Bøger udgivet af Picador USA

"Unsettling, absolutely riveting, and-for better or worse-necessary reading." -Brian Christian, author of Algorithms to Live By and The Alignment ProblemAn entertaining account of the philosophy and technology of hacking-and why we all need to understand it.It's a signal paradox of our times that we live in an information society but do not know how it works. And without understanding how our information is stored, used, and protected, we are vulnerable to having it exploited. In Fancy Bear Goes Phishing, Scott J. Shapiro draws on his popular Yale University class about hacking to expose the secrets of the digital age. With lucidity and wit, he establishes that cybercrime has less to do with defective programming than with the faulty wiring of our psyches and society. And because hacking is a human-interest story, he tells the fascinating tales of perpetrators, including Robert Morris Jr., the graduate student who accidentally crashed the internet in the 1980s, and the Bulgarian "Dark Avenger," who invented the first mutating computer-virus engine. We also meet a sixteen-year-old from South Boston who took control of Paris Hilton's cell phone, the Russian intelligence officers who sought to take control of a US election, and others.In telling their stories, Shapiro exposes the hackers' tool kits and gives fresh answers to vital questions: Why is the internet so vulnerable? What can we do in response? Combining the philosophical adventure of Gödel, Escher, Bach with dramatic true-crime narrative, the result is a lively and original account of the future of hacking, espionage, and war, and of how to live in an era of cybercrime.Includes black-and-white images

"[A] master class in American cultural and intellectual history." -Sarah E. Igo, The New York Times Book Review"Jackson Lears is the preeminent cultural historian of the American empire. This book is another masterpiece in his magisterial corpus." -Cornel WestA master historian's retrieval of the spiritual visions and vitalisms that animate American life and the possibilities they offer today.In Animal Spirits, the distinguished historian Jackson Lears explores an alternative American cultural history by tracking the thinkers who championed the individual's spontaneous energies and the idea of a living universe against the strictures of conventional religion, business, and politics. From Puritan times to today, Lears traces ideas and fads such as hypnosis and faith healing from the pulpit and stock exchange to the streets and the betting table. We meet the great prophets of American vitality, from Walt Whitman and William James to Andrew Jackson Davis (the "Poughkeepsie Seer") and the "New Thought" pioneer Helen Wilmans, who spoke of the "god within-rendering us diseaseless incarnations of the great I Am."Well before John Maynard Keynes stressed the reliance of capitalism on investors' "animal spirits," these vernacular vitalists established an American religion of embodied mind that also suited the needs of the marketplace. In the twentieth century, the vitalist impulse would be enlisted in projects of violent and racially charged national regeneration by Theodore Roosevelt and his legatees, even as African American writers confronted the paradoxes of primitivism and the 1960s counterculture imagined new ways of inspiriting the universe. Today, scientists are rediscovering the best features of the vitalist tradition-permitting us to reclaim the role of chance and spontaneity in the conduct of our lives and our understanding of the cosmos.Includes 8 pages of black-and-white images

"A serious, frequently brilliant novel with a sustained intensity that is rare in fiction. It's the most promising first novel that I've encountered this year." ¿Sam Sacks, The Wall Street Journal"[A] searching, emotionally resonant first novel . . . [Nobody Is Ever Missing] impressed me, and held me to my chair. There's significant talent at work here." ¿Dwight Garner, The New York TimesThe 10th anniversary reissue of Catherine Lacey's beloved, star-making debut novel Nobody Is Ever Missing: a mordant, uncanny, and unputdownable journey into one woman's attempt to break free of her life.Without telling her family, Elyria takes a one-way flight to New Zealand, abruptly leaving her stable but unfulfilling life in Manhattan. As her husband scrambles to figure out what happened to her, Elyria hurtles into the unknown, testing fate by hitchhiking, tacitly being swept into the lives of strangers, and sleeping in fields, forests, and public parks.Her perilous and often surreal encounters with the people and wildlife of New Zealand propel Elyria deeper into her deteriorating mind. Haunted by her sister's death and consumed by an inner violence, her growing rage remains so expertly concealed that those who meet her sense nothing wrong. This discord between her inner and outer reality leads her to another obsession: If her truest self is invisible and unknowable to others, is she even alive?The risks Elyria takes on her journey are paralleled by the risks Catherine Lacey takes on the page. In urgent, spiraling prose, Lacey whittles away at the rage within Elyria and exposes the very real, very knowable anxiety of the human condition. A sensation upon its release in 2014 and the introduction to a singular literary talent, Lacey's debut novel Nobody Is Ever Missing radiates the same intensity and invention it did upon its publication, and remains an unrelenting, unputdownable search for the dark heart of the self.

"Superb . . . [The] final, splendid, most personal work of [Janet Malcolm's] long career." -Charles Finch, The New York Times Book ReviewFor decades, Janet Malcolm's books and dispatches for The New Yorker and The New York Review of Books poked and prodded at reportorial and biographical convention, gesturing toward the artifice that underpins both public and private selves. In Still Pictures, she turns her gimlet eye on her own life-a task demanding a writer just as peerlessly skillful as she was widely known to be.Still Pictures, then, is not the story of a life but an event on its own terms, an encounter with identity and family photographs as poignant and original as anything since Roland Barthes's Camera Lucida. Malcolm looks beyond the content of the image and the easy seductions of self-recognition, constructing a memoir from memories that pose questions of their own. Still Pictures begins with the image of a morose young girl on a train, leaving Prague for New York at the age of five in 1939. From her fitful early loves, to evenings at the old Metropolitan Opera House, to her fascination with what it might mean to be a "bad girl," Malcolm assembles a composite portrait of a New York childhood, one that never escapes the tug of Europe and the mysteries of fate and family. Later, Still Pictures delves into her marriage to Gardner Botsford, the world of William Shawn's New Yorker, and the libel trial that led Malcolm to become a character in her own drama. Displaying the sharp wit and astute commentary that are Malcolmian trademarks, this brief volume develops into a memoir like few others in our literature.

A wildly over-the-top social satire reimagining the mad misadventures of the iconic royal cousins King Ludwig and Empress Sisi, from the incomparable Jac Jemc.History knows them as King Ludwig II of Bavaria and Empress Elizabeth of Austria, icons of the late nineteenth century who died young and left behind magnificent portraits and palaces. But to each other they were Ludwig and Sisi, cousins who shared a passion for beauty and a stubborn refusal to submit to the roles imposed upon them.Ludwig, simultaneously spoiled and punished for his softness and "unmanly" interests, falls hard for the operas of Richard Wagner and neglects his state duties in the pursuit of art. Sisi, married at the age of sixteen to her beloved Franzl, bristles at the restrictions of her elevated position, the value placed on her beauty, and the simultaneous expectation that she ravage her body again and again in childbirth. Both absurdly vain, both traumatized by the demands of their roles, Sisi and Ludwig struggle against the ideals they are expected to embody, and resist through extravagance, petulance, performance, and frivolity.A tragicomic tour de force, Empty Theatre immerses readers in Ludwig and Sisi's rarefied, ridiculous, restrictive world-where the aesthetics of excess belie the isolation of its inhabitants. With wit, pathos, and imagination, Jac Jemc takes us on an unforgettable journey through two extraordinary parallel lives and the complex, tenuous friendship that links them.

Kincaid's first book, which announced the arrival of a singular talent, "will burn on your shelf" (Derek Walcott).Reading Jamaica Kincaid is to plunge gently into another way of seeing both the physical world and its elusive inhabitants. Her voice is, by turns, naively whimsical and biblical in its assurance, and it speaks of what is partly remembered, partly divined. The memories often concern a childhood in the Caribbean-family, manners, and landscape-as distilled and transformed by Kincaid's special style and vision.Kincaid leads her readers to consider, as if for the first time, the powerful ties between mother and child; the beauty and destructiveness of nature; the gulf between the masculine and the feminine; the significance of familiar things-a house, a cup, a pen. Transfiguring our human form and our surroundings-shedding skin, darkening an afternoon, painting a perfect place-these stories tell us something we didn't know, in a way we hadn't expected.Originally published in 1978, Jamaica Kincaid's first book immediately established her as an inimitable, vibrant, and hauntingly beautiful voice in contemporary literature.

"A riveting indictment of the child welfare system . . . [A] bracing gut punch of a book." -Robert Kolker, The Washington Post"[A] moving and superbly reported book." -Jessica Winter, The New Yorker"A harrowing account . . . [and] a powerful critique of [the] foster care system . . . We Were Once a Family is a wrenching book." -Jennifer Szalai, The New York TimesA New York Times Book Review Editors' ChoiceThe shocking, deeply reported story of a murder-suicide that claimed the lives of six children-and a searing indictment of the American foster care system.On March 26, 2018, rescue workers discovered a crumpled SUV and the bodies of two women and multiple children at the bottom of a cliff along the Pacific Coast Highway. Investigators soon concluded that the crash was a murder-suicide, but there was more to the story: Jennifer and Sarah Hart, it turned out, were a white married couple who had adopted six Black children from two different Texas families in 2006 and 2008. Behind the family's loving facade was an alleged pattern of abuse and neglect that had been ignored as the couple withdrew the children from school and moved west. It soon became apparent that the State of Texas knew all too little about the two individuals to whom it had given custody of six children. Immersive journalism of the highest order, Roxanna Asgarian's We Were Once a Family is a revelation of precarious lives; it is also a shattering exposé of the foster care and adoption systems that produced this tragedy. As a journalist in Houston, Asgarian sought out the children's birth families and put them at the center of the story. We follow the lives of the Harts' adopted children and their birth parents, and the machinations of the state agency that sent the children far away. Asgarian's reporting uncovers persistent racial biases and corruption as young people of color are separated from birth parents without proper cause. The result is a riveting narrative and a deeply reported indictment of a system that continues to fail America's most vulnerable children while upending the lives of their families.

The World and All That It Holds-in all its hilarious, heartbreaking, erotic, philosophical glory-showcases Aleksandar Hemon's celebrated talent at its pinnacle. It is a grand, tender, sweeping story that spans decades and continents. It cements Hemon as one of the boldest voices in fiction.As Archduke Franz Ferdinand arrives in Sarajevo one June day in 1914, Rafael Pinto is busy crushing herbs and grinding tablets behind the counter at the pharmacy he inherited from his estimable father. It's not quite the life he had expected during his poetry-filled student days in libertine Vienna, but it's nothing a dash of laudanum from the high shelf, a summer stroll, and idle fantasies about passersby can't put in perspective.And then the world explodes. In the trenches in Galicia, fantasies fall flat. Heroism gets a man killed quickly. War devours all that they have known, and the only thing Pinto has to live for are the attentions of Osman, a fellow soldier, a man of action to complement Pinto's introspective, poetic soul; a charismatic storyteller; Pinto's protector and lover.Together, Pinto and Osman will escape the trenches, survive near-certain death, tangle with spies and Bolsheviks. Over mountains and across deserts, from one world to another, all the way to Shanghai, it is Pinto's love for Osman-with the occasional opiatic interlude-that keeps him going.

The Wonder Paradox offers a lively, practical, and transcendent road map to meaning and connection through poetry.Where do we ¿nd magic? Peace? Connection?We have calendars to mark time, communal spaces to bring us together, bells to signal hours of contemplation, öcial archives to record legacies, the wisdom of sages read aloud, weekly, to map out the right way to live-in kindness, justice, morality. These rhythms and structures of society were all once set by religion. Now, for many, religion no longer runs the show.So how then to celebrate milestones? Find rules to guide us? Figure out which texts can focus our attention but still öer space for inquiry, communion, and the chance to dwell for a dazzling instant in what can't be said? Where, really, are truth and beauty? The answer, says The Wonder Paradox, is in poetry.In twenty chapters built from years of questions and conversations with those looking for an authentic and meaningful life, Jennifer Michael Hecht öers ways to mine and adapt the useful aspects of tradition and to replace what no longer feels true. Through cultures and poetic wisdom from around the world-Sappho, Rumi, Shakespeare, Issa, Tagore, Frost, Szymborska, Angelou, and others-she blends literary criticism with spiritual guidance rooted in the everyday. Linking our needs to particular poems, she helps us better understand those needs, our very being, and poetry itself.Our capacity for wonder is one of the greatest joys of being human; The Wonder Paradox celebrates that instinct and that yearning.

Mary and Mr. Eliot is a twin portrait of T. S. Eliot and its author, the formidable Mary Trevelyan.In 1938 T. S. Eliot, already "a Classic in his lifetime," struck up a friendship with Mary Trevelyan. This passionately curious woman, an intrepid traveler who, like Eliot, was deeply involved in the affairs of the Church of England, served as the warden of the Student Movement House, mere yards from the poet and editor's office at Faber and Faber. Their relationship was domestic rather than artistic, characterized by churchgoing, conversation, record-playing, day trips to the English countryside with Mary at the wheel of the car Tom bought her, and Eliot cooking up sausages in his shirtsleeves. Over the years, their friendship deepened, and she came to believe it might grow into something more. Twice she proposed marriage, but Eliot always led her to understand that any such commitment would be impossible for him. Then the revelation of his long attachment to Emily Hale-and the sudden shock of his marriage to his secretary, Valerie Fletcher-caused a rupture between Trevelyan and the poet that could not be overcome. Mary Trevelyan left a unique chronicle-including diaries, letters, and pictures-that charts their twenty-year relationship. Now Erica Wagner has given it shape and context, bringing this untold story to light for the first time. Mary and Mr. Eliot is a tale of joy, misunderstanding, and betrayal that feels utterly modern and deeply human.

Miller's ingenious second novel is "transgressive, terrifying, tough, and very, very funny" (Tony Kushner).In Rebecca Miller's dazzling second novel, we meet characters separated by time but united in their desire to live a life of their own choosing, free from the constraints of community and tradition.In eighteenth-century Paris, Jacob Cerf is a Jewish street peddler burdened by a disastrous young marriage but determined to raise himself up by whatever means he can. His richly observed life in Paris's Jewish ghetto is radically altered when he gains entrance to the opulent world of the aristocracy and the freedom to create his own identity. More than two hundred years later, Jacob reappears in surprising form in the suburbs of Long Island. He soon becomes obsessed by a young Orthodox Jewish woman with a secret ambition. Determined to change her fate, Jacob takes it upon himself to entangle her with a conflicted volunteer fireman. As Jacob's mischievous plans unfold, the burdens of duty and the pull of desire will twist the lives of all three.Rebecca Miller explores the hold of the past on the present, the power of private hopes and dreams, and the collision of fate and free will. Transfiguring her world with a clear gaze and sharp, surprising wit, she brings Jacob's Folly vividly to life.

"[An] erudite, enlightening new biography . . . [Waldstreicher's] interpretations equal Wheatley's own intentional verse, making it a joy to follow along as he unpacks her words and their arrangement." -Tiya Miles, The Atlantic"Thoroughly researched, beautifully rendered and cogently argued . . . The Odyssey of Phillis Wheatley is [. . .] historical biography at its best." -Kerri Greenidge, The New York Times Book Review (Editors' Choice)A paradigm-shattering biography of Phillis Wheatley, whose extraordinary poetry set African American literature at the heart of the American Revolution.Admired by George Washington, ridiculed by Thomas Jefferson, published in London, and read far and wide, Phillis Wheatley led one of the most extraordinary American lives. Seized in West Africa and forced into slavery as a child, she was sold to a merchant family in Boston, where she became a noted poet at a young age. Mastering the Bible, Greek and Latin translations, and the works of Pope and Milton, she composed elegies for local elites, celebrated political events, praised warriors, and used her verse to variously lampoon, question, and assert the injustice of her enslaved condition. "Can I then but pray / Others may never feel tyrannic sway?" By doing so, she added her voice to a vibrant, multisided conversation about race, slavery, and discontent with British rule; before and after her emancipation, her verses shook up racial etiquette and used familiar forms to create bold new meanings. She demonstrated a complex but crucial fact of the times: that the American Revolution both strengthened and limited Black slavery.In this new biography, the historian David Waldstreicher offers the fullest account to date of Wheatley's life and works, correcting myths, reconstructing intimate friendships, and deepening our understanding of her verse and the revolutionary era. Throughout The Odyssey of Phillis Wheatley, he demonstrates the continued vitality and resonance of a woman who wrote, in a founding gesture of American literature, "Thy Power, O Liberty, makes strong the weak / And (wond'rous instinct) Ethiopians speak."

Short-Listed for the 2023 Walter Scott Prize for Historical Fiction"The Sun Walks Down is the book I'm always longing to find: brilliant, fresh, and compulsively readable. It is marvelous. I loved it start to finish." -Ann Patchett, author of The Dutch HouseFiona McFarlane's blazingly brilliant new novel, The Sun Walks Down, tells the many-voiced, many-sided story of a boy lost in colonial Australia.In September 1883, a small town in the South Australian outback huddles under strange, vivid sunsets. Six-year-old Denny Wallace has gone missing during a dust storm, and the entire community is caught up in the search for him. As they scour the desert and mountains for the lost child, the residents of Fairly-newlyweds, farmers, mothers, Indigenous trackers, cameleers, children, artists, schoolteachers, widows, maids, policemen-confront their relationships, both with one another and with the land­scape they inhabit.The colonial Australia of The Sun Walks Down is noisy with opinions, arguments, longings, and terrors. It's haunted by many gods-the sun among them, rising and falling on each day in which Denny could be found, or lost forever.Told in many ways and by many voices, Fiona McFarlane's new novel pulses with love, art, and the unbearable divine. It arrives like a vision, mythic and bright with meaning.

INTERNATIONAL BESTSELLERA Best Book of the Year (So Far) at The New Yorker, The BBC, Vulture, CrimeReadsA Barack Obama Summer Reading Pick"[A] savagely satirical thriller." -PeopleThe Booker Prize-winning author of The Luminaries brings us Birnam Wood, a gripping thriller of high drama and kaleidoscopic insight into what drives us to survive.Birnam Wood is on the move . . . A landslide has closed the Korowai Pass on New Zealand's South Island, cutting ö the town of Thorndike and leaving a sizable farm abandoned. The disaster presents an opportunity for Birnam Wood, an undeclared, unregulated, sometimes-criminal, sometimes-philanthropic guerrilla gardening collective that plants crops wherever no one will notice. For years, the group has struggled to break even. To occupy the farm at Thorndike would mean a shot at solvency at last. But the enigmatic American billionaire Robert Lemoine also has an interest in the place: he has snatched it up to build his end-times bunker, or so he tells Birnam's founder, Mira, when he catches her on the property. He's intrigued by Mira, and by Birnam Wood; although they're poles apart politically, it seems Lemoine and the group might have enemies in common. But can Birnam trust him? And, as their ideals and ideologies are tested, can they trust one another?A gripping psychological thriller from the Booker Prize-winning author of The Luminaries, Eleanor Catton's Birnam Wood is Shakespearean in its drama, Austenian in its wit, and, like both in¿uences, fascinated by what makes us who we are. A brilliantly constructed study of intentions, actions, and consequences, it is a mesmerizing, un¿inching consideration of the human impulse to ensure our own survival.

The scintillating conclusion to the critically acclaimed historical saga: the Jan Michalski Prize-winning Sands of the Emperor trilogy."[Couto's] life has been woven into the history of the nation, and he has become the foremost chronicler of Mozambique's antiheroes: its women, its peasants, even its dead." -Jacob Judah, The New York TimesIn The Drinker of Horizons, the award-winning author Mia Couto brings the epic love story between a young Mozambican woman named Imani and the Portuguese sergeant Germano de Melo to its moving close. We resume where The Sword and the Spear concluded: While Germano is left behind in Africa, serving with the Portuguese military, Imani has been enlisted to act as the interpreter to the imprisoned emperor of Gaza, Ngungunyane, on the long voyage to Lisbon. For the emperor and his seven wives, it will be a journey of no return. Imani's own return will come only after a decade-long odyssey through the Portuguese empire at the beginning of the twentieth century. If history is always narrated by the victors, in The Drinker of Horizons, Couto performs an act of restorative justice, giving a voice to those silenced by the horrors of colonialism. Throughout, Couto's language astonishes, rendering with utter clarity the beauty and terror of war and love, and revealing the devastation of a profoundly unequal encounter between cultures.

The intellectual autobiography of Mario Vargas Llosa, winner of the Nobel Prize in Literature.From its origins, the liberal doctrine has represented the most advanced forms of democratic culture, and it is what has most defended us from the inextinguishable "call of the tribe." This book hopes to make a modest contribution to that indispensable project.In The Call of the Tribe, Mario Vargas Llosa surveys the readings that have shaped the way he thinks and has viewed the world over the past fifty years. The Nobel laureate, "tireless in his quest to probe the nature of the human animal" (Marie Arana, The Washington Post), maps out the liberal thinkers who helped him develop a new body of ideas after the great ideological traumas of his disenchantment with the Cuban Revolution and his alienation from the ideas of Jean-Paul Sartre, the author who most inspired Vargas Llosa in his youth.The works of Adam Smith, José Ortega y Gasset, Friedrich A. Hayek, Karl Popper, Raymond Aron, Isaiah Berlin, and Jean-François Revel helped the author enormously during those uneasy years. They showed him another school of thought, one that placed the individual before the tribe, nation, class, or party and defended freedom of expression as a fundamental value for the exercise of democracy. The Call of the Tribe documents Vargas Llosa's engagement with their work and charts the evolution of his personal ideology.

National Bestseller. A New York Times Book Review Editors' Choice. Named a best book of March by Apple Books and Amazon, and a most anticipated book by The New York Times, Esquire, The Guardian, Time, BuzzFeed, Electric Literature, Literary Hub, and Chicago Review of Books"A major novel, and a notably audacious one." -Dwight Garner, The New York Times "It feels fairly rare for a novel to be hugely intelligent and moving and fun in equal measure, but with Biography of X, Catherine Lacey somehow-magically-makes the nearly impossible look easy." -Lauren GroffFrom one of our fiercest stylists, a roaring epic chronicling the life, times, and secrets of a notorious artist.When X-an iconoclastic artist, writer, and polarizing shape-shifter-falls dead in her office, her widow, CM, wild with grief and refusing everyone's good advice, hurls herself into writing a biography of the woman she deified. Though X was recognized as a crucial creative force of her era, she kept a tight grip on her life story. Not even CM knows where X was born, and in her quest to find out, she opens a Pandora's box of secrets, betrayals, and destruction. All the while, she immerses herself in the history of the Southern Territory, a fascist theocracy that split from the rest of the country after World War II, and which finally, in the present day, is being forced into an uneasy reunification. A masterfully constructed literary adventure complete with original images assembled by X's widow, Biography of X follows CM as she traces X's peripatetic trajectory over decades, from Europe to the ruins of America's divided territories, and through her collaborations and feuds with everyone from Bowie and Waits to Sontag and Acker. At last, when she finally understands the scope of X's defining artistic project, CM realizes her wife's deceptions were far crueler than she imagined. Pulsing with suspense and intellect while blending nonfiction and fiction, Biography of X is a roaring epic that plumbs the depths of grief, art, and love. In her most ambitious novel yet, Catherine Lacey pushes her craft to its highest level, introducing us to an unforgettable character who, in her tantalizing mystery, shows us the fallibility of the stories we craft for ourselves.

From the award-winning writer-director of The Private Lives of Pippa Lee, a riveting drama about the complexities of living the simple life.More than twenty years ago, Jack Slavin (Daniel Day-Lewis) walked away from the mainstream to live a more deliberate life. But the island commune he began in hopes of a better future has long since imploded, and he is now one of its final residents. Jack's only companion is his sixteen-year-old daughter, Rose (Camilla Belle), whom he has carefully sheltered from the outside world. Now, beset by terminal illness, encroaching developers, and Rose's emerging womanhood, Jack faces troubling questions about the days ahead.In an attempt to provide his daughter with the kind of family she's never known, Jack invites Kathleen (Catherine Keener), the woman he's been secretly seeing on the mainland, and her sons to live with them. But Rose feels betrayed rather than comforted, and lashes out with a willful retribution that places her innocence on the battlefield and Kathleen's safety in danger. His carefully constructed world thrown into chaos, Jack finds himself trapped between two headstrong women and forced to take action.With The Ballad of Jack and Rose, the award-winning filmmaker Rebecca Miller has created a startling family drama. Miller's screenplay, introduced by the author and accompanied by stills from the film, is a powerful, poetic work, primed to be savored page by page.

"From page one, A Country You Can Leave is a riveting, exasperating, and deeply heartbreaking tale of mother-daughter strife and resilience." -Xochitl Gonzalez, author of Olga Dies DreamingA stunning debut novel following the turbulent relationship of a Black biracial teen and her ferocious Russian mother, struggling to survive in the California desert.When sixteen-year-old Lara and her fiery mother, Yevgenia, find themselves homeless again, the misnamed Oasis Mobile Estates is all they can afford. In this new community, where residents are down on their luck but rich in humor and escape plans, Lara navigates what it means to be the Black biracial daughter of a Russian mother and begins to wonder what a life beyond Yevgenia's orbit-with her insistence on reading only the right kind of books (Russian) and having the right kind of relationships (casual, with lots of sex)-might look like.Lara knows that something else lies beneath her mother's fierce, independent spirit, but Yevgenia doesn't believe in sharing, least of all with her daughter. When a brutal attack exposes the cracks in their relationship, Lara and Yevgenia are forced to confront the family legacy of violence and the strain of inherited trauma on the bonds of their love.A Country You Can Leave is a dazzling, sharp-witted story suffused with yearning, as Lara and Yevgenia attempt to forge their own identities and thrive in a hostile land. Compelling and empathetic, wry and intimate, Asale Angel-Ajani's unforgettable debut novel examines the beauty and dangers of womanhood in multiracial America.

A National Indie BestsellerWinner of the National Book Critics Circle Award, the Story Prize, and a Windham-Campbell Literature PrizeA Best Book of the Year at The New York Times, The New Yorker, Vogue, Houston Chronicle, Roxane Gay's The Audacity, Mashable, Polygon, Kirkus Reviews, and Library JournalA New York Times Book Review Editor's Choice"Uncanny and haunting . . . Genius." -Michele Filgate, The Washington Post"Dazzling." -Maureen Corrigan, NPR's Fresh AirWhat happens when fantasy tears the screen of the everyday to wake us up? Could that waking be our end?In Bliss Montage, Ling Ma brings us eight wildly different tales of people making their way through the madness and reality of our collective delusions: love and loneliness, connection and possession, friendship, motherhood, the idea of home. A woman lives in a house with all her ex-boyfriends. A toxic friendship grows up around a drug that makes you invisible. An ancient ritual might heal you of anything-if you bury yourself alive. These and other scenarios investigate the ways that the outlandish and the ordinary are shockingly, deceptively, heartbreakingly alike.

WINNER OF THE 2023 PEN/DIAMONSTEIN-SPIELVOGEL AWARD FOR THE ART OF THE ESSAYA collection of essays from Judith Thurman, the National Book Award-winning biographer and New Yorker staff writer.Judith Thurman, a prolific staff writer at The New Yorker for more than two decades, has gathered a selection of her essays and profiles in A Left-Handed Woman. They consider our culture in all its guises: literature, history, politics, gender, fashion, and art, though their paramount subject is the human condition. Thurman is one of the preeminent essayists of our time-"a master of vivisection," as Kathryn Harrison wrote in The New York Times. "When she's done with a subject, it's still living, mystery intact."

One of the top ten books of the year at The New York Times Book Review, The Wall Street Journal, Vulture/New York magazineA best book of the year at Los Angeles Times, Time, NPR, The Washington Post, Bookforum, The New Yorker, Vogue, KirkusThe acclaimed, award-winning New Yorker writer Rachel Aviv offers a groundbreaking exploration of mental illness and the mind, and illuminates the startling connections between diagnosis and identity.Strangers to Ourselves poses fundamental questions about how we understand ourselves in periods of crisis and distress. Drawing on deep, original reporting as well as unpublished journals and memoirs, Rachel Aviv writes about people who have come up against the limits of psychiatric explanations for who they are. She follows an Indian woman celebrated as a saint who lives in healing temples in Kerala; an incarcerated mother vying for her children's forgiveness after recovering from psychosis; a man who devotes his life to seeking revenge upon his psychoanalysts; and an affluent young woman who, after a decade of defining herself through her diagnosis, decides to go off her meds because she doesn't know who she is without them. Animated by a profound sense of empathy, Aviv's gripping exploration is refracted through her own account of living in a hospital ward at the age of six and meeting a fellow patient with whom her life runs parallel-until it no longer does.Aviv asks how the stories we tell about mental disorders shape their course in our lives-and our identities, too. Challenging the way we understand and talk about illness, her account is a testament to the porousness and resilience of the mind.

"I'll Build a Stairway to Paradise is like an exquisite string of pearls: the perfect balance of elegance, style, design, and beauty. This book is inspiring, spirited, and totally absorbing." -Diane von FurstenbergThe story of Bunny Mellon, the great landscape and interior designer, becomes a revelatory exploration of extreme wealth in the American century. Bunny Mellon, whose life was marked by astonishing good fortune as well as tragedy and scandal, remains a singular figure in the annals of American design. She had her finger on the pulse of American culture and possessed a rare, once-in-a-generation sense of style and grace. Her most celebrated work-the White House Rose Garden, designed during the presidency of John F. Kennedy-demonstrated how formal restraint and the sparing use of color could be deployed to maximal effect. Later, her understated landscape design for the Kennedy grave site at Arlington National Cemetery changed the face of American public memorials.Mellon was a famously private person, and many of her greatest achievements remained concealed from public view. Her rarely seen gardens and domestic interiors at eight different properties on three continents became legends and models. At Oak Spring Farm in Virginia, the bibliographic riches of her Garden Library were twinned with the expansive flowering gardens lying below the Edward Larrabee Barnes-designed building. At her home on Nantucket, she pruned back the landscape to reveal the elemental forms of nature. Mellon also ranked as one of the great art collectors of her era, encouraging her husband Paul to use his family's vast wealth to acquire hundreds of nineteenth-century French paintings, many of which were donated to the National Gallery of Art. Her own tastes ranged from Mark Rothko to Richard Diebenkorn-in quantity.In I'll Build a Stairway to Paradise, Mac Griswold-who knew Mellon personally-delves into her subject's closely guarded personal archives to construct an unrivaled portrait of a woman as complex and multifaceted as the gardens and homes on which she left her mark. Mellon tested the anodyne 1950s model of woman-as-wife-as-mother by getting a divorce, admitting candidly to her first husband that she wanted a richer one. She imperiously traded old friends for new and ultimately used her reputation, her connections, and above all her money to help fund John Edwards's short-lived presidential campaign. She led an American version of a royal court that, over the years, included Jackie Kennedy, Hubert de Givenchy, and I. M. Pei.How Mellon's character, style, and taste developed together to produce her greatest accomplishments-private and public-is the real subject of this biography.

A Wall Street Journal and Times Literary Supplement Book of the Year | Long-listed for the Plutarch AwardA bold new biography of the legendary painter John Singer Sargent, stressing the unruly emotions and furtive desires that drove his innovative work and defined the transatlantic, fin de siècle culture he inhabited. A great American artist, John Singer Sargent is also an abiding enigma. While dressing like a businessman and crafting a highly respectable persona, he scandalized viewers on both sides of the Atlantic with the frankness and sensuality of his work. He charmed the nouveaux riches as well as the old money, but he reserved his greatest sympathies for Bedouins, Spanish dancers, and the gondoliers of Venice. At the height of his renown in Britain and America, he quit his lucrative portrait-painting career to concentrate on allegorical murals with religious themes-and on nude drawings of male models that he kept to himself.In The Grand Affair, the historian Paul Fisher offers a vivid life of the buttoned-up artist and his unbuttoned work. Sargent's nervy, edgy portraits exposed illicit or dark feelings in himself and his sitters-feelings that high society on both sides of the Atlantic found fascinating and off-putting. Fisher traces Singer's life from his wandering trans-European childhood to the salons of Paris, and the scandals and enthusiasms he caused, and on to London. There he mixed with eccentrics and aristocrats, and the likes of Henry James and Oscar Wilde, while at the same time forming a close relationship with a lightweight boxer who became his model, valet, and traveling partner. In later years, Sargent met up with his friend and patron Isabella Stewart Gardner around the world and devoted himself to a new model, the African American elevator operator and part-time contortionist Thomas McKeller, who would become the subject of some of Sargent's most daring and powerful work.Illuminating Sargent's restless itinerary, Fisher explores the enigmas of fin de siècle sexuality and art, fashioning a biography that grants the man and his paintings new and intense life.

A Telegraph Best Book of 2022Faith, Hope and Carnage is a book about Nick Cave's inner life.Created from more than forty hours of intimate conversations with the journalist Seán O'Hagan, this is a profoundly thoughtful exploration, in Cave's own words, of what really drives his life and creativity.The book examines questions of belief, art, music, freedom, grief and love. It draws candidly on Cave's life, from his early childhood to the present day, his loves, his work ethic and his dramatic transformation in recent years.Faith, Hope and Carnage offers ladders of hope and inspiration from a true visionary.

Winner of the 2023 PEN/Faulkner Award for Fiction Long-listed for the 2023 Andrew Carnegie Medal for Excellence in FictionA New York Times Book Review Editors' ChoiceA Slate Top Ten Book of the YearA TIME Best Fiction Book of 2022Named a Best Book of the Year by The New Yorker, NPR, Los Angeles Times, The Guardian, Los Angeles Review of Books, Financial Times, San Francisco Chronicle, LitHub, Buzzfeed, and more.A magnificent, beguiling tale winding from the postwar rural provinces to Paris, from an English boarding school to the quiet Pennsylvania home where a woman can live without her past, The Book of Goose is a story of disturbing intimacy and obsession, of exploitation and strength of will, by the celebrated author Yiyun Li.Fabienne is dead. Her childhood best friend, Agnès, receives the news in America, far from the French countryside where the two girls were raised-the place that Fabienne helped Agnès escape ten years ago. Now Agnès is free to tell her story. As children in a war-ravaged backwater town, they'd built a private world, invisible to everyone but themselves-until Fabienne hatched the plan that would change everything, launching Agnès on an epic trajectory through fame, fortune, and terrible loss.

The Facemaker: A Visionary Surgeon's Battle to Mend the Disfigured Soldiers of World War I is an incredibly moving and insightful book written by the talented Lindsey Fitzharris. Published by PICADOR in 2023, this compelling narrative falls under the genre of historical non-fiction. Fitzharris masterfully combines medical history and wartime narrative to bring to life the story of a visionary surgeon who dedicated his life to treating the disfigured soldiers of World War I. The Facemaker not only sheds light on the horrors of war but also the indomitable spirit of those who seek to heal amidst chaos. This is a book that will leave you with a profound appreciation for the advances in medical science and the heroes who make them possible. A must-read published by PICADOR.

Roberto Calasso, "a literary institution of one" (The Paris Review), tells the story of the eternal life of Utnapishtim, the savior of man, in the eleventh part of his great literary project.A long time ago, the gods grew tired of humans, who were making too much noise and disturbing their sleep, and they decided to send a Flood to destroy them. But Ea, the god of fresh underground water, didn't agree and advised one of his favorite mortals, Utnapishtim, to build a quadrangular boat to house humans and animals. So Utnapishtim saved living creatures from the Flood. Rather than punish Utnapishtim, Enlil, king of the gods, granted him eternal life and banished him to the island of Dilmun. Thousands of years later, Sindbad the Sailor is shipwrecked on that very same island, and the two begin a conversation about courage, loss, salvation, and sacrifice. What Utnapishtim tells Sindbad is the subject of this book, the eleventh part of Roberto Calasso's great opus that began in 1983 with The Ruin of Kasch. The Tablet of Destinies, a continuous narrative from beginning to end, delves into our earliest mythologies and records the origin stories of human civilization.