Bøger udgivet af Nine Arches Press

Khairani Barokka's second poetry collection is an intricate exploration of colonialism and environmental injustice: her acute, interlaced language draws clear connections between colonial exploitation of fellow humans, landscapes, animals, and ecosystems. Amidst the horrifying damage that has resulted for peoples as interlinked with places, there is firm resistance. Resonant and deeply attentive, the lyricism of these poems is juxtaposed with the traumatic circumstances from which they emerge. Through these defiant, potent verses, the body-particularly the disabled body-is centred as an ecosystem in its own right. Barokka's poems are every bit as alarming, urgent and luminous as is necessary in the age of climate catastrophe as outgrowth of colonial violence.

Angela France's distinctive new collection of poems, Terminarchy eloquently considers the troubling terms of existence in an age of climate catastrophe and technological change. How do we negotiate a world where capitalism and greed threaten a fragile earth, where technology seems to promise us connection but might also fuel isolation? Where even finding solace in nature reminds us that the seasons can no longer be trusted? How is human urge and want hastening us towards our own 'endling' - and what might it mean to be the 'last'? In reframing ecopoetics in her own instinctive, radical, lyrical form, France juxtaposes the accelerated, all-consuming speed of contemporary and future times with the 'longtime' and ancient, and considers whether, rather than collison-course, there might be a better way to coexist. Where extinction threatens, these wry, alert poems and their eloquent, earthy voices try to find a way through and look for hope.

Kate Fox's distinctive new collection The Oscillations explores distance and isolation in the age of the pandemic, refracted through the lenses of neurodiversity and trauma in poems that are bold, often frank and funny but also multifarious, dazzling and open-hearted in their self-discoveries. Fox's poetry explores difference and community, silence and communication, danger and belonging - and a world that has been distinctly broken into a 'before' and 'after' by the pandemic. Throughout, a strong voice sings of what it means to be many things at once - autistic, creative, northern, a woman. Fox measures not only distances, social or otherwise, but how we breach them, and what the view might be from beyond them.

Cynthia Miller's debut poetry collection, Honorifics, is an astonishing, adventurous, and innovative exploration of family, Malaysian-Chinese cultural identity, and immigration. From jellyfish blooms to glitch art and distant stars, taking in Greek gods, space shuttles and wedding china along the way, Miller's mesmerizing approach is experimental, luscious, and expansive with longing - "e;My skin hunger could fill a galaxy"e;.

Boy in Various Poses, a debut collection of poems from Lewis Buxton, explores all the different types of boy you can be - tender, awful, thoughtful, vulnerable. Here, a maelstrom of mental health, male bodies, and sexuality is laid bare with wit and curiosity, and the complexity and multiplicity of gender itself is revealed. The boy in question is often shapeshifting, slippery, unreliable, close yet never quite in focus, moving too fast to pause and take a breath - yet Buxton studies these boys, their bodies and behaviours, with a disarming intimacy and precision. These poems are provocative, nuanced and often laugh-out-loud funny, shining with a naked, shameless brilliance.

Katie Griffiths' debut poetry collection, The Attitudes is a search for trust and faith - in the body, in the mind, in all those things we seek to hold on to but cannot. Here, we intimately encounter mortality and tread the balance between visceral wisdom and the intellect, between fragile, fallible bodies, and the mind's hold over them, between the bright spaces and the haunted ones. In poems that are bold, effervescent, frequently playful, Griffiths approaches serious subjects - eating disorders, ageing, grieving - with a precise and inventive lyricism. The Attitudes compiles multitudes, with layer upon layer of counterpoints, juxtaposing and exploring the unresolvable, all the while seeking to move towards a place of deeper reflection and stillness away from the noise and distraction of the daily business of being alive.

Peter Kahn's debut collection Little Kings is an astonishing book of astute and deeply humane poetry, one which seeks to find in both teaching and learning a common ground, and between longing and belonging an equilibrium. Intuitive and wise, Kahn's poems remain compelling even when exploring those places where there is "e;no vocabulary for what might happen"e;.Little Kings encompasses stories of the Jewish diaspora and of American life, interweaving narratives of escape and refuge, of yearning and absence. Some of these poems ricochet with the magnitude of loss and violence, with lives interrupted, half-lived, or vanished. Anchoring these poems is their immense grace and lyricism, and Kahn's great skill in tenderly carrying memory and experience into our shared understanding.

Richie McCaffery's debut collection of poems, Cairn, begins with a dedication and ends with ghosts in between lie artefacts and antiquities: a police whistle, a tarnished silver spoon, a bookmark lodged in an old book. Soaring and melancholy, the poems form signposts in the landscape of life, lore and family, mementoes for the buried and the living. Cairn is an understated and quietly-brilliant collection of poems, where each word is tactile and polished like a beach-combed pebble; these are poems you ll want to pocket and treasure.

In The Tempest Prognosticator leeches warn of storms, whales blunder up the Thames, beetles tap out courtship rituals, and women fall for deft cocktail makers and melancholy apes. Isobel Dixon entices the reader on a journey where the familiar is not always as it seems at first, where the sideways glance yields rich rewards.

A Fold in the Map charts two very different voyages: a tracing of the dislocations of leaving one's native country, and a searching exploration of grief at a father's final painful journey. "Isobel Dixon was born with the gift of lyricism as natural speech." - Clive James

Spake is a love letter to West Midlands voice and a challenge the preconceptions and prejudices that abound about dialect and non-standard English.