Bøger udgivet af McPherson & Co Publishers,U.S.

A distinctive and original voice within the Modernist movement, the English novelist Mary Butts was a prodigy of style, learning and energy, whose work compared with Katherine Mansfield, D.H. Lawrence and T.S. Eliot, and was championed by Pound, Robert McAlmon, Ford Madox Ford, and others.

Until now, Maya Deren's essays on the art and craft of filmmaking have not been available in a comprehensive volume equally handy for students, film enthusiasts, and scholars. Essential Deren: Collected Writings on Film contains all of Deren's essays on her own films as well as more general essays on film theory, the relation of film to dance, various technical aspects of film production, the distinction between amateur and professional filmmaking, and the famous 1946 chapbook titled "An Anagram of Ideas on Art, Form and Film," which has been reset here for the first time. There are hard-to-find articles written for magazines and art journals, as well as lectures, Q&A sessions, program notes, and manifestoes. This book will be particularly welcomed by the large audience that saw Martina Kudlacek's documentary, "In the Mirror of Maya Deren," during its theatrical release in the U.S. and Europe in 2002.

Border crossing may be literal, figurative, imaginary, symbolic or psychological, or, as in the Mexican novelist Juan Tovar's Creature of a Day, all of these at once. This richly conceived prose fiction (a novel in the freshest sense) enchants and seduces the reader with a beguiling tableau of tales told in a language contemporary yet resonant of Caldern de la Barca, Chaucer and Shakespeare. Creature of a Day is inhabited by actors and priests, murderers and harlots, mendicants, merchants, pilgrims and storytellers. Themes of isolation and migration emerge in the wit and repartee of these characters; at the same time, in a stream of literary hallucination that flows from Lautreamont and Strindberg to Beckett, Cocteau, Calvino, and Borges, Creature of a Day washes across the North American consciousness. This award-winning translation by Leland H. Chambers reflects a vital new Mexican literature.

This weekend Liam's going away to college, and his mother, Cathleen Hogan Williams, is taking him there, driving south along the Hudson. For Liam, impatience to arrive at a new destination rubs against the anxiety of a future apart. For Cathleen, the trip has a second purpose: a long-suppressed love affair she had before conceiving him has resurfaced in a poem she is trying to write. Noah, her husband, endures the new separation at home...until an elderly Irish enchantress, a client of his law practice, leads him to recalculate what he himself may have left behind in his youth. For this couple, married and alone, Liam's going ripples outward across the surface of their marriage, the melange of their intertwining memories.

A novella originally published in an Italian periodical in 1950 offers a fictional account of the author's experiences staying with an Italian family in Naples for several weeks in 1947.

Vladimir Klavdievich Arseniev (1872-1930) undertook twelve major scientific expeditions between 1902 and 1930 in the Siberian Far East, and authored some sixty works from the geographical, geological, botanical, and ethnographic data he amassed. Among these, Dersu the Trapper has earned a privileged place in Russian literature. In this Russian counterpart to The Journals of Lewis and Clark and the novels of James Fenimore Cooper, Arseniev combines the precise observations of a naturalist with an exciting narrative of real-life adventure. Arseniev describes three explorations in the Ussurian taiga along the Sea of Japan above Vladivostok, beginning with his first encounter of the solitary aboriginal hunter named Dersu, a member of the Gold tribe, who thereafter becomes his guide. Each expedition is beset with hardship and danger: through blizzard and flood and assorted deprivations, these two men forge an exceptional friendship in their mutual respect for the immense grandeur of the wilderness. But the bridges across language, race and culture also have limitations, and the incursion of civilization exacts its toll. Dersu the Trapper is at once a witnessing of Russia's last frontier and a poignant memoir of rare cross-cultural understanding. Originally published in 1941, this English translation is reprinted in its entirety now for the first time.

Maya Deren's famous account of the Haitian deities, practitioners, and rituals of Voudoun was written with the special insight of personal encounter. In the foreword to this book, Joseph Campbell calls Divine Horsemen "the most illuminating introduction that has yet been rendered to the whole marvel of the Haitian mystres as 'facts of the mind.'" Deren had journeyed to Haiti to make a film ofritual dances; instead, she came to be accepted as a Voudoun initiate. Afterward, Deren undertook the writing of this book at the urging of Campbell and Gregory Bateson, and brought her entire aesthetic sensibility to bear in this profound study of "the total integrity of cultural form."