Bøger udgivet af New Michigan Press

A biography in verse, sort of, of EVEL KNIEVEL! It rules.HE WAS EVER SOME SORT OF SCAFFOLDING ON THE SKYConsider for a moment that the earth did not want Knievel. He was never really here. Think of it this way: the g-force acting on stationary object Evel Knievel (EK) is 1 g, a result of the Earth's surface bearing upwards equal and opposite to gravity (gn) 9.80665 meters per second squared.1 g pushing him away sans launch. Who better, then, to hold the heavens up?

Poems by Tara Roeder and Drawings by Arman Safa

This is a work of seething precision. In these poems, hope is a meticulous, meditative state-a method of forensic searching and study that is carried with great care across generations. By stitching her raging images together with stillness and poise, Popa asks us to step back from our panic and look: "peeling back the hair, that quiet, necessary artifice, / to reveal a nesting doll of impulses." --Caroline BirdIn Maya Catherine Popa's You Always Wished the Animals Would Leave, feathers are unfulfilled parables, a hen's eggs turn a vicious red, and a super moon "blooms a tyranny of flowers." A helix of histories lies threaded to both the present day and the various magics of night. These poems are smart and lush, and at the end of each of them my heart, mind, and ear argue over which was lavished with the most pleasure. I am enchanted by this book, in its thrall, its bright gravity, its terribilitá. --Traci Brimhall

"In Heat: An Interview with Jean Seberg, Stephanie Dickinson becomes the voice of a legendary movie star and the last All-American girl Jean Seberg. Written as a fictional interview, no question is off-limits (French husbands, love with a Black Panther, alcoholism, death of a child, suicide). The imaginary answers are real and haunting as they pull you into a fascinating world of the 1960s. Dickinson skillfully draws on her own Midwestern childhood and with heart-rending imagery gives us a portrait of a dreamy teenager in Marshalltown who 'watched the bluegill bite the hook's surprise,' a girl who could never shrug off her small-town roots even as she embraced the Paris life of celebrity. Dickinson has written a book of such depth, knowledge and sensitivity that it should be considered the star's authorized biography because had Jean Seberg read this she would have cried with joy at the prospect of finally being understood." --Marina Rubin"Life's an existential journey for Jean Seberg. It's not easy being a seething adolescent sexpot, a free-love heroine of French New Wave films and Black Panthers, a mother, not to mention Joan of Arc burning at a funeral pyre under the direction of Otto Preminger. A film director or critic cuts through the fine façade between life onstage and off-killing and resurrecting. 'What's real is make-believe...' just as this interview is. Dickinson's great talent lies not in writing about Jean Seberg but in occupying that space between her spirit and her flesh. Dickinson speaks Seberg, sees Seberg, savors the humiliation of brutish critics until it sours, has felt heavy make up melting on her face, heard the sobs of butterflies alighting in her body's crevices, felt the heat rise from her torched costume, been trapped in a sack, taken to the anvil, hammered. Even then, says Seberg-Dickinson, 'I'm deep in the sky. Alive.' --Maria Lisella

A new chapbook of poems by Lillian-Yvonne Bertram