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The sermons in this book were preached during my second year of ministry at First Presbyterian Church of Marietta, Georgia. This great church, who nurtured me as a child and through adolescence, even supporting me through college and seminary, called me to be their Senior Pastor in the summer of 2017. This call came in the aftermath of division. After our denomination met and approved new standards of marriage equality in 2015, the nearly 200-year-old congregation split. Around 300 members broke ties with First Presbyterian Church to start a new church in a more conservative denomination of Presbyterians, ECO. The three years following this split and preceding my arrival were marked by a genuine determination to survive, great moments of healing, and courageous leadership.The sermons in this book stretch across 2018, one year in the life of this great congregation. This was a year when God moved the congregation beyond survival and healing to growth and celebration. These sermons were easy for me to write and preach because all around me, the Holy Spirit was alive and well, and the Gospel was not confined to the pages of Scripture, for the congregation of First Presbyterian Church was living it.
You have in your hands a book of sermons on The Apostles’ Creed by Dr. Stuart Robertson, written and preached in late 1993 and early 1994 at Faith Presbyterian Church in West Lafayette, Indiana. I predict that as you read them, you will profit as I have from listening to him preach for many years when he was my pastor at this same church.What style of sermon should you expect? What sort of a preacher is he? He’s the kind of educated man whose education does not make him at all distant from others. He has a special interest in history, having studied (among other things) the ancient Jewish writer Josephus, whose work was the focus of his doctoral dissertation. In these sermons, you’ll see occasional allusions to history, mostly to church history and Biblical history, but not limited to those. It’s one of the places that his meditations naturally take him as he is reflecting on God, on scripture, on what we need to hear as we make our way through life, trying to follow in the footsteps of Christ. This is, I think, an especially helpful approach for a series of sermons on The Apostles’ Creed, an historic document that has united Christians across many centuries.-From the ForewordMichael Bergmann
Growing up in a southern country home as an only child blessed Debbie with a strong love of nature. Her parents taught her all about nature, whether it be vegetable and flower gardening or caring for the animals they raised.With this love came her desire to capture all the beauty that God created with her passion for photography. Debbie was a late bloomer to the artistic world of poetry, but thankfully, there is no age limit to art. She has found a serenity and calmness in writing poetry.
The result of my personal experience of grief, coupled with my work of serving congregations experiencing the paralysis of disorientation, is the awareness that congregations caught up in this disorientation need a path guiding them through their grief. A path guiding congregations to answer the “why do we exist as a community of faith and who are we” identity questions while at the same time guiding them to discover the meaning or purpose for their communal lives, a purpose which congregations can intentionally live.Also, it will be a path guiding congregations to discover that change and transition is a positive time for growth in the natural cycle of life. Of course, congregations will, also, discover living through change and transition does take time because the culture of the congregation is shifting to a new culture with either new traditions or older traditions being reframed to fit the new identity and congregational culture.
The journey begins in a French village at the base of the Pyrenees Mountains and ends in a Spanish village overlooking the Atlantic Ocean. In between is a path that millions of pilgrims have walked since the 12th century. In the spring of 2015, I was one of them, on sabbatical from my pastorate. The way is known as the Camino de Santiago de Compostela, a 500-mile path over the mountains and across northern Spain. Modern pilgrims are a mixed company of many languages, some traditionally religious and others non-religious, though walking with an explicit and often spiritual intent. I didn’t walk as a religious penitent seeking absolution from my sins. I did walk with a purpose. I wanted to listen closely for God’s direction, particularly for the next chapter of my life. I also wanted to be radically free from my normal patterns to see my life from a fresh angle.This is the story of what occurred as I walked this path with a remarkable company of pilgrims from all over the world. My daily observations are recorded here, along with a few chants and scriptures that guided my way and deepened my intentions.The poet Wendell Berry said, “Always in the big woods when you leave familiar ground and step into a new place there will be … a little nagging of dread. It is the ancient fear of the Unknown, and it is your first bond with the wilderness you are going into. What you are doing is exploring. You are undertaking the first experience, not of the place, but of yourself in that place.” From the first day I crossed the mountains, walking through snow and rain in the bitter cold, the Camino became an exploration of self-understanding in an utterly new place. The freedom was exhilarating. The sense of the Unknown and the nagging dread remained with me, along with the company of pilgrims who became my Camino family. Several remain so.
I heard a story about two guys talking about sermons. The first guy is complaining about preachers and their sermons: “I went to church for years but I forgot the sermon by the next day. So, I figured, ‘What’s the use in going to church and listening to a sermon if I can’t even remember it a day later?’” The other fellow says, “You know I can’t recall anything I had to eat this week but something tells me I did eat. In fact, if I hadn’t eaten, I would have noticed that. I can’t help but think sermons are like that. Even if I don’t remember them for long, it doesn’t mean they didn’t do me some good. They feed me despite the fact I can’t recall all the words.”This book is dedicated to pastors who labor each Sunday to find a way to nourish their congregations. No doubt some meals (i.e. sermons) are better than others, but thanks be to God for preachers who want to provide a meal each week for the parishioners looking for something to sustain them for the week, or perhaps, just for an hour.
he term Spectrum-Autist is how I describe one who is diagnosed with Autism-Spectrum Disorder. Since I do not think of Autism as a "disorder, I prefer "Spectrum-Autist." Being a Spectrum-Autist is to live in the in-between. In-between a typical person and a profound Autist. The in-between is a difficult place to be. People can see me both as normal and as strange. At first meeting me, there are not obvious signs and people often assume that I am like conventional humans. The more time they spend in conversation with me, however, that view can rapidly deteriorates, but they do not quite know why. They often recognize introversion, though I have been told by other introverts that I am "off the chart" introverted. For a while, "painfully introverted" suited me for a label. It is quite literally painful, to be among a group of people, expected to interact, and also to be alone, unable to be the person that I want to be. At times I thought that I would slip into deep autism, never to emerge. Meanwhile, I somehow got through school, college, graduate school, and a doctorate. I learned other languages as part of my educational requirements. Autistic people are not supposed to be good at language, right? It was only later that I discovered, with the help of a brilliant and compassionate psychologist, Doctor James Pallas, that I have (what was then called) Asperger's Syndrome. "What is that?", I asked. He first put it in simple terms. "You are a verbal-autistic." A verbal autist. Who knew? He took me through the diagnostic criteria, and it explained so much of my life, my behavior, and the way that I express myself.
Parson’s Porch Books is delighted to present to you this series called Sermons Matter.We believe that many of the best writers are pastors who take the role of preacher seriously. Week in, and week out, they exegete scripture, research material, write and deliver sermons in the context of the life of their particular congregation in their given community.We further believe that sermons are extensions of Holy Scripture which need to be published beyond the manuscripts which are written for delivery each Sunday. Books serve as a vehicle for the sermon to continue to proclaim the Good News of the Morning to a broader audience.Scott D. Nowack exemplifies the pastor who takes his sermons seriously week in and week out. His skills, both in crafting and writing, as a preacher are obvious.We celebrate the wonderful occasion of the preaching event in Christian worship when the Pastor speaks, the People listen and the Work of the Church proceeds.Take, Read, and Heed.
If your intention is to explore, then to delight or startle with your poetry, then you need only a work ethic and this book. No need to go it alone. This guide provides direction, support and the awareness required to move you quickly through your apprenticeship. Former students have published prolifically and won national awards. If you yearn for creative gratification First Light is your sunrise, its method and models will serve as both map and mentor. It will help you toLocate your own voice, expand your skills, range and confidence; you will learn to sing your own quirky song with the help of a menu of self-selected strategies.Combine the practical and the aesthetic as you gain insight through the practice of spontaneous free writes coupled with step by step instructional checklists.Integrate all phases of the poetic process from first draft through revision. Utilize both your right and left-brained abilities. Enjoy a safe place for practice and play as you discard the cliched and discouraging “art-as-suffering myth.”Identify the differences between therapy or cathartic journaling and making art, as you locate your own compass using the Naylor Method, a process that helps you implement strategies derived from models based on published poetry..Historically, poets have sought inspiration in seances, one laid in a coffin, Poe wrote with a black cat draped over his shoulder. First Light provides a contemporary and reliable jump-start for ambitious poets, minus the mumbo jumbo and the morose. This workbook grew out of a desire to help emerging poets create both a generative psychic landscape and to share the models that simplify challenges and reduce struggle. The Naylor Method with its mindset and models, its checklists and revision recipes, will get you there. Where? That place where you will feel confidence in your work and ready for publication.
This bible contains the test of the King James Version, originally published in 1611. One characteristic of this version is its use of italics. They are used to indicate words supplied by the editors to help enlarge the meaning and better relate the original language into English.In this edition Read-Along references are used to help you understand the text. The symbol "R" beside a word denotes a Read-Along Reference which lists at the end of the verse other passages which have similar meanings or further bearing on the word or phrase indicated. This exciting cross reference method of Bible study ties together the magnificent trusts of scripture.The symbol "T" beside a word or phrase indicates a Read-Along translation, an easy-to-understand alternate meaning at the end of the verse. Such word clarifications built right into the text eliminate the need for constant referral to a Bible dictionary or to other volumes. When more than one reference or translation follow a verse, a center point "l" is used for division.The bible text is divided into meaningful paragraph units. The beginning of each paragraph unit is indicated by the symbol "¶."A star "ó" beside a verse Old Testament indicates a Messianic prophecy. In the New Testament, a star beside a verse indicates a prophecy that has been fulfilled.
Life can be a most exciting, creative, wondrous, enthusiastic adventure or it can be a journey which is filled only with despair, pessimism, hopelessness, and depression. Our perspective towards life and death makes all the difference in the world. These pages are not written to encourage anyone to put on rose-colored glasses but are directed, hopefully, to challenge a realistic view of life. Death is a part of life which no one can avoid or escape. We may try to ignore it or disguise it, but it will still not go away. We must learn how to live with death—our own and others' whom we love.
I wrote these poems by a running stream in the Great Smoky Mountains with beauty all around and a heaviness in my heart. I wrote them on long walks through familiar byways. I wrote them morning, noon, and deep within the night. They are reflections on how the various participants of Holy Week might have felt during their part of the saga and of how I reflected upon the incidents of the week in my own life as well. While the high holy days are an integral part of the text, much attention is given to the teachings of Jesus during the days of Holy Week. May this book be the same source of unease for you as it has been for me as we each make our own journey through these most holy days. Patricia Ramsden
Parson’s Porch Books is delighted to present to you this series called Sermons Matter.We believe that many of the best writers are pastors who take the role of preacher seriously. Week in, and week out, they exegete scripture, research material, write and deliver sermons in the context of the life of their particular congregation in their given community.We further believe that sermons are extensions of Holy Scripture which need to be published beyond the manuscripts which are written for delivery each Sunday. Books serve as a vehicle for the sermon to continue to proclaim the Good News of the Morning to a broader audience.Tom Watkins is a seasoned preacher who recognizes that his sermons matter. In this collection, you will find sermons which are thoughtful, heartfelt, spirit-led and challenging.We celebrate the wonderful occasion of the preaching event in Christian worship when the Pastor speaks, the People listen and the Work of the Church proceeds.Take, Read, and Heed.
The Query is a collection of stories - stories of hope - arising from a simple question: "What is the reason for the hope that is within you?" They were gathered through chance encounters with strangers across America: On airplanes, in restaurants or cafés, at a car dealership, in a jury waiting room. The stories are as diverse as the storytellers: a teen anticipating senior prom in the arms of her first love; a crusty construction superintendent; an engaging nuclear physicist; a widow scarred by life, with no hope; a Catholic priest on assignment in Rome; a long-haul truck driver; an Army colonel with tours in Bosnia, Iraq, and Afghanistan; a seasoned executive in the twilight of career; a thrice-married divorcee yearning for another chance; an eager young Polish immigrant, now a Fortune 500 engineer; and many more.Readers eavesdrop on deeply personal conversations as stories unfold. They are struck by a sad truth when Todd, the bankruptcy attorney and attentive husband in the story 'Everything Changed', shares: "I've been reflecting that we don't really take the time to listen to people anymore."
You may wonder if there was any grand design to the selection of texts or sermonic themes. If there is, it might be a theological bent toward resurrection. But you will see lots of death in these sermons. Lots. I hope you will also see glimpses of seriously imaginable resurrection. What does it mean to preach resurrection in a society where death seems as if it is the only game in town? "Preaching resurrection is not just for Easter anymore," writes Brian Blount. "We must find a way to image [resurrection], to affirm our expectation for it, and to find ways to recast it in contemporary symbolism that connects with our contemporary age. Probably without realizing it in a deliberate way, I have sought to tap into the resurrection imagination as a form of living defiance, joyfully existing and testifying in the space of death dealing powers. I preach poetically, but I also aim to "clothe" our experience of resurrection with recognizable garments from our social, emotional, and political lives. Look for the ordinary bush - and almost commonplace people - alight with holy fire..
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