Bøger udgivet af Penned in the Margins

The Toll combines the elegaic with the anarchic, placing uproarious satire cheek-by-jowl with wild experiments in form and touching poems of parenthood. In this mature follow-up to his best-selling debut, Mondeo Man, Luke Wright captures the strain of austerity Britain, speaking truth to power and registering the toll it takes on us all.

Spacecraft navigates white space of the page and distances between people. Margins, edges and coastlines abound in McCullough's tender explorations of contemporary life and love. From lichen to lava lamps, from etymology to Brighton's gay scene, Spacecraft is a humane and spellbinding collection from the winner of the 2012 Polari First Book Prize.

The Sun is our neighbourhood star, igniting the imagination and setting the template for divinity. But in reality, it is crawling with sunspots of differing shapes, sizes, and power. Simon Barraclough is your guide to the Sun in this ambitious and energetic new collection of poems, fusing science and literature.

Bodypopping Belgians and bicycle couriers populate a world of public fountains and archaeological debris in this original and eclectic collection by James Wilkes.

Static Exile is a powerful and meditative debut collection which combines acute political observation with caustic humour.

We all want something to believe in. It's 1987 and Frankie Vah gorges on love, radical politics, and skuzzy indie stardom. But can he keep it all down? Following the multi award-winning What I Learned From Johnny Bevan, Luke Wright's second verse play deals with love, loss and belief, against a backdrop of grubby indie venues and 80s politics.

At once erudite, humourous and stylishly contemporary, Sarah Hesketh's debut collection invokes a world of frozen lakes, 'snow-spun streets' and people who have stayed too long.

City State showcases the work of twenty-seven London writers between the ages of 16 and 36. From hyperlinked walks of Battersea bombsites and guerilla gardening projects to jagged urban lyrics and dark hymns to the East End, City State presents a confident, entertaining and truly diverse snapshot of the best new poetry from London.

Alan Cunningham has produced a debut novella that is both beautiful and experimental - a powerful exploration of sexuality, placelessness and the body. Count from Zero to One Hundred is written as a series of fragments, fluctuating from conversation to philosophical reflection as its narrator moves across some of the great cities of Europe.

"None of this is the city. All of it is you," writes Siddhartha Bose in his new book of experimental poetry - Digital Monsoon. In his follow-up to the acclaimed debut Kalagora, Bose proposes the poet as a twenty-first century beatnik, a ravenous language machine eating up the margins of the city.

Anchors, shipwrecks, whales and islands abound in this first collection by Anglo-Breton poet Claire Trevien. These poems are sketches, lyrics, dreams, and experiments in language as sound. Trevien's is a surreal vision, steeped in myth and music, in which everything is alive and - like the sea itself - constantly shifting form.

Both human and humane, Oliver Dixon's debut collection maps a city and its inhabitants - from starlings and plane trees to a Stockhausen-listening street cleaner. But Human Form is as much a reflection on an interior world on the cusp of change; a search for form, combining elegantly crafted lyrics with prose poetry and fractured texts.

Love / All That /& OK, an anti-confessional by experimental British poet Emily Critchley, brings together a diverse range of work previously published in chapbooks since 2004, and includes new material from the sequences 'Poems for Luke', 'The Sonnets' and 'Poems for Other People'.

Where can the poem go in the age of the supercomputer? What do Wordsworth, Byron and British rapper Roots Manuva have in common? Would Emily Dickinson have preferred Facebook or Twitter? Does the future look - Oulipian? Is slam poetry any good, and what is "post-avant" anyway?

Logan Dankworth, columnist and Twitter warrior, grew up romanticising the political turmoil of the 1980s. Now, as the EU Referendum looms he is determined to be in the fray of the biggest political battle for years. The third of Luke Wright's trilogy of political verse plays looks at trust and privilege in the age of Brexit.

Follow Chris McCabe into the nocturnal world of Tower Hamlets Cemetery Park in search of the lost and forgotten poets of the East End. In The East Edge, McCabe leaves the safety of streetlights behind and walks in the footsteps of William Morris and W.G. Sebald through one of London's most enigmatic Victorian cemeteries..

Fiery, feminist and funny, Darling, It's Me is the first collection by Norwich-based writer and academic Alison Winch. Winch combines refreshing explorations of marriage and motherhood with re-imaginings of Chaucer's Wife of Bath and rebuttals to the 'great' (male) philosophers of the Enlightenment.

The Triumph of Cancer blurs the borders of science and poetry, working with forensic attention to capture the `inscape' of the living world. In this powerful new collection, presented as a museum of artefacts, Chris McCabe returns to the site of personal trauma to confront disease head-on.

The debut poetry collection from Cumbrian poet Kate Davies

In her long-awaited poetry debut, award-winning digital writer and artist J.R. Carpenter transforms the dense, fragmented archive of the North Atlantic into an astonishing sea of fresh new text. Cartographic and maritime vernaculars inflected with the syntax and grammar of ships logs and code languages splinter and pulse across the page.

Since 2004 Penned in the Margins has produced, commissioned and published a diverse range of literary projects, working with over one hundred and fifty writers, musicians and artists.From award winning anthologies such as Adventures in Form to critically acclaimed debut collections like Claire Trévien's The Shipwrecked House. This new anthology comprises over seventy-five poems and texts from our forty titles and celebrates the first decade of one of the UK's most innovative literary publishers.

The sacred, the profane and the prophetic come together in this stylish debut collection of poetry by Tamsin Kendrick.

In this extraordinary sequence of prose poems, coral reefs fall from the sky, volcanoes smoulder and pirates come to power in Britain.

From the opening Tuyman's Sonnets, which depict the cultural detritus of recent history as evidence of the severed real, to the sly, deft, minimalist lyrics of the book's second half - The Method is a tour de force which shows Rob Stanton to be a poet to watch. (Rae Armantrout, Pulitzer Prize Winner)

In this dazzling debut collection by Indian-born poet Siddhartha Bose, the cities of Kolkata, Mumbai, New York and London are transformed into sites of fractured vision.

Steak & Stations reports from a landscape of contrasts and contradictions: of speed and consumption, haute cuisine and isolated railway platforms; from nocturnal inner-city encounters to rural wildernesses where schoolgirls 'climb into the wind'.

Mono-browed cousins, clandestine paperboys, murderous action heroes and Swiss euthanasia clinics jostle for position in Ross Sutherland's intelligent and wildly entertaining debut collection of poetry.

A Body Made of You is a series of poems written for other writers, artists, strangers, lovers and friends. Charged with sexuality and an uncomfortable sense of the strange, this debut collection introduces a powerful new voice in poetry.

Voracious in her critique of modernity, Charlotte Newman ranges across the spectra of social and sexual politics - from Brexit to the Bechdel Test via Renaissance art and vintage computer games.

In The Story of No Emma Hammond delivers an experimental lyric that is wild, weird and full of the errata of modern life. Her poems reappropriate the language of brands, pornography and instant messaging, and argue for Carry On films and Wotsits as the true subjects of poetry.