Bøger udgivet af Northwestern University Press

First published in 1977, this novel of ideas follows Konrad Rutkowski - professor of medieval history and former Gestapo officer - as he returns to the scene of his war crimes determined to renounce, or perhaps justify, his Nazi past.

This work examines the edge of awareness, where language emerges from non-language. In moving back and forth between what is already verbalized and what is as yet unarticulated, Eugene Gendlin shows how experiencing functions in the transitions between one formulation and the next.

The work that Maurice Merleau-Ponty planned to call The Prose of the World was unfinished at the time of his death. This edition's editor, Claude Lefort, has interpreted and transcribed the surviving typescript, reproducing Merleau-Ponty's own notes and adding documentation and commentary.

In 1966-67 Martin Heidegger and Eugen Fink conducted an extraordinary seminar on the fragments of Heraclitus. This book records those conversations, documenting the imaginative and experimental character of the multiplicity of interpretations offered and providing an invaluable portrait of Heidegger involved in active discussion and explication.

Tthe distinguished Polish critic Jan Kott reexamines Greek tragedy from the modern perspective. As in his earlier acclaimed Shakespeare Our Contemporary, Kott provides startling insights and intuitive leaps which link our world to that of the ancient Greeks.

One of the great German Expressionist artists, Kaethe Kollwitz wrote little of herself. But her diary, kept from 1900 to her death in 1945, and her brief essays and letters express, as well as explain, much of the spirit, wisdom, and internal struggle which was eventually transmuted into her art.

The goal of this book is to overcome some of the misunderstandings about the meaning of a Darwinian approach to the human mind generally, and literature specifically. It attempts to show how the human propensity for literature and art can be properly framed as a true evolutionary problem.

Men's fitness as a performance--from nineteenth-century theatrical exhibitions to health and wellness practices today This book recounts the story of fitness culture from its beginnings as spectacles of strongmen, weightlifters, acrobats, and wrestlers to its legitimization in the twentieth-century in the form of competitive sports and health and wellness practices. Broderick D. V. Chow shows how these modes of display contribute to the construction and deconstruction of definitions of masculinity. Attending to its theatrical origins, Chow argues for a more nuanced understanding of fitness culture, one informed by the legacies of self-described Strongest Man in the World Eugen Sandow and the history of fakery in strongman performance; the philosophy of weightlifter George Hackenschmidt and the performances of martial artist Bruce Lee; and the intersections of fatigue, resistance training, and whiteness. Muscle Works: Physical Culture and the Performance of Masculinity moves beyond the gym and across the archive, working out techniques, poses, and performances to consider how, as gendered subjects, we inhabit and make worlds through our bodies.

How films help us understand the inevitable death of Earth and humanity Offering a bracing theoretical corrective to ecocriticism's emphasis on pedagogies of care and interconnection, Negative Life: The Cinema of Extinction brings cinema studies, queer theory, and psychoanalysis into novel configuration around a concept inherent to yet critical of life: negative life, a sundering of the connections between human and nonhuman relations. Engaging questions and challenges such as the nothingness of existentialism, the aversive side of sex, and the immanent exception of the drive in psychoanalysis, coauthors Steven Swarbrick and Jean-Thomas Tremblay not only counter ecocritical pieties but cut a new path for theory. They engage a unique corpus of films and philosophies that reject the pastoralism of "entanglement" or "enmeshment," which have functioned as as an ethical and aesthetic alibi for extinction. Negative Life examines films by Julian Pölsler, Kelly Reichardt, Lee Isaac Chung, Mahesh Matai, and Paul Schrader, which exemplify the existential contradictions that have intensified amid the sixth mass extinction; meanwhile, a set of interludes on the genre of ecohorror supplement this focus on negative life and the philosophers and theorists who express it. Each case study testifies formally and thematically to negative life as a structural condition of thought and film. Together, the titles that compose the titular cinema of extinction reveal the unlivable dimension of life and art, where form, desire, and nonbelonging tarry with the future-oriented promise of ecostudies--where all that lives connects. Negative Life militates against this promise, showing that faith in connection is a dead end.

Understanding democracy through film philosophy and political theory Shining new light on our understanding of cinema's ways of political thinking, Intermedialities: Political Theory and Cinematic Experience puts modern political theory in conversation with the philosophy of film. Davide Panagia argues that there are no natural laws of association that can guarantee a template for democratic participation, as democracy is predicated not on stabilizing foundations but rather on the formation of expansive collectivities and institutions that are responsive to alterability. Instead, democracy requires a relational ontology, one that he elucidates by turning to philosophers of film like Stanley Cavell, Gilles Deleuze, Miriam Hansen, and Jean-Luc Godard--all of whom have articulated a political aesthetic of cinematic experience that is at once aspectual and compositional. Panagia reads these thinkers alongside a countertradition of modern political thought, represented by David Hume, Ludwig Wittgenstein, and Gilbert Simondon. His articulation of cinematic experience thus allows for a political aesthetic that is rooted in the migratory realities of undetermined relations.

Max Reinhardt was one of the formative directors of modern theater. Starting as an actor, it soon became clear that he wanted more. His vision of a theater "that returns joy to the people" was vast and expansive: It included intimate theatrical arrangement as well as mass production in the circus arena. Reinhardt's aesthetics were not restricted to a single program but indulged in a playful eclecticism. Thus, his career as a director that lasted for almost 40 years comprises a broad variety of artists of various genres as well as many different styles. At the same time, Reinhardt soon longed for an international range: guest performances throughout Europe and to the US soon made him into a global star - and even a brand. He represents a metropolitan culture that roots in the late nineteenth century but comes to an end when Fasicsm in Europe ended any hopes for an international culture. As a Jew, Reinhardt himself had to flee the Nazis but when he eventually arrived in the US, he could not follow up with his earlier successes. Marx provides a broad panorama of Reinhardt's work, portraying not only his work method and some of his best known productions, but also the cultural conditions of his visionary enterprise.

A Nobel laureate offers a brief lesson on physics' biggest mystery, accessibly explaining the two quantum revolutions that changed our understanding of reality. At the start of the twentieth century, the first quantum revolution upset our vision of the world. New physics offered surprising realities, such as wave-particle duality, and led to major inventions: the transistor, the laser, and today's computers. Less known is the second quantum revolution, arguably initiated in 1935 during a debate between giants Albert Einstein and Niels Bohr. This revolution is still unfolding. Its revolutionaries--including the author of this short accessible book, Nobel Prize-winning physicist Alain Aspect--explore the notion of entangled particles, able to interact at seemingly impossible distances. Aspect's research has helped to show how entanglement may both upend existing technologies, like cryptography, and usher in entirely new ones, like quantum computing. Explaining this physics of the future, this work tells a story of how philosophical debates can shape new realities.

A philosophical work that exposes the systemic logic by which environmental destruction and gender oppression are jointly rooted in capitalism, establishing the theoretical foundations on which an effective political alliance can be built today.

In self-exile in Canada after the collapse of Yugoslavia and his mother's death, the narrator of Bait is listening to a series of tapes he recorded of his mother years before. As her story is told, he reflects on her life and their relationship, attempting to come to terms with his Jewishness and his own new life in a foreign culture.

Groundbreaking feminist poems featuring an artificial womb and an apocalyptic future

A radically open interrogation of queer Chicano identity

Queer stories about love, loneliness, the surreal, and the self

"A powerful debut novel about war, immigration, and home"--

Violence haunts 1915 Atlanta and so does the golem a group of girls creates

An illuminating, in-depth look at competition in suburban high schools with growing numbers of Asian Americans, where white parents are determined to ensure that their children remain at the head of the class. The American suburb conjures an image of picturesque privilege: manicured lawns, quiet streets, and--most important to parents--high-quality schools. These elite enclaves are also historically white, allowing many white Americans to safeguard their privileges by using public schools to help their children enter top colleges. That's changing, however, as Asian American professionals increasingly move into wealthy suburban areas to give their kids that same leg up for their college applications and future careers. As Natasha Warikoo shows in Race at the Top, white and Asian parents alike will do anything to help their children get to the top of the achievement pile. She takes us into the affluent suburban East Coast school she calls "Woodcrest High," with a student body about one-half white and one-third Asian American. As increasing numbers of Woodcrest's Asian American students earn star-pupil status, many whites feel displaced from the top of the academic hierarchy, and their frustrations grow. To maintain their children's edge, some white parents complain to the school that schoolwork has become too rigorous. They also emphasize excellence in extracurriculars like sports and theater, which maintains their children's advantage. Warikoo reveals how, even when they are bested, white families in Woodcrest work to change the rules in their favor so they can remain the winners of the meritocracy game. Along the way, Warikoo explores urgent issues of racial and economic inequality that play out in affluent suburban American high schools. Caught in a race for power and privilege at the very top of society, what families in towns like Woodcrest fail to see is that everyone in their race is getting a medal--the children who actually lose are those living beyond their town's boundaries.

Stanislawa Przybyszewski is recognized as a major twentieth-century playwright on the basis of her trilogy about the French Revolution, of which The Danton Case and Thermidor are the principal parts. The Danton Case depicts the battle for power between two exceptional individuals: the corrupt sentimental idealist, Danton, and the incorruptible genius of the Revolution, Robespierre. Thermidor shows the final playing out of this drama, as Robespierre, left alone with the heroic absolutist Saint-Just, foresees the ruin of himself and his cause, and in his despair predicts that hatred, war, and capitalism will steal the Revolution and corrupt nineteenth-century man.

Enacts a radically interdisciplinary intersectionality to position performance-based research in solidarity with decoloniality This boldly innovative work interrogates the form and meaning of artistic research (also called practice research, performance as research, and research-creation), examining its development within the context of predominately white institutions that have enabled and depoliticized it while highlighting its radical potential when reframed as a lineage of critical whiteness practice. Ben Spatz crafts a fluid yet critical new framework, explored via a series of case studies that includes Spatz's own practice-as-research, to productively confront hegemonic modes of white writing and white institutionality. Ultimately taking jewishness as a paradigmatically "molecular" identity--variously configured as racial, ethnic, religious, or national--they offer a series of concrete methodological and formal proposals for working at the intersections of embodied identities, artistic techniques, and alternative forms of knowledge. Race and the Forms of Knowledge: Technique, Identity, and Place in Artistic Research takes inspiration from recent critical studies of blackness and indigeneity to show how artistic research is always involved in the production and transformation of identity. Spatz offers a toolkit of practical methods and concepts--from molecular identities to audiovisual ethnotechnics and earthing the laboratory--for reimagining the university and other contemporary institutions.