lorna Crozier, the poet that Ursula Le Guin called a “truth teller” and “visionary,” comes this new collection of soul-stirring poems that follow the death of a loved one.After That is a book written from the dark hollow we fall into when we lose those we love. Lorna Crozier’s sure poetry finds the words to engage with the grief that comes from the death of her partner, the writer Patrick Lane, whom she’d lived with for forty years, many of them tumultuous. With grace and precision, she illuminates sorrow. The light the poems cast travels far enough to reach anyone who has experienced loss. These pages engage us with many familiar yet magical things—not only paper wasps, but their libraries; not only herons, but their role as aging monks. Crozier takes us through the domestic and natural worlds into the cagey and metaphysical place we call the beyond. Without offering false comfort, the poems turn over our own grief so that we can catch a glimpse of the new life inside us again.

A career-spanning volume that brings together new and selected works by an iconic voice in Canadian literature.From the Lost and Found Department, by the trailblazing Joy Kogawa, is a profound work of spare, trenchant, and haunting poems that lets us stay with the quietest qualities of beauty and the sublime.This essential volume brings together thrilling new work with selected poems from The Splintered Moon (1967), A Choice of Dreams (1974), Jericho Road (1977), Woman In the Woods (1985), and A Garden of Anchors: Selected Poems (2003).Kogawa’s poems here are evidence that our every vulnerability can open into vast channels of grace.

The debut memoir from award-winning journalist Morgan Campbell: an incredible history of a family’s battles across generations, a hilarious and emotional coming-of-age story, and a powerful reckoning with what it means to be Black in Canada—particularly when you have strong American roots.Morgan Campbell comes from “a fighting family,” a connection and clash that reaches back to the south side of Chicago in the 1930s. His father’s and mother’s families were both part of the Great Migration from the U.S. rural south to the industrial north, but a history of perceived slights and social-class differences solidified a great feud that only intensified over the course of the century after the families came together in marriage and split up across the border.Morgan’s maternal grandfather, Claude Jones—a legendary grudge-holder, as well was an accomplished musician, peer of Oscar Peterson, and fixture of the Chicago jazz scene—was recruited to play some shows in Toronto, fell in love with the city, and eventually settled in Canada in the mid-1960s, paving the way for Morgan’s parents to join him amid the tumult of the Vietnam War and the Civil Rights movement. Morgan’s paternal grandmother, Granny Mary, however, remained stateside, a distance her schemes and resentments would only grow to fill. That fighting spirit wasn’t limited to the family’s own squabbles, though—it animated the way every generation moved through the world. From battling back as a group against white supremacist newcomers who violently resisted Black neighbours, to Morgan’s pre-teen mother burnishing her own legend by cold-cocking some racist loudmouth bullies, the lesson was clear: sometimes words weren’t enough.In Canada, the Campbells started a family of their own, but the tensions between in-laws never ceased, even as divorce and disease threatened the very foundations of the life they’d built. Bearing witness to all of this was young Morgan, an aspiring writer, budding star athlete, and slow-jam scholar, whose deep American roots landed him an outsider status that led to its own schoolyard scraps and exposed the profound gap between Canada’s utopian multicultural reputation and the very different reality. Having grown up bouncing between these disparate identities and nationalities, real or imagined—Black and Canadian, Canadian and American, Campbell and Jones—My Fighting Family is a witty, wise, rich, and soulful illumination of the journey to find clarity in all that conflict.

INSTANT NATIONAL BESTSELLERFrom bestselling author Ken Dryden, a riveting new book.On Tuesday, September 6, 1960, the day after Labour Day, class 9G at Etobicoke Collegiate Institute in a suburb of Toronto assembled for the first time. Its thirty-five students, having written special exams, came to be known as the “Selected Class.”They would stay together through high school, with few exceptions. They would spend more than two hundred days a year together. Few had known each other before. Few have been in other than accidental contact in all the decades since.Their ancestors were almost all from working-class backgrounds. Their parents had lived their formative years through depression and war. They themselves were born into a postwar world of new homes, new schools, new churches. New suburbs. Of new classes like this one. Of boundless possibilities.When almost anything seems within reach, what do we reach for?Ken Dryden was one of these thirty-five. In his varied, improbable life, he had wondered often how he had gotten from there to here. How any of us do. He decided to try and find his classmates, to see how they are, what they are doing, how life has been for them. They talked many long hours, in a way they had never talked before. Most had married, some divorced, most have kids, many have grandkids.This is the story of a place, a time, and so much more.

"A tragic plane crash that leaves two women stranded and fighting for their lives kicks off this sweeping and hilarious novel from award-winning writer Drew Hayden Taylor that blends thriller, murder mystery, and horror with humour and spectacle. Elmore Trent is a professor of Indigenous studies who finds himself entangled in an affair that's ruining his marriage; Paul North plays in the IHL (Indigenous Hockey League), struggling to keep up with the game that's passing him by; Detective Ruby Birch is chasing a string of gruesome murders, with clues that conspicuously lead her to both Elmore and Paul. And then there's Fabiola Halan, former journalist-turned-author and famed survivor of a plane crash that sparked a nationwide tour promoting her book. What starts off as a series of subtle connections between isolated characters quickly takes a menacing turn, as it becomes increasingly clear that someone--or something--is hunting them all. Taking tropes from murder mystery, police procedural, thriller, and horror, Drew Hayden Taylor weaves a pulse-pounding and propulsive narrative with an intricate cast of characters, while never losing the ability to make you laugh. Cold takes Indigenous myth and folklore and thrusts it into the modern streets of Toronto, exploring themes of displacement and trauma, as well as offering playful satirical critiques of the current landscape of Indigenous literature."--

INSTANT NATIONAL BESTSELLERA marvelous and compulsively readable collection of stories from the life of Salah Bachir — philanthropist, art collector, movie industry insider — who, through his sheer joy of life, art, giving back, and human interaction, has endeared him to some of the most famous and creative people in recent times.Salah Bachir’s encounters with stars who have passed through his beloved Toronto over the years opens on a backyard garden barbecue with Marlon Brando, and bread continues to be broken with icons as fascinating and seemingly disparate as Muhammad Ali and Liberace, Margaret Atwood and Cesar Chavez, Andy Warhol and Princess Margaret, to name just a few. But the true literary coup is that the biggest, brightest star we encounter is the author himself.                                                                        Alan CummingSalah is the patron saint for all of us who are full of curiosity, hungry for celebration, horny for fun, and who won’t stop until every need is fulfilled. His appetite and passion for life is voracious. His ability to transform those passions into making life better for others is even more impressive.                                                      Atom EgoyanSalah Bachir, who immigrated to Canada from Lebanon in the 1960s, has been a gay activist who has worked in the film world for over four decades. While this has given him undeniable front-row access to Hollywood’s biggest stars, it is Salah’s personal charm and kindness, his philanthropy, his overall style (think hats, scarves, brooches, pearls, diamonds) and deep involvement in the art world that has made him a friend, companion, confidante, and/or lover to so many — including Paul Newman and Joanne Woodward, Joan Rivers, Mary Tyler Moore, Douglas Fairbanks Jr., Andy Warhol, Keith Haring, Edward Albee, Orson Welles, Aretha Franklin, Norman Jewison, and Elizabeth Taylor — although it’s true that Katharine Hepburn once turned him down, very nicely.Collected here in this wonderful book are personal stories of them all — some short, some long, some surprising, others juicy, and all fascinating. Through them we get to know Salah, a larger-than-life character that embodies the many worlds he shapes — the kind of person it would be hard to make up if he didn’t already exist.

"Following an accident resulting in the tragic loss of his mother on their family property in Douglas Harbour, New Brunswick, photojournalist Darren Calabrese--a new father himself--knew it was time to move back to Atlantic Canada, the place both he and his wife called home. Living in Halifax, Nova Scotia, his tremendous sense of loss led him to reflect on the meaning of home and his appreciation for New Brunswick, Nova Scotia, Prince Edward Island, Newfoundland and Labrador: their geographies, histories, and traditions, turning his lens to explore the tension between the perseverance of tradition and the inevitability of change. Darren's photography led him from province to province, into cities, towns, homes, and Indigenous communities, who welcomed him to document the inextricable relationship between people, their stories, and the landscapes--equally beautiful and harsh--where they live and work. Personal essays on loss, family, and coming home, as well as Darren's experiences traveling to the regions he photographs, are woven throughout this evocative collection of carefully curated photographs and narrative captions, accompanied by archival photographs from Darren's deep family history. Elegant, spare, and revelatory at every turn, Leaving Good Things Behind: Photographs of Atlantic Canada brings to light both the challenges and joys of the places we live."--

To celebrate the fifth anniversary of the Indigenous Voices Awards, an anthology consisting of selected works by finalists over the past five years, edited by Jordan Abel, Carleigh Baker, and Madeleine Reddon.Established in 2017, the Indigenous Voices Awards honour the sovereignty of Indigenous creative voices and nurture the work of emerging Indigenous writers in lands claimed by Canada.Through generous support from hundreds of Canadians and organizations such as Penguin Random House Canada, Scholastic Canada, Douglas & McIntyre, Pamela Dillon and Family Gift Fund, the awards have ushered in a new and dynamic generation of Indigenous writers. Past IVAs recipients include Billy-Ray Belcourt and Tanya Tagaq. The IVAs also promote the works of unpublished writers, helping to launch the careers of Smokii Sumac, Cody Caetano, and Samantha Martin-Bird. This anthology gathers together a selection of the finalists over the past five years, highlighting some of the most pathbreaking Indigenous writing across poetry, prose, and theatre in English, French, and Indigenous languages. Curated by award-winning and critically acclaimed writers Jordan Abel (Nisga’a) and Carleigh Baker (Métis), and scholar Madeleine Reddon (Métis), this anthology is a celebration of Indigenous storytelling that both introduces readers to emerging luminaries and returns them to treasured favourites.