Bøger udgivet af Nimbus Publishing (CN)

The rich and varied experiences of Italians living in Cape Breton in their own words-immigration, work in the home, the steel plant and the coal mines, and life in business, politics and other areas of endeavour. Editors and analysts Sam Migliore and Evo DiPierro help illuminate a variety of other important and sensitive subjects as well.

"A unique and satisfying account of the colourful community of Washabuck, Cape Breton, Nova Scotia, and its people by way of the stories they told and the stories told about them. Most of the people, places and events that Vince MacLean brings to life in these pages are not there anymore - the Washabuck on these pages is the Washabuck that was. MacLean's lifetime of listening to oral traditions and of his research of every written source he could find, combines for a compelling examination of both the place and its time. Washabuck the place is much more than geographical coordinates on a map; its time spans a few centuries. Mr. MacLean's approach to the history of his community is unique and satisfying; we learn of its people by way of the stories they told and the stories told about them - a history rich in character without sacrificing facts and figures. These Were My People is Vince MacLean's celebration of his community, his people."

Thirteen-year-old Neil MacLeod feels like a fish out of water. He's trying to adjust to his new life in Ottawa, but it's half a continent away from his friends in Vancouver, not to mention a whole lot colder. Even worse, his mother still refuses to tell him the truth about the father he's never met.After being forced into an awkward visit with a grandmother he never knew existed, Neil stumbles across a clue to his father's identity, and beins to unravel the mystery with some help from his new friend Courtenay. When he uncovers a shocking secret, and the truth about his unconventional family sinks in, Neil decides to run away, all the way to his grandfather's horse farm in New Brunswick.A sensitive and moving story about growing up, The Disappearing Boy teaches us that every family is different, and love is never as simple as it seems on the surface.

American-born fighter pilot and Vietnam veteran, Nick Sullivan, is a broken man. Abandoned for dead by his family while he rotted in a Viet Cong prison camp, Sullivan finds solace in alcohol and flashbacks to war and prison. The death of a nearly forgotten uncle takes Sullivan to Cape Breton, Nova Scotia, where he had spent many adolescent summers with his family and all that such a privilege entailed - beaches, fishing and first loves. His uncle's bequest takes Nick by surprise and in the process of refurbishing a salvaged sailboat, he too is salvaged.

"First Nations, Métis and Inuit lands and resources are still tied to treaties and other documents, though their relevance seems forever in dispute. Treaties were negotiated in good faith with the objective of shared benefits to all parties and members. It is important to know about them, to read them, to hear them and to comprehend their constitutional significance in order to recognize them as part of contemporary life. Revealing another side of the treaties and their histories, Living Treaties focuses on contemporary perspectives of Mi'kmaq and their non-Mi'kmaw allies, who have worked with, experienced and lived with the treaties at various times over the last fifty years. These authors have had experiences contesting the Crown's version of the treaty story, or have been rebuilding the Mi'kmaq and their nation with the strength of their work from their understandings of Mi'kmaw history. They share how they came to know about treaties, about the key family members and events that shaped their thinking, their activism and their life's work. Having lived under the colonial regime of a not-so-ancient time, these passionate activists and allies uncover the treaties and their contemporary meanings to both Mi'kmaw and settler societies. Here also are the voices of a new generation of indigenous lawyers and academics who, credentials solidly in hand, pursue social and cognitive justice for their families and their people. Their mission: to enliven the treaties out of the caverns of the public archives, to bring them back to life and to justice; and to use them to reaffirm, restore and rebuild Mi'kmaw identity, consciousness, knowledges and heritages, as well as their connections and rightful resources to the land and ecologies."

Set in late-1920s Sydney Mines, Us & Them is the story of sixteen-year-old JW Donaldson, who interrupts his high school education to work in the coal mine to help support his family.

The Men of the Deeps has been engaging with audiences around the world since 1966. Formed with a goal of representing Cape Breton and Nova Scotia at the 1967 World's Fair in Montreal (Expo '67), the Men of the Deeps has lived on as North America's only coal miners chorus.

Former company houses and towns have meaning and can inspire attachment and a sense of place. Their resources and products have served far-off markets while housing a mosaic of newcomers from around the world. Their landscapes, though often threatened with abandonment and decline, are a kind of language that conveys rich and layered stories.

For more than two centuries, adventurers, thrill seekers and treasure hunters have tried to unlock the secret of Oak Island, investing millions of dollars, and costing at least six lives. And the obsession continues: a television series in the winter of 2014 and seasonal walking tours of the area that include locations highlighted by the series. Theories and intrigue abound - a clandestine treasure trove? The resting place of some holy relic? A cache of priceless documents? The promise of treasure is a powerful compulsion - the Oak Island story is embroiled with politics and treachery from its humble beginnings - and many have risked and lost entire fortunes, and in some cases their very lives, chasing these theories. The bald truth is that nobody actually knew what was there, and every imaginable theory, from the fantastic to the ridiculous was concocted to explain that unknown. Joy Steele's thorough investigation reveals a remarkable and credible truth vastly different than legend would have it.

Swedish-born traditional dancer and researcher Mats Melin has worked and performed extensively in the Scottish Highlands, the Hebrides, Orkney and Shetland, in their schools and communities promoting Scottish traditional dance. He has also taught and performed in Sweden, Canada, USA, Russia and New Zealand. Mats has a vast knowledge of all aspects of the Scottish traditional dance scene, but specializes in Cape Breton step dancing. One With the Music is informed, in part, by Melin's PhD research on transmission practices-how the tradition and steps of generations of dancers in Cape Breton get passed on to subsequent generations. His research gives us insight not only into the processes of transmission, but also into the complex ways dance and music in Cape Breton are deeply ingrained in the island's culture. In this book, the home, classroom and square-dance contexts-and, to some extent, concerts-are examined and analyzed following years of interviews and participation.

Celtic music scholar and musician Liz Doherty is no stranger to Cape Breton music - in fact, she has made a study of it. Doherty's exposure to, and research of, the island's music traditions was the germination for this compendium on the Cape Breton fiddle: its history, its people, the tunes, the recordings. The fiddle music of Cape Breton Island, Nova Scotia, has its own sound, artistic standards, performance practices and etiquette. The Cape Breton fiddler of the 21st century is performing a music that was transplanted from the Highlands and Islands of Scotland in the 18th and early 19th centuries. Adapted and evolved as it has passed down through several generations, each of its exponents carrying an inherited responsibility to maintain the music's integrity while also making it relevant for contemporary audiences. The Cape Breton Fiddle Companion widens the field of view for future adherents and scholars of Cape Breton music, raises as many questions as it answers, and thus contributes to the ongoing conversation. Above all, it is a tribute to those who have carried and developed this wonderful music and shared it with so many of us around the world.

"Now iconic to Canadian, if not global culture, Cape Breton Island underwent a metamorphosis of sorts during the 1970s and 1980s. Long marginalized by geography, economics and predominant mainland political culture, a countercultural sea change brought the island's deeply rooted creative side-music, drama, literature and humour-to centre stage. One such stage was Old Trout Funnies, a homegrown satirical series of comic books created by artist Paul MacKinnon. MacKinnon's Cape Breton comic book heroes, the Cape Breton Liberation Army, led the revolution, lampooning local and provincial politics, labour unions, environmental activism, government infrastructure projects and back-to-the-landers. Through the farcical exploits of the CBLA, Old Trout Funnies parodied and played with the caricature of Cape Bretoners as shiftless, happy-go-lucky rogues whose motivation emanated from the taverns. In The Comic Origins of the Cape Breton Liberation Army, folklorist Ian Brodie explores the themes and the legacy of Old Trout Funnies, providing the cultural and historical context for a project that was intensely esoteric and in-the-moment. Included are the complete runs of the comics, the calendars and some rarely seen ancillary images of the CBLA, and of some unfinished and unpublished works."

Bright and promising as a student, George Cameron was sent to live with his sister in Boston while he attended a prestigious Latin school and later the Boston School of Law. It was what his mother wanted for him and his brother, Charley. It was what any well-bred family would want for an intelligent son destined for greater things than his humble New Glasgow, Nova Scotia, upbringing. Always at odds with the demands of his mother, George struggled to establish his own identity. Law clerk, journalist, poet, George's life often seemed to fall short of his mother's ever-present expectations and the fame he secreted in his private journals. In a mind churning with words and feelings, madness waited in the shadows as he tried in vain to silence the yearning for the childhood muse who haunted his thoughts and fuelled his passions.

Thomas Pichon seems forever at a crossroads, often choosing the path of least resistance, or the most tempting. In this, the third Thomas Pichon novel, his life remains more complicated than he wishes. He encounters highwaymen on a country road, succumbs to a tempting tryst in the spa town of Bath, squanders a new love in London and longs for the higher social station he once enjoyed. Returning to Paris, Thomas's work life initially stalls, but a new lover offers help. He is given the best position he has ever had, one that requires him to go overseas. The crossing is a voyage neither he nor anyone aboard will soon forget.

"Atlantic Canada is renowned for its lengthy coastlines, rural expanses, a reputedly slower pace and its welcoming, warm and friendly people. But for immigrants especially, how much of this is rhetoric, and how much is reality? Atlantic Canada is renowned for its lengthy coastlines, rural expanses, a reputedly slower pace and its welcoming, warm and friendly people. But for immigrants especially, how much of this is rhetoric, and how much is reality? The Warmth of the Welcome underscores that a welcoming environment does not simply consist of ordinary people's reception of, and encounters with, newcomers and immigrants in everyday life. Beyond this human "warmth of the welcome" mentioned in official literature, and by the general public, there are also several institutional and structural layers that constitute a welcoming environment. Favourable political economic conditions, receptive community relations including inter-ethnic group relations, the existence of local, national and transnational family networks, and the presence of policies and practices not only concern immigration, settlement and integration, but such issues as adequate, accessible and affordable housing and childcare. These layers of welcome for immigrants and newcomers ultimately correspond to interrelated economic, social, political and emotional dimensions and processes of citizenship. Is Atlantic Canada truly welcoming? What makes it a home away from home for newcomers in the region?"

Frank Macdonald's reputation for colourful characters, subtle satire and social conscience is omnipresent in the hilarious adventures of Cape Breton pals Tinker and Blue in late-'60s San Francisco. At age 19 and 20, respectively, Tinker Dempsey and his oldest friend Blue figured it was time they followed generations of Cape Bretoners and crossed the Canso Causeway, if for no other reason than to find a few stories they could call their own when their wandering ways brought them back home. It had been Blue's idea to drive their fourth-hand 1957 push-button Plymouth out to San Fran-cisco to check out the famed Haight-Ashbury district. What they found was much more than they - and San Francisco - bargained for. Hitchhiking hippies, homespun humour, wit and wisdom, troubles in love and trouble with the law converge to make Tinker and Blue a funny and clever flashback that only Frank Macdonald could imagine. Frank Macdonald is the award-winning author of A Forest for Calum (CBU Press 2005) and A Possible Madness (CBU Press 2011), both long-listed for the International IMPAC Dublin Literary Award, and both finalists for an Atlantic Book Award.

Governance and Social Leadership examines the inadequacies of current theories on leadership in order to help us better understand the process of leadership and to suggest mechanisms for change. The proliferation of examples of poor political, religious, corporate and even grass roots leadership is troubling, to say the least. Perhaps more troubling is the resulting cynicism-and apathy-on the part of populations who sorely desire, and deserve, better leadership and governance. There are many and varied sources of theories and practical advice on leadership but, as Robert A. Campbell suggests, too many simply play into our need for quick fixes and novelty and do not reflect what is actually going on in the world. In Governance and Social Leadership, Campbell examines the dynamic nature of organizations and humans systems and our capacity, or incapacity, to act.

LEWIS MACKINNON was born in Inverness, Cape Breton, to a Gaelic-speaking father and a French Acadian mother. He was raised in Antigonish County, on the Nova Scotia mainland. Educated in English, throughout his personal, academic and professional activities, Lewis has maintained an interest in his Gaelic roots. He is an accomplished singer as well as poet. His first collection Famhair agus dàin Ghàidhlig eile (Giant and other Gaelic poems) was published in 2008 (CBU Press). Since then he has been invited to numerous literary festivals internationally and, in 2011, was named Bard of the Royal National Mod (Mòd Nàiseanta Rìoghail) in Scotland, the first bard from outwith Scotland.

Puirt-a-beul - the Scottish Gaelic term for mouth music - is a toe-tapping, tongue-twisting genre of song that parallels the Celtic instrumental dance tune tradition. Though puirt-a-beul are popular with both Gaelic-speaking and non-Gaelic speaking audiences, this book offers the first comprehensive study of the genre. Heather Sparling's survey of Gaelic puirt-à-beul offers a new perspective on a subject about which relatively little has been written, and that mostly from the perspective of the Scottish side of the Atlantic. Heather Sparling considers how puirt-a-beul compare to other forms of mouth music and examines its origins, its musical and lyrical characteristics, and its functions. Sparling brings together years of research, including an array of historical references to puirt-a-beul, interviews with Gaelic singers in both Scotland and Nova Scotia, observations of puirt-a-beul performances on both sides of the Atlantic as well as on recordings, and analysis of melodies and lyrics. Her Nova Scotia viewpoint allows her to consider puirt-a-beul in both its Scottish and diaspora contexts, a perspective that is too often absent in studies of Gaelic song. Dr.Heather Sparling is Associate Professor of Ethnomusicology and a Tier 2 Canada Research Chair (Musical Traditions) at Cape Breton University.