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A definitive overview of one of the most celebrated figures of the Italian Renaissance

Exploring the dialogue between the National Gallery, London and contemporary artist Rosalind Nashashibi through her work as artist in residence

Published to accompany the exhibition Leonardo: Experience a Masterpiece at the National Gallery, London, 9 November 2019-12 January 2020.

A comprehensive presentation of the important collection of Barbizon School painting at the National Gallery, London The significant collection of 19th-century French paintings at the National Gallery, London, includes many important works by artists associated with the Barbizon School. In addition to paintings by Courbet, Millet, and Rousseau, there are over twenty works by Corot, including the monumental Italian Woman, or Woman with Yellow Sleeve (L‿Italienne) recently acquired from the estate of Lucian Freud. Works by Corot range from an early oil study made in Italy to late studio landscapes. This meticulously researched and lavishly illustrated volume contains entries that examine all aspects of the paintings, from subject and stylistic significance to physical condition and conservation history. Setting the individual works within a broader context, essays explore the impact of plein-air practice; examine the relationship of the Barbizon School to the academic landscape painters and the Impressionists; and trace the history of the passionate collecting of these pictures in Britain well into the 20th century. Published by National Gallery Company/Distributed by Yale University Press

"Published to accompany the exhibition "Nicolaes Maes - Dutch master of the Golden Age" Mauritshuis, The Hague, 17 October 2019 - 19 January 2020, The National Gallery, London, 22 February - 31 May 2020."

"Published to accompany the exhibition: "Young Bomberg and the old masters", The National Gallery, London, 27 November 2019 - 1 March 2020."--Title page verso.

Andrea Mantegna (c. 1431-1506) and Giovanni Bellini (active c. 1459; died 1516) each produced groundbreaking paintings, marked by pictorial and technical innovations, that are among the masterpieces of the Italian Renaissance. Exploring the fruitful dynamic between Mantegna's inventive compositional approach and interest in classical antiquity and Bellini's passion for landscape painting, this fascinating volume examines how these two artists, who were also brothers-in-law, influenced and responded to each other's work. Full of new insights and captivating juxtapositions-including comparisons of each of the artist's depictions of the Agony in the Garden and the Presentation to the Temple-this study reveals that neither Mantegna's nor Bellini's achievements can be fully understood in isolation and that their continuous creative exchanges shaped the work of both.

The first publication to consider the relationship between these two major artists of the High Renaissance

In 2014, the contemporary painter George Shaw (b. 1966) began a two-year post as associate artist in the National Gallery, London. This book documents his experiences there, as well as the work he produced in response to the Gallery's collection. Shaw is known for his minutely detailed and luminously atmospheric depictions of the urban landscape and woodlands of central England. Painting scenes from his native region, Shaw meditates on the central themes of relationships, ancestry, and love. His preferred medium, Humbrol enamel paint, is a deliberate means of distancing himself from the traditions of oil painting-and, it might seem, from the values embedded in the National Gallery itself. Yet as a teenager in Coventry, Shaw was fascinated by the Gallery, traveling regularly to London to draw from those artists he found inspiring. This engaging volume reproduces his first series of paintings on canvas, together with working drawings and an essay by the artist himself. Published by National Gallery Company/distributed by Yale University PressExhibition Schedule:The National Gallery, London (05/11/16-10/30/16)

Offers a collection of paintings by 16th-century Netherlandish artists, including Joachim Beuckelaer, Hieronymus Bosch, Pieter Bruegel the Elder, Jean Gossart, and Quinten Massys. This title includes discoveries about artists' techniques and practices that have led to many reattributions, and the rescue from anonymity of over twenty paintings.

A fascinating exploration of the role of music in the art of Vermeer and many of his contemporaries

Tells the story of the founding and growth of one of the world's greatest collections of western European painting, dating from 1250 to 1900. This book brings together stories behind the development of the National Gallery: the generous benefactors; the architectural controversies; the acquisitions; the dedicated staff; and, the visiting public.

The National Gallery's collection of British paintings is small, but contains some of the most famous and best-loved paintings in the country. This readable catalogue includes the results of fresh examination of each work by the Gallery's Conservation and Scientific Departments.

Titian is acknowledged as the greatest of the sixteenth-century Venetian painters. The author's carefully chosen comparisons of paintings, prints, drawings and details of works by the young Titian, Durer and their contemporaries suggest that Titian was as innovative and as influential in his unique view of nature as he was in portraiture.

Includes illustrations that encourage the reader to consider how artists distil the essence of Christian values and how works of art can motivate reflections on the Christian faith.

The English romantic artist Joseph Mallord William Turner (1775-1851) was hailed as the painter of light for his brilliantly coloured landscapes and seascapes. This book examines the ways in which Turner consistently strove to confront Claude's achievement and legacy.

Materials and working practices influence a painter just as much as contemporary intellectual and cultural developments. This title helps readers develop a painterly eye by learning to recognize different materials and methods of application and to appreciate how these features contribute to how a painting looks.

A new examination of Leonardo's career that illuminates his time as court painter to the Duke of Milan, an experience that fundamentally changed his outlook and his legacy

An engaging look at how the middle classes of fin-de-siecle Vienna used innovative portraiture to define their identity

Introduces the painters of the Ashcan School and the key characteristics and themes of their work. This title includes commentaries that are provided for twelve significant paintings by George Bellows, William Glackens, Robert Henri, George Luks, and John Sloan.