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You need some work; the little woman has emptied the bank account and ran the credit cards to ground; so you pick up on a short time job that can bail you out, or so you figure. But from the minute you talk with the guy on what he wants you start getting an uneasy feeling, not something too overboard but a feeling. It's not long before the feeling id more than a feeling its now on the edge of panic! But the girlfriend is still running the dough down the drain and carpenter work is slow so you decide," It's a couple of months, suck it up, grab a few thousand and get the hell out. But it's never that easy; is it never is Now that you are in you find yourself looking for a way out but Al he don't want you out so now what? Al says, "Keep your mouth shut and don't be running your mouth about this or tell your buddies what is going on, then says, "Ya know what I mean?" When Al says, Ya know what I mean, you better pay close attention! You keep telling yourself, "I got this, just a few months and I'm out!" But who do you think you're kidding all a person needs to do is take a look at the goons around the place and the way they are watching you to know better! However there is something that only one man knows; the carpenter's has got the edge; remember I built it! But again, does he have the edge---------?
Seven tales of crisscrossing and intertwining lives in Louisiana during the civil rights era. From the shadows of its aftertime, memory ensouls the figures in an artist’s paintings and brightens the wraiths of a woman’s long-ago ebullient companions. In the wake of the assassination, a disabled man broods over his failing marriage, a school teacher prepares for a party, a lawyer relives the loss of his wife, a black woman mourns President Kennedy’s death. During Freedom Summer, a family leaves Louisiana and its spirit pursues them. An Afterword honors Proust’s belief that an artist’s work should create its own Posterity.
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