Bøger udgivet af NOTTING HILL ED

“Without any doubt, London is one of the best cities in the world for modern architecture. But it is also one of the biggest cities in the world, and it does not make a display of its best things. A visitor looking for new buildings in the City and the West End might well be justified in turning away with a shudder. Yet delightful things may be waiting for him in Lewisham or St. Albans.” —Ian Nairn, from the foreword As one of the few architectural critics to eschew purely aesthetic modes of analysis, Ian Nairn’s timeless books on modern urban cities have been hailed as some of the most significant writing about contemporary Britain, while also being praised as alternative “guidebooks” for curious travelers. First published in 1964, Modern Buildings in London celebrates the character of buildings that were immediately recognizable as “modern” in 1964, many of which were not part of the well-known landscape of London but instead were gems that Nairn stumbled across.Written “by a layman for laymen,” Nairn’s take on modern design includes classic London buildings such as the Barbican, the former BBC Television Centre, and the Penguin Pool at Regent’s Park Zoo, as well as schools, old timber yards, ambulance stations, car parks, and even care homes.

An examination of the increasingly public nature of crime and confession—from live-streamed offenses to Prince Andrew’s Newsnight interview—by a noted writer & lecturer in criminology. Over the past few decades, there has been a remarkable rise in the number of people who speak publicly about their experience of crime. These personal accounts used to be confined to private or professional settings—the police station, the courtroom, a helpline or in a counselor’s office—but today bookshops heave with autobiographies by prisoners, criminals, police, and lawyers; streaming platforms like Netflix and YouTube host hours of interviews with serial killers, death row residents, vigilantes, and gang members; true-crime podcasts like Criminal often feature episodes focusing entirely on one person’s narrative; and some offenders even live-stream their crimes. In this fascinating new book, British criminologist Jennifer Fleetwood compellingly examines seven high-profile “crimes” which are known to us via a public, first-person account to try to make sense of the social, political, and cultural consequences that this confessional impulse has on our lives. From Howard Marks’s autobiography Mr. Nice to Shamima Begum’s 2019 Times interview; from the documentary The Real Mo Farah to Prince Andrew’s disastrous Newsnight interview; from Chanel Miller’s victim impact statement to episodes of Criminal and Myra Hindley’s prison letters, Fleetwood invites us to think differently about the abundance of personal stories about crime that circulate in public life.