Bøger udgivet af Ohio University Press

An invaluable key to self-understanding, The Wounded Woman shows that by understanding the father-daughter wound, it is possible to achieve a fruitful, caring relationship between men and women, between fathers and daughters, a relationship that honors both the mutuality and the uniqueness of the sexes.

Although Anais Nin found in her diaries a profound mode of self-creation and confession, she could not reveal this intimate record of her own experiences during her lifetime. Instead, she turned to fiction, where her stories and novels became artistic "distillations" of her secret diaries.

Mirages opens at the dawn of World War II, when Anais Nin fled Paris, where she lived for fifteen years with her husband, banker Hugh Guiler, and ends in 1947 when she meets the man who would be "the One," the lover who would satisfy her insatiable hunger for connection.

In a series of intriguing routes through the English countryside, Professor Robert Cooper notes those attractions that the casual tourist might unknowingly pass by, such as the house where Dickens wrote A Tale of Two Cities, or the windswept quay where John Fowles's French Lieutenant's woman walked.

Anais Nin made her reputation through publication of her edited diaries and the carefully constructed persona they presented.

Blending historical fact and classical myth, the author of Zorba the Greek and The Last Temptation of Christ transports the reader 3,000 years into the past, to a pivotal point in history: the final days before the ancient kingdom of Minoan Crete is to be conquered and supplanted by the emerging city-state of Athens.

Although Under a Glass Bell is now considered one of Anais Nin's finest collections of stories, it was initially deemed unpublishable. Refusing to give up on her vision, in 1944 Nin founded her own press and brought out the first edition, illustrated with striking black-and-white engravings by her husband, Hugh Guiler.

One of the premier private collections of contemporary craft, the Nancy and David Wolf Collection features outstanding creations by the foremost artists working in craft media. This book introduces audiences to sixty-seven masterworks selected from this collection.

This "is the fifth and final volume of Anaèis Nin's continuous novel known as Cities of the Interior. First published by Swallow Press in 1961, the story follows the travels of the protagonist Lillian through the tropics to a Mexican city loosely based on Acapulco, which Nin herself visited in 1947 and described in the fifth volume of her Diary. As Lillian seeks the warmth and sensuality of this lush and intriguing city, she travels inward as well, learning that to free herself she must free the 'monster' that has been confined in a labyrinth of her subconscious. This new Swallow Press edition includes an introduction by Anita Jarczok"--

Acholi Intellectuals draws on the writings of homespun historians, interviews with elderly men and women who remember the last days of colonial rule, and government and missionary archives to illuminate the intellectual and political history of the colonial transition in northern Uganda. The book focuses on Acholiland, a place that has been chronically understudied in comparison to Uganda's rich, fertile, and well-documented south. Southerners there--following the depictions of colonial officials and missionaries--have often regarded northerners as uncultured people lacking ideas. Acholi Intellectuals challenges this prejudice, bringing into view a whole category of men (and a few women) who mediated between indigenous and colonial knowledge systems and inaugurated a new kind of politics. Patrick William Otim studies a category of people--known as healers, messengers, war leaders, poet-musicians, and diplomats--who possessed prestige and power in an older Acholi political logic and who, in the dawning days of colonial government, came to occupy positions of power in the British administration. Otim argues that these Acholi intellectuals were not simply creatures of British colonial self-interest; neither was their power invented by the coercive logic of indirect rule. He asserts instead that people who held moral and social power in the older system were able to transform that strength, under colonial administration, into a new form of political legitimacy.

Tonia Lechtman was a Jew, a loving mother and wife, a Polish patriot, a committed Communist, and a Holocaust survivor. Throughout her life these identities brought her to multiple countries--Poland, Palestine, Spain, France, Germany, Switzerland, and Israel--during some of the most pivotal and cataclysmic decades of the twentieth century. In most of those places, she lived on the margins of society while working to promote Communism and trying to create a safe space for her small children. Born in Lódz in 1918, Lechtman became fascinated with Communism in her early youth. In 1935, to avoid the consequences of her political activism during an increasingly antisemitic and hostile political environment, the family moved to Palestine, where Tonia met her future husband, Sioma. In 1937, the couple traveled to Spain to participate in the Spanish Civil War. After discovering she was pregnant, Lechtman relocated to France while Sioma joined the International Brigades. She spent the Second World War in Europe, traveling with two small children between France, Germany, and Switzerland, at times only miraculously avoiding arrest and being transported east to Nazi camps. After the war, she returned to Poland, where she planned to (re)build Communist Poland. However, soon after her arrival she was imprisoned for six years. In 1971, under pressure from her children, Lechtman emigrated from Poland to Israel, where she died in 1996. In writing Lechtman's biography, Anna Müller has consulted a rich collection of primary source material, including archival documentation, private documents and photographs, interviews from different periods of Lechtman's life, and personal correspondence. Despite this intimacy, Müller also acknowledges key historiographical questions arising from the lacunae of lost materials, the selective preservation of others, and her own interpretive work translating a life into a life story.

In the past few decades, Western studies of Afrofuturism have grown to encompass examples deriving from multiple sites across the diaspora, as well as from the African continent. However, an increasing number of Africans and Africanists have voiced their concerns about grouping African work under the larger umbrella of Afrofuturism without distinction and have emphasized the need to investigate the differences between African American and African production. This book offers an introduction to Africanfuturism--a body of African speculative works that is distinguishable from, albeit related to, US-based Afrofuturism. Kimberly Cleveland uses Africanfuturism as an intellectual lens to explore works that embody combinations of possibilities, challenges, and concerns related to what lies ahead for the continent and its peoples. This book highlights twenty-first-century film, video, painting, sculpture, photography, tapestry, novels, short stories, comic books, song lyrics, and architecture by African creatives of different nationalities, races, ethnicities, genders, and generations. Cleveland analyzes the ideas and opinions of African intellectuals and cultural producers, combining interviews with historical research. Each chapter features one of Africanfuturism's most common themes: space and time exploration, creation of worlds, technology and the digital divide, Sankofa and remix, and mythmaking. This investigation of Africanfuturism is geared toward students, academics, and Afrofuturism enthusiasts, and its included discussion questions facilitate classroom use. The book illuminates Africa's place in the worlds of science fiction and fantasy and how Africanfuturist work builds on the continent's own traditions of speculative expression. Because these creative works disrupt the history of Western domination in Africa, Cleveland also connects Africanfuturism with the process of decolonization and addresses specific ways in which African creatives (re)center indigenous beliefs, strategies, and approaches in their production. Africanfuturism encourages both imaginative possibilities and potential real-world outcomes, highlighting the rich contributions of Africans to the vision of future worlds.

One of the most controversial women of the twentieth century, Jane Addams advocated for children, women, immigrants, fair working conditions, and world peace at a time when women were told to keep quiet and stay at home. Her efforts led to the founding of the first school of social work and of Hull-House, the best-known community house in the United States.

Welcome to Our Hillbrow is an exhilarating and disturbingride through the chaotic and hyper-real zone of Hillbrow-microcosm of all that is contradictory, alluring, and painful in the postapartheid South African psyche. Everythingis there: the shattered dreams of youth, sexuality and its unpredictable costs, AIDS, xenophobia, suicide, the omnipotent violence that often cuts short the promise of young people's lives, and the Africanist understanding of the life continuum that does not end with death but flows on into an ancestral realm. Infused with the rhythms of the inner-city pulsebeat, this courageous novel is compelling in its honesty and its broad vision, which links Hillbrow, rural Tiragalong, and Oxford. It spills out the guts of Hillbrow-living with the same energy and intimate knowledge with which the Drum writers wrote Sophiatown into being.

This valuable resource for public health students and professionals examines COVID-19’s impact on underserved and resource-limited communities, sheds light on important social justice issues, and provides insight into the challenges and opportunities associated with vaccine distribution and the pandemic’s environmental impact.

Many of the greatest love poems in English date from the Victorian period, yet this is the first scholarly book in decades to consider the whole range of Victorian love poetry by authors such as Christina Rossetti, Gerard Manley Hopkins, Augusta Webster, Thomas Hardy, and William Butler Yeats. It includes contributions by many of the leading scholars of Victorian poetry.

For centuries, Kenya's game-laden plains and forests were the rewarding hunting grounds of her native African population. Black Poachers, White Hunters traces the history of hunting there in the colonial era, describing the British attempt to impose the practices and values of nineteenth-century European aristocratic hunts. This both created and enforced an image of African inferiority and subordination. Ultimately conservationists came to claim sovereignty over African wildlife, completing the transformation of indigenous hunters into criminal poachers and seeking to eliminate them altogether from the "sportsman's paradise" of Kenya.ABOUT THE AUTHOR---Edward I. Steinhart is an associate professor of history at Texas Tech University, Lubbock.

There has long been a need for a new textbook on West Africa's history. In Themes in West Africa's History, editor Emmanuel Kwaku Akyeampong and his contributors meet this need, examining key themes in West Africa's prehistory to the present through the lenses of their different disciplines. The contents of the book comprise an introduction and thirteen chapters divided into three parts. Each chapter provides an overview of existing literature on major topics, as well as a short list of recommended reading, and breaks new ground through the incorporation of original research. The first part of the book examines paths to a West African past, including perspectives from archaeology, ecology and culture, linguistics, and oral traditions. Part two probes environment, society, and agency and historical change through essays on the slave trade, social inequality, religious interaction, poverty, disease, and urbanization. Part three sheds light on contemporary West Africa in exploring how economic and political developments have shaped religious expression and identity in significant ways. Themes in West Africa's History represents a range of intellectual views and interpretations from leading scholars on West Africa's history. It will appeal to college undergraduates, graduate students, and scholars in the way it draws on different disciplines and expertise to bring together key themes in West Africa's history, from prehistory to the present.

The Hocking Valley Railway was once Ohio's longest intrastate rail line, filled with a seemingly endless string of coal trains. Although coal was the main business, the railroad also carried iron and salt. Despite the fact that the Hocking Valley was such a large railroad, with a huge economic and social impact, very little is known about it. The Hocking Valley Railway traces the journey of a company that began in 1867 as the Columbus & Hocking Valley, built to haul coal from Athens to Columbus. Extensions of the line and consolidation of several branches ultimately created the Columbus, Hocking Valley & Toledo. This was a 345-mile railway, extending from the Lake Erie port of Toledo through Columbus and on to the Ohio River port of Pomeroy. The history of the Hocking Valley, like that of other railroads, is one of boom times and depression. By the 1920s, the Hocking coalfields were largely depleted, and the mass of track south of Columbus became a backwater, while the Toledo Division boomed. The corporate name has been gone for more than three-quarters of a century, but the Hocking Valley lives on as an integral part of railroad successor CSX. The Hocking Valley Railway, complete with 150 photographs and illustrations, also documents a historic transformation in midwestern transportation from slow canalboats to fast passenger trains. Historians and railroad enthusiasts will find much to savor in the story of this ever-changing company and the managers who ran it.

This new collection of essays on HIV viruses spans disciplines to topple popular narratives about the origins of the AIDS pandemic and the impact of the disease on public health policy.With a death toll in the tens of millions, the AIDS pandemic was one of the worst medical disasters of the past century. The disease was identified in 1981, at the height of miraculous postwar medical achievements, including effective antibiotics, breakthrough advances in heart surgery and transplantations, and cheap, safe vaccines--smallpox had been eradicated just a few years earlier. Arriving as they did during this era of confidence in modern medicine, the HIV epidemics shook the public's faith in health science. Despite subsequent success in identifying, testing, and treating AIDS, the emergence of epidemics and outbreaks of Ebola, Zika, and the novel coronaviruses (SARS and COVID-19) are stark reminders that such confidence in modern medicine is not likely to be restored until the emergence of these viruses is better understood.This collection combines the work of major social science and humanities scholars with that of virologists and epidemiologists to provide a broader understanding of the historical, social, and cultural circumstances that produced the pandemic. The authors argue that the emergence of the HIV viruses and their epidemic spread were not the result of a random mutation but rather broader new influences whose impact depended upon a combination of specific circumstances at different places and times. The viruses emerged and were transmitted according to population movement and urbanization, changes in sexual relations, new medical procedures, and war. In this way, the AIDS pandemic was not a chance natural occurrence, but a human-made disaster.Essays by: Ernest M. Drucker, Tamara Giles-Vernick, Ch. Didier Gondola, Guillaume Lachenal, Amandine Lauro, Preston A. Marx, Stephanie Rupp, François Simon, Jorge Varanda

In this exciting new study, Bahru Zewde, one of the foremost historians of modern Ethiopia, has constructed a collective biography of a remarkable group of men and women in a formative period of their country's history. Ethiopia's political independence at the end of the nineteenth century put this new African state in a position to determine its own levels of engagement with the West. Ethiopians went to study in universities around the world. They returned with the skills of their education acquired in Europe and America, and at home began to lay the foundations of a new literature and political philosophy. Pioneers of Change in Ethiopia describes the role of these men and women of ideas in the social and political transformation of the young nation and later in the administration of Haile Selassie.

Paul Laurence Dunbar, introduced to the American public by William Dean Howells, was the first native-born African American poet to achieve national and international fame. While there have been many valuable editions of his works over time, gaps have developed when manuscripts were lost or access to uncollected works became difficult. "In His Own Voice" brings together previously upublished and uncollected short stories, essays, and poems. This volume also establishes Dunbar's reputation as a dramatist who mastered standard English conventions and used dialect in musical comedy for ironic effects. "In His Own Voice" collects more than seventy-five works in six genres. Featured are the previously unpublished play Herrick and two one-act plays, largely ignored for a century, that demonstrate Dunbar's subversion of the minstrel tradition. This generous expansion of the canon also includes a short story never before published. Herbert Woodward Martin, renowned for his live portrayal of Dunbar, and Ronald Primeau provide a literary and historical context for this previously untreated material, firmly securing the reputation of an important American voice.

In Tales of the Metric System, Coovadia explores a turbulent South Africa from 1970 into the present. He takes his home country's transition from imperial to metric measurements as his catalyst, holding South Africa up and examining it from the diverse perspectives of his many characters. An elite white housewife married to a radical intellectual; a rock guitarist; the same guitarist's granddaughter thirty years later; a teenaged boy at the mercy of mob justice-each story takes place over one of ten days across the decades, and each protagonist has his own stakes, her own moment in time, but each is equally caught in the eddies of change. Tales of the Metric System is clear eyed, harrowing, and daring.

Bounded by Sudan to the west and north, Kenya to the south, Somalia to the southeast, and Eritrea and Djibouti to the northeast, Ethiopia is a pivotal country in the geopolitics of the region. Yet it is important to understand this ancient and often splintered country in its own right.In A History of Modern Ethiopia, Bahru Zewde, one of Ethiopia's leading historians, provides a compact and comprehensive history of his country, particularly the last two centuries. Of importance to historians, political scientists, journalists, and Africanists alike, Bahru's A History of Modern Ethiopia, now with additional material taking it up to the last decade, will be the preeminent overview of present-day Ethiopia.

Kenya was where the term "informal sector" was first used in 1971. During the 1980s the term "jua kali" - in Swahili "hot sun" - came to be used of the informal sector artisans, such as carworkers and metalworkers, who were working under the hot sun because of a lack of premises. Gradually it came to refer to anybody in self-employment. And in 1988 the government set up the Jua Kali Development Programme. In this remarkable book Kenneth King brings the subject alive through the photographs and life histories of jua kali people. He has also revisited, twenty years later, many of the artisans whom he interviewed exhaustively in the period from 1972 to 1974 and about whom he wrote in The African Artisan, one of the first full-length studies to be published on the informal sector. For donors, NGOs, and national governments, the book offers many relevant examples, and some cautions, about what has been achieved by ordinary Kenyans, mostly without government support. It will prove equally valuable for students and teachers of development policy, technology policy, and education and training policies not least because of its superb bibliography of over 700 entries related to small enterprise development.

A rash of small wars erupted after the Cold War ended in Africa, the Balkans, and other parts of the former communist world. The wars were in "inter-zones," the spaces left where weak states had withdrawn or collapsed. Consequently the debate over what constitutes war has returned to basics. No Peace, No War departs from the usual analysis that considers the new wars mindless mass actions to offer the paradoxical idea that to understand war one must deny war special status. Rather than leave war to the security specialists, these writers attempt to grasp its character as one among many aspects of social reality.