Bøger udgivet af Michael Wiese Productions

In the long-awaited sequel to his surprise bestseller, "Save the Cat!," author and screenwriter Snyder returns to form in a fast-paced follow-up that proves why his is the most talked-about approach to screenwriting in years.

No screenwriter wants to discover after the fact that their script leans on stereotypes or normalizes expressions of systemic racism. Fuller provides writers with tools they can use to hold themselves to a higher standard. Outdated tropes can sneak in at any point in the writing process, from adaptation to plot, to characterization, setting, symbolism, and genre. Fuller shows writers how to diagnose and address those problems in their own writing, creating stronger scripts in the process.

Aimed at both the head and the heart, The Defining Moment plumbs the depths of the most memorable characters ever to appear on the screen, the stage or the page. The book focuses on those moments so pivotal in a character's formation that they create a distinct boundary of before and after, moments without which the character couldn't exist and moments through which characters can transform before our eyes. Writers, actors and storytellers of all stripes will discover a powerful new key to unlock any character they seek to develop, write or portray. They may even unlock a deeper understanding of themselves. Features: The first in-depth study of the essential principles that will redefine the way storytellers understand their characters and themselves. Essential insights into the forces that create character Dozens of examples of character-defining moments from film, television, theater and literature An exploration of pivotol moments: birth, death, discovery, decision-making, injury and healing An examination of how writers and actors employ defining moments in their deepest and most unforgettable works Insights into how directors, editors, cinematographers and composers dramatize key moments Practical exercises for defining and redefining character Tips for discovering the moments that matter most Deeply personal stories from the authors' lives to illustrate the variety of moments that define us. For every storyteller, no matter their medium, The Defining Moment will redefine the way they understand their characters and themselves.

A Sense of Dread features three main sections. 1) A detailed examination of the biological, psychological, and cultural bases of fear. What fears do we share with animals? What fears are uniquely human? What fears have we learned from our culture? From our families? From our experiences growing up? And what, exactly, is the difference between fear and dread? 2) A Sense of Dread then combines these ideas to explore the roots of human fear and apply them to storytelling for the screen. The Toolbox of Dread outlines the techniques for creating terror on the page. A wide array of horror subgenres are also explored, including why they exist, and what challenges each presents to the horror screenwriter. 3) Author Neal Marshall Stevens puts Theory into Practice, using examples from his own work to demonstrate how to apply his toolbox and the principles of Dread to put real scares into the pages of a screenplay. Finally, we seek to answer the question many people ask: What are you afraid of?

Becoming a director is not just about making a film, webseries, commercial, or music video. The opportunity to direct for television is not a given because youve successfully completed a project in another medium. Turning your passion into your profession requires the ability to make transitions at the exact moment a pivot is needed, with creativity and confidence. Chatmons book helps directors across all mediums shape their career with targeted anecdotes, worksheets, and other resources, all of which fall into three designated categories: How-To, Self-Help, and Inspiration.

To make compelling television, our industry depends on enthusiastic new voices with fresh ideas. While there are plenty of books about the mechanics of writing, this is the first time an insider has detailed the invaluable TV executive perspective.As key pieces of the entertainment puzzle, executives hold institutional wisdom that seldom gets disseminated outside network walls. The Executive Chair breaks down the business from the gatekeepers point of view, illuminating the creative process used by those who ultimately make the decisions.Whether developing a project for the entertainment marketplace or merely probing the executive mindset, The Executive Chair dispels myths about the creative process and takes the reader through the development of a pilot script.

"This book helps film directors make their way through postproduction and explains what to expect from an editor. From thinking about editing during the shoot to hiring an editor to spotting and mixing sound and music, to delineating the purpose and types of VFX to completing a project with final sound, music, visuals, titles, DI, and color grading, the book covers all the practical aspects directors need to know. Along the way it details the history of editing, demystifies how editors approach cutting the footage and coaches the directors on how to best work with an editor to create and perfect the story and their vision of the film"--

Action and suspense films have almost always been made by 'seat of the pants' filmmakers. Crafting their films on gut instinct and intuition their innate talent often leads them to exciting results. Badham examines and explains the elements of action and suspense that are needed to make a great film. Badham also dissects the elements of any good scene from any genre of film and gives valuable tools that the reader can apply in directing and acting for maximum impact.This edition features a brand new section: The Director's Survival Guide to Episodic Television and explores the political danger zones faced in the ever expanding world of Streaming, Cable and Network television. Badham has created a much needed First Aid Kit for all directors and the newly expanded list of "14 Must Ask Questions Before Rehearsal"- an absolute essential in any filmmakers toolbox. Intended for actors, directors, cinematographers, production designers or other creatives, Badham gives you the tools to deconstruct and understand your scenes. Continuing the work begun in Badham's best-selling book "I'll Be In My Trailer" he shares more insights from talented directors on how they work with the difficult actor, rehearsal techniques and getting the best performance from any actor whether novice or pro.

Unlike the chitchat of everyday life, dialogue must express character, advance the story, suggest a theme, and include a few memorable lines that audiences will be quoting for decades to come.The best stories have dialogue that sparkles, but it's easy for inexperienced writers to fall into common pitfalls like creating dialogue that's wooden or too on the nose. Other writers end up with exposition awkwardly inserted into conversations, actors tripping over unnatural phrases, or characters who all speak exactly the same way. In You Talkin' to Me?, Linda Seger and John Winston Rainey are here to help with all your dialogue problems. In each chapter, they explore dialogue from a different angle and discuss examples of great dialogue from films and novels. To cap it all off, each chapter ends with examples of poor dialogue, which are annotated by Linda and then rewritten by John so that listeners don't just learn how to recognize when it's done well?they also learn how to make dialogue better. Whether you're writing fiction or nonfiction, for the screen or for the page, this book will get your characters talking.

Editing is what makes a movie a movie. Consulting with master film editors including Walter Murch, Juliette Welfling, Eddie Hamilton, and Anne V. Coates (whose insights and wisdom anchor the book), author Greg Loftin engagingly, smartly details the storytelling nuances and tricks screenwriters can learn from their film-editor peers.Cutting-room veterans have long maintained that visual juxtaposition fuels film storytelling. Over-lapped images spark fresh ideas in the minds of viewers, encouraging them to become active part-ners in your storytelling and discover your story for themselves.In later chapters, Writing for the Cut shows how we can bring our stories closer to the screen by writing not only with text, but with images and sounds. The screenwriter is taken deep into the edit suite to learn the secrets of the sizzle reel.

"Éoffers a unique culinary glimpse into how films really get made, sold, and released on a global scale from a veteran screenwriter who knows the secret to a successful film career is in the ingredients, not the meal."--Scott Beck & Bryan Woods, writers, WGA Award Nominees for A Quiet Place. Place.

This is the only book that gives an overview of the use of archival footage and how it played an expanding and crucial role in documentary and TV films. Readers learn how to research images and clear the rights.

The team of Diamond and Weissman have been writing movies and mentoring filmmakers for decades. In this practical guide, they take the aspiring writer by the hand and guide them through the logistics and tools of writing an attention-grabbing, audience-pleasing screenplay. Readers will learn the interests and needs of managers, agents, producers, executives, financiers, directors, and actors. Diamond and Weissman attribute their phenomenal success to a career-long focus on the motives and priorities of film sponsors and benefactors.Whether it's a theatrical release or a streaming movie, a major, big-budget tent pole or an intimate, character-driven indie drama, Diamond and Weissman apply their time-tested approach. This fresh way of thinking will resonate with writers, industry professionals, and cinephiles excited to peek under the hood at what makes their favorite films tick.Bulletproof is the rare screenwriting instructional penned by authors with both massive credits and decades of business experience. It is poised to take its place as one of the must-reads of the genre.

Everything you need, from getting the script right, to the edit being tight, is laid out in an informal and easily digestible style. Making Your First Blockbuster covers not only all the major components but delves deep into the nuances that make the big blockbusters really deliver. T

A brilliant guide for the writer who is frustrated with books, classes and philosophies that offer a one-size-fits-all approach to the craft.

Filmmaking can be a complicated and risky adventure, but Making the Magic Happen shows you why directing a movie is actually simpler than you think. The trick is to properly learn the "e;craft"e; of filmmak-ing first, and then adapt your logistical and creative skills to the "e;art"e; of filmmaking.