Bøger udgivet af Other Criteria

"End of Real," by artist Itai Doron, is a photographic diary of the places he visited whilst preparing exhibitions in different parts of the world during the 1990s. The photographs - or "postcards" as Doron describes them - were taken using a 15-dollar camera he picked up from Woolworths in Los Angeles, and they document the artist's fascination with the dream-like world of fame, legends and celebrity. Through seven stories from three countries, each made personal by Doron's introductions, we are invited to visit places where fiction meets reality: the Hollywood sign in Los Angeles, the fatal route James Dean took to Salinas, an Elvis impersonators contest in Tel Aviv, the famous Shepperton film studios in London, and the graves of countless film stars and modernday heroines from Marilyn Monroe and Marlene Dietrich to Princess Diana. Designed by Intro and with a forward by Nicolas Roeg, cinematographer and director of cult masterpieces such as Don't Look Now and Performance, "End of Real" is Doron's first project in book form. After a childhood filled with visits to the movies and with stories told to him by his mother about its stars, Itai Doron's work is strongly influenced by cinema. Having worked as a visual artist using media as varied as photographs, photo-collages, video and audio-visual installations, in 2004 he wrote and directed his first short feature film, The Trouble with Thomas Cruise, starring horror movie legend Linda Hayden.

Adventures in Art draws together 70 of Sue Hubbard's essays on contemporary and modern art and spans the last 20 years of her career. An award-winning poet, short story writer, freelance critic and novelist, Hubbard's collected essays are part biographical, part lyrical reviews of today's programme of modern art in Britain and provide an honest account of the diversities, originalities and disappointments found there. Adventures in Art is published by Other Criteria and will be available from 13th May 2010.Thick with anecdotes and quotes from historians, artists and commentators, Hubbard's writing guides us through specific exhibitions, as well as the creative lives of her subjects, and places the reader within a context replete with description and art historical value. Her knowledge is incisive and reflective and, in many retrospective cases, the essays read like modern obituaries. Hubbard's writing explores the lives and contributions of artistic figures from Lucien Freud and Sam Taylor Wood, to Marc Quinn and Cy Twombly.

Published on the occasion of the exhibition at the Wallace Collection, London 14.10.2009 - 24.1.2010.

This book is a new monograph on Gonzalo Lebrija, a Mexican artist based in Guadalajara. He is a photography-based installation and video artist, and for this book he has commissioned artists, poets and architects he knows to write brief essays on his work..

This is the first significant publication on the work of British artist Mat Collishaw. With a nod to Victorian aesthetics by way of the exquisite design and lay-out, and the mesmerising 'stain-glass' feel of Collishaw's photographs, this book has a poetic quality that both seduces and denies the reader: "Collishaw's work and its ideas accelerate through the red traffic lights of photographic decency and order, risking everything with near misses, dangerous skids or the actual blood and broken glass of head-on collisions".With an intriguing and insightful essay by Neal Brown that discusses significant works such as: 'Bullet Hole'; 'Wound'; 'Beast in Me'; 'The Eighth Day'; Girls of The World series; and The Awakening Conscience series, and which explores the relationship of Collishaw's narrative to mythological archetypes, this beautiful publication refines the notion that Collishaw's work has an hypnotic quality - the viewer is engaged and stimulated to the point of being complicit in the narrative.Including over 100 full colour reproductions of Collishaw's photographs, this book perfectly conveys Collishaw's central theme: "The self-admiring creature is a hybrid comprising at least three sexual psychologies: Collishaw the artist, Collishaw as Narcissus, and Collishaw the Satyr".

This book is a creative guide to the making of arguably the most extraordinary art object to be made in the 21st century. Published to accompany the 2007 exhibition Damien Hirst: Beyond Belief at White Cube, London, it gives a fascinating pictorial insight into how Hirst's diamond skull piece "For the Love of God" was conceived and produced. Illustrated with candid behind-the-scenes photographs by Johnnie Shand Kydd, the book includes a number of preparatory drawings by Damien Hirst and a fold out image of the diamond skull. Accompanying this is an essay by the art historian Rudi Fuchs, who writes: "The skull is out of this world, celestial almost. I tend to see it as a glorious intense victory over death." A number of leading experts in the fields of archaeology and dentistry have also contributed detailed studies on the diamond skull, including analyses of its age and ancestry.

Published to accompany Damien Hirst's 2007 exhibition at White Cube in London, Beyond Belief shows new work by Hirst including major formaldehyde pieces, to the more recent "fact paintings" and the now legendary diamond skull "For the Love of God," emphasising that Hirst is quite possibly the most outstanding international contemporary artist: "This is the real beginning of the 21st century, just as the 20th began with the Demoiselles d'Avignon. I don't care about the so-called meaning, this thing is about victory over death. This is an image so tremendously powerful that it will change art." Beyond Belief includes over 70 exquisite full colour plates and an essay by novelist and writer Will Self that discusses hallmark works such as "A Thousand Years" (1990), and Hirst's practice and ascendance to international fame through the late 1990s. Accompanying Self 's insightful and engaging text is an in-depth interview between Hirst and Hans Ulrich Obrist, Co-Director of London's Serpentine Gallery, and also an essay by art historian andcurator Rudi Fuchs that considers and explores the significance of 'For the Love of God' in relation to Hirst's oeuvre: "After all, Damien Hirst's art is concerned with love and fear, with death, malady, physical decay, medical practice and pharmaceutical illusion ... The inevitable proximity of death is the most real thing in human life. Fear of death is a more powerful emotion than love or lust. To some extent fear of death keeps us alive."