Bøger udgivet af Nine Arches Press

Co-commissioned by 14-18 NOW, BBC Contains Strong Language and the British Council, Unwritten invites poets of the Caribbean diaspora from around the world to explore new perspectives on the Caribbean experience during the First World War. Featuring new poetry by Jay Bernard, Malika Booker, Kat Francois, Ishion Hutchinson, Anthony Joseph and more.

"e;There is no tick box for this poem. This poem grew up on benefits. This poem pays higher rate tax. This poem isn't in an anthology. This poem doesn't have a glottal stop."e; Josephine Corcoran's inventive and unflinching debut poetry collection asks us to consider what it is we're really here for. Bold and unsentimental, her remarkable poems trace the lifelines of where we've been and where we're going to, and they aren't afraid to ask difficult questions of where we are now, either. Corcoran's dexterity allows her to get under the skin of each poem, and to explore other lives with the same attentiveness and concision she brings to her own experiences. What Are You After is also fearlessly personal and political; these resolute poems celebrate outspoken women, working class and immigrant lives, and they refuse to look away from the harsh realities of inequality, austerity, and poverty. Throughout, the haunting texture of history, of long gone places and lost voices, is discernible just beneath the surface of the everyday present like a mirror's delicate silvering. These poems are a rare gift; tender, incisive and real.

In 2017, The Poetry School and Nine Arches Press launched their nationwide Primers scheme in search of exciting new voices in poetry, with Hannah Lowe and Jane Commane as selecting editors. After reading through hundreds of anonymous entries, three poets emerged as clear choices: Romalyn Ante, Sarala Estruch and Aviva Dautch.

Sandra Alland, Khairani Barokka and Daniel Sluman co-edit Stairs and Whispers: D/deaf and Disabled Poets Write Back, a ground-breaking anthology examining the poetics of disabled and D/deaf cultures. With contributions that span Vispo to Surrealism, and range from hard-hitting political commentary to intimate lyrical pieces âEUR" these poets refuse to perform or inspire according to tired old narratives. Five years after the seminal U.S. anthology, Beauty is a Verb, Nine Arches Press brings you its exciting UK progeny: Stairs and Whispers. The first of its kind and packed with fierce poetry, essays, photos and links to accessible online videos, this book showcases a diversity of styles, opinions, and survival strategies for a world that often works to shut us down.

Beginning With Your Last Breath, the debut poetry collection by Roy McFarlane, explores love, loss, adoption and identity in precise and emotionally-charged poetry. From bereavement comes forth a life story in poems; the journey of sons, friends, lovers, parents, and all the moments of growing-up, discovery, falling in and out of love, and learning to say goodbye that come along the way. Themes of place, identity, history, and race are interwoven with personal narratives in poems that touch on everything from the ‘Tebbit Test’ and Marvin Gaye to the Black Country, that ‘place just off the M6’. McFarlane’s poems are beautifully focused and crafted, moving their readers between both the spiritual and the sensual worlds with graceful, rapturous hymns to the transformative power of love.  

In 2015, The Poetry School and Nine Arches Press launched a nationwide scheme to find exciting new voices in poetry with Kathryn Maris and Jane Commane as selecting editors. After reading through hundreds of anonymous entries, and narrowing down the choices from longlist to shortlist, a final four poets emerged as clear choices: Geraldine Clarkson, Lucy Ingrams, Maureen Cullen and Katie Griffiths.Primers: Volume One now collects together a taster of poems from each of the four new poets. The brilliant chemistry of their poems proves to be a heady mix and a memorable journey - from post-war correspondents to foster families, breath-taking natural landscapes to strange, unsettling dream-like narratives and so much more in between. There's plenty here to delight and dazzle, and ample evidence of a bright future ahead for contemporary poetry, as these striking and bold new voices demonstrate.

Robert Peake's incredible eye for detail illuminates a collection of stirring and delicately attuned poems that not only roam but actively seek - travelling far and wide to all manner of places but also moving through time, taking leaps of faith or journeys into memory and sensation. From postcards to portraits, from ancient and modern wars to cosmopolitan cities, wildlife, and even a tiny ornamental skeleton, Robert Peake finds a sharp focus for the bigger picture both far and wide and closer to home. These carefully-controlled and eloquent poems know the subtle and deep consequences from each small gesture; the ripple-effect across each story, the altering of lives and history; the still, quiet centre from which it all begins.

Love, sex, boats and friendship. And yet Jo Bell's second poetry collection, Kith, is about so much more, as these bold and generous poems interweave bigger questions of place, identity and community and what these mean to us, here and now. Delighting in the belting, beautiful turn-of-phrase, Jo Bell's poems are lyrical and joyous, but always precise and clear as birdsong. They take us the long way home, plot histories along the route of backwaters, and are occasionally diverted for a roll in the hay; hearts are broken and boats are dry-docked. There will be tears, but there will also be love, safe harbours, and the company of wise and faithful kith. Delighting in the belting, beautiful turn-of-phrase, Jo Bell's poems are lyrical and joyous, but always precise and clear as birdsong. They take us the long way home, plot histories along the route of backwaters, and are occasionally diverted for a roll in the hay; hearts are broken and boats are dry-docked. There will be tears, but there will also be love, safe harbours, and the company of wise and faithful kith. Praise for Jo Bell: 'Witty, sexy and deft, Jo Bell's verse has an easy charm that hides a sometimes painful honesty. There is melancholy as well as mischief here, and a real poets' eye and ear for the foibles of being human. Kith is a wonderful collection.' - Stuart Maconie 'Jo Bell is one of the most exciting poets now writing and no time is wasted in the company of her work.' - Carol Ann Duffy 'Any time you are tempted to think that humour in poetry means 'light verse', turn to Jo Bell. You will find lightness, certainly, but in the sense of deftness, a light touch aimed at something lit up, suddenly, close to the heart.' - Philip Gross