Bøger udgivet af MINNESOTA HISTORICAL SOC PR

In 1860, Eliza Winston escaped enslavement while traveling in Minnesota, where she secured her freedom through legal appeal. Her story adds powerful testimony to African American experiences and perseverance in antebellum America. On August 22, 1860, an enslaved woman from Mississippi named Eliza Winston petitioned for her freedom before a judge in Minnesota--and she won. After she left the state for Canada, the abolitionists who had helped her told and retold the story, emphasizing their own actions; their detractors claimed they had used Winston as a pawn. For more than 150 years, historians' accounts have emphasized the mobs who battled in the streets after the ruling, focusing on the implications of the events for Minnesota politics rather than Winston's own story. With It Took Courage, Christopher P. Lehman helps set the record straight. Lehman uncovers the story of Winston's first forty-two years and her long struggle to obtain her freedom. She was sold away from her birth family; her husband, a free man, died before he could purchase her freedom. She labored in Tennessee, Louisiana, Kentucky, Mississippi, and Minnesota. For thirty-one years she was enslaved by the family of President Andrew Jackson, who bought her for his great-niece and paid a cousin of James K. Polk to hold her in trust. Winston's victory produced a compelling irony: a woman Jackson himself had enslaved defeated a part of his legacy in Minnesota. The survival of the remarkable story of Eliza Winston's battle for individual freedom is an important contribution to the larger understanding of what slavery meant on this continent and how it affected individual lives--in both North and South. Winston's experience demonstrates the lengths to which a person would go to escape slavery, attempting to work both outside and inside the flawed and inequitable laws of the time, until finally receiving justice. If the traditional accounts relied on stereotypical depictions of Winston as "simple-minded," in Lehman's skillful description, Winston appears as a capable, mature woman who understood her life and her values. Eliza Winston herself made the bold decision to leave behind everything she had known for an uncertain but free future.

The New Peoples is the first major work to explore in a North American context the dimensions and meanings of a process fundamental to the European invasion and colonization of the western hemisphere: the intermingling of European and Native American peoples. This book is not about racial mixture, however, but rather about ethnogenesis -- about how new peoples, new ethnicities, and new nationalities come into being.The contributors to this volume (with the exception of the late Verne Dusenberry) were participants at the first international Conference on the Metis in North America, hosted by the Newberry Library in Chicago. The purpose of that conference, and the collection that has grown out of it, has been to examine from a regionally comparative and multi-disciplinary vantage point several questions that lie at the heart of metis studies: What are the origins of the metis people? What economic, political, and/or cultural forces prompted the metis to coalesce as a self-conscious ethnic or national group? Why have some individuals and populations of mixed Indian and white ancestry identified themselves as white or Indian rather than as metis? What are the cultural expressions of metis identity? What does it mean to be metis today?

New introduction by Russell W. Fridley An extraordinary political leader who forged Minnesota's successful Farmer-Labor coalition during the 1920s and 1930s, Governor Olson was a powerful, charismatic, and complex person. In this fascinating biography, Mayer describes the man and his turbulent times.

This book features true stories about the lives and times of nine children and adults whose contributions to their state's history span nearly two centuries, from the early 1800s to the present day. These stories include accounts of family life, school days, chores, games and amusements, employment, escapes from slavery, and immigration. The twentieth-century stories include examples of experiences with racial discrimination and interest in civil rights activities, as well as events in the lives of a recent immigrant from Somalia and his family.

A comprehensive look at the Norwegian-language press, celebrating the tireless writers, editors, and publishers whose efforts helped guide Norwegian immigrants on their path to becoming Norwegian Americans.

The Dakota language owes much of its expansiveness to its verbs, or action words. Yet until now, students of Dakota have had few resources in verb usage and conjugation beyond nineteenth-century dictionaries compiled by missionaries. 550 Dakota Verbs provides students of Dakota--and the Lakota and Nakota dialects--the proper conjugations for 550 verbs from adi (to step or walk on) to zo (to whistle). Compiled by Dakota language teachers and students, the book is learner friendly and easy to use. It features clear explanations of Dakota pronoun and conjugation patterns, notes on traditional and modern usages, and handy Dakota-English and English-Dakota verb lists. Designed to enhance everyday conversation as well as contribute to the revitalization of this endangered language, 550 Dakota Verbs is an indispensable resource for all who are interested in Dakota and its dialects, and a compliment to A Dakota-English Dictionary.

"A place is not a thing, " writes Paul Gruchow in the foreword to Vioces for the Land, "it is a relationship. A location becomes a place only in the content of time, of histotry." In this extraordinary tribute to the importance of the ordinary places in our lives, fifty-two Minnesotans write about the special, sometimes secret, places that give their lives meaning. For some it is their home or cabin or lake. For others, it's a family farm or neighborhood park, a backyard garden or north woods trail: all places where we find a personal and spiritual connection to the land. Voices for the Land explores this complex relationship by linking these personal essays with striking images captured by award-winning photographer Brian Peterson. This marriage of words, images, and landscape provides a powerful reminder of our deep and abiding connection to the land. The writers share the experience of these favorite places through their senses, from the aching tingle of a cold winter night and the sound of ice "singing" to the buzz of mosquitoes and the acrid smell of burning peat. The Voices for the Land project, organized by the nonprofit group 1000 Friends of Minnesota, encouraged Minnesotans to write about the land they love and to fight for its preservation. The Minneapolis Star Tribune published a selection of these essays, pared with Brian Peterson's photos, in an award-winning series. Voices for the Land brings these essays and photos together in book form for the first time. "Ordinary places, " writes Paul Gruchow, "are as necessary to a good community as are ordinary people." Voices for the Land speaks to the power of these ordinary places and the value of preserving them for the simplereason that they are special to someone. Acelebration of the special bond Minnesotans have with the land expressed through compelling essays and beautiful photographs. The essays and photos from Voices for the Land can also be seen on the Star Tribune's website at http: //www

The Story of Minnesota's Past embraces the broad sweep of change over this land now called Minnesota from glacial ages to the 1980s. A readable and authoritative history for newcomers, oldtimers, and general readers who want to know more about the state's past.

An essential guide to the sacred Big Drum ceremony of the Ojibwe, as told by a respected elder, explained in both the Ojibwe and English languages. Sometime in the last half of the nineteenth century, a group of Dakota presented the Ojibwe with the Big Drum and the ceremonies around it, as an act of peace and goodwill. The US government promptly outlawed the traditional, spiritual ceremony, along with all other Indigenous spiritual practices, in order to destroy Native culture--but it permitted the secular powwow as a tool of economic development. The Ojibwe people, however, maintained the ceremony in secrecy.>In this firsthand, bilingual account, Lee Obizaan Staples shares the stories and the practice of the Big Drum ceremony. He discusses the use and care of the drum, the duties of membership, the spirits associated with the drum, personal conduct while near the drum, and much more.>"These Anishinaabe ceremonial drums were given to all Anishinaabe people," says Obizaan. "I am doing this writing so that the Anishinaabe will be able to get a better understanding of the spiritual depth of what is available when these ceremonial drums are being used." Obizaan--a ceremonial drum keeper at Aazhoomog, a first-language speaker, and a principal authority on the ceremonial life of the southwestern Ojibwe--has worked with Ombishkebines, his surrogate son and right-hand man, to provide these Ojibwe and English versions of these ceremonies.

"Originally published as Memoir 22, Algonquian and Iroquoian linguistics (Winnipeg, Manitoba: 2015)"--Title page verso.

Artist Sam Zimmerman / Zhaawanoogiizhik explores nature, family, and Ojibwe culture through his glorious paintings, accompanied by personal stories and those handed down through generations.> When Sam Zimmerman decided to rededicate his energy and focus to painting in the late 2010s, he found himself drawn to the stories of his family and Ojibwe community. He wanted to capture these stories in images as well as words, and he began working with an Ojibwemowin language speaker to translate and preserve them in their native language as well. The paintings and stories he accumulated and developed between July 2019 and July 2020 are drawn from family lore and shared experiences centered in Ojibwe tradition and the natural beauty of northern Minnesota. Zimmerman's work explores his Ojibwe heritage by preserving oral histories handed down from elders while also reflecting the artist's personal experiences and learnings in nature by incorporating the landscapes of Lake Superior's North Shore, where he and generations of his ancestors have lived. His work features Northland creatures such as moose, loons, wolves, and fish as well as the night sky and native flora. Zimmerman preserves the Ojibwe storytelling tradition, reimagining the symbolism of the clan animals in natural North Shore landscapes. His work is infused with the color theories of the abstract and expressionism movements while also promoting environmental stewardship. Following My Spirit Home features more than 80 vibrant and colorful images accompanied by stories, mostly based on tales Zimmerman's grandfather told him or from his own experiences in nature along the north shore of Lake Superior. The stories are presented in both English and Ojibwemowin with the goal of advancing language revitalization.

Record executive, producer, band manager, club DJ, booking advisor, record store manager--few people had as deep an impact on the Twin Cities alternative and indie rock scene as Peter Jesperson. A passionate music fan since his early childhood, Jesperson found his way into Minneapolis's burgeoning music world of the 1970s and followed a path that put him at the center of the scene as it grew and blossomed. Beginning with his time working at the legendary Oar Folkjokeopus record store, Jesperson helped shape the tastes of local music fans and foster the Twin Cities as a destination for touring acts from around the globe. His tastemaker role continued while he worked as a DJ and booking assistant at Jay's Longhorn bar, the landmark venue that elevated the Twin Cities' reputation as a mecca for left-of-center artists. In 1977, Jesperson, along with two partners, founded Twin/Tone Records, which over the next 20 years released more than 300 records, including by such groundbreaking artists as the Replacements, the Suburbs, Soul Asylum, Babes in Toyland, the Jayhawks, and many more. With Twin/Tone, Jesperson further solidified Minnesota's place on the map as a hotbed of musical creativity and a leader in the indie music world. Just three years after starting Twin/Tone, Jesperson made the discovery that changed his life, and the Minneapolis music world, forever: the Replacements. As A&R man and then full manager, he guided the development of this talented and out-of-control foursome, while taking a break to road-manage an upcoming sensation out of Athens, Georgia: R.E.M. But as his career was on the rise in the wild '80s, Jesperson began his own descent into substance abuse, until he overcame his demons and launched a second act in the industry. In Euphoric Recall, Jesperson speaks frankly about his struggle with drugs and alcohol, and how it nearly derailed his career and his life. Motivated by his love of music, Jesperson rallied to pick up where he left off with Twin/Tone and the Replacements before heading west to begin the next phase of his career in Los Angeles. While working alongside such noteworthy artists as Dwight Yoakam, Kris Kristofferson, Vic Chesnutt, and Steve Earle, Jesperson experienced firsthand the dramatic changes in the music industry of the 1990s. Through it all, he has retained his passion for the industry and the art, and now, after a half-century in the music business, Jesperson shares his insights, anecdotes, and lessons from his unique vantage point.

"Ojibwe children and their parents experience many ceremonies, from birth customs and dream catchers to fasting and first kill feasts. These essential cultural practices, presented in Ojibwe and English, offer both an accessible record of Indigenous knowledge systems and a valuable language resource for all ages and all levels of learners"--

"Most great cities have a great columnist. Jonathan Gold said that Los Angeles was the real topic of his food writing, coming into specific view wherever he shone his flashlight and raised his spoon. New York City had Jimmy Breslin and Dara's early writing hero, Joseph Mitchell, each of whom expressed something essential about their city through the tales of sports heroes, skid-row charmers, and mobsters. Dara's Twin Cities is just as evocative, but of course completely different. It is a must-read for people who want to meet the people in that neighborhood of four million souls who call the land in and around the upper Mississippi home. Revisit Dara's favorite stories from the last 25 years, including columns, profiles, and restaurant reviews from the pages of City Pages, Minnesota Monthly, Mpls.St.Paul Magazine, Gourmet, and Saveur. Each piece includes a brief introduction putting the piece in context and explaining why Dara considers it among her quintessential contributions to Minnesota life and culture. Together these works capture the art of this essential columnist, food writer, and voice of the Twin Cities. They also show a Minnesota rarely seen, one where a writer's enthusiasm, humor, passion, and curiosity are rewarded with secrets and wonders." -- Publisher.

A treasury of family secrets exposes the seamy underbelly of Minneapolis—gangsters, gambling, brothels, and the social life of organized crime.

An award-winning drinkslinger, along with the North Star Bartenders' Guild, moves beyond the traditional Martini and Manhattan to offer 125 crafted cocktail recipes with modern flavors. 176 pp. 5,000 print.