Bøger udgivet af Oxford University Press, USA

While complex global problems cry out for solutions devised with moral sensitivity and responsibility, a more common mentality tends to prevail, one that assumes those going the right way ("us") are endangered by others ("them") going the wrong way. Philosopher Steven Fesmire calls this approach "moral fundamentalism," the idea that only we have access to the right diagnosis and prescription to our problems. Moral fundamentalism causes us to oversimplify, neglect broader context, take refuge in dogmatic absolutes, ignore possibilities for common ground, assume privileged access to the right way to proceed, and shut off honest inquiry. Moral fundamentalism--exacerbated by social media silos--also makes the worst of native impulses toward social bonding and antagonism. This depletes social capital and makes it impossible to debate and achieve superordinate goals, such as public health, justice, security, sustainability, peace, and democracy. Drawing from John Dewey's pluralistic and pragmatic approach, Fesmire develops an alternative to the oversimplification of moral fundamentalism and the arbitrariness of relativism. He proposes a "pragmatic pluralism" that can be applied to complex ethical, political, educational, and policy problems--without flattening variability among values or presuming that abstract theories determine what we ought to do. He argues that the single-right-way premise that logically underlies moral fundamentalism is both unwarranted and constrictive, and that grand philosophical quests for unifying principles can still be accommodated within a wider pluralistic approach. In an engaging style, Fesmire shows the reader a new perspective on the challenges and promises of democratic decision-making in societies that are struggling to grow beyond moral fundamentalism.

Long-term Care of Kidney Transplant Patients provides all aspects of long-term care of kidney transplant patients. Every chapter addresses its topics in depth, providing current thinking with a balanced approach towards managing various post-transplant clinical events which impacts long-term survival. Chapters address the importance of immunization against pathogens, family planning, reproductive health, cancer screening, travel and return to work after transplantation. They are critical for patients to be healthier, be productive, and contribute to the society in a meaningful way. Subsequent chapters focus on various late post-transplant events like cardiovascular and metabolic diseases, infections, tumors and recurrent and de novo glomerular diseases. Other chapters address specific populations which include - "Combined kidney with liver, Kidney with pancreas transplantation and Transplantation in children." "Importance of psychological and behavior issues after transplantation and Social determinants of health" are addressed in dedicated chapters. A separate chapter provides clinicians insight into understanding how to manage these patients as well. The final chapter is dedicated on "Transplant Tolerance" - which remains "The Holy Grail" for Transplantation. This book is a valuable resource for all clinical transplant physicians and surgeons, primary care physicians and various specialists who are caring for kidney transplant patients. It will also benefit other healthcare providers such as pharmacists, psychologists, advance nurse practitioners, pharmaceutical and diagnostic companies, and agencies involved in kidney transplantation. Many of the chapters also highlight unmet needs relevant to certain post-transplant events that influence survival. Chapters provide clinicians and researchers with opportunities to investigate and advance the science by performing studies than can alter the trajectory of specific post-transplant diseases which will improve long-term kidney survival further until we achieve "Transplant Tolerance."

Exile, Incorporated: The Body in the Book of Ezekiel demonstrates how the book of Ezekiel makes rhetorical use of the human body to construct an exile-centred Judean identity. This focus on the body is inextricable from the book's setting in the Judean exile to Babylonia during the sixth-century BCE. In such a context of upheaval, all that the displaced group reliably retains are their bodies. Even so, the material surroundings of those bodies change completely, calling into question previously accepted ways of being. Author Rosanne Liebermann reveals how the book of Ezekiel holds acute awareness of this situation, evoking bodily practices and embodied experiences that serve to construct a Judean identity based on existence outside of the land of Judah. This identity excludes both non-Judeans as well as the Judeans who remained in Judah. The book of Ezekiel achieves this exclusion via descriptions of bodily practices--including circumcision, dress, and the observance of a cultic calendar--that distinguish its constructed in-group of exiled Judeans from outsiders. Ezekiel also evokes the embodied emotion of disgust regarding the bodies of those with "outsider" practices, which in turn encourages the practice of segregation and endogamy within the in-group. Focusing on the bodies depicted in the book of Ezekiel also highlights how the text presents hierarchies within the exilic Judean group, which itself contains bodies differentiated by gender and priestly or non-priestly descent. Reading the text in this way reveals how the book of Ezekiel constructs a model of a variegated community able to embody a Judean identity that not only survived but was based on life outside of the land of Judah.

The revelatory origin story of one of America's most beloved musicians, Louis Armstrong How did Louis Armstrong become Louis Armstrong? In Stomp Off, Let's Go, author and Armstrong expert Ricky Riccardi tells the enthralling story of the iconic trumpeter's meteoric rise to fame. Beginning with Armstrong's youth in New Orleans, Riccardi transports readers through Armstrong's musical and personal development, including his initial trip to Chicago to join Joe "King" Oliver's band, his first to New York to meet Fletcher Henderson, and his eventual return to Chicago, where he changed the course of music with the Hot Five and Hot Seven recordings. While this period of Armstrong's life is perhaps more familiar than others, Riccardi enriches extant narratives with recently unearthed archival materials, including a rare draft of pianist, composer, and Armstrong's second wife Lillian "Lil" Hardin Armstrong's autobiography. Riccardi similarly tackles the perceived notion of Armstrong as a "sell-out" during his later years, highlighting the many ways in which Armstrong's musical style and personal values in fact remained steady throughout his career. By foregrounding the voices of Armstrong and his contemporaries, Stomp Off, Let's Go offers a more intimate exploration of Armstrong's personal and professional relationships, in turn providing essential insights into how Armstrong evolved into one of America's most beloved icons.

Few Americans covered as much ground as Thomas Wentworth Higginson. Born in 1823 to a family descended from Boston's Puritan founders, he attended Harvard, like all the men in his family, and prepared for the settled life of a minister. Instead, he rejected both privilege and convention, and embraced radical causes, attaching himself to nearly every major reform movement of the day, from women's rights to abolitionism. More than merely a fellow traveler, Higginson became a proponent of direct action. Wounded during an altercation with the police over an enslaved man who -in defiance of the Fugitive Slave Act-was fighting extradition to the South, Higginson wore the scar with pride. He became a member of Boston's Secret Six, supporting John Brown's raid and going to Bleeding Kansas with his rifle, prepared to put his life on the line. During the Civil War Higginson went to South Carolina and led one of the first Black regiments, the 1st Carolina Volunteers, into battle. Man of action though he was, "Colonel" Higginson was also a writer and journalist, friend of Ralph Waldo Emerson and Henry David Thoreau, and one of the founding editors of the Atlantic Magazine. Emily Dickinson sought out his advice and their correspondence attests both to Dickinson's genius and Higginson's attempt to help it reach a larger audience. Until his death in 1911, Higginson played a role, often a leading and vocal part, in nearly every progressive movement of the 19th century, earning a place in studies of abolitionism, feminism, education, temperance, Victorian fiction, as well as films, novels, and books featuring Dickinson and Harriet Tubman (whom he met in South Carolina during the Civil War). These reveal only aspects of Higginson's storied life. Douglas Egerton's biography embraces all the facets of this American whirlwind, illuminating the ways in which Higginson's lifelong crusade for a more just world resonates today.

'This travel book is truly a labyrinth--or, more precisely, a piece of the labyrinth that it has been my fate to wander, from the cradle to the grave.' Jens Baggesen's The Labyrinth (1792-93) is a genre-bending and highly personal travel book that follows the young Danish author's journey, made in 1789, from Copenhagen through Germany to the Swiss border at Basel. In its outer form, it follows the conventions of travel writing: describing the cities, landscapes, and notable people encountered on the route, while also offering critical commentary on art, architecture, theatre, and literature, mixed with reactions to the unfolding French Revolution. However, Baggesen finds contemporary travel writing to be pedantic and dry and is determined to make his own account as engaging and personal as possible. Based on the principle that 'nothing is more necessary in a volume of travels than a traveller', the narrative eschews a focus on prescribed sights and instead foregrounds his individual responses to the places and people he encounters. Baggesen's account of his journey is not simply sentimental, but rather moves through an array of different, often conflicting affective and intellectual register: from dejection to wit, whimsy, and ebullient joy, including enchanted observations of nature as well as cosmopolitan reveries about the brotherhood of nations. Similarly, the prose style of the book---always acknowledged as a key feature--is determinedly eclectic. A richly varied compendium of literary styles, attitudes, and philosophical ideas, brought to life in a new English translation by Jesper Gulddal, The Labyrinth offers a rare glimpse into the mind of an endlessly thinking, feeling, and imagining traveller at a pivotal moment in European history. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Very Short Introductions: Brilliant, Sharp, Inspiring This Very Short Introduction introduces the life, work, and influence of one of the greatest dramatists of all time, Sophocles the Athenian. Placing his plays within their historical context, and explaining the conventions of ancient Greek tragic theatre, Edith Hall spotlights their distinctive features-tight plots, titanic personalities, lucid style, sympathetic women, exquisite poetry, and stagecraft. This analysis is followed by an account of how and why Sophoclean dramas have survived to be read and widely performed into the twenty-first century. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Very Short Introductions: Brilliant, Sharp, Inspiring This Very Short Introduction to psycholinguistics is an accessible and engaging description of how people use language. Talking and understanding language probably seem like simple and straightforward skills, but research in psycholinguistics has shown that complex computations take place behind the scenes when you communicate with others. Recent debates concerning how AI tools such as ChatGPT work highlight some of these core questions about the language faculty and how it is that humans comprehend, produce, and learn language. The book begins with an overview of the fields of linguistics and psychology and how they have cooperated from the earliest days of psycholinguistics. It then considers how words and sentences are interpreted, how they are generated, and how human conversation is coordinated. The book also reviews research on reading, sign language processing, and bilingualism. The closing chapter summarizes where the field is heading, with a brief discussion of Large Language Models, the role of Information Theory, the growing emphasis on the neurobiology of language, and the increasing diversity of research in psycholinguistics, both with respect to the languages studied and the backgrounds and histories of language researchers. Issues that are considered include: (1) How successfully do people adapt what they say to the needs of their audience when they design their phrases and sentences? (2) How do people read languages such as Chinese, which do not use an alphabetic writing system? (3) Do the size and efficiency of a person's memory affect how effectively people use language? (4) Is bilingualism cognitively advantageous, and if so, what are the mechanisms that lead to this so-called bilingual advantage? And (5) Do users of sign language gesture when they communicate? These questions and more are answered using insights from the latest research based on methods from the cognitive and neurosciences. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

'I see a man's life is a tedious one.' Set in Ancient Britain, Cymbeline is a tragedy of deceit, disguise, banishment, and fidelity against the backdrop of a Roman invasion. When the King of Britain Cymbeline discovers his daughter's secret marriage, he banishes her husband to Rome, who then accuses Innogen of being unfaithful. Innogen must evade deadly plots and homicidal jealousy to restore her name. Long recognised as a response to James VI and I's project to unite England and Scotland, the play conjures ancient British history at a moment when that history was eroding, revealed as a medieval invention. This sense of historical endings is entangled with Cymbeline as a late play, and its numerous apparent callbacks across Shakespeare's career. The New Oxford Shakespeare offers authoritative editions of Shakespeare's works with introductory materials designed to encourage new interpretations of the plays and poems. Using the text from the landmark The New Oxford Shakespeare Complete Works: Modern Critical Edition, these volumes offer readers the latest thinking on the authentic texts (collated from all surviving original versions of Shakespeare's work) alongside innovative introductions from leading scholars. The texts are accompanied by a comprehensive set of critical apparatus to give readers the best resources to help understand and enjoy Shakespeare's work. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Cryptography is a part of everyday life for almost all of us, though we may not realise we're using it. We are a far cry from the historical prediction that cryptography would only be used by militaries and governments. With vast quantities of sensitive information transferred online by individuals, companies, organizations, and nation states, cryptography is increasingly important to everyone, and most of us, often without realising, use it daily. Cryptography: A Very Short Introduction demystifies the art of cryptography by tracing its historical use, explaining how it works, and providing examples of its practical use. These include online shopping, chip and PIN bank cards, and communicating via mobile phone. While many of these uses have been mainstream for some time now, the development and deployment of cryptography has changed enormously in the last twenty years. In this second edition, Sean Murphy and Rachel Player highlight the important advances in both academic cryptography research and its everyday use. Using non-technical language and without assuming advanced mathematical knowledge, they introduce symmetric and public-key cryptography and provide a detailed discussion of the design of cryptographic algorithms that are secure against quantum computers and the development of cryptographic algorithms with advanced functionalities. They also consider the new applications of cryptography such as blockchain, secure messaging apps, and electronic voting. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

'Cry "havoc!" and let slip the dogs of war' Set against the backdrop of a nation breaking out into civil war, Julius Caesar raises questions of governance, power, tyranny, and enslavement. This New Oxford Shakespeare edition situates these questions within the historical framework of the play's early history in theatre and print, as well as within its long performance history up to and including in the 21st century. The introduction examines the ways in which Roman history is deployed to justify and question political structures, both by Shakespeare and other writers, as well as the transition from historical sources to stage. The New Oxford Shakespeare offers authoritative editions of Shakespeare's works with introductory materials designed to encourage new interpretations of the plays and poems. Using the text from the landmark The New Oxford Shakespeare Complete Works: Modern Critical Edition, these volumes offer readers the latest thinking on the authentic texts (collated from all surviving original versions of Shakespeare's work) alongside innovative introductions from leading scholars. The texts are accompanied by a comprehensive set of critical apparatus to give readers the best resources to help understand and enjoy Shakespeare's work. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Very Short Introductions: Brilliant, Sharp, InspiringSocial science is the study of human behaviour. It offers the tools to understand and explain people's choices and actions, and how they live together in communities. With insights from social science, organisations and individuals may be persuaded to change their behaviour, making a difference in addressing societal challenges, from climate change to fighting pandemics and alleviating poverty. Social science can offer us the answers to key questions, such as why do some people gamble, eat unhealthy foods, or hold racist beliefs? How do families allocate household tasks, raise children effectively, or manage grief? How do companies weigh profit against environment sustainability, decide to invest in innovation, or adopt policies to address unequal pay between women and men? Why do countries sign international treaties, commit human rights atrocities, or transition from authoritarianism to democracy? Taking an interdisciplinary approach, this Very Short Introduction offers an accessible overview of social science, explaining how methods and theory from different disciplines can be applied and combined to address major global challenges. It aims to equip students, scholars, and practitioners to analyse, interpret, and undertake social science research. Drawing upon inspiring examples, it shows how social scientists can have real-world impact and change the world for the better. It unpacks cutting-edge themes such as behavioural science, human data science, and the ways in which social science can work collaboratively with the natural sciences and humanities. It offers a vision for the future of social science that is interdisciplinary, inclusive, and impactful. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Very Short Introductions: Brilliant, Sharp, Inspiring From the motorcar to the radio, modern technology radically transformed urban life by the first decade of the twentieth century. As one of Western Europe's least industrialized countries, Italy appeared impervious to such developments. It was this state of affairs at which the Futurist movement took aim. With its founding in 1909, the poet and impresario F.T. Marinetti called for a revitalization of aesthetic expression by means of "movement and aggression." A growing cadre of Futurist painters, poets, authors, and musicians exchanged Italy's cultural patrimony for new technologies, media, and metaphors, championing machine-propelled speed and its salutary hazards. Cubist painting, collage, and sculpture lent the Futurist campaign a revolutionary style to match its rhetorical fervor. Yet whereas Cubism remained a revolution of artistic form, Futurism sought to shatter the boundaries between art and life itself. Indeed, the movement's challenge to twentieth-century culture lay not in any specific set of images or objects, but a more comprehensive revolution of sensibility. By the mid-1910s there circulated several dozen Futurist proclamations on everything from men's clothing to set design, photography to film, dance to politics. That political impetus proved relentlessly paradoxical in origin and upshot. From its base in Milan, Futurist activity spread throughout the entire peninsula, while related movements emerged almost immediately in Moscow, Lisbon, Tiblisi, and Tokyo. Prefiguring and then propagandizing Fascist imperialism, Futurism also galvanized a range of progressive modernist phenomena. More than a century later, the "activist model" of the Futurist avant-garde remains deeply fraught in its historical implications. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

What will remain of our plastic, cans, and other junk long after humans have vanished? What kind of fossils will we leave, as relics into the far future? A blizzard of new objects has suddenly appeared on Earth: plastic bottles, ballpoint pens, concrete flyways, outsize chicken bones, aluminium cans, teabags, mobile phones, T-shirts. They're produced for our comfort and pleasure ^—^ then quickly discarded. The number of our constructions has exploded, to outweigh the whole living world. This new-made treasure chest underpins our lives. But it is also giving a completely new style of fossilization to our planet, as hyper-diverse and hyper-rapidly-evolving technofossils spin out of our industrialized economy. Designed to resist sun, wind, rain, corrosion and decay, and buried in soils, seafloor muds and the gigantic middens of our landfill sites, many will remain, petrified, as future geology. What will these technofossils look like, in future rock? How long will they last and how will they change, as they lie underground for decades, then millennia, then millions of years? Discarded describes how they transform as they are attacked by bacteria, baked by the Earth's inner heat, squashed by overlying rock, permeated by subterranean fluids, crumpled by mountain-building movements ^—^ and what will be left of them. These new fossils also have meaning for our lives today. For we live on a world increasingly buried under our growing waste. As our discarded artefacts begin to change into fossils, they may be swallowed by birds, entangle fish, alter microbial communities and release toxins. Even deeply buried in rock, technofossils may break down into new-formed oil and gas, change the composition of groundwater, and attract new mineral growths. They will have a lasting impact. It is a new planetary phenomenon, now unfolding around us. Scientists are only just beginning to grasp its scale, and get to grips with how it functions. This book describes, for the general reader, the kind of science that is emerging to show the far-future human footprint on Earth. It offers a different perspective upon fossils and fossilization, one that expands the idea of what people think of as fossils, and what they can tell us.

'How many fond fools serve mad jealousy!' The Comedy of Errors is one of Shakespeare's most farcical plays, with not one but two sets of twins sliding past each other into mistakes, violence, and madness. An early romantic comedy, it's often considered an immature play but also a piece of dramatic experimentation. This New Oxford Shakespeare edition examines links between Shakespeare's play and its literary sources and analogues, but also situates it within performance traditions. Illuminating points of comparison between The Comedy of Errors and Shakespeare's other comedies, as well as it's consonances with Shakespeare's later plays of estrangement and loss, this edition provides readers with a nuanced exploration of Shakespeare's shortest play. The New Oxford Shakespeare offers authoritative editions of Shakespeare's works with introductory materials designed to encourage new interpretations of the plays and poems. Using the text from the landmark The New Oxford Shakespeare Complete Works: Modern Critical Edition, these volumes offer readers the latest thinking on the authentic texts (collated from all surviving original versions of Shakespeare's work) alongside innovative introductions from leading scholars. The texts are accompanied by a comprehensive set of critical apparatus to give readers the best resources to help understand and enjoy Shakespeare's work. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Very Short Introductions: Brilliant, Sharp, Inspiring Symbiosis, the sustained and intimate associations between unrelated life forms, is now recognized as a ubiquitous phenomenon, one that has shaped evolution since the origin of life and that continues to affect all species. This overview of symbiosis starts with a quick history of relevant early discoveries and researchers, and considers why symbiosis was so long neglected as a respectable topic of biological research and why it was a controversial topic. Today, symbiosis is widely appreciated as being everywhere in nature and as a pervasive influence on ecological communities. One chapter explores the fundamental drivers that lead to symbiotic associations, using examples ranging from sap-feeding insects to marine flatworms to coniferous forests to illustrate the nature of services exchanged between symbiotic partners. Another considers the evolutionary stability of symbiotic partnerships, which can quickly decay in the face of symbiotic cheating. Certain symbioses that have had an outsized impact on life on Earth, and on Earth itself, are given particular attention. A full chapter is devoted to the most consequential of all symbioses: the origin of the complex (eukaryotic) cell, and the origin of chloroplasts and green plants. Other triumphs of symbiosis described include the root-fungus associations that enabled plants to colonize land 450 million years ago, gut microbial communities that empower animals to utilize a wide range of foods including plant fiber wood and sap, and coral-algal symbioses that resulted in the rise of coral reefs. Analyses of genomic DNA have been important in symbiosis research, and this Very Short Introduction describes these molecular approaches, explaining how they sparked discovery of previously unknown symbionts, including those in our own bodies. Molecular data also have enabled us to understand the roles of symbionts within hosts, and the ages of symbiont-host associations, which range from hundreds of millions of years to very recent. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

An homage to the childhood genius of Black science fiction writer Octavia E. Butler. Bringing to view a selection of Butler's unpublished writings and drawings, this book traces her fascination with human-alien symbiosis to her early empathy with horses and other marginalized creatures. The figure of the horse, at once earthly and transcendent, represented the contradictions of freedom and captivity that enabled young Octavia to develop her nuanced sense of voice and place. Drawing on previously unknown archival research, this volume illustrates how Butler's development as a writer was tied to her extraordinary resourcefulness and self-awareness growing up as an awkward, bookish Black girl in segregated, Cold War Pasadena. She persistently re-visited and revised her early writings on teenage angst, Martians, Westerns, and racial politics. In one way or another her supernatural characters defied the constraints of gender, race, and class with equine-inflected resilience. In the spirit of Butler's passion for library research, this book is comprised of twenty-six short A-Z chapters, on vocabulary, images, and themes central to her authorial formation. It is part childhood biography, art and literary analysis, and memoir. It interweaves the author's personal recollections with scholarly musings on poetry, film, and literature inspired by Butler's encyclopedic reading habits and experiments with genre. Just as cross-species kinships are at the heart of her Afro-futurist, eco-feminist storytelling, Butler demonstrates that coming-of-age is an ongoing process and key to healing our damaged planet.

'Forget the years, forget norms, let yourself be stirred by the boundless.' The Zhuangzi -- an anthology of anonymous writings produced in China between the fourth and second centuries BC -- is one of the world's great literary treasures and the single most important source for early Daoist philosophy. It has exerted a profound influence on Chinese thought, literature, and culture, inspiring philosophy, poetry, idioms, proverbs, and even visual art. This volume provides a complete, annotated English translation of the Zhuangzi with a philosophical focus that guides readers in understanding and appreciating the text's world of thought. Informed by traditional and recent scholarship, the translation presents the ideas, reasoning, and worldview of the Zhuangzi in smooth, idiomatic English carefully formulated to reflect the phrasing and philosophical nuances of the original Chinese. Providing a lucid, lively translation, this edition is a guidebook into the philosophy of the Zhuangzi. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Very Short Introductions: Brilliant, Sharp, Inspiring Anthony Trollope is among the best-loved novelists in the English language. His strongly drawn characters and skilful plots are compelling, while his moral judgements are often subtly challenging. He is an entertainer, but his power to make his readers think, and to feel, is unrivalled. This Very Short Introduction will place Trollope's work in the context of his life and times, drawing on recent scholarship to illuminate his central interests and literary strategies. Readers will find a focussed critical guide to his writing, that will direct and inform their reading. The major series of novels (the six novels located in the fictional Barsetshire, and the six Palliser novels) are explored alongside the novels set in Ireland, his travel writing, and examples of his less well-known fiction. Trollope's work is energised by the complexities of the Victorian Britain, with its political tensions, its troubled views of the relation between men and women, its expanding place in the wider world, and its growing discomfort with the contradictions created by a corrosive preoccupation with wealth and display. But Trollope's writing is of more than historical interest. His insight into the motives of human behaviour (emotion, money, sex, and power), and of the conflict between the need for reform and the wish to defend what might be destroyed by the relentless pressure for change, feels surprisingly modern. Birch shows how his writing has retained its vivid appeal to new generations of readers. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

While the Gospels, Paul's Letters, and the Book of Revelation have been well served by volumes orienting readers to the scholarly literature and to their reception histories, Hebrews and the Catholic Epistles have not received nearly the same attention. This relative neglect is in part a legacy of the Reformation in the sixteenth century. Insofar as doctrinal purity in Protestant circles was defined according to rubrics that were, implicitly or explicitly, Pauline in orientation, Hebrews and the Catholic Epistles were at an obvious disadvantage. However, these writings have had a great influence on Christianity throughout the centuries. As it turns out, the study of Hebrews and the Catholic Epistles was never truly confined to their place in fraught ecclesiastical disputes. Recent decades have witnessed a resurgence of interest in these writings. The present volume seeks to assess the relevance of these works to various questions that are often posed to other parts of the New Testament canon, to report on the current state of scholarship devoted to the interpretive issues they raise, and to survey their rich and often-overlooked afterlives. Divided into four parts-general issues, topics related to Hebrews, topics related to the Catholic Epistles, and reception and engagement-The Oxford Handbook of Hebrews and the Catholic Epistles studies these books individually as witnesses to the cultural and theological diversity of the early church but also for what they reveal about the process that would eventually produce the New Testament canon.

Itchycoo Park, 1964-1970--the second volume of Sixties British Pop, Outside In--explores how London songwriters, musicians, and production crews navigated the era's cultural upheavals by reimagining the pop-music envelope. As the generation born during the postwar years approached adulthood, they gravitated to music that resonated with their lives. Mainstream pop remained true to the basics, but some British artists conjured up sophisticated hybrid forms by recombining elements of jazz, folk, blues, Indian ragas, and western classical music while others returned to the raw essentials. Encouraging these experiments, youth culture's economic power challenged the authority of their parents' generation. Improved amplification opened larger and more lucrative concert venues while the spread of studios with enhanced technologies allowed artists and production crews the means to improve performances and recordings. British charts began to reflect London's postcolonial heritage as groups such as the Beatles, the Rolling Stones, the Kinks, and the Who all listened for ideas and sounds that would distinguish their recordings. On stage, the Yardbirds, Cream, Led Zeppelin, the Nice, and others led by instrumental virtuosi developed British versions of American blues and rhythm and blues while the Moody Blues, Pink Floyd, and King Crimson painted imaginary worlds. And, although Engelbert Humperdinck and other men lamented independent women, Dusty Springfield, Sandie Shaw, and Lulu used their cultural capital to question systemic sexism. Based on extensive research, including vintage and original interviews, Itchycoo Park, 1964-1970 presents sixties British pop, not as lists of discrete people and events, but as an interwoven story. Communities of musicians, producers, music directors, engineers, songwriters, publishers, promoters, broadcasters, and journalists interacted as they provided songs, made and played recordings, organized concerts, and celebrated the optimism of youth. They brought audiences together and gave individuals identity while establishing the musical world in which we live today.

Downtown, 1956-1965--the first volume of Sixties British Pop, Outside In--describes the rise of London's music and recording cultures through the stories of those who empowered Britain's youth to be young. As the generations born in the postwar world entered adolescence and demanded a say in their lives, British musicians responded by creating music reflecting youth's quest for love and recognition. With waves of technological innovation sweeping through a world where political and economic superpowers postured for domination, deep-seated English values helped shape both pop music and its audiences. The music that reverberated in hundreds of local clubs and halls began as fervent attempts to imitate an ongoing American cultural invasion that television helped bring into front rooms across Britain. The emergence of British blues and rock 'n' roll began when broadcasters allowed teens to discover Tommy Steele, Cliff Richard and the Shadows, Adam Faith, Helen Shapiro, and others. These pioneers provided an opening for the Beatles to lead a northwest invasion of an unsuspecting London. Soon, from across the nation, the Rolling Stones, the Animals, the Kinks, and a host of other groups, and singers such as Petula Clark, Tom Jones, and Donovan were feeding their music into the same media stream that the US had dominated. Americans, reeling from the assassination of a president, embraced the unmitigated joy and optimism they heard and called it the British invasion. Based on extensive research and drawing on vintage and original interviews, Downtown, 1956-1965 frames the extraordinary rise of British pop in an era when pharmaceutical discoveries and electromagnetic innovation were altering lives. A community of musicians, producers, music directors, engineers, songwriters, publishers, promoters, broadcasters, and journalists provided songs, made and played recordings, organized concerts, and wrote about music expressing the exuberance of youth culture. They brought audiences together and gave individuals identity. Moreover, the fruits of their efforts set in motion the musical world in which we live today.

50 Studies Every Orthopaedic Surgeon Should Know is a compilation of landmark studies from all subspecialties within emergency and elective Trauma and Orthopaedic practice. It is written in an accessible way, appropriate for an array of practicing experts, allied healthcare professionals and students with the goal of disseminating findings from high-quality studies that have led to standardized clinical guidelines for front-line clinicians and real-world gains for patients. Chapters focus on key findings, implications for practice, study funding sources, conflicts of interest, criticisms and limitations, and results from associated studies. Each chapter also concludes with a case study, offering readers the opportunity to conceptualize the key findings in practice. Like other books in the 50 Studies series, an objective selection criterion was conducted by an international consensus to identify the most influential landmark publications, taking into account the citations per year, high levels of evidence, clinical studies and trials as well as available references and guidelines. This book will simplify, consolidate and reinforce the current literature of the most important research published into in a digestible, manageable, and reader-friendly content for Trauma and Orthopaedic Surgeons, practicing clinicians, trainees, students and those led by data-driven evidence-based clinical care.

What does it mean to pursue a calling? According to Bonnie J. Miller-McLemore, it may mean ambiguity, uncertainty, and even suffering--but that's what makes it worthwhile. The common understanding of calling is often simplistic. You simply need to follow your bliss, or God's will. Miller-McLemore dives into the complex reality of what it means to pursue a calling, challenging the deceptive and destructive idea that a well-lived life is simple, with one perfect career, partner, or summons from God. Instead, she argues, to truly grapple with calling, we must consider how it evolves amid the constraints of life. Callings are often accompanied by loss, regret, failure, impediments, frustration, overload, and conflict, challenges that are an important part of a balanced life. Grounding her argument in stories from memoirs and biographies, fiction, and the people she has encountered in her thirty years of teaching and research, Miller-McLemore guides the reader through six dilemmas one may face throughout life, from missed or conflicted callings to unexpected or relinquished passions. Each chapter explores the pain and hardships around these complicated experiences and the enhanced insight and vitality that arises from enduring them. Intertwining faith, philosophy, and pragmatism, Miller-McLemore engages unflinchingly with the ways we find purpose in our lives, and how we make meaning of the search for a calling, no matter how rough the road it leads us down.

In this sweeping new history of humanity, told through the prism of our ever-changing moral norms and values, Hanno Sauer shows how modern society is just the latest step in the long evolution of good and evil and everything in between. What makes us moral beings? How do we decide what is good and what is evil? And has it always been that way? Hanno Sauer's sweeping new history of humanity, covering five million years of our universal moral values, comes at a crucial moment of crisis for those values, and helps to explain how they arose -- and why we need them. We humans were born to cooperate, but everywhere we find ourselves in conflict. The way we live together has changed fundamentally in recent decades: global mobility, demographic upheaval, migration movements, and digital networking, have all called the moral foundations of human communities into question. Modern societies are in crisis: a shared universal morality seems to be a thing of the past. Hanno Sauer explains why this appearance is deceptive: in fact, there are universal values that all people share. If we understand the origin of our morality, we can understand its future too. With philosophical expertise and empirical data, Sauer explains how processes of biological, cultural, social, and historical evolution shaped the moral grammar that defines our present. Seven chapters recount the crucial moral upheavals of human history showing how the emergence of humankind five million years ago, the rise of first civilizations 5,000 years ago, and the dynamics of moral progress in the last fifty years are interrelated. This genealogical perspective allows us, on the one hand, to see the contradictions and potential conflicts of our moral identities; on the other, it makes clear that we share fundamental values that apply to all human beings at all times. Sauer's elegant prose, translated into English by Jo Heinrich, brings the history of humanity to vivid new life.

In conventional political philosophy, law is understood as consciously created rules that are a necessary mechanism for regulating the excesses of the free market. Although coercive in nature, law is seen as a necessary defense against anarchy. But is the situation that simple? In his examination of the purpose and functioning of the legal system, John Hasnas challenges this false dichotomy, presenting a new theory of liberalism that demonstrates that the common law can serve as an effective alternative to traditional politically created legislation. Hasnas argues that there are options beyond the unregulated market or a market regulated by consciously created government law. Instead, he suggests, law can arise through a process of unplanned evolution in which those subject to law are bound, but not by the will of any identifiable human beings. Anglo-American common law, which evolved without a guiding human intelligence, showcases this. Over the centuries of its development, the common law process created the rules of contract, property, tort, and commercial law that define key aspects of liberal society. Common law's decentralized and continually evolving nature renders it resistant to political rent-seeking and responsive to changing economic and social conditions--allowing it to adapt to the needs of those it serves to protect, rather than to the desires of a powerful few. Hasnas suggests that while the enforcement of law may involve coercion, law in and of itself is not destined to be a vehicle for domination. Common Law Liberalism demonstrates that the common law can provide all rules necessary to sustain a peaceful, prosperous, liberal society--without intervention by politically created legislation and the exploitation and oppression it so often engenders.

American Popular Music and Its Business in the Digital Age: 1985-2020 by Rick Sanjek is the sequel to his father Russell Sanjek's American Popular Music and Its Business: the First 400 Years. This book offers a detailed and objective history of the popular music industry from the introduction of the compact disc to the shift to streaming, with particular emphasis on the creators, the consumers, and the music business professionals who, in Sanjek's telling, form the three major axes of the industry. Each of the book's three sections--1985-1995, 1996-2006, and 2007-2019--has five chapters covering the same areas and issues. The first chapter in each section outlines the competition between the Big Six music conglomerates, their corporate structures, leadership, finances, and market share. The second chapter traces the synergy between the labels, the retail sector, radio, and the trade magazines whose charts are the pacemaker for the entire industry. Third comes music publishing, licensing, copyright, and legal issues including legislation, litigation, and infringement, followed by a focus on creators and how they earn their money. Each final chapter examines how, how much, and where consumers--who lead in adopting new technology--spend their money. Underlying it all is an insider's perspective on the role that the CD, Napster, Apple, Spotify, YouTube, SoundScan, electronic ticketing, and other innovations had in redefining the business structure and revenue flow of the entire industry. Digital technology also affected the regulations, contracts, and financial transactions that define the complex business of music, as live performance transitioned from clubs, concert halls, and theaters to arenas, amphitheaters, and stadiums. Concurrently, recorded music evolved from analog to digital sound carriers through MP3 downloads and then to on-demand streaming files, ultimately affecting consumers, creators, and the music business infrastructure that connects them. Finally, an epilogue includes the effects of COVID-19 in 2020 on all involved, closing with a glimpse into the digital future with the emergence of TikTok, livestreaming, immersive media, and artificial intelligence.

Many debates in interstate conflict and peace research address an important yet complex question: how, and to what degree, are the behavior of states and their relationships among one another fundamentally changing? The period after 1945 has seen a significant decline in the degree and intensity of warfare among states. While civil wars remain common, numerous scholars argue that a "long peace" has taken hold in which militarized interstate violence has become less common. Some argue that war has become obsolete as cultural attitudes toward war have changed, while others emphasize cognitive shifts that have reduced overall levels of human violence. Others favor material factors that have altered the historical net benefit of warfare among states. In Piecing Together the Peaces, Alexander K. Antony and William R. Thompson provide a novel explanation for how peace took hold in the international system and why state behavior drastically changed. According to the standard line of reasoning, states need only democratize, liberalize their trade, modernize their economic culture, or choose to forego territorial pursuits to reach peace with another state. As Antony and Thompson argue, most, if not all, of the processes put forward as causes of modern peace are highly intertwined with the macro-process of industrialization. Marshaling a long-view perspective, they show how the introduction of mechanization into production significantly altered nearly all aspects of economic and social life, including the costs and benefits of warfare. Rather than outlining a universal pathway through which states can arrive at peace, Antony and Thompson make the case that industrialization provides the starting point from which we can begin to unpack the transformation in conflict propensities among certain states. A bold challenge to the conventional wisdom that dominates interstate peace research, Piecing Together the Peaces shows that industrialization serves as the foundation for all other factors and processes fueling interstate peace.

Cadence is a comprehensive examination of how formal units in European art music of the tonal era achieve closure. The book brings together the author's decades-long investigations into cadence, a compositional device that is readily experienced both by musicians and non-musicians, but one that has proven intractable to clear and precise theoretical formulation. Rooted in Caplin's broader theory of formal functions, the book first develops concepts of cadence for music of the high classical style and then extends these ideas to gauge cadential practice in earlier and later style periods. Throughout the study, various manifestations of cadence are defined in terms of their morphology (their harmonic and melodic profiles) as well as their function (the specific formal contexts in which they are deployed). Cadence introduces a host of theoretical concepts illustrated by copious musical examples, all of which contain extensive analytical annotations of harmony, melody and form. Though the book is addressed primarily to music theorists, the many issues of compositional practice raised in this study will resonate with the interests of composers, historians, and performers alike.

Gaston Crunelle (1898--1990) was a remarkable flutist and a beloved teacher, yet his name is hardly known today. Gaston Crunelle and Flute Playing in Twentieth-Century France restores Crunelle's place in the pantheon of flutists while revealing details of musical life in France during his lifetime. Crunelle was Professor of Flute at the Paris Conservatory from 1941 to 1969--the longest tenure of any flute professor in the Conservatory's history--and taught an entire generation of the world's leading flutists, including Michel Debost, James Galway, Christian Lardé, Maxence Larrieu, and Jean-Pierre Rampal. He took an active interest in the annual commissions of morceaux de concours or contest pieces--including works by Dutilleux, Jolivet, Messiaen, and Sancan--which the book discusses in detail. As a performer, Crunelle was principal flutist of the Opéra-Comique and the Pasdeloup Orchestra and a member of the Quintette Instrumental de Paris, an ensemble of flute, harp, and string trio that left a rich legacy of about fifty commissioned works. His recordings of solo and chamber music of Bach, Mozart, and Baroque and twentieth-century French composers are among the best of the 78-rpm and early LP eras. In following Crunelle's early development through to his storied career as performer and pedagogue, Gaston Crunelle and Flute Playing in Twentieth-Century France also chronicles the evolution of musical life in France during the twentieth century, covering music during the silent film era, the interruptions of World War I, the apogee of Paris as a musical center between the wars, the German Occupation of 1940--1944, and the many changes in music and education after May 1968, including the increased participation by women. Through thorough archival research Garrison reveals previously unknown details about the relationships between Crunelle and other French flutists of his time, especially Marcel Moyse and René LeRoy. Oral histories showcase Crunelle's pedagogy, and discographies cover Crunelle and the Quintette Instrumental de Paris. From these rich resources emerges the sympathetic figure of flutist Gaston Crunelle, unjustly forgotten until now.