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What we used to burn for lightBefore power lines snapped and hummedTheir way down the hill, pushingThin-skinned poplars to the ground.

I am a poetWith auburn-brown hair, An ember of curlsThe newspapers will one day Catch.

"Everywhere in Wilson's verse, mastery carries thought and emotion quietly into the heart."-- A.F. Moritz, from Introductions: Poets Present Poets

"I grew up in a blue-collar town ten minutes down the road from a white-collar town. And I've spent most of my life uncomfortable in both places."With these opening words, accomplished poet Tim Bowling outlines the central tension that acts as a vital force in his newest book, Tenderman--the dichotomy between the sensitive poetic observer and the tough, working-class subject. Bowling returns again to the shores of his BC hometown that exert such a strong hold on his imagination, but through his focus on the tenderman figure, he also demonstrates wry self-awareness in doing so. The tenderman (a crewman on a salmon packing boat), who represents a fiercely independent everyman, acts as unintentional muse to the collection; its poems are often delivered through dialogues between poet and fisherman, reminiscences of their shared childhoods, or narratives delivered by the tenderman himself.As always, Bowling's verse is stunning in its haunting portrayal of West Coast imagery, depicting both natural beauty ("the Spanish silhouette/ crouched in warm salt dark") and the grim realities of fishing ("The kicks and slaps of a hold of dying fish--/ hands in an auditorium") with effortless grace.

A long-awaited new release from Ray Hsu.

Witty themed puzzles with Canadian-flavoured clues by established puzzle creator Walter D. Feener. The eleventh book in this best selling Canadian crossword series.

Christian McPhersons debut novel The Cube People pokes fun at government cubicle culture through the life and times of a struggling computer programmer/novelist wannabe. McPherson surrounds his protagonist, Colin MacDonald, with a cast of screwball characters while he toils away at his government job, struggles with fertility and dreams of becoming a published writer. Recycled air, bad lighting and bizarre environmental office policies by day; scheduled love-making sessions and rejection letters by night, push MacDonald to try to write his way out of his cyclical

In this eagerly anticipated follow-up to his award-winning, critically lauded debut, Rob Winger's sophomore collection, The Chimney Stone, bends the contemporary lyric into startling new shapes. Concentrating on a splendid mess of headlines, wars, politics, relationships and artistic influences, Winger's ghazals ask us how to negotiate the complex commitments and chaotic tumult of our daily lives. Making use of the ghazal's original address to both a secular lover and a sacred ethics, Winger's four sections move from examinations of gender in "Iron John" and "Bloody Mary", to an ironic investigation of common experience in "Idiot Wind", to a record of both human rights abuses and personal epiphany in "Blind Date". In the process, Winger not only engages in dialogue with other poets -- John Thompson, Phyllis Webb, Adrienne Rich, Ghalib and more -- but also welcomes other voices, measures, and musical phrases into his couplets. Here, Rimbaud rubs shoulders with Joe Strummer and David Byrne; Dylan exchanges one-liners with Gaston Bachelard; Johnny Cash spars with the Fisk Jubilee Singers; and Gretzky makes a pass to a smooth right winger. Drifting from razor-carved sternums, to Lhasa runways, to Southeast Asian temples and beaches, to eighteenth-century shipwrecks, bloody tanks, rusty apartheid, blind genocide and burning teddy bears, the book urges us to re-examine not only how we order the contemporary world, but also how we become its citizens or revolutionaries, grandparents or kids, protestors or politicians. Ethically charged, tenderly observed, and masterfully realised, Winger's poems are a vital addition to the ghazal's continued evolution.

"One of a new generation of Newfoundland poets who are inspired by the riches of their culture, Stephen Rowe casts a meditative eye on the world about him."--Mary Dalton"Again and again while reading Never More There I was struck by arresting lines and images, by Stephen Rowe's rigorous attention to the natural world and the world of words. Eloquent and passionate, Rowe is poet of real promise."--Michael Crummey