Bøger udgivet af PENGUIN RANDOM HOUSE USA

A National Bestseller • One of Barack Obama's Summer Reading List Picks • Nominated for the Carnegie Medal for Excellence and the Baillie Gifford Prize for Non-Fiction • Named a Best Book of the Year by New York Times and Kirkus Reviews“What an incredibly thorough documentation of the causes of the immigration crisis, the discussions that have been going on through multiple administrations.” —Jon Stewart, The Daily Show“Everyone Who Is Gone Is Here is sure to take its place as one of the definitive accounts of the U.S. and Central American immigration puzzle. . . . Hopefully, those with the power to change things will listen.” —Manuel Roig-Franzia, Washington PostAn epic, heartbreaking, and deeply reported history of the disastrous humanitarian crisis at the southern border told through the lives of the migrants forced to risk everything and the policymakers who determine their fate, by New Yorker staff writer Jonathan BlitzerEveryone who makes the journey faces an impossible choice. Hundreds of thousands of people who arrive every year at the US-Mexico border travel far from their homes. An overwhelming share of them come from El Salvador, Guatemala, and Honduras, although many migrants come from farther away. Some are fleeing persecution, others crime or hunger. Very often it will not be their first attempt to cross. They may have already been deported from the United States, but it remains their only hope for safety and prosperity. Their homes have become uninhabitable. They will take their chances.This vast and unremitting crisis did not spring up overnight. Indeed, as Blitzer dramatizes with forensic, unprecedented reporting, it is the result of decades of misguided policy and sweeping corruption. Brilliantly weaving the stories of Central Americans whose lives have been devastated by chronic political conflict and violence with those of American activists, government officials, and the politicians responsible for the country’s tragically tangled immigration policy, Blitzer reveals the full, layered picture for the first time.Everyone Who Is Gone Is Here is an odyssey of struggle and resilience. With astonishing nuance and detail, Blitzer tells an epic story about the people whose lives ebb and flow across the border, and in doing so, he delves into the heart of American life itself. This vital and remarkable story has shaped the nation’s turbulent politics and culture in countless ways—and will almost certainly determine its future.

NATIONAL BESTSELLER • In the acclaimed first novel from short story virtuoso and Pulitzer Prize finalist Kelly Link, three teenagers become pawns in a supernatural power struggle. “A dreamlike, profoundly beautiful novel [that] pushes our understanding of what a fantasy novel can be.”—Amal El-Mohtar, The New York Times Book Review (Editors’ Choice) “Imagine a ring of David Mitchell and Stephen King books dancing around a fire until something new, brave, and wonderful rose up from the flames.”—Isaac Fitzgerald, TodayONE OF PUBLISHER WEEKLY’S TEN BEST BOOKS OF THE YEAR • A TIME BEST BOOK OF THE YEAR • LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZEThe Book of Love showcases Kelly Link at the height of her powers, channeling potent magic and attuned to all varieties of love—from friendship to romance to abiding family ties—with her trademark compassion, wit, and literary derring-do. Readers will find joy (and a little terror) and an affirmation that love goes on, even when we cannot.Late one night, Laura, Daniel, and Mo find themselves beneath the fluorescent lights of a high school classroom, almost a year after disappearing from their hometown, the small seaside community of Lovesend, Massachusetts, having long been presumed dead. Which, in fact, they are.With them in the room is their previously unremarkable high school music teacher, who seems to know something about their disappearance—and what has brought them back again. Desperate to reclaim their lives, the three agree to the terms of the bargain their music teacher proposes. They will be given a series of magical tasks; while they undertake them, they may return to their families and friends, but they can tell no one where they’ve been. In the end, there will be winners and there will be losers.But their resurrection has attracted the notice of other supernatural figures, all with their own agendas. As Laura, Daniel, and Mo grapple with the pieces of the lives they left behind, and Laura’s sister, Susannah, attempts to reconcile what she remembers with what she fears, these mysterious others begin to arrive, engulfing their community in danger and chaos, and it becomes imperative that the teens solve the mystery of their deaths to avert a looming disaster.Welcome to Kelly Link’s incomparable Lovesend, where you’ll encounter love and loss, laughter and dread, magic and karaoke, and some really good pizza.

One of TIME Magazine's Must-Read Books of the Year"The joys of Sun’s memoir lie in the absurdity of her tasks: coaxing a famous athlete to a company party, sourcing Mitt Romney’s phone number on a deadline, coordinating private-jet departures… It’s [Sun’s] personal revelations that elevate the book above a typical tell-all.” —TIME MagazineA gripping memoir of one woman’s self-discovery inside a top Wall Street firm, and an urgent indictment of privilege, extreme wealth, and work cultureWhen we meet Carrie Sun, she can’t shake the feeling that she’s wasting her life. The daughter of Chinese immigrants, Carrie excelled in school, graduated early from MIT, and climbed the corporate ladder, all in pursuit of the American dream. But at twenty-nine, she’s left her analyst job, dropped out of an MBA program, and is trapped in an unhappy engagement. So when she gets the rare opportunity to work at one of the most prestigious hedge funds in the world, she knows she can’t say no. Fourteen interviews later, she’s in.Carrie is the sole assistant to the firm’s billionaire founder. She manages his work life, becoming the right hand to an investor who can move mountains and markets with a single phone call. Eager to impress, she dives headfirst into the firm’s culture, which values return on time above all else. A luxury-laden world opens up for her, and Carrie learns that money can solve nearly everything.Playing the game at the highest levels, amid the ultimate winners in our winner-take-all economy, Carrie soon finds her identity swallowed whole by work. With her physical and mental health deteriorating, she begins to rethink what it actually means to waste one’s life. A searing examination of our relationship to work, Carrie’s story illuminates the struggle for balance in a world of extremes: efficiency and excess, status and aspiration, power and fortune. Private Equity is a universal tale of self-invention from a dazzling new voice, daring to ask what we’re willing to sacrifice to get to the top—and what it might take to break free and leave it all behind.

Chosen as a Most Anticipated Book of 2024 by Oprah’s Book Club, Elle, Reader’s Digest, The Rumpus, Kirkus Reviews, The Millions, Lit Hub, and more “An inventive ode to self-determination and also a surrealistic vision of Black life as forged within the crucible of American history . . . [written in] lush, ornamental prose.” —The New Yorker “Fans of The Underground Railroad, The Water Dancer, and Let Us Descend will devour this lyrical and surreal saga.” —Oprah Daily From a writer of singular voice and vision, a mesmerizing epic that reimagines the past to explore the true nature of freedomIn this ingenious, sweeping novel, Phillip B. Williams introduces us to an enigmatic woman named Saint, a fearsome conjurer who, in the 1830s, annihilates plantations all over Arkansas to rescue the people enslaved there. She brings those she has freed to a haven of her own creation: a town just north of St. Louis, magically concealed from outsiders, named Ours. It is in this miraculous place that Saint’s grand experiment—a truly secluded community where her people may flourish—takes root. But although Saint does her best to protect the inhabitants of Ours, over time, her conjuring and memories begin to betray her, leaving the town vulnerable to intrusions by newcomers with powers of their own. As the cracks in Saint’s creation are exposed, some begin to wonder whether the community’s safety might be yet another form of bondage. Set over the course of four decades and steeped in a rich tradition of American literature informed by Black surrealism, mythology, and spirituality, Ours is a stunning exploration of the possibilities and limitations of love and freedom by a writer of capacious vision and talent.

A New York Times Notable Book • a Top 10 Best Book of the Year by the Washington Post • a Kirkus Best Book of the Year “Reading this book is a joy... much to say about the trans journey and will undoubtedly become a standard for those in need of guidance. ” — The Washington Post"Sante’s bold devotion to complexity and clarity makes this an exemplary memoir. It is a clarion call to live one’s most authentic life.” — The Boston Globe“Not to be missed, I Heard Her Call My Name is a powerful example of self-reflection and a vibrant exploration of the modern dynamics of gender and identity.” — Lit Hub’s Most Anticipated Books of 2024An iconic writer’s lapidary memoir of a life spent pursuing a dream of artistic truth while evading the truth of her own gender identity, until, finally, she turned to face who she really wasFor a long time, Lucy Sante felt unsure of her place. Born in Belgium, the only child of conservative working-class Catholic parents who transplanted their little family to the United States, she felt at home only when she moved to New York City in the early 1970s and found her people among a band of fellow bohemians. Some would die young, to drugs and AIDS, and some would become jarringly famous. Sante flirted with both fates, on her way to building an estimable career as a writer. But she still felt like her life a performance. She was presenting a façade, even to herself.Sante’s memoir braids together two threads of personal narrative: the arc of her life, and her recent step-by-step transition to a place of inner and outer alignment. Sante brings a loving irony to her account of her unsteady first steps; there was much she found she still needed to learn about being a woman after some sixty years cloaked in a man’s identity, in a man’s world. A marvel of grace and empathy, I Heard Her Call My Name parses with great sensitivity many issues that touch our lives deeply, of gender identity and far beyond.