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Central Appalachia hosts a dazzling array of fish species that attracts robust scientific and recreational interests. Stuart A. Welsh draws on the work of early modern naturalists to examine central Appalachian fishes in terms of the food chain, conservation, climate change, and more as he considers these important creatures and their waterways.
Andrew Collard's lyrical poems about Detroit show how the social and geographical past influences the present. Written from the perspective of a single parent raising a child amid increasing social isolation, economic insecurity, public catastrophes, and anxiety, Sprawl reminds us of the comforting endurance of communal experience.
"I imagine everyone has a center of gravity," says Ellen Bromfield Geld. "Something which binds one to the earth and gives sense and direction to what one does." For Ellen, this center is a writing table before a window that looks out upon groves of pecan trees and mahogany-colored cattle in seas of grass.
Anna Akhmatova (1889-1966) was part of that magnificent and tragic generation of Russian artists which came to first maturity before 1917, and which then had to come to terms with official discouragement and often persecution. You Will Hear Thunder brings together for the first time all D.M. Thomas's translations of her poems.
In Tales of the Metric System, Coovadia explores a turbulent South Africa from 1970 into the present. He takes his home country's transition from imperial to metric measurements as his catalyst, holding South Africa up and examining it from the diverse perspectives of his many characters.
A history of semiprofessional football clubs in Ohio-the Ironton Tanks, the Portsmouth Spartans, and others-and an intimate study of how the citizens and organizations that made up these cities worked to put themselves on the map.
In 1932, two years after D. H. Lawrence's death, a young woman wrote a book about him and presented it to a Paris publisher. She recorded the event in her diary: "It will not be published and out by tomorrow, which is what a writer would like when the book is hot out of the oven, when it is alive within oneself.
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