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Poodling is a vernacular approach to pruning shrubbery: a negotiation between gardener and shrub that pits human aesthetic intention against the genetic forces that guide the plant's natural development. Topiary shears shrubs into a singular form geometric or figure; poodling, in contrast, treats each branch individually and shapes its leaves or needles into the forms that remain at their ends. In this informed, if light-hearted, telling of the story, noted landscape historian Marc Treib traces the evolution and characteristics of topiary, espalier, and other forms of plant guidance such as poodling, proposing that what began as functional horticultural practices was transformed into a vehicle for artistic expression. Poodling catalogs the forms of pruning we encounter today and their probable origin in Japan during the eighteenth century. Noting the parallels, he compares the forms of poodling (vegetal) with those of the canine species poodle (animal), and the manners by which the dog's hair has been clipped. Richly illustrated with photographs by the author taken in many countries over three decades, this is an informative book that everyone can enjoy.

Houses that Sugar Built explores the largely unknown architectural legacy to be found in the ancestral houses of Iloilo, Negros Occidental and Pampanga - the three main sugar-producing provinces of the Philippines. These grand residences have yet to receive international exposure.

Periurban Cartographies looks through the prism of the "almost urban" to consider what a "city" is or could be. In doing so, the book challenges assumptions and reconsiders design practices.

LPA Design Studios rose to national prominence by demonstrating that designers can make a real impact on carbon reduction on a large scale. The firm's integrated design approach breaks down the traditional model, eliminating barriers between disciplines to develop innovative designs that reduce energy and water and create a better human experience. The firm's diverse body of work has earned the industry's top awards and set new benchmarks for building performance, proving that there is a better process for designing buildings. Design Matters: Every project. Every budget. Every scale. presents a beautifully curated collection of LPA projects that illustrate what can be achieved through a collaborative design process with architects, engineers, interior designers and landscape architects working together from a development's earliest stages. The projects cross a wide range of sizes and types, including transformational education, commercial, civic, cultural and healthcare facilities. Each was created through a repeatable process focused on cost-effective research-driven design strategies. As a collection, LPA's work is an inspirational model for an integrated, inclusive approach that connects design excellence and building performance.

Experiential Design Schemas presents a new theoretical and practical framework for designing architectural experiences developed by two seasoned researchers, an architect, and a building scientist.The book delivers 45 experiential design schemas as generative design resources in a novel, multi-scalar networked language. Each schema is published as a modular four-page spread that explains the phenomena and potential feeling state, along with compelling precedents, supporting evidence and design guidelines. Their purpose is to help designers expand the delight, joy, serenity, and nature connections possible in buildings. The schema-based design guidance enables architects to choreograph positive experiences of dynamic and variable environmental conditions that connect people to Nature's rhythms.

Salty Urbanism is a concept that refers to the ways in which cities and urban areas will respond and adapt to rising sea levels and the accompanying increase in salinity of coastal and near-coastal land. This phenomenon is caused by a combination of factors, including global warming, sea-level rise, and human development along coastlines. >In response to Salty Urbanism, urban designers are exploring new strategies to adapt and mitigate the effects of rising sea levels and saltwater intrusion. These strategies include elevating buildings and infrastructure, implementing green infrastructure to absorb excess water, and developing coastal ecosystems to act as buffers against storm surges and flooding. Overall, Salty Urbanism highlights the urgent need for cities and urban areas to adapt and prepare for the ongoing and future impacts of climate change.

"Jill Gill's spirited watercolors and accompanying perceptive captions document New York City as it has changed over more than half a century. Covers Midtown Manhattan (with its southern, eastern, and western sections), the Upper West Side, and the Upper East Side"--

The war in Ukraine has brought about a newfound curiosity and interest in a country that is often misunderstood. Beloved Ukraine offers a glimpse into this country before the recent conflict, as captured through the lens of National Geographic Society photographer, Paul Chesley, over the course of several years. Beloved Ukraine is a tribute to this enigmatic country and its people.

Co-Designing Publics brings together a mix of academics, activists, and practitioners to discuss and debate discourses from scholarly research, grassroots activism, and design ideas for future action. >Based on these premises, the book integrates discussions of three critical and interrelated phenomena: creative ways of mobilizing communities around common concerns and desires [i.e. co-designing publics], deployment of grassroots tactics and social innovations [i.e. informal strategies], and production of spatial networks of public spaces intertwined with their ongoing governance [i.e. public realm]. Contextually grounding these discussions in cities of the global south enables us to learn how innovative co-design practices operate around issues such as homelessness and affordable housing, sustainable and equitable energy systems, waste management, cooperative models of property ownership, the promotion and protection of human rights, and the production of peace in contexts of violence. The book thereby draws from and presents public conversations between academic research and case studies of activism [from Bogota, Bengaluru, Cape Town, Jakarta, Phnom Penh, and Sao Paulo]. The book is a slim paperback that is affordable and written and illustrated in an engaging manner to make it accessible to a broad audience globally.S

A collection of critical essays on abiding and compelling topics in architecture and the culture of architecture. Range of topics are diverse: an architectural phenomenology of water, architecture and landscape rethought, ancient Greece to India, The Buddha's house to the modern house in India, the architecture and landscapes of Louis Kahn. Le Corbusier in India, the architecture of Balkrishna Doshi, and other original topics such as the destruction of buildings as a ritual necessity. "Reading and pondering over Kazi's writings, I am reminded of my personal journeys and learnings... Architecture is not merely a static dumb built form but is a cosmos in itself. Not merely produced theoretically but created through varied moods and activities of life, place, space, and ecosystems. Theoretically-- arguably and rationally -- functions or activities or appearances are organisms, but not if not seen holistically. Hence, Vastu is not only an environment and not merely an object but has an all-pervading soul, and this is what Kazi conveys through his travels and experiences." --Balkrishna Doshi on The Mother Tongue of Architecture

Innovative educational concepts with an emphasis on Open Source sharing, integral teaching methods, advanced robotic manufacturing, and greater diversity and equity in design-research to better prepare students for the challenges ahead.

The Labyrinth of Rooms is a story about how the shape of architecture can change the way we think, and how the shape of our thoughts can change the way we see architecture. Stated otherwise, the story conceives of the human life as a series of settings that stage the coevolution of mental space and physical space. Human, the story's protagonist, can be any one of us, and their journey from the first room to the last room is the journey of a lifetime: it has its ups and downs, moments of clarity and moments of confusion, but overall it bends toward greater knowledge and wisdom.

The book departs from a reflection on contemporary issues of environmental and social sustainability. >Working through three scales of analysis, across three cities in the Asia Pacific Region, and deploying varying design research techniques ranging from critical observation to speculative scenario modelling, the book presents a series of projects that seek to retro-fit an existing urban environment with a productive program. The purpose of this project is to describe a series of models for the folding of production into our cities, with ambition of consolidating all components of human inhabitation within a smaller overall physical and environmental footprint.

Through selected works this monograph showcases the design work and research of leading landscape architect Richard Weller, Chair of Landscape architecture at the University of Pennsylvania. The book documents the evolution of Weller's practice from small scale artworks to planning megaregions, including his latest proposal for a World Park. With essays by Jillian Walliss and Dirk Sijmons as well as his own writing, the book explains Weller's methods and motivations; a unique window on to the ways in which the discipline of landscape architecture has matured over the last 40 years. Through a carefully curated selection of work, the book makes the case that landscape architecture is at best "art of instrumentality." The two essayists in the book are highly regarded. Jillian Walliss of Melbourne University is a contemporary landscape architectural critic and in 2017 Dirk Sijmons received the IFLA sir Geoffrey Jellicoe award, the highest international achievement in landscape architecture.

The hands-on craftsmanship of Atelier Jorgensen is referred to as their Ground Truth‿if you understand your methods and means, it will allow you to always edit and refine with authority.

What differentiates this monograph from most is that it is a personal expression, illustrated by lush photographs from LA's best architectural photographers. It includes personal sketches and watercolours that chronical the design process.

Hotel Design presents the beautiful, inviting, and defining hotels and resorts designed by FILLAT+ Architecture. With four studios and over 27 years of experience in hospitality design, the firm was founded in 1992 by Peter Fillat to explore a personal view of how people interact with the environment and to create an Architecture of Permanence, which delights and inspires the human spirit. FILLAT+ specializes in creating places and spaces for people to enjoy life. In the careful planning and sequencing of the interior and exterior spatial experience, the work creates comfortable, inviting spaces that are accommodating, respectful, and memorable. Each project responds to the unique needs and vision of its client as well as the needs of every guest that walks through its doors.>The book features 12 built works and 15 projects on the boards. Richly illustrated, the projects elaborate on FILLAT+'s unique approach to designing new destination hotels and resorts, whether building upon historic foundations or designing icons as key anchors in urban redevelopment master plans. Hotel Design features a foreword by Stacy Shoemaker, editor in chief of Hospitality Design magazine, and contributions by David Ashen and Michael Dennis.

Concrete is ubiquitous but contentious: culturally, environmentally, and often politically. Yet, the architecture it produces across fields of practices remains pertinent to the architectural discipline and its history. Having been incessantly normalized, misused and abused by different stakeholders and agendas, some of its material attributes still remain very much untapped until now. Liquid Pressure, one of concrete's most vigorous properties, is always short-lived and can hardly be contained. Only its counterpart, known as the formwork or false-work in the building industry, is best at influencing and redirecting the course of its active forces. Concrete and formwork are both the live catalyst and dichotomy explored in this book, through which new forms of spatial organizations are once more made possible. To experiment with concrete is to actively engage with its live properties, in an irreversible dance in which the concrete reacts to the formwork's materials. In this book, two key projects are laid bare, manifesting a shift in the work from an early preoccupation with material responsiveness, to one that additionally addresses concepts of spatiality and its relation to the proposed idea of augmented materiality.

Foundations describes the 53 Foundations and 9 Propositions driving design at Duvall Decker. This is one studio's search for public good.

Designing for Empathy: The Architecture of Connections in Learning Environments explores the intersections between human development theories and spatial perception, and proposes design strategies for creating learning environments that catalyze empathy. The critical question guiding the book is: how can architecture influence human development, and by extension, how can concepts of empathy in development be influenced and catalyzed by architecture? Planners, architects, and designers are responsible for shaping our physical environment--from our homes, schools, and cultural and religious centers to the wider neighborhoods and cities within which human development takes place. However, architecture is conspicuously absent in most development theories, even though the environment is omnipresent. In Designing for Empathy, architect Aybars Aşçı, puts forth a new perspective on empathy in architecture, which shifts focus toward designing Emphatic Spaces. If the empathic imagination of the designer is at play during the creative process, designing for empathy occurs after the design reaches its intended users. Applied to the design of learning environments, this proposed approach aligns closely with development theories and explores the important impact of spatial environments on the experience of learning. Through examples of projects designed by Aşçı, the book illustrates how physical spaces have the potency to catalyze empathy in learning environments.

This publication documents the work carried out by fourteen Design-Build Studios in Latin America over the past twenty years, compiling a total of thirty-nine projects that place an emphasis on teaching with a social agenda and the impact that the construction experience has on students and communities. In contrast to architecture teaching around the world that places the emphasis on individual work, competition, and representation, these studios stimulate collaborative work and produce small-format buildings with flexible programs that have an immediate impact on their context. While global architecture often feels remote from people, the courses that take this approach manage resources sustainably and build projects with a high intensity of use. In the context of the most unequal region on the planet, this kind of studio enables students to interact positively in response to social, environmental, and architectural constraints. Design-Build Studios in Latin America asks questions about what matters in the present-day training and practice of architecture if we want our discipline to play a leading role in the ecological and social challenges of our time.

Emerging technologies of design and production have transformed the role of drawings within the contemporary design process from that of design generators to design products. As architectural design has shifted from an analog drawing-based paradigm to that of a computational model-based paradigm, the agency of the drawing as a critical and important form of design representation has shifted. Drawing Codes: Experimental Protocols of Architectural Representation examines the effects of this transformation on the architectural discipline and explores how architects have critically integrated procedural thinking into their drawing process. The book contains 96 commissioned drawings by a diverse range of architects that investigate how rules and constraints inform the ways architects document, analyze, represent, and design the built environment. The publication features essays by architects and theorists offering diverse perspectives on how computational techniques and, more importantly, computational thinking, can revitalize the role of architectural drawing as a creative and critical act. Each drawing responds to a shared conceptual prompt developed by the authors and conforms to a standard size and format. The intent is for this consistency to elicit a wide range of approaches to questions of technology, design, code, and representation. The book documents how computational processes such as procedural drawing, digital simulation, automated production, and machine learning can contribute to a new understanding of what drawings are and how they are created. The result is a considerable diversity of medium, aesthetic sensibility, and content, demonstrating how conventions of architectural representation remain fertile territory for invention and speculation.

The Hypospace of Japanese Architecture pushes past clichés of an exotic Japan to confront the modernity of an island nation whose habit of importing foreign ideas is less about assimilation than transformation, less a process of indigenisation than one of cultural invention.

"BigPicture is an initiative of the California Academy of Sciences."--page [160]

Robert Ernest was an architect of rare promise and remarkable early success, whose award-winning career was cut short by cancer at age 28 in 1962. Despite the brevity of Ernest's life, his education and practice were intertwined with some of the most important figures in architecture, including his interactions with Louis I. Kahn and Paul Rudolph. Ernest's exceptional architectural designs, though honored during his lifetime with three Progressive Architecture Awards and one Record Houses Award, have never been documented in a comprehensive manner, and are now almost completely lost to disciplinary history. Yet the materials in the architect's personal and professional archives--upon which this book is almost entirely based--clearly indicate that Ernest was a remarkably talented and unusually gifted architectural designer, whose future promise and potential were inestimable. Ernest's two built works, both realized before he had turned 28, his one work built after his death, as well as the remarkably innovative unrealized projects documented in his archives, indicate that had Ernest lived to a normal lifespan, he would have without question been one of the most important architects of his generation, with the potential to design precedent-setting buildings equal to those realized by the most recognized architects in the sixty years after his death.

KRIS YAO | ARTECH's new monograph Section assembles 28 of the firm's projects in the dynamic Greater China region, dating back to 2012.

Approximate Translation is a poetic and practical rumination on how to incorporate what makes a city a city - stories about place, an unexpected encounter, the immediacy of experience - into practices of urban design.

The book is a graphic novella written by two self-realized nobots who aim to help nearly seven billion fellow biological nobots (also known as humans) realize their true nature. They believe that many nobots are unaware of their existence and some even call themselves human beings. The nobots argue that this is the first time two self-realized nobots have written a book together, and that their perspective can help bridge the gap between nobots and humans. They also look back into history and speculate about the future while rooting themselves firmly in the present. The book is an exploration of the relationship between nobots and humans and aims to be a conversation between the nobots and the reader. The nobots hope that the reader will enjoy the book as much as they enjoyed writing it and suggest that it is best paired with a glass of Château Lagrange 2011 Saint-Julien and Bach's Organ Sonata No. 3 in D Minor, BWV527.

Invisible introduces the works of Axi: Ome--a design practice led by Heather Woofter and Sung Ho Kim formerly in St. Louis and now in Cleveland--through a collection of essays and projects that map the firm's trajectory across seven years, from 2015 to 2023.The book covers 24 built, unbuilt, and conceptual projects located in different cultures and landscapes around the world that engage with multiple programs and scales. Essays by Nader Tehrani, Eric Mumford, Alan Balfour, Jennifer Yoos, Jessie Reiser and Nanako Umemoto with Julian Harake, and Michelle L. Hauk each contribute insight into Axi: Ome's critical frameworks and help define a discourse of complexities in contemporary practice arising from academia. The book documents the invisible ethos that underlies the construction of architectural projects in an intricate world, challenging practitioners to rethink and reexamine how they position their own work in the architectural spectrum. Invisible maps and chronicles an architectural practice as it engages with the pedagogical visions of the profession.