Bøger udgivet af Palgrave Macmillan US

"Early Essays," edited by the internationally esteemed Yeats scholars George Bornstein and Richard J. Finneran, includes the contents of the two most important collections of Yeats's critical prose, "Ideas of Good and Evil" (1903) and "The Cutting of an Agate" (1912, 1919). Among the seminal essays are considerations of Blake, Shakespeare, Shelley, Spenser, and Synge, as well as an extended discussion of the Japanese Noh theatre. The first scholarly edition of these materials, "Early Essays" offers a corrected text and detailed annotation of all allusions. Several appendices include materials from early printings which were later excluded, as well as black and white illustrations. "Early Essays" is essential reading for understanding Yeats's career and the development of modern poetry and criticism

This book examines the impact of globalization upon Canada, Mexico and the United States. It investigates changes in the structures and practices of federalism, in public policies and practices of governance and politics, and in economic livelihoods in all three nations. It also provides comparisons of the effects of globalization on women's lives.

"Union and Devolution" provides a thorough analysis of the origins of devolution and its implications for the U.K. as a whole, as well as its constituent parts. Using a thematic approach and focusing on the years post 1979, Jonathan Bradbury gives equal emphasis to Scotland, Wales, Northern Ireland, and the English regions and introduces the main theoretical schools of thought and research debates.

This book will look at the implications of educational practices in communities that are differentiated by issues of language, culture, and technology. Trifonas argues that a 'community' is at once a gathering of like-minded individuals in solidarity of purpose and conviction, and also a gathering that excludes others. The chapters in this collection will reveal this tension between theory and practice in order to engage the models of community and the theories of difference that support them as a way to teach, to learn, and to know.

The 2004 election of the European Parliament marks something of a defining point in the history of European integration. The 2004 elections seemed simultaneously mundane and an accepted feature of a sui generis system, now accepted as a polity in its own right, that a quarter of a century ago had seen politicians fiercely disputing the wisdom and desirability of the people directly electing a European Parliament at all.

Upon its U.S. release in the mid 1990s Ghost in the Shell , directed by Mamoru Oshii, quickly became one of the most popular Japanese animated films, or anime, in the country. Despite these accolades, Oshii is known as a contrarian within anime, a self-proclaimed 'stray dog', avoiding the limelight in favour of his own personal cinematic vision. He cannot be pigeon-holed, working in both live-action film and animation, directing everything from absurdist comedy to thrillers to meditations on the nature of reality. Stray Dog of Anime is the first book to take an in-depth look at Oshii's major films, form his early days working on Urusei Yatsura to Avalon , his most recent feature. Ruh details Oshii's evolution as a director, paying special attention to his personal style and symbolism, resulting in a unique guide that will appeal to anime fans and cinestes of all kinds.

Can the needs of capital ever be reconciled with the needs of people? To what extent can social policies bridge the gap between social rights and human welfare, and economic competitiveness in a global world? Building on his previous writings on political economy and human need, Ian Gough throws new light on these perennial questions in a series of penetrating and original essays. The conclusion is upbeat: social policy still has the potential to narrow (though never close) the gap between the drive of capital and the universal needs of people.

In Cultural Goods and the Limits of the Market , Russell Keat presents a theoretical challenge to recent extensions of the market domain and the introduction of commercially modelled forms of organization in areas such as broadcasting, the arts and academic research. Drawing on Walzer's pluralistic conception of social goods, and MacIntyre's account of social practices, he argues that cultural activities of this kind, and the institutions within which they are conducted, can best make their distinctive contributions to human well-being when protected from the damaging effects of an unbounded market.