Bøger udgivet af Peepal Tree Press Ltd

This anthology creates a dichotomy between the comfortable and the mysterious, providing a glimpse into hidden worlds and human nature; tantalizing in its mystique and refreshing in its insight into the minds of these exceptional Black British writers. Published under the Inscribe imprint of Peepal Tree Press, and edited by Leone Ross.

The long-awaited debut of a seasoned poet that speaks to the splendid tensions and graces of an immigrant's imagination and language, rooted in her Trinidad birthplace, and her uneasy American home. Her poems range across three ways of seeing: the ode finding beauty in the unexpected; the mythologizing of daily life; and her lyric poems of healing.

Teeton lives three lives in England--one with a bohemian group of artist exiles, another is his curiously intimate relationship with his landlady, and finally as a secret revolutionary from the Caribbean island of San Cristobal. Thus far, Teeton has kept each aspect of his life separate from one another, but when he returns home and joins an incipient revolt, his once separate worlds begin to fuse together with disastrous results. This novel is a powerful study of the impossibility of disentangling British and Caribbean lives, the nature of misogyny, and the conflict between the calls of art and revolution.

This frank, fearless and multi-layered debut, set in India, Trinidad and Tobago, England, and St Lucia, centres on a privileged but dysfunctional family, with themes of empire, migration, race, and gender.

In this memoir, the celebrated novelist and retired teacher Barbara Jenkins writes with wit, vividness and insight of growing up in colonial Trinidad, a migrant life in Wales, and her return to Trinidad with her husband and first child in the post-independence era.

The effects of historical tensions, class and climate change are laid bare in little-known Bermuda, bringing the islands to vivid life in this rich and absorbing novel as five characters come together to keep a young Black girl from incarceration.

unHistory is an essential record of our times by two world-leading poets, it is much more than that. It is an exploration of history's undertones, its personal, familial and institutional resonances and of the relationship between public events and the literary imagination.

Glory Dead is a beautifully written account of the visit of a young English communist to Trinidad in 1938 to investigate social conditions and meet the radicals who were challenging British colonial government. This title is part of the Caribbean Modern Classics Series.

Jennifer Rahim explores the power of the imagination to confront the restrictions of the year of the pandemic through reflections on history and the capacity of language to give immediacy and presence to absent place. Rahim is a former winner of the Casa de las Americas Prize, and the OCM Prize for Caribbean Literature.

A beautiful new novel from the author of Crick Crack, Monkey, this is a Trinidadian story about island life and lives, that revisits and revisions the colonial world from a womanist perspective - tragic, comic, warm and wise, but always in struggle for better must come.

This collection explores the fragile territory between remembering and forgetting, both as an individual experience and in the life of a society. If in the end all is subject to âEURœtimeâEUR(TM)s slow bleedâEUR?, these poems enact the capacity of the imagination âEURœto pass through ancient wallsâEUR? and to reorder failures long gone in time into more hopeful connections. Poems recreate those childhood moments when physical presences, such as the âEURœgreat houseâEUR? at Drax Hall provoke the âEURœbeginning of poetryâEUR?, the searching for what is âEURœhidden in the darkâEUR?, and thence to a grasp of the history that society would rather forget. For while forgetting is human, the collection also explores how amnesia can be cultivated in society as a means of hiding the sources of contemporary privilege and economic power. Poems such as âEURœCanvasâEUR? (about the images from English and American magazines that patch up the hangings in an old womanâEUR(TM)s âEURœtumbledown dwellingâEUR?) not only picture children âEURœtiptoe at the rim of the worldâEUR? but, without needing to say it, show those children as far more familiar with GarboâEUR(TM)s âEURœbright blue eyes/ and shiny red lipstickâEUR? than with the history and meaning of Drax Hall. If there are echoes of WalcottâEUR(TM)s poem where âEURœall in compassion endsâEUR?, Phillips is no less compassionate, but much readier to see âEURœHistoryâEUR(TM)s wound still bleeding / to its last dropâEUR? âEUR" a wound extending down to a powerful poem in memory of George Floyd. If the collection calls out âEURœSpeak, stones, bear witness!âEUR?, poems also pay tribute to those who in the rural village memorialised the lives of the unconsidered poor, who, like the village historian, Miss Lewis, speaks across the years into contemporary urban life âEURœto remind me who I amâEUR?. Esther PhillipsâEUR(TM) poems are always lucid and musical; they gain a rewarding complexity from being part of the collectionâEUR(TM)s careful architecture that offers a richly nuanced inner dialogue about the meaning of experience in time. Not least powerful in this conversation are the sequence of poems about Barbadian childhoods, poems of grace, humour and insight. When Barbados chose Esther Phillips as its first poet laureate it knew what it was doing: electing a poet who could speak truth, who could challenge and console her nation âEUR" and all of us.

Based on true events, Fortune is a compelling and beautiful story of love, ambition, oil and fate set in 1920's Trinidad.

Green Unpleasant Land explores the repressed history of rural England's links to transatlantic enslavement and the East India Company. Combining essays, poems and stories, it details the colonial connections of country houses and public spaces.

Continuing on from his outstanding collection of literary criticism, My Strangled City and other essays, literary critic and Professor Gordon Rohlehr delves further, examining the many other luminaries of the Caribbean.

This beautiful collection of interviews, conducted by journalist, poet, novelist and artist Jacqueline Bishop, features insightful and entertaining conversations with many of Jamaica's most significant writers including Olive Senior, Lorna Goodison, Marcia Douglas and many more.

A wonderful collection of essays by inspiring Trinidadian poet and journalist, Andre Bagoo.

A stunning new collection from Nii Ayikwei Parkes, featuring poems that embrace play, love and the ephemeral such as water bodies, blood/heritage, history, and gossip.

A complex, rich and rewarding new poetry collection from Raymond Ramcharitar.

Motherland and Other Stories is a collection of short stories from an exciting new voice that explores the experiences of Afro-Caribbean immigrants in America and England.

Wonderful new collection by one od St.Lucia's leading poets.

Writing both of imagined characters and as "I", Elizabeth Walcott-Hackshaw's stories deal with the experiences of loss, disappointment and the attempt to be self-truthful.

The Sea Needs No Ornament/ El mar no necesita ornamento is the first bilingual anthology of contemporary poetry by women writers of the English- and Spanish-speaking Caribbean and its Diasporas to be curated in more than two decades.

Daylight Come is set on an island where it's so hot that everyone sleeps in the day and works at night. The teen protagonist, Sorrel, and her mother must leave their current home to try to gain access to cooler air in the mountains in a journey fraught with danger.

A collection of poems about coming into self-knowledge--of fighting for and winning personhood as a woman in the world--this offering from Trinidadian poet Lauren Alleyne grapples with personal experience. The poems form a lyric memoir of the author's life, chronicling a journey that includes coming to terms with violence and loss, celebrating love and connection, and standing witness in the world that shaped that journey. The central poem, "Eighteen," which narrates the aftermath of sexual assault, and another, "Thirty," which addresses the virtues of self-reliance, are representative of several poems of age that both chronicle and disrupt time, looking at the speaker's past as a way to understand the present. These poems are a movement through fracture--both necessary and unwarranted--toward wholeness and transformation. This debut collection introduces a striking new voice in poetry.

In this collection, Millicent Graham focuses on memory and the idea of home, while questioning the very nature of home as both a physical and emotional space. There are comforts--the landscape, the vegetation, the food, the playground, the hand of parents, the romantic escapades--and there are the disquiets--the bullying, the violence, the fearfulness, the failure of memory, the losses. In these very intimate poems, Graham marks out a distinct poetic territory for herself with an immediately recognizable voice, an assured handling of language and image, and the sensation that she is adding to the corpus of Caribbean poetry in important ways. Graham, has, in this book, made good on her indebtedness to her fascination with the elliptical and image-heavy verse of Tony McNeill, and the lyrical, lushness of story and memory in the poetry of Lorna Goodison. It is possible to see an army of poetic influences in these two Jamaican poets, and Graham carries all these influences inside of her, while sounding only like herself. Her work is guided first by her desire to write her home, both the actual and physical world of Jamaica, and her other home, her equally rich imaginative and poetic home.

Wit and engaging language lighten the heavy subject matter of the poetry in this collection, based on a former ad man's true-life experiences of redemption and a developing conscience after leaving the advertising business. The poems take on the world of consumerism and address issues such as overconsumption, commercialism, mental health, spirituality, politics, the environment, and global justice. Poet Sai Murray makes powerful connections between the monopoly capitalist control of global commerce, the threats of the food industry to human health, and the danger to the increasingly fragile ecology of the planet. He utilizes a variety of styles--from autobiographical confessions and dramatic monologues to parodies of the language of the Red Tops, clichés of political rulers, and Facebook trivializations of community--to express his desire to cauterize the deceits of language and to convey his vision of a world with equality, liberty, and fraternity.

An iconic novel from a rebellious and politically active author, this story follows Jack, a sculptor and blacksmith, who idolizes the Biblical Samson as a figure of man's independence. Deciding to carve a mahogany tribute to Samson, however, becomes a more complicated affair when Jack's wife leaves him for another man. The end result is a sculpture of a blinded Samson leaning on a young boy for support. As life imitates art, Jack is struck by lightning and left blind, forcing him to rely on his friends to survive. After leading him on a journey to discover just how reliant on humanity he really is, Jack's blindness ultimately drives him to his final act of independence: his own suicide.