Bøger udgivet af Pavement Books

December 17, 2010 - January 14, 2011. These dates have been fixed as the beginning and completion of a revolution which took the world by surprise, opening up a sudden and peculiar spatial upheaval. Mohamed Bouazizi's gesture, setting himself on fire, was an extreme one. Immediately following this act, squares and streets started to fill up, from Tunisia to Tahrir square, to Sana'a, to Tripoli and to Damascus. The revolutions that originated were revolutions against political dictatorships and against dictatorship over people's lives, against the way poverty was rendered invisible and against unbearable existences. These revolutionary struggles staged an unprecedented capacity for common action based on a logic of 'spatial takeover.' These existences decided to stand up and be counted, taking over streets, squares, Kasbas, medinas, taking up their freedom, the freedom to be, to go, to be noticed at last. They did so forming an uncontainable movement, from Tunis to Cairo, from Maghreb to Mashreq. From Tunisia to Europe. These 'Arab Revolutions' and, the one that sparked in Tunisia in particular, have not followed just one direction in their 'spatial takeover.' They have also managed to fill a series of European spaces with existences and bodies: streets, islands, stations, parks; from Lampedusa to Paris, crossing the sea in an unexpected and sudden capacity to unify two shores and two continents, hence erasing centuries of history, acting on and performing the 'natural' proximity of these shores. Spaces in Migration: Postcards of a Revolution attempts to rearticulate some of the images of what happened starting from December 17, 2010, sketching a necessarily fragmented story, a series of postcards, and piecing together fragments of before- and after- moments, following the spaces in migration of this revolution. 'Spaces in Migration is a compelling read, which brings together a plethora of voices while making a decisive intervention in debates about migration in the wake of the Tunisian revolution. Voices that sorely need to be heard find space in this book. Deftly combining analysis with rich empirical detail, the authors succeed in highlighting critical dimensions of the revolution as well as key problems of contemporary migration and humanitarian regimes.' - Vicki Squire, Associate Professor of International Security, University of Warwick, UK 'Spaces in Migration is an intellectual eruption - the eruption of the Arab Spring, and the Tunisian Revolution in particular, into the critical study of migration and borders. Combining the very nuanced analyses of the Italian scholar-activist contributors with the transcripts of their interviews with Tunisian migrants and their families, and also with refugees from various African countries encamped in the borderzone between Libya and Tunisia, this book provides a poignant exploration of how the autonomous subjectivity of migrants can radically destabilize the logics of border control.' - Nicholas De Genova, co-editor of The Deportation Regime: Sovereignty, Space, and the Freedom of Movement (Duke University Press, 2010)

Artaud's Metamorphosis is the first book on the transformation from his 'early' to 'late' work, and it shows how the 'final' Artaud leads straight into our digital present.

As a trope, theme, myth and very real space, what is at stake in the frequent artistic, cultural and philosophical articulations of the beach in French thought? Adopting a variety of approaches, this is the question that the essays in this collection seek to address. The beach in twentieth and twenty-first century French philosophy, literature and visual culture represents both limit and liminal space. It is a site of multiple encounters with both the other and the self, of arrivals and departures, of both hedonistic freedom and colonial subordination. At the same time, it is the no-man's land where, as Michel Foucault suggests at the end of The Order of Things, man's image is literally washed away. The essays compiled in this collection, explore the French and Francophone beach via the various encounters this complex and multiple space engenders alongside the role it has come to play in both a French and global cultural imaginary. Bringing together a range of critical perspectives from scholars working in fields such as literature, film, philosophy, gender and cultural studies, the collection analyses the violent erasures and appropriations associated with the French beach whilst also calling for a reimagining of the beach as creative, ethical space.

Hand Picked Stimulus Respond is a collection of photographs and writing from ten years of online publishing. Drawing on a diverse range of disciplines and ranging from a study of pets to ethnography of Asian queer sexuality, this volume is a playful and incisive exploration of contemporary issues, and includes work by Danny Hoffman, John Hutnyk and Michael Taussig.

This collection of essays, graphics and theatre displaces our understandings of borders so that we cannot look the same way at that which invades our everyday, that which kills and excludes, that which sounds out across divides and that which connects or cleaves. Addressing activism, philosophy, film, art and music, the book includes a graphic essay on the Gaza Flotilla and an original play The Detention Centre. Essays by prominent scholars and writers address citizenship, visa queues, the home economy, philanthropy, student fees, transportation, terror, camps, poetic license and more. The book makes a virtue of the chance encounter of creativity with structure so as to invent new angles on the politics of borders and movement, breaking with regulatory thinking and always looking to slip under or over the wire. The border effect is everywhere, even between our pages. We are for rampant transgressions - and an end to borders of death.