Bøger udgivet af Nightboat Books

An anthology of formally inventive writing by trans poets against capital and empire.

A book of poems written out of a depressive episode, in which a devotional approach to music and desire reestablishes communication between the poet’s body and the world. In pleasureis amiracle, the poems invoke the lyric and refuse it, moving between time and sound—words re-connect and re-cohere, resisting separation and challenging readers to feel their way to meaning. Perception becomes a many-limbed entanglement from which the reader is never let go. Music is both divine and accessible, a sublimation of everyday movements into an erotics of sensation. An experiment in form as much as content, it asks what can be cured by music, what is trans about desire, and how can one allow the body to feel what the mind sees, or vice versa.

A series of meditative long poems that ritualize perception as a way of maintaining kinship with the non-human world.In Material Witness, the poet as human subject keeps vigil over the material world as the quotidian unfolds. The line between observer and observed blurs as non-human agency reveals itself, its own kind of witnessing. In her long poem “Concerning Matters Culinary” inspired by the first Latin cookbook, Machado activates the living matter of gustatory life with wry humor and subtle critique. Encouraging us to eschew nostalgia for deep presence, Machado’s poems remind us that “experience is phenomenal in its segues.”

A visionary anthology that examines and reimagines the archive as a form of collective record-keeping, featuring work by Alexis Pauline Gumbs, Douglas Kearney, Brenda Shaughnessy, Mahogany L. Brown, and many new and emerging voices.Inspired by Naima Yael Tokunow’s research into the Black American record (and its purposeful scarceness), Permanent Record asks, what do we gain when we engage with our flawed cultural systems of remembrance? How does questioning and creating a deep relationship to the archive, and in some cases, spinning thread from air where there is none, allow us to prefigure the world that we want? Including reflections on identity and language, diasporic and first generation lived experiences, and responses to the ways the record upholds harm and provides incomplete understandings, Permanent Record hopes to reframe what gets to be a part of collective remembrance, exploring “possibilities for speculating beyond recorded multiplicity.”

Consider the Rooster serves as an ode to a rooster’s crow, a catalyst for awakening, both literally and figuratively.Amidst the Covid-19 Pandemic, the aftermath of George Floyd’s murder by police, and the resulting upsurge in reactionary right-wing militia violence, a neighbor in Kalamazoo, Michigan threatens to call the police after discovering the author’s pet rooster. The rooster sounds the alarm and our author wakes to revolutionary transformation. An ecological consciousness embedded in these verses invites readers to acknowledge their place in a web of relations. Oliver Baez Bendorf’s voice resounds through liminal spaces, at dusk and dawn, across personal meditations and wider cultural awakenings to form a collection overflowing with freedom, rebellion, mischief, and song.

A punk rock anti-memoir told through the eyes of a biracial Afrolatino punk academic.¡PÓNK! follows Moose, an alienated academic and lead guitarist for Pipebomb!, as he navigates through spaces in and out of South East Los Angeles: punk clubs, college classrooms, family gatherings, street protests, and euphoric backyard shows. Oscillating between autofiction, memoir, and lyric, Clayton blurs genres while articulating the layered effects of racism, trauma, immigration, policing, Black hair, performance, and toxic academic language to uncover how one truly becomes an “ally.” Borrowing from the spatial lyricism of Claudia Rankine, the genre-bending storytelling of Alexander Chee, and the racial musings of James Baldwin, ¡PÓNK!’s narrative takes back punk rock and finds safe space in the mosh pit.

Injecting the disruptive potential of collective action into the body of the poem, Nat Raha’s invigorating experiment resuscitates Anglophone poetry.Amidst the violence of capitalism and state and imperial power, there is Nat Raha’s apparitions (nines) in its “charred golden minidress,” ushering us into a space of grief and resistance, the embodiment and intimacy of queer, trans, and diasporic Black and brown people. Written as a series of  “niners,” a poetic form consisting of nine nine-syllable lines, apparitions (nines) is at once a brash and subversive rejoinder to the Anglophone sonnet, as well as an ode to beauty, collectivity, and tenderness which emerges from—and far surpasses—constraint.

Experimental poet and translator Mónica de la Torre’s new collection is a document of both the events of 2020 and the process of a poet rethinking artistic practice as she tracks subtle shifts in her experience during multiple global crises.As the world shuts down, Mónica de la Torre’s poems become gregarious sites of encounter—homages to connections lost and new bonds forged. Shuttling between lyrical and experimental modes, the poems in Pause the Document challenge linear notions of time by looping the temporalities of dreams, art, the natural world,  emotion, and odd encounters under extraordinary circumstances. Richer and more playful than straightforward records, these poems are portals into the intangible dimensions of daily life.

A deft, musical debut poetry collection about the disabling effects of illness, rupture, and inheritance—informed both by Yoruba divinatory systems and violent Western medical understandings of the Black body. If I Gather Here and Shout summons Yoruba divinatory rituals into a hospital room. Incantatory verses accumulate alongside personal and historical “figures” of illness and death to illuminate the tensions between legibility and meaning-making that emerge when an ill Black body is processed through a Western medical context. With intimate knowledge of how ancestral memory aches and sings in the body, Funto Omojola invokes a lamenting chorus in the ceremony of survival.

A virtuosic inquiry into the forms and uses of healing, from ancient and modern medicine to contemporary literature, ecology, and protest.In the era of the “chronic acute” long predating COVID-19, Eleni Stecopoulos set out to investigate the imagination, aesthetics, and ideology of healing—its mysteries and mystifications, its many channels and codes. Fusing lyric inquiry with cultural criticism, Dreaming in the Fault Zone explores art’s treatment of our conditions at a time of both increased cynicism about healing and longing for it. Stecopoulos talks to physicians, poets, psychotherapists, disability activists, ethnographers, spiritual seekers; curates performances and takes part in community rituals; documents pilgrimages and visits therapeutic landscapes. Whether writing about the poet H.D.’s psychoanalysis with Freud or madness and apartheid in Bessie Head’s novel A Question of Power, the salve of demagogues or a global alliance of people with contested illnesses, Stecopoulos confronts the poetics and politics of affliction, empathy, memory, and survival. Weaving together esoteric scenes and everyday practice, with flashes of humor, these essays travel in a space of impasse and unending experiment.

An elemental, uncanny collection of poems translated from one of Sweden’s most influential and beloved poets.In Lonespeech, Ann Jäderlund rewires the correspondence between writers Ingeborg Bachmann and Paul Celan into a series of stark, runic poems about the fraught act of communication and its failures. Forsaking her reputation as a baroque poet, Jäderlund uses simple words and phrases in favor of an almost childlike simplicity, giving her poems, on first glance, the appearance of parables: mountains, sunlight, rivers, aortas. Upon closer inspection, the poems glitch, bend, and torque into something else, enigmatic and forceful, lending them, as Jäderlund says, the force of “clear velocity.”

A collection of poems that demystify drug addiction, alcoholism, depression, and anxiety whilst thinking through their relation to capitalism and its resistance, the family, and a writer’s compulsion towrite.Boiled Owls refers to an old colloquialism: to be as boiled as an owl, to be drunk. Azad Ashim Sharma turns the phrase into a surrealist exquisite corpse in which the body and mind of a drug addict melt into the seams of personhood, spreading out into the wider world and recovering friends, family, love, and humor as strands of support. Troubling the dogma and pop cultural representations of twelve-step program discourse, Sharma emphasizes the mundane and non-linear aspects of recovery, ultimately positing addiction as an internalization of capitalism and recovery as the development of a socialist consciousness.

A cycle of stories linking queer memory, activism, death, and art in a transpoetic history of desire and touch.Dances of Time and Tenderness is a bold, sensual cycle of transpoetic stories that blend memory and movement in an innovative choreo-text of rage, sweetness and sorrow. A dance hall where the dead and the living meet, the tales take us from the dungeons of 1990s San Francisco to the goldsmith’s forges of the earliest cities, tracing a transgenderational lineage of queer carnality. Not a memoir, but a collective memory, Julian Carter invites us to join artists and AIDS activists, sailors and skeletons, to fulfill the trans promise: “what we do with our bodies changes worlds.”

A weird, wild ride across non-narrative vignettes and dryly funny aphorisms exploring the shared intensity of violence and the erotic. As if hauled up squirming from the bowels of the internet, Sex Goblin metabolizes sex writing, popular culture, and autofiction to present the real and the imagined as equally surreal possibilities. In the narrator’s childlike voice, all things become both mundane and strange—a child and their dog fused after a car accident, moments of tenderness amidst frat hazing, witches, and hiking accidents. At turns charming and bizarre, Sex Goblin channels sexual violence through the lens of the absurd to alchemize shame and abuse into something that registers differently than trauma. Sex Goblin is a barely factual but deeply felt field guide to relationships and relatability.

A taught, tender collection of poems woven with sadness and loss dealing with aging, attachments, and the precarity of life.“Dawn Lundy Martin’s poems read like a real-time excavation of what poetry can and can’t do," writes Maggie Nelson. In Instructions for the Lovers, her most stripped down, direct work to date, Martin creates a poetic field dense with thought, image, and sound as she reflects on her relationship with her mother, experiences of queer polyamory, lesbian sex, and the racist conditions within the dying American university system. With rigorously embodied vulnerability and virtuosity, Martin constructs moments of pleasure, humor, and sexiness woven with grief—a tender body to live in.

A record of daily bewilderments and accidental concessions to hope after a momentous loss.In this follow-up to her award-winning collection, Toxicon and Arachne, Joyelle McSweeney proposes a link between style and survival, even in the gravest of circumstances. Setting herself the task of writing a poem a day and accepting a single icon as her starting point, however unlikely—River Phoenix, Mary Magdalene, a backyard skunk—McSweeney follows each inspiration to the point of exhaustion and makes it through each difficult day.  In frank, mesmeric lyrics, Death Styles navigates the opposing forces of survival and grief, finding a way to press against death’s interface, to step the wrong way out of the grave.

Set against a backdrop of 1950s New York, this experimental novel follows an ensemble cast of all-singing, all-dancing butch dykes and Yiddish anarchists through eternal Friday nights, around the table, and at the bar.

A lively and spontaneous interview with Etel Adnan about her absolute belief in the beauty of the world and the beauty of art. In these interviews with journalist and editor Laure Adler, conducted in the months before her death in November 2021, Etel Adnan traces with depth and emotion the founding experiences of her artistic approach, between poetry and painting. From her youth in Lebanon, her American years in New York and California, to her late recognition at Documenta in 2012 and her life in France, the conversation covers philosophy, painting, poetry and aesthetics, as well Adnan's views on history and politics in Europe, the Middle East, and the United States. These transcripts usher the experiences and observations of Adnan's long and rich life into an intimate and spontaneous conversation with a dear friend-a window on the "universe" of her imagination.

"Collaged from journals and notebooks kept during a period of chronic illness, economic precarity, and heartbreak, Poem Bitten by a Man captures crisis by cutting up the record of a queer life lived in devotion to poetry and visual art"--

Searing in its energies and mysterious in its icy depths, Love is Colder than the Lake is a tour-de-force of the experimental French poet Liliane Giraudon's power and range. Love is Colder than the Lake weaves together stories dreamed and experienced, fragments of autobiographical trauma, and scraps of political and sexual violence to create an alchemical and incantatory texture that is all Giraudon's own. In its feminist attention and allusive stylistic registers, Love is Colder than The Lake claims a unique position among contemporary French literature. The heroes (or anti-heroes) in this collection include Rainer Werner Fassbinder, Lorine Niedecker, Emma Goldman, Chantal Akerman, the Marquis de Sade, and the unnamed lake itself. Giraudon's writing, editing, and visual work have been influential in France for decades, and English-speaking readers will thrill to this challenging, important voice.

A debut poetry collection about Earth and to Earth that contemplates imposed systems-gender, capitalism, time, wage and exploitation-and how they are mapped onto us, the trees, and the planet. Immersed in a tangled weave of contemporary life where big box stores and suburban parking lots coexist alongside the instructive silence of juniper trees and a pulsing waterfall, Our Air sketches the possibilities of eco and social interdependence during late-stage capitalism.Their inscriber, Nora Treatbaby, is a trans woman reckoning with the constraints of gender categories, when being a woman is "an implausible dream" and "an insane vibration." With sincere curiosity and a sprinkling of levity, these poems advocate for the world-building potential available in a material commitment to gentle friendship with all networks of life on Earth.

In WATCHNIGHT, we accompany Johnson's unnamed protagonist on a psychedelic quest across myriad forms, places, and times marked by climate crisis, exodus, and Black trans identity-making. In exhilarating lyric poems and chiseled prose blocks, Cyrée Jarelle Johnson charts the history of his family alongside the history of Watchnight-a churchy holiday of messianic tarrying-and steps through portals to render the human faces of American internal migration and mass displacement-from countryside to city and back again. Spanning from 1803 to a near-future rife with class tension and racial anxiety, WATCHNIGHT is a study of Black bonds, Black grief, and Black flight.

Laura's Desires is a diptych of two formally distinct long poems, each approaching various pop-cultural artifacts as a way to engage with longing, vulnerability, and the possibility of liberation. Referencing pop culture artifacts, from hit '90s singles like Selena's "Dreaming of You" to heroines of cult classic TV and films (Laura Palmer and Variety's Christine), this dynamic collection looks to these iconic touchstones as sites for feminist analysis and intervention. Traveling through dreamscapes, fantasy, and the quotidian, Laura's Desires forges a path away from fear and shame, guiding us towards liberation.

"A collected series of intertwined poetic essays written by acclaimed Japanese poet Hiromi Ito--part nature writing, part travelogue, part existential philosophy."--