Bøger udgivet af New Vessel Press

A sweeping epic novel infused with romance about an illustrious family that builds itself a fabulous vacation retreat on the French Riviera-a replica of an ancient Greek palace in which they seek to find perfection and beauty until being caught up in the tragedies of 20th century European history.

A passionate, eloquent plea to save the soul of the world's greatest architectural treasures.

"Three Israeli women adjust to life in the United States. In the title story of Arad's latest book, an older Israeli woman reflects on nearly half a century spent in the American Midwest, where she teaches Hebrew at the local (unnamed) university. It's been a quiet life spent scrupulously building up an academic program in Hebrew and Jewish studies. Lately, however, enrollment in Ilana's classes has fallen: "What will happen," she wonders, "if Hebrew ends up like Hindi or Polish, with just a beginners' class offered every two or three years?" Just then, a flashy young professor--also Israeli--is hired, and Ilana is caught off guard: Yoad, with his complicated critiques of Israeli politics, seems intent on undermining not just Ilana's work, but also the comfortable assumptions on which she's based her life. It's a quiet, novella-length story, meticulously observed, with remarkable shades of subtlety and nuance. What could have easily become a political screed is, instead, a gentle inquiry into aging, what it means to be relevant, academic ambition, and, most particularly, the morality of Zionist politics. The other two novellas that make up this volume are just as intricately realized. In A Visit (Scenes), Miriam visits her son, daughter-in-law, and grandson in Silicon Valley, where she quickly discovers fault lines in her son's apparently stable family. Make New Friends tackles the insipid--and occasionally insidious--world of social media when Efrat tries to help her daughter adjust to middle school life. Each story is marked by the meticulousness of Arad's observations and the depth of her insights. While her stories follow traditional forms, unmuddied by narrative experimentation, the wisdom she culls from them is tremendous. The quiet subtlety of Arad's prose only pulls the strength of her insights into higher relief."--Provided by publisher.

A harrowing, culturally rich memoir.Kirkus ReviewsBuilding upon her celebrated autobiographyDistant Fathers, Italian author Marina Jarre returns to her native Latvia for the first time since she left as a ten-year-old girl in 1935. InReturn to Latviaa masterful collage-like work that is part travelogue, part memoir, part ruminative essayshe looks for traces of her murdered father whom she never bid farewell. Jarre visits the former Jewish ghetto of Riga and its southern forest where tens ofthousands were slaughtered in a 1941 mass execution by Nazi death squads with active participation by Latvian collaborators. Here she attempts to reconcile herself with her past, or at least to heal the wounds of a truncated childhood. Piecing together documents and memories,Return to Latviaexplores immense guilt, repression, and the complicity of Latvians in the massacres of their Jewish neighbors, highlighting vast Holocaust atrocities that occurred outside the confines of death camps and in plain view.

"e;Piero Chiara's novel is at once a murder mystery and a lyrical study of desire, greed, and deception. The ending is simply stunning."e;-Andre Aciman, author of Call Me by Your NameSummer 1946. World War Two has just come to an end and there's a yearning for renewal. A man in his thirties is sailing on Lake Maggiore in northern Italy, hoping to put off the inevitable return to work. Dropping anchor in a small, fashionable port, he meets the enigmatic owner of a nearby villa who invites him home for dinner with his older wife and beautiful widowed sister-in-law. The sailor is intrigued by the elegant waterside mansion, staffed with servants and imbued with mystery, and stays in a guest room previously occupied by a now deceased bishop related to his host. The two men form an uneasy bond, recognizing in each other a shared taste for idling and erotic adventure. They soon set sail together, encountering old flames and making new conquests. But tragedy puts an abrupt halt to their revels and shatters the tranquility of the villa. What really happened on the dock? And who was the figure glimpsed cycling around the shore in the dark? A sultry, stylish psychological thriller executed with supreme literary finesse.

A young bride shuts herself up in a bedroom on her wedding day, refusing to get married. In this moving and humorous look at contemporary Israel and the chaotic ups and downs of love everywhere, her family gathers outside the locked door, not knowing what to do. The bride's mother has lost a younger daughter in unclear circumstances. Her grandmother is hard of hearing, yet seems to understand her better than anyone. A male cousin who likes to wear women's clothes and jewelry clings to his grandmother like a little boy. The family tries an array of unusual tactics to ensure the wedding goes ahead, including calling in a psychologist specializing in brides who change their mind and a ladder truck from the Palestinian Authority electrical company. The only communication they receive from behind the door are scribbled notes, one of them a cryptic poem about a prodigal daughter returning home. The harder they try to reach the defiant woman, the more the despairing groom is convinced that her refusal should be respected. But what, exactly, ought to be respected? Is this merely a case of cold feet? A feminist statement? Or a mourning ritual for a lost sister? This provocative and highly entertaining novel lingers long after its final page.

"e;A thriller dipped in poison ... shares some of le Carre's fascination with secret worlds and the nature of evil."e;-The New York TimesThe terrifying, lengthening list of Russia's use of lethal poisons against its critics has inspired acclaimed author Sergei Lebedev's latest novel. With uncanny timing, he examines how and why Russia and the Soviet Union have developed horrendous neurotoxins. At its center is a ruthless chemist named Professor Kalitin, obsessed with developing an absolutely deadly, undetectable and untraceable poison for which there is no antidote. But Kalitin becomes consumed by guilt over countless deaths from his Faustian pact to create the ultimate venom. When the Soviet Union collapses, the chemist defects and is given a new identity in Western Europe. After another Russian is murdered with Kalitin's poison, his cover is blown and he's drawn into an investigation of the death by Western agents. Two special forces killers are sent to silence himusing his own undetectable poison. In this fast-paced, genre-bending tale, Lebedev weaves suspenseful pages of stunningly beautiful prose exploring the historical trajectories of evil. From Nazi labs, Stalinist plots and the Chechen Wars, to present-day Russia, Lebedev probes the ethical responsibilities of scientists supplying modern tyrants and autocrats with ever newer instruments of retribution, destruction and control.

"e;A remarkable book, a vivid testimonial to the horrors of the Syrian civil war."e;-Robert F. Worth, author of A Rage for Order: The Middle East in TurmoilSet in Aleppo in 2012, when everyday life was metronomically punctuated by steady bombing, Roundabout of Death offers powerful witness to the violence that obliterated the ancient city's rich layers of history, its neighborhoods and its medieval and Ottoman architectural landmarks. The novel is told from the perspective of an ordinary man, a schoolteacher of Arabic for whom even daily errands become a life-threatening task. He experiences firsthand the wide-scale destruction wrought upon the monumental Syrian metropolis as it became the stage for a vicious struggle between warring powers. Death hovers ever closer while the teacher roams Aleppo's streets and byways, minutely observing the perils of urban life in an uncanny twist on Baudelaire's flaneur. Navigating roadblocks and dodging sniper bullets on visits to his mother and sister in the rebel-held eastern sector of the city, the teacher clings to normality with a daily ritual of coffee with friends, where conversation is casually permeated by news of the latest blasts and demise. The novel, a literary edifice erected as an unflinching response to the painful erasure of the physical remnants of a once great city, speaks eloquently of the fragmentation of human existence, the oppressive rule of ISIS militants in nearby Raqqa, the calamities of war and its grinding emotional toll.

"e;One of those rare biographical novels that bring a whole world to life in a way that lingers in memory."e;-Jay Parini, author of Borges and MeThis absorbing, sensitive novel portrays a famed author in a moment of crisis: an aging Hugo von Hofmannsthal returns to a summer resort outside of Salzburg that he visited as a child. But in the spa town where he once thrilled to the joys of youth, he now feels unproductive and uninspired, adrift in the modern world born after World War One. Over ten days in 1924 in a ramshackle inn that has been renamed the Grand Hotel, Hofmannsthal fruitlessly attempts to complete a play he's long been wrestling with. The writer is plagued by feelings of loneliness and failure that echo in a buzz of inner monologues, imaginary conversations and nostalgic memories of relationships with glittering cultural figures. Palace of Flies conjures up an individual state of distress and disruption at a time of fundamental societal transformation that speaks eloquently to our own age.

An acclaimed work by an Italian author being introduced to English-speaking readers for the first time.Translated by Ann Goldstein who is renowned for her work on the novels of Elena Ferrante. Includes a Translator's Introduction.Ideal Book Club selection."A moving portrait of 20th century Europe ... This book could arguably be called a literary classic of war. We are lucky to have the work available in English, beautifully translated by Goldstein, for the first time."¿Melanie Fleishman, bookstore buyer, The Center for Fiction, Brooklyn

A continuation of the very popular Very Christmas series conveying a festive spirit from the place where many Christmas traditions were invented. A delightful and unpredictable collection redolent of candle-lit trees, St. Nikolaus, gingerbread, the Christkindl, roast goose and red cabbage, Gugelhopf and stollen cakes, accompanied by plenty of schnapps.

';A compelling story of the ethnic cleansing of Christian communities caught in the crossfire of the Middle East at war... Urgent and passionate' (Kirkus Reviews). In 2013, alarmed by scant attention paid to the hardships endured by the 7.5 million Christians in the Middle East, journalist Klaus Wivelwho practices no religion himselftraveled to Iraq, Lebanon, Egypt, and the Palestinian territories on a quest to learn more about their fate. He found an oppressed minority, constantly under threat of death and humiliation, increasingly desperate in the face of rising Islamic extremism and without hope that their situation would improve, or anyone would come to their aid. Wivel spoke with priests whose churches have been burned, citizens who feel like strangers in their own countries, and entire communities whose only hope for survival may be fleeing into exile. With the increase of religious violence in recent years, The Last Supper is a prescient and unsettling account of a severely beleaguered religious group living, so it seems, on borrowed time. In this book, Wivel recounts this humanitarian crisis in detail and asks why we have we not done more to protect these people.

After decades, former lovers come face to face in a novel filled with a ';suspenseful dread that makes you want to turn every page at locomotive pace' (St. Louis Post-Dispatch). Cecile, a stylish forty-seven-year-old, has spent the weekend visiting her parents in a provincial town southeast of Paris. By early Monday morning, she's exhausted. These trips back home are always stressful, and she settles into a train compartment with an empty seat beside her. But it's soon occupied by a man she instantly recognizes: Philippe Leduc, with whom she had a passionate affair that ended in her brutal humiliation almost thirty years ago. In the fraught hour and a half that ensues, their express train hurtles toward the French capital. Cecile and Philippe undertake their own face-to-face journeyIn silence? What could they possibly say to one another?with the reader gaining entree to the most private of thoughts. This intense, intimate novel offers ';a taut, suspenseful psychological journey from which there is no escape... Gripping' (Kati Marton, author of Paris: A Love Story). ';Perfectly written and a remarkably suspenseful read... Absorbing, intriguing, insightful.' Library Journal (starred review)

This acclaimed twenty-firstcentury Russian novel is ';a Dantean descent' into the abandoned Soviet gulags, written ';with a clear poetic sensibility' (The Wall Street Journal). In Sergei Lebedev's debut novel, an unnamed young man travels to the vast wastelands of the Far North to uncover the truth about a mysterious neighbor who once saved his life, and whom he knows only as Grandfather II. What he finds among the forgotten mines and decrepit barracks of former gulags is a world relegated to oblivion, where it is easier to ignore both the victims and the executioners than to come to terms with a terrible past. This disturbing tale evokes the great and ruined beauty of a land where man and machine work in tandem with nature to destroy millions of lives during the Soviet century. Emerging from today's Russia, where the ills of the past are being forcefully erased from public memory, this masterful novel is an epic literary act of bearing witness, attempting to rescue history from the brink of oblivion. A Wall Street Journal Top 10 Novel of the Year ';Not since Alexander Solzhenitsyn has Russia had a writer as obsessed as Sergei Lebedev with that country's history or the traces it has left on the collective consciousness... The best of Russia's younger generation of writers.' The New York Review of Books

"e;The Polish postwar firebrand Andrzej Bursa acquired a reputation as a quick-burning, existentially tormented rebel. . . . Yet Bursa's dark humor and deadpan satire . . . keep utter bleakness at bay."e;The Independent"e;A revolution against the banality of everyday life."e;Gazeta KrakowskaA young university student named Jurek, with no particular ambitions or talents, is adrift. After his doting aunt asks him to perform a small chore, he decides to kill her for no good reason other than, perhaps, boredom. Killing Auntie follows Jurek as he seeks to dispose of the corpsea task more difficult than one might imagineand then falls in love with a girl he meets on a train. Can he tell her what he's done? Will that ruin everything?"e;I'm convincedsimplythat we are all guilty,"e; says Jurek, and his adventures with nosy neighbors, false-toothed grandmothers, and love-making lynxes shed light on how an entire society becomes involved in the murder and disposal of dear old Auntie. This is a short comedic masterpiece combining elements of Fyodor Dostoevsky, Jean-Paul Sartre, Franz Kafka, and Joseph Heller, coming together in the end to produce an unforgettable tale of murder andjust mayberedemption.Andrzej Bursa was born in 1934 in Krakow, Poland, and died twenty-five years later. In his brief lifetime he composed some of the most original Polish writing of the twentieth century. Killing Auntie is his only novel. His brilliant career and tragic early death established him as a cult figure among restless and disenchanted youth.