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The National Portrait Gallery's collections hold numerous portraits of creative partnerships. This book looks at the extensive collection of the Gallery and explores the role of love and the people featured both as sitters and artists. Drawing on recent scholarship, the exhibition will explore changing ideas of love, and give readers the opportunity to discover love stories both tragic and transcendent. The stories cover a variety of topics, including: the role of the muse, featuring stories such as George Romney, Lady Emma Hamilton and Nelson, and the Bloomsbury group; scandal and tragedy, exploring the relationships of Oscar Wilde and Lord Alfred Douglas, Edward VIII and Wallis Simpson, and John Lennon and Yoko Ono; literary love, highlighting the tales of Mary and Percy Shelley, and Sylvia Plath and Ted Hughes; a shared studio, featuring the stories of artists Lee Miller and Man Ray, and Barbara Hepworth and Ben Nicholson; and love and the lens, which explores the stories of Laurence Olivier and Vivien Leigh, and Mick and Bianca Jagger. Love Stories will be brought to life through the perspective of various authors, using material from the sitter's own letters, diaries and poetry, while highlighting their connection and influence on some of the greatest masterpieces of art.
Accompanying a National Portrait Gallery exhibition, a closer look at the portraiture with the 'Bright Young Things' as subject, captured by photographer Cecil Beaton.
The National Portrait Gallery, London, holdsa largecollection of portraits featuringsitters who have played an important role in British history and culture across the periods, manyof whichhave also made significant contributions as writers. Featured writers include:Jane Austen, Charles Dickens, Mary Shelley, William Shakespeare, George Eliot, Zadie Smith, Oscar Wilde,John Ruskin,Monica Ali, Stephen Hawking, Virginia Woolf, George Orwell, Syliva Plath, Harold Pinter, Jean Rhys, Kazuo Ishiguro, Roald Dahl,Stuart Hall, Carol Ann Duffy, Malala Yousafzai, Charles Darwin, Mary Wollstonecraft, Emily Bront¿nd Samuel Pepy.
Magda Keaneyis Senior Curator of Photographs at the National Portrait Gallery, London. She was formerly Senior Curator, Photographs, at the Australian War Memorial and Curator at the Fashion Space Gallery, London College of Fashion. Her recent publications include Fashion Photography Next(2014), Irving Penn Portraits(2010) and World¿s Top Photographers: Fashion & Advertising(2007).
In the late sixteenth and early seventeenth centuries there was one art form in which English artists excelled above all their continental European counterparts: the painting of miniatures. This fascinating book explores the genre with special reference to two of its most accomplished practitioners, Nicholas Hilliard and Isaac Oliver, whose astounding skill brought them international fame and admiration. Four centuries ago, England was famous primarily for its literary culture ¿ the dram a of Shakespeare and Ben Jonson and the works of the great lyrical and metaphysical poets. When it came to the production of visual art, the country was seen as something of a backwater. However, there was one art form for which English artists of this period were renowned: portrait miniature painting, or as it was known at the time, limning. Growing from roots in manuscript illumination, it was brought to astonishing heights of skill by two artists in particular: Nicholas Hilliard (1547¿1619) and Isaac Oliver (c .1565¿1617). In addition to exhibiting the exquisite technique of the artists, portrait miniatures express in a unique way many of the most distinctive and fascinating aspects of court life in this period: ostentatious secrecy, games of courtly love, arcane symbolism, a love of intricacy and decoration. Bedecked in elaborate lace, encrusted in jewellery and sprinkled with flowers, court ladies smile enigmatically at the viewer; their male counterparts rest on grassy banks or lean against trees, sighing over thwarted love, or more modestly express their hopes in Latin epigrams inscribed around their heads. Often set in richly enamelled and jewelled gold lockets, or beautifully turned ivory or ebony boxes, such miniatures could be concealed or revealed, exchanged or kept, as part of elaborate processes of friendship, love, patronage and diplomacy at the courts of Elizabeth I and James I /VI. This richly illustrated book, like the exhibition it accompanies, explores what the portrait miniature reveals about identity, society and visual culture in Elizabethan and Jacobean England.
Accompanying the first major exhibition of Gainsborough's family portraits, set to begin at the National Portrait Gallery this November, a close look at the eighteenth century master's paintings of his wife, daughters and close relatives.
Published to accompany the exhibition of the same name held at the National Portrait Gallery, London, June 28-October 21, 2018; Grand Palais, Paris, November 21, 2018-February 20, 2019; Bundeskunsthalle, Bonn, March 15-July 14, 2019; EMMA, Espoo Museum of Modern Art, Finland, August 21, 2019-January 26, 2020.
Charlotte Bolland is Collections Curator, Sixteenth Century, at the National Portrait Gallery, London. She has co - authored The Encounter: Drawings from Leonardo to Rembrandt (2017), The Real Tudors: Kings and Queens Rediscovered (2014) and Les Tudors (2015). Her other publications include contributions to Leadership and Elizabethan Culture (2013), Elizabeth I & Her People (2013) and Painting in Britain 1500 ¿ 1630: Production, Influences and Patronage (2015).
Oscar Rejlander, Julia Margaret Cameron, Lewis Carroll and Clementina Hawarden embody the very best of Victorian photographyThe work of Oscar Rejlander (1813-75), Julia Margaret Cameron (1815-79), Lewis Carroll (1832-98) and Lady Clementina Hawarden (1822-65) embodies the very best of photography from the Victorian era. These giants of 19th-century photography experimented with new approaches to picture-making and shaped attitudes toward photography that have informed artistic practice ever since. Discover the images that made the case for the photograph as a work of art in this beautiful book.These four artists--a Swedish émigré with a mysterious past, a middle-aged Ceylonese expatriate, an Oxford academic and writer of fantasy literature, and a Scottish countess--formed the unlikeliest of schools. Both Carroll and Cameron studied under Rejlander briefly, and maintained a lasting association based around intersecting approaches to portraiture and narrative. Influenced by historical painting and working in close association with the Pre-Raphaelite Brotherhood, they formed a bridge between the art of the past and the art of the future.In her foreword to this volume, the Duchess of Cambridge writes: "photographs of children in particular, which feature predominately in the exhibition, are of real interest to me ... these photographs allow us to reflect on the importance of preserving and appreciating childhood while it lasts."
A collection of quotations by and about gay people is a celebration of the advances in LGBT rights in the UK over the last half-century and a demonstration of the battle against oppression and prejudice that led to them.
This book brings together fifty exquisite observational portrait drawings from the Renaissance and Baroque periods , including works by Leonardo da Vinci, Durer, Holbein, Bernini, Carracci, Clouet , Rubens and Rembrandt . More than a record of the sitters ' appearance, these works capture a moment of connection between artist and sitter: an encounter
To coincide with the bicentenary of Jane Austen's death ( and her appearance on English banknotes ) in July 2017, this illuminating account of the novelist's life is told with particular reference to the great men and women who inspired and influenced her, and whose portraits, along with her own, are now in the Collection of the National Portrait Gallery
Hodgkin's art can be seen as providing memorials for people, many of whom are friends, whose absence is countered by the corresponding physical presence of particular paintings. This book, like the exhibition it accompanies, surveys the development of Hodgkin's portraiture from its beginnings in 1949 to the present, including new paintings.
For all his radical originality, Picasso remained in constant dialogue with the art of the past and his portraits often alluded to canonical masterpieces, chosen for their appropriateness to the looks and personality of his subject. This book focuses not only on Picasso's life story but his creative process.
Beautifully illustrated with images from the Collection of the National Portrait Gallery, this book explores the man behind the novels and the lives of those around him.
Starting with the Exposition Universelle in Paris in 1867, at which a distinct Russian school of painting was recognised, this title examines developments in theatre and music, the rising Realist aesthetic and the powerful voices of wealthy patrons from the worlds of industry and commerce, such as Pavel Tretyakov.
The National Portrait Gallery's series of compact, fully illustrated, historical guides to literary and artistic personalities and themes. Written by well known contemporary authors, they examine the lives, thoughts and relationships within each selected group through works from the Gallery's Collection.
The National Portrait Gallery's series of compact, fully illustrated, historical guides to literary and artistic personalities and themes. Written by well known contemporary authors, they examine the lives, thoughts and relationships within each selected group through works from the Gallery's Collection.
Packed with photographs that give additional information and insight into the clothes worn by sitters in their portraits, and complements by related material including tailor's bills and fabric designs, this authoritative guide looks in detail at one of the most fascinating aspects of the best-known images of the last 500 years.
The BP Portrait Award is the world's leading showcase for painters working in portraiture. This revised and updated edition of 500 Portraits brings together more than 500 portraits from twenty- -five years of the Award. Featuring works by the world's leading figurative artists, this book celebrates our enduring fascination with the human face.
A collection of observations by, and about, the great British polymath, visionary, designer and writer. Accompanied by images of Morris, his work and his collaborators.
The National Portrait Gallery in London houses a unique collection of famous faces from the late Middle Ages to the present day. This handsomely produced volume presents the highlights of that collection, featuring over 200 works and informative texts by the Gallery's Director and expert curators.
This revealing, highly illustrated biography of Virginia Woolf (1882-1941) by a leading authority on the Bloomsbury Group accompanies a major exhibition of portraits of the world-renowned British novelist, essayist, biographer and critic and her circle at the National Portrait Gallery, London.
The National Portrait Gallery's series of compact, fully illustrated, historical guides to literary and artistic personalities and themes. Written by well-known contemporary writers, they use works from the Gallery's Collection to examine the lives, thoughts and relationships within each selected group.
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