Bøger udgivet af McFarland & Company

Born in Italy in 1891, Andy Varipapa immigrated to the United States in 1903, uneducated and unable to speak English. Equipped with little more than athletic ability, the will to succeed, and a healthy dose of self-confidence, he became bowling's first superstar. In the 1940s and 1950s, Varipapa was the world's most famous bowler. For more than 50 years, he dazzled fans with an array of never-before-seen trick shots in person, on movie screens, and on television. Varipapa was not only a performer but one of the greatest bowlers ever. He won the prestigious BPAA All-Star tournament in 1946, silencing critics who claimed he was just an entertainer. And he did so at age 55, long past most bowlers' retirement age. To prove it was no fluke, he repeated in 1947. Bowling fans recognized the outspoken and brash "Great Varipapa," who once said, "I'm the most skillful, talkative, and controversial bowler who ever lived." Few knew Andy, the kind and loyal family man and friend. Sourced from interviews with family and friends and more than 1,000 secondary sources, this first-ever, biography of Varipapa tells the personal story of bowling's greatest showman and one of its most influential figures.

Senator Charles "Mac" Mathias was a lifelong Republican who easily won every election in a 26-year congressional career in otherwise heavily Democratic Maryland. Mathias was a courageous risk-taker who led efforts to advance civil rights, voting rights, environmental initiatives to clean up the Chesapeake Bay, and establish the Vietnam Veterans Memorial. On foreign policy, he was an early critic of the Vietnam War and a consistent advocate of bipartisan action on nuclear arms control, Middle East peace and sanctions against apartheid South Africa. His story, captured here by senior staff members and leading members of Congress, is an inspiring example of what a principled and courageous political leader can do when he follows his conscience and is willing to take on not just the opposition, but his own party. His thoughtful leadership and bipartisan spirit led (then) Senate Majority Leader Mike Mansfield to call him "the conscience of the Senate." His remarkable career is a stark reminder of the days when the Republican Party stood for the rule of law, respect for the Constitution and a balanced foreign policy.

As a 21-year-old Marine sent to the front lines of the Korean War, Al Martinez dispatched letters almost daily to his young bride, Joanne. In battle, he experienced the worst that war can bring, and then he served as a combat correspondent and as writer and editor of his regimental newsletter, the Ridgerunner. After the war, he entered a career in journalism, becoming a featured columnist for the Los Angeles Times where he would earn three shared Pulitzer Prizes. Written from the unique perspective of an obviously gifted, professional writer at the beginning of his career, his letters home capture his experiences eloquently and with depth of understanding as they express the dangers, hardships, fear, friendships, and even humor of life at the front. His vivid, often humorous pen-and-ink drawings portray scenes from the front lines.

In 1953, seven universities seceded from the NCAA's Southern Conference to form the Atlantic Coast Conference. Founding members Clemson, Duke, Maryland, North Carolina, North Carolina State, South Carolina and Wake Forest were soon joined by Virginia. Inspired by national academic and gambling scandals, and a bowl game crisis in 1951, the ACC's leaders hoped to reduce the commercialism and professionalism that permeated college athletics in the 1950s. This first ever full-length history examines founding of the ACC, the star athletes and coaches and football and basketball season highlights, along with the negotiations that led to the creation one of America's most successful athletic conferences.

For more than three decades, Joel and Ethan Coen have produced some of the most memorable and influential American roots music soundtracks in film history. From Raising Arizona (1987) to O Brother, Where Art Thou? (2000) to Inside Llewyn Davis (2013), the Coens, along with musical archivist and producer T-Bone Burnett, have curated half-forgotten yet unforgettable genres, artists and songs from America's cultural past for new audiences. This book is the first devoted to giving a full account of this rich cinematic legacy.

Some of the most raucous evenings in the history of theater are chronicled in this lively discussion of occasions when theater-makers changed the course of theatrical, and sometimes world, history. Covering a wide range of events from the inauspicious opening of Oedipus Rexin Athens, to the assassination of Abraham Lincoln in Washington, D.C., to the violence-riddled performance of Halla Bol in New Delhi, this book offers detailed and studied observations of specific minutes, hours, and days on the stage. For each staging covered, the author examines the reactions of critics and the public and tells the inside story, identifies the key players, and examines why these events still resound today.

Grunge. Flannel. Generation X. In 1993, Seattle was the capital of the world, Nirvana was king, and slackers were everywhere. When the Red Hot organization, a group of activists dedicated to raising money and awareness of AIDS, released their third compilation CD featuring the biggest bands of the era--Soundgarden, Smashing Pumpkins, Beastie Boys, The Breeders, Nirvana and more it quickly became the touchstone of a generation. Rolling Stone called No Alternative a "jaw-dropping compilation of musical gems." This book takes a look back at what happened to the bands involved with No Alternative. It includes new interviews with the musicians and others behind the record, and chronicles the downfall of an industry, the taming of a devastating illness, and the arrival of another global pandemic. It's about growing up, saying goodbye, and proving once more that you can't go home again (even if that's where you left all of your CDs).

This book details British fortifications used from the Tudor period beginning in 1485 through the end of World War II in 1945. With the advent of firearms, the Tudor period indeed opened a new chapter in the histories of Britain, fortification and warfare. By 1500 AD, Britain and Europe at large entered a new phase, marked by the foundation of colonial empires and a broadened sphere of influence and rule. During the following centuries, British sailors, ruthless adventurers, fighting men, and greedy merchants laid foundations to fortify the most widespread and most prosperous colonial Empire the world had ever seen. This text focuses on British coastal fortifications and on combinations of fortresses used for more general strategic purposes. Featured structures have protected points of vital importance, such as capital cities, military depots, ports, harbors and dockyards at essential locations in Britain and throughout the British Empire.

Although African Americans make up a small portion of the population of western North Carolina, they have contributed much to the area's physical and cultural landscape. This enlightening study surveys the region's segregated black schools from Reconstruction through integration and reveals the struggles, achievements, and ultimate victory of a unified community intent on achieving an adequate education for its children. The book documents the events that initially brought blacks into Appalachia, early efforts to educate black children, the movement to acquire and improve schools, and the long process of desegregation. Personnel issues, curriculum, extracurricular activities, sports, consolidation, and construction also receive attention. Featuring commentary from former students, teachers and parents, this work weighs the value and achievement of rural segregated black schools as well as their significance for educators today.

At age 23, Tony Canzoneri already had three division titles under his belt and was widely considered one of the pound-for-pound best fighters in the world. Holding victories over Johnny Dundee, Charles "Bud" Taylor, Benny Bass, Jack "Kid" Berg, Kid Chocolate, Billy Petrolle, Lou Ambers, and Jimmy McLarnin, Tony earned induction into the International Boxing Hall of Fame in 1990, and later pursued a successful career in entertainment. This work chronicles Canzoneri's life, starting from his birth and early rounds in the ring, with chapters detailing his wins, losses, championships and life as a father.

Before the Civil War, George Proctor Kane had been a businessman, thespian, political appointee, philanthropist and militiaman. During the war, as Baltimore's chief of police, he harbored the divided loyalties familiar to the border states--Southern in his sentiments yet Northern in his allegiances. As the city's top lawman, he sought to reform Baltimore's "Mobtown" image. He ensured that President-elect Lincoln, passing through on the way to his inauguration, was not assassinated. He protected Union troops marching to defend Washington, D.C. He was eventually imprisoned as a Southern sympathizer, denied habeas corpus as his captors transferred him from prison to prison. This book recounts Kane's enigmatic public life before and during the Civil War, his Confederate activities after prison and his return to serve as mayor of Baltimore.

With a writer who had never written a play, an actress who had never taken the stage alone, and a director who had never headed a live performance, The Belle of Amherst managed to become an American theater classic. Despite being savaged by critics attending its opening night in April 1976, the play, which details the life of Emily Dickinson, survived its baptism by fire and went on to appear in theaters across the world. This is the remarkable untold story of "the little play that could." Covering the play's humble beginnings as well as its pioneers--like writer William Luce, director Charles Nelson Reilly and actress Julie Harris--this work also documents the modern efforts to keep the play alive. Exploring the show's enduring dramatic power, this book ultimately pays respect to the one-woman show that has triumphed for decades.

This work demonstrates that not everything that Disney touched turned to gold. In its first 100 years, the company had major successes that transformed filmmaking and culture, but it also had its share of unfinished projects, unmet expectations, and box-office misses. Some works failed but nevertheless led to other more stunning and lucrative ones; others shed light on periods when the Disney Company was struggling to establish or re-establish its brand. In addition, many Disney properties, popular in their time but lost to modern audiences, emerge as forgotten gems. By exploring the studio's missteps, this book provides a more complex portrayal of the history of the company than one would gain from a simple recounting of its many hits. With essays by writers from across the globe, it also asserts that what endures or is forgotten varies from person to person, place to place, or generation to generation. What one dismisses, someone else recalls with deep fondness as a magical Disney memory.

From early classics like Contact to marvels like High Speed, gaming publisher Williams dazzled arcade goers with its diverse range of quality pinball games. The age of video games catapulted the company into legend with blockbusters like Defender and Joust, and by the end of the 1980s it was the largest coin-op publisher in North America. Williams' acquisition of Bally/Midway began a period of hits that included Mortal Kombat and NBA Jam, as well as the best-selling pinball machine of all time, The Addams Family. The history of Williams spans nearly six decades and is filled with great games, huge gambles and technical innovations that impacted every aspect of pinball and arcade video games. With interviews of 40+ former designers and executives from Williams/Bally/Midway, as well as information from hundreds of contemporaneous news reports and documents, this book presents a never-before-seen chronology of how the small company became a coin-op juggernaut. Thirty pinball and 26 video game classics are examined in depth with direct input from the people who made them, along with the story of the events that shaped one of gaming's greatest publishing houses.

Intelligent machines have long existed in science fiction, and they now appear in mainstream films such as Bladerunner, Ex Machina, I Am Mother and Her, as well as in a recent proliferation of literary texts narrated from the machine's perspective. These new portrayals of artificial intelligence inevitably foreground dilemmas related to identity and selfhood, concepts being reassessed in the 21st century. Taking a close look at novels like Ancillary Justice, Aurora, All Systems Red, The Actuality, The Unseen World and Klara and the Sun, this work investigates key questions that arise from the use of AI narrators. It describes how these narratives challenge humanist principles by suggesting that selfhood is an illusion, even as they make the case for extending these principles to machines by proposing that they are not so different from humans. The book examines what is at stake with nonhuman narration, the qualities of AI narratives, and what it might mean to relate to a narrator when the voice adopted is that of an AI.

This is a comprehensive and detailed encyclopedia for readers of Evelyn Waugh's Brideshead Revisited, one of the most popular and critically acclaimed novels of the twentieth century. It contains 175 entries on all aspects of the novel, covering such topics as the novel's main characters; cultural, literary, and political references; themes; organization; homosexuality; the novel's critical reception; and its film adaptions. It also pays particular attention to the importance of Catholicism in the story, discussing such subjects as sin, good and evil, divine grace, time, art, and love. A helpful list of recommended readings is included.

When he died in 1933, James J. "Gentleman Jim" Corbett was honored by two distinguished groups of people: the professional boxing public, who celebrated him as America's greatest boxing champion, and the world of popular theater admirers, who revered him as one of Broadway's top vaudeville headliners. Corbett was uniquely instrumental in making boxing and popular theater both justifiable commercial enterprises, to be enjoyed by all classes of people. He became America's first national sports hero and went on to formulate the theater world's star system. This is the first definitive biography of the man who knocked out heavyweight champion John L. Sullivan, and who also knocked out audiences who flocked to see him in vaudeville and silent pictures. The focus herein is on the real man, the influences on his life, and the social and commercial environment within which he functioned. The author reveals that Corbett was a complex, driven, enigmatic man whose dedicated participation in popular entertainment changed American social values and mores, and at the same time reinvented the notion of a national hero.

This work is a straightforward approach to the creative process of actor training. Combining principles of verbal and nonverbal communication with the basic tenets of Stanislavski's approach, it includes a step-by-step guide for reading, analyzing, and preparing a text for performance. The book also provides a template for rehearsing a sonnet, a soliloquy, and scenes from plays of heightened language ranging from Shakespeare, Moliere, and Congreve, to Ibsen, Shaw, and Lynn Nottage. Using improvisation, games and exercises with a series of tools designed to enhance the creative process, the book outlines the specific steps necessary to engage in the basic tenets of acting: overcoming obstacles and playing action-based objectives. Enlarging the field of study to include status, opposition, and releasing, as well as scansion and an emphasis on operative words and images, the actor emerges from this training process prepared to play any text, in any style, under any circumstance, with confidence, ease and a sense of joy.

From the earliest days of the British colonies in America, land was freely given to those willing to come and settle. Oftentimes, it was the only inducement that brought colonists to the New World. At first, colonists considered free land a privilege, but it soon came to be seen as a right. When that right was later withheld by Great Britain, the colonists rebelled. Exploring how economic hierarchies led to vast inequality in England, this book details the realization that America would provide opportunities for economic mobility. As colonists learned how to manage the land in the New World, they also learned how to govern themselves. This book emphasizes how the control of free land in America laid the groundwork for revolution. Although covered broadly in other histories, this is the first work dedicated to exploring land ownership as a unique and direct cause of the American Revolution.

Wells' novel, a "scientific romance," attained perhaps its greatest fame in another form, the infamous realistic 1939 radio broadcast "Invasion from Mars" by the redoubtable Orson Welles. It was also notably made into an early fifties science fiction adventure movie (and there have been other adaptations as well). So indelible is the association that the novel, like the panic inducing broadcast and the Hollywood flick, now is taken as little more than a light fantasy of outerspace terror and human heroism, far from the author's original vision. The War of the Worlds is a philosophical tale and as such, is profoundly ideological. The world of the Martians represents the progressive future of humanity in a cultural war with our world of tradition and reaction--these are the two worlds in question. The Mars from which the invaders come is united by a planet-wide system of irrigation canals; for Wells this indicates a socialist world-state. The red planet is red in more than one sense, pointing the direction of terrestrial progress. The Martians in the novel are octopoidal monsters, bodily anticipating the tentacular, all-controlling totalitarian regimes of the twentieth century.

H.G. Wells (1866-1946) wrote some of the great classics of speculative fiction in English, including The Island of Doctor Moreau (1896), which might be said to be about unholy genetics. The work's biological and sociopolitical ideas are still current (such were the range and depth of Wells' ideas). Wells continued to work on Doctor Moreau for nearly thirty years after its initial publication in London (the New York first edition added a subtitle A Possibility), finally letting go of the work after the publication of the Atlantic Edition in 1924. Annotated by the premier Wellsian scholar, this is an exhaustive critical edition, examining the historical, medical, philosophical and literary contexts of the story.

The Time Machine is one of the most enduring works of the English language. A hundred years after it was first published, the book continues to be studied. The 1895 London first edition is used as a basis for the exhaustive annotations and other critical apparatus of the world's foremost Wellsian scholar. The widely reprinted version of 1924 is also fully accounted for. For most students, one of the chief points of interest is what the novel signified to readers when it was first published and how it relates to Wells's later works. Accordingly, the annotations focus on these questions. The introduction gives in great depth the background of the work and its complex bibliographical history, and a synopsis of the literary conventions that Wells used.

This book studies Los Angeles County and its government since World War II. A special focus is given to the "Titans of Temple Street," the five-member Board of Supervisors that determines policies and actions for many issues throughout the county, especially for residents who do not live in the county's 88 cities. It is the largest of all U.S. counties, with a population of more than 10 million, more residents than 41 states, and an annual budget of more than $44 billion, more than all but 19 states. It has served as an innovative example of county government since the early 1900s.

In 2010, Cartoon Network debuted a new animated series called Adventure Time, and within just a few short years the show became both a pop culture phenomenon and a critical darling. But despite all the admiration, not many works of scholarship have assessed the show through a critical lens. This anthology is an attempt to fill this scholarly oversight and spark a wider conversation about the show's deeper themes. Across 15 scholarly essays, this book's contributors study Adventure Time from a variety of angles, proving just how insightful the series really is. From a consideration of BMO's queer identity to a psychoanalytic reading of Lemongrab and an examination of how anime has impacted the show, the topics explored in this anthology are diverse and unique and are likely to appeal to scholars and fans alike.

From its birth in 1913 to its abolition in 2021, film censorship marked the history of Italian cinema, and its evolution mirrored the social, political, and cultural travail of the country. During the Fascist regime and in the postwar period, censorship was a powerful political tool in the hands of the ruling party; many films were banned or severely cut. By the end of the 1960s, censors had to cope with the changing morals and the widespread diffusion of sexuality in popular culture, which led to the boom of hardcore pornography. With the crisis of the national industry and the growing influence of television, censorship gradually changed its focus and targets. The book analyzes Italian film censorship from its early days to the present, discussing the most controversial cases and protagonists. These include such notorious works as Last Tango in Paris and Salo, or the 120 Days of Sodom, and groundbreaking filmmakers such as Luchino Visconti, Federico Fellini and Pier Paolo Pasolini, who pushed the limits of what was acceptable on screen, causing scandal and public debate.

Featuring interviews with the creators of 37 popular video games--including SOCOM, Shadow of the Colossus, Tekken Tag Tournament and Sly Cooper--this book gives a behind-the-scenes look at the creation of some of the most influential and iconic (and sometimes forgotten) games of the original PlayStation 2 era. Recounting endless hours of painstaking development, the challenges of working with mega publishers and the uncertainties of public reception, the interviewees reveal the creative processes that produced some of gaming's classic titles.

Dorothy Dore was born in the Philippines to a British father who served there in the Spanish American War, and to a Filipina mestiza mother. This young woman was attending an exclusive private school when Pearl Harbor was bombed on December 7, 1941. The Japanese Imperial Army made a swift invasion of the Philippines, and Dorothy's life became a nightmare. As recounted in this moving memoir, Dorothy studied nursing so that she could support the United States Armed Forces Far East (USAFFE). She spent the war years on the run, working for the USAFFE when she could, but abandoning those duties when her family was in need. Dorothy recalls the sacrifices of her family, the brutal treatment of civilians by the Japanese, and the vainglorious actions of some of the USAFFE guerrilla leaders. It is a compelling story of love, loss, family, courage, and survival during an especially horrifying time.

The alien abduction phenomenon is one of the enduring enigmas of our time. While the reality of alien abductions is a hotly debated topic among UFO researchers, scientists, skeptics and true believers alike, the phenomenon indisputably exists as an artifact of popular culture. This book analyzes more than 75 films that draw their inspiration from allegedly fact-based accounts of alien contact, from 1951's The Man from Planet X to Contactee in 2021. These films are examined in terms of both their cinematic qualities and their exploration of thematic elements derived from abduction reports. Abduction motifs that appear in science fiction classics such as The Day the Earth Stood Still, 2001 and Close Encounters are analyzed, as well as those in lesser-known films like The Stranger Within, Starship Invasions, Dark Skies and Proximity. Special attention is given to movies based on the famed experiences of abductees Betty and Barney Hill, Whitley Strieber and Travis Walton. The book also addresses skeptical theories about the origins of the phenomenon in science fiction and examines an uncanny prescience that appears to anticipate these inexplicable occurrences.

Superheroes are enjoying a cultural resurgence, dominating the box office and breaking out of specialty comics stores onto the shelves of mainstream retailers. A leading figure behind the superhero Renaissance is Grant Morrison, long-time architect of the DC Comics' universe and author of many of the most successful comic books in recent years. Renowned for his anarchic original creations--Zenith, The Invisibles, The Filth, We3--as well as for his acclaimed serialized comics--JLA, Superman, Batman, New X-Men--Grant Morrison has radically redefined the superhero archetype. Known for his eccentric lifestyle and as a practitioner of "pop magic," Morrison sees the superhero as not merely fantasy but a medium for imagining a better humanity. Drawing on a variety of analytical approaches, this first-ever collection of critical essays on his work explores his rejuvenation of the figure of the superhero as a means to address the challenges of modern life.

In 1932, The Mummy, starring Boris Karloff, introduced another icon to the classic monster pantheon, beginning a journey down the cinematic Nile that has yet to reach its end. Over the past century, movie mummies have met everyone from Abbott and Costello to Tom Cruise, not to mention a myriad of fellow monsters. Horrifying and mysterious, the mummy comes from a different time with uncommon knowledge and unique motivation, offering the lure of the exotic as well as the terrors of the dark. From obscure no-budgeters to Hollywood blockbusters, the mummy has featured in films from all over the globe, including Brazil, China, France, Hong Kong, India, Mexico, and even its fictional home country of Egypt--with each film bringing its own cultural sensibilities. Movie mummies have taken the form of teenagers, superheroes, dwarves, kung fu fighters, Satanists, cannibals and even mummies from outer space. Some can fly, some are sexy, some are scary and some are hilarious, and mummies quickly moved beyond horror cinema and into science fiction, comedy, romance, sexploitation and cartoons. From the Universal classics to the Aztec Mummy series, from Hammer's versions to Mexico's Guanajuato variations, this first-ever comprehensive guide to mummy movies offers in-depth production histories and critical analyses for every feature-length iteration of bandaged horror.