Bøger udgivet af Pennsylvania State University Press

Combining scholarly essays with visual narratives and a conclusion in comics form, establishes graphic medicine as a new area of scholarship. Demonstrates that graphic medicine narratives offer patients, family members, and medical caregivers new ways to negotiate the challenges of the medical experience. Discusses comics as visual rhetoric.

An alphabetical guide to the deities of ancient Eastern Mediterranean civilizations. Discusses each deity's symbolism and imagery its connection to myths, rituals, and festivals described in texts.

Examines the role of religion in LGBT activism in Kenya. Offers case studies of creative forms of queer visibility through which Kenyan LGBT individuals organize and present themselves in the public domain while critically engaging and appropriating Christian beliefs, symbols, and practices.

Originally published in French in 2002, examines the life and work of art historian Aby Warburg. Demonstrates the complexity and importance of Warburg's ideas, addressing broader questions regarding art historians' conceptions of time, memory, symbols, and the relationship between art and the rational and irrational forces of the psyche.

A reexamination of the art of Arshile Gorky (1904-1948), and an exploration of his role in the development of modern abstraction in America.

An English translation of The Book of Peace, written between 1412 and 1414 by Christine de Pizan, one of the earliest known women authors. Translated material is side by side with the original French text.

An English translation, with accompanying introduction, commentary, and notes, of the medieval treatise on astrological magic known as Picatrix, a guide for constructing magical talismans, mixing magical compounds, summoning planetary spirits, and determining astrological conditions.

Theologians and Old Testament scholars have been at odds with respect to the best interpretation of the imago Dei. Theologians have preferred substantialistic (e.g., image as soul or mind) or relational interpretations (e.g., image as relational personhood) and Old Testament scholars have preferred functional interpretations (e.g., image as kingly dominion). The disagreements revolve around a number of exegetical questions. How do we best read Genesis 1 in its literary, historical, and cultural contexts? How should it be read theologically? How should we read Genesis 1 as a canonical text? This book charts a path through these disagreements by offering a dogmatically coherent and exegetically sound canonical interpretation of the image of God. Peterson argues that the fundamental claim of Genesis 1:26-28 is that humanity is created to image God actively in the world. "Made in the image of God"? is an identity claim. As such, it tells us about humanity's relationship with God and the rest of creation, what humanity does in the world, and what humanity is to become. Understanding the imago Dei as human identity has the further advantage of illuminating humanity's ontology.

Considers the implications of the Anthropocene, the proposed geological epoch in which a human "signature" appears in the lithostratigraphic record, for literary history and critical method. Explores the status of reading in the history of geology, and of geohistory in literature.

Pentcheva demonstrates that a fundamental shift in the Byzantine cult from relics to icons, took place during the late tenth century. Centered upon fundamental questions of art, religion, and politics, Icons and Power makes a vital contribution to the entire field of medieval studies.

Focuses on how technologies mediate our actions and our world perceptions. Peter-Paul Verbeek examines the philosophy of technology formulated by Jaspers and Heidegger, and extends the work of more recent philosophers of technology. He shows how his "postphenomenological" approach applies to the technological practice of industrial designers.

Explores the life and work of historian Edward Gibbon, and his complex relationship with Christianity, through an examination of his correspondence, private journals, early works, and unfinished memoirs.

Examines internet virality as a critical framework for considering early modern artworks' global mobility and replication. Explores the role of artistic labor, gatekeepers, infrastructures, and social networks to reassess art's role in processes of globalization.

"Examines several illustrated copies of the late medieval health guide known as the Râegime du corps, demonstrating how the manuscripts' depictions of household care highlight female-dominated expertise within the domestic sphere"--

Explores the creation and circulation of political caricatures in early US history. Includes a catalog of caricature prints published between 1789 and 1828.

Explores the search for religious meaning during World War I and the wide range of spiritual responses that emerged across boundaries. Examines how religious experience and battle experience were intertwined.

A collection of essays by leading scholars of Shakespeare in print, offering an overview of current research on the Folios and on unsettled questions about the bibliography of Shakespeare's plays.

Examines how the subtlety, variety, and inventiveness of American, Asian, and African creations and techniques encountered in the context of sixteenth century Iberian colonization challenged and revolutionized the definitions of what art is and what it means to be human.

"Explores how gender, socioeconomic status, and religious identity shaped the lives and work of Jewish and Christian women in medieval Catalan cities"--

First published in 2014, Jessica Gordon Nembhard's Collective Courage quickly became an important tool for understanding the history of cooperative economic enterprises in the African American community. This now-classic work recounts how African Americans benefited greatly from cooperative ownership and democratic economic participation throughout the nation's history.Many of the players in this story are well known--among them W. E. B. Du Bois; A. Philip Randolph and the Ladies' Auxiliary to the Brotherhood of Sleeping Car Porters; Nannie Helen Burroughs; Fannie Lou Hamer; Ella Jo Baker and George Schuyler of the Young Negroes' Co-operative League; the Federation of Southern Cooperatives; and the Black Panther Party. Drawing on media reports and co-op records, Gordon Nembhard uncovers the challenges they faced and highlights their hard-won victories. This tenth anniversary edition of Collective Courage features a substantial preface that expands on material in the first edition and addresses the development of the Black co-op movement through the second decade of the twenty-first century. It remains an indispensable resource for readers interested in the history of the struggle for African American economic freedom and equity.

A wealthy textile titan from Carlisle, Pennsylvania, Frank Masland Jr. was an ardent political conservative and an equally fervent conservationist who was well known and highly respected in the mid-twentieth-century environmental preservation community. This eye-opening biography charts Masland's life work, telling the story of how he and fellow Republicans worked with Democrats to expand the national park system, preserve wild country, and protect the environment. Though a conservative conservationist appears to be a contradiction in terms today, this was not necessarily the case when Masland and his compatriots held sway. Conservatives, Masland insisted, had a duty to be good stewards of the earth for present and future generations, and they worked closely with members of both parties in Congress and nonpolitical conservation groups to produce landmark achievements. When conservatives turned against environmentalism during the Reagan presidency, Masland refused to join what historians have termed the "Republican reversal." During his long life of nearly a hundred years, Masland used his voice, influence, experiences with nature, and considerable wealth to champion environmental causes at the national, state, and local levels. Engaging, informative, and at times eyebrow-raising, this portrait of a passionately anti-statist nature-loving Republican environmentalist documents the history of the twentieth-century conservation movement and reminds us of a time when conservative Republicans could work with liberal Democrats to protect the environment.

"More popular than Jesus." Despite the uproar it caused in America in 1966, John Lennon's famous assessment of the Beatles vis-à-vis religion was not far off. The Beatles did mean more to kids than the religions in which they were raised, not only in America but everywhere in the world.By all accounts, the Beatles were the most significant musical group of the twentieth century. Their albums sold in the hundreds of millions, and the press was always eager to document their activities and perspectives. And when fan appreciation morphed into worship, Beatlemania took on religious significance. Many young people around the world began to look to the Beatles--their music, their commentary, their art--for meaning in a turbulent decade. Speaking Words of Wisdom is a deep dive into the Beatles' relationship to religion through the lenses of philosophy, cultural studies, music history, and religious studies. Chapters explore topics such as religious life in Liverpool, faith among individual band members, why and how India entered the Beatles' story, fan worship/deification, and the Beatles' long-lasting legacy. In the 1960s, the Beatles facilitated a reevaluation of our deepest values. The story of how the Beatles became modern-day sages is an important case study for the ways in which consumers make culturally and religiously significant meaning from music, people, and events.In addition to the editor, the contributors to this book include David Bedford, Kenneth Campbell, John Covach, Melissa Davis, Anthony DeCurtis, Mark Duffett, Scott Freer, Murray Leeder, Sean MacLeod, Grant Maxwell, Christiane Meiser, and Eyal Regev.