Bøger udgivet af PM Press

"Both timely and timeless, this biography reveals Makhno s rapidly changing world and his place in it. He moved swiftly from peasant youth to prisoner to revolutionary anarchist leader, narrowly escaping Bolshevik Ukraine for Paris. This book also chronicles the friends and enemies he made along the way: Lenin, Trotsky, Kropotkin, Alexander Berkman, Emma Goldman, Ida Mett, and others."--

A fascinating fictive polemic from the award-winning Nalo Hopkinson. Hopkinson address the crowd during a Guest of Honour address to the 2012 conference of Interational Association of the Fantastic in the Arts, in the voice of an alien. The alien evaluates Earth's strange customs, including the marginalisation of works by non white and women authors. A dramatic mix of humour, anger and shrewd analysis pervades this discussion of the unconcious and unacknowledged racism of white colleagues and points the way to a more diverse and inclusive future.

Josh Fernandez is a community college professor who finds himself under investigation for “soliciting students for potentially dangerous activities” after starting an antifascist club on campus.As Fernandez spends the year defending his job, he reflects on a life lived in protest of the status quo, swept up in chaos and rage, from his childhood in Boston dealing with a mentally ill father and a new family to growing up in Davis, California, in the basement shows of the early '90s when Nazi boneheads proliferated the music scene, looking for heads to crack. His crew’s first attempts at an antifascist group fall short when a member dies in a knife fight. A born antiauthoritarian, filled with an untamable rage, Fernandez rails against the system and aggressively chooses the path of most resistance. This leads to long spates of living in his car, strung out on drugs, and robbing the whiteboys coming home from the clubs at night.Fernandez eventually realizes that his rage needs an outlet and finds relief for his existential dread in the form of running. And fighting Nazis. Fernandez cobbles together a life for himself as a writing professor, a facilitator of a self-defense collective, a boots-on-the-ground participant in Antifa work, and a proud father of two children he unapologetically raises to question authority.But his parents and academia seem to think Fernandez is failing miserably, putting his children and his students at risk, and they treat Fernandez like he’s a time bomb, ready to explode at any moment. They may have a point.

Signal weaves a story of how culture is central to social transformation, both yesterday and today.This ongoing series is dedicated to documenting and sharing political graphics, creative projects, and cultural production of international resistance and liberation struggles.Highlights of the ninth volume of Signal include:Hell No, We Won’t Glow: Selections from the Anti-Nuclear Power Discography by Dirk Bannink and Sean P. KilcoyneThey Have Calluses on Their Tongues. We Have Calluses on Our Hands. Davide Tidoni interviews Italian artist and self-appointed worker communicator Pietro PerottiClick to Edit: Print on demand and the aesthetics and means for production of the far right by Alex LucasCreative Freedom behind the Iron Curtain Aaron Terry explores the film posters of the

An exemplary story of solidarity in action, Cultivating a Revolutionary Spirit conveys the exhilarating experience of being part of paradigm-changing revolutions.Bill Lankford visited Nicaragua in 1984 to see the Sandinista revolution for himself. What he found led this physics professor to volunteer his skills teaching at the Central American University in Managua. There, he and his students developed a solar cooking project which took on a life of its own, spreading throughout the five countries of Central America.In Cultivating a Revolutionary Spirit, Bill describes how local women used the tools of carpentry to build solar ovens and how they used the tools of feminism to take more control over their own lives and their communities. Bill leveraged his personal resources as a white North American man—professionally educated, fluent in English, with access to money and connections—to facilitate the work of Central American women who started by building ovens and went on to create an array of projects to meet basic needs, improve health, and increase access to educational and leadership opportunities for women.

Riding More with Less is the bike repair manual for everyone else. Pulling away from the obsolescence and disposability so often implied within consumer economies, the book surveys experienced community bike shop mechanics worldwide to identify the best and safest repair solutions when new parts are not an option. For those already familiar with the finer arts of bicycle preservation, Riding More with Less aligns the most useful technical references within a well-organized compilation of the most effective low-cost and for-free repair techniques. And for the uninitiated, the book includes an overview of the community bike shops many readers may find in their own neighborhoods, where many begin to discover real alternatives.Presented in a compact and info-rich writing style, the technical discussion within Riding More with Less goes beyond identifying innovative techniques for fixing bikes with little or no money to demonstrate just how common these approaches really are. Most cyclists globally do not ride expensive or even modern ones, after all, and from this perspective the option of new repair parts might even be exceptional, rather than normative. Moreover, the Covid pandemic underlines how supply chain disruptions beyond our control can lead larger numbers of people towards reusing salvageable bike parts and other creative solutions.

Class, Race, and Gender: Challenging the Injuries and Divisions of Capitalism is for those who want to understand the underlying connections among today’s social justice movements.Bringing forth the basic operations of capitalist economies, it reveals what is driving many of today’s most urgent and vexing problems: the common origins of the inequalities of income, wealth, and power; environmental devastation; militarism; racism and white supremacy; patriarchy and male chauvinism; periodic economic crises; and the cultural conflicts that are tearing at US life.Michael Zweig illuminates all propositions with specific examples from US history, from the first settlement of the New World to current life, including his own lived experiences as an activist, educator, and organizer over the past six decades. As such, the book is an urgently needed resource for activists and organizers seeking structural and moral transformation of life in the US. Building on his analysis, Zweig also presents strategies for political action in electoral and movement-building work.

Anton Pannekoek (1873-1960), the Dutch astronomer and Marxist revolutionary, was a key theoretician of council communism-a Marxist alternative to both Leninism and Social Democracy that instead emphasized working-class self-emancipation through workers' councils. The first half of this book walks the reader through the fundamentals of council communism and the conditions that led to the development of these ideas. The second half of the book demonstrates the rich depth of Pannekoek's thinking, with penetrating essays and insightful letters on revolutionary organization, state capitalism, Marxism, the limitations of trade unions and political parties, the potential of wildcat strikes, public vs. common ownership, the necessity of combining organization and freedom, the deceptiveness of parliamentarism, workers' councils, the vital importance of working-class self-emancipation, and more.With the recent resurgence in the naïve hope that Democratic Socialism and trade unionism can act as radical methods to meaningfully confront or even overthrow capitalism, Pannekoek's council communist ideas encourage workers to think for themselves rather than submit to the dead-end traditions of the old movement and embrace the collective self-activity that can build a new movement capable of overcoming the struggles we face ahead.

Beneath the Pavement the Garden is a coloring book featuring the artwork of N.O. Bonzo. Kids and adults of all ages are invited to let their imagination soar with this beautiful celebration of the many forms of anarchism, from direct action and mutual aid to abolition and community gardens, and more.

Having stormed mainstream literature from the outskirts, Lethem has won a readership both wide and deep, all of whom appreciate his literary excellence, his mordant but compassionate humor, and the cultish attentiveness of his SF origins. He has earned the right to tread anywhere, and his many admirers are ready to follow.This collection compiles his intensely personal thoughts on the most interesting and deplorable topics in post-postmodern America. It moves from original new fiction to insights on popular culture, cult and canonical authors, and problematic people.Plus…“David Bowman and the Furry-Girl School of American Fiction” is a personal true adventure, as Lethem tries (with the help of a seeming expert) to elbow his way into literary respectability. “The Collapsing Frontier” and “In Mugwump Four” are fictions mapping ominous new realms. “Calvino’s 'Lightness' and the Feral Child of History” is an intimate encounter with a legendary author. In “My Year of Reading Lemmishly” and “Snowden in the Labyrinth” he explores courage, art, and the search for truth, with wildly different results.And Featuring: Our usual Outspoken Interview, in which Lethem reveals the secret subtext of his books, how he spent his MacArthur award money, and how a Toyota he owned was used in the robbery of a fast-food restaurant.

Signal:08 collects and connects the culture and politics of international Black Power publishing, the 1960s anarchist and antimilitarist illustrations of Vera Williams and Liberation magazine, memorializing those murdered by anti-Sikh violence in India, the agitprop of the Popular Front for the Liberation of Palestine, and the aesthetics and politics of a reenactment of the largest rebellion of enslaved people in US history. Crossing continents and communities, print and performance, Signal weaves a story of how culture is central to social transformation, both yesterday and today.Highlights of the eighth volume of Signal include:Writing for the Revolution: Publishing and Designing Black Power Books by Andrew FearnleyHope in the Midst of Apathy: Liberation magazine and the Covers of Vera Williams by Alec DunnMost of My Heroes: Stamps in Memory of Anti-Sikh Violence by Vijay S. Jodha & S. RaviOur Code of Morals Is Our Revolution: Agit Prop Travel Documents of the Popular Front for the Liberation of PalestineSlave Rebellion Reenactment: An Interview with Dread Scott by Josh MacPhee

With his blue mohawk and ragged leather jacket, Alex Damage fits in to only a small pocket of 1981 Los Angeles: the dynamic, changing punk scene.In this world, he survives on favors and reputation as a small-time private investigator, but when a young woman hires him to solve the potential murder of the singer of one of his favorite local bands, everything in his life amps up. As he digs deeper into what really happened, Alex must both seek out and dodge an endless array of dangerously powerful drug dealers, aging porn stars, crooked cops, neo-Nazi skinheads, and shadowy, corrupt politicians. The deeper he gets—and the more punishment his body takes and the more he begins to fall for the woman who hired him—the more determined he becomes to follow the trail to its conclusion. In the end, the truth is far more complicated than Alex had thought: not only about the murder and the victim’s unsavory private life but also about Alex’s own past behaviors and attitudes. Meticulously researched and drawing from memoirs, zines, and documentaries, Alex Damage’s story comes to life with real hangouts and real shows from LA in 1981, which makes the book immersive for the people who were there as well as those who wish they could have been.

"Both timely and timeless, this biography reveals Makhno s rapidly changing world and his place in it. He moved swiftly from peasant youth to prisoner to revolutionary anarchist leader, narrowly escaping Bolshevik Ukraine for Paris. This book also chronicles the friends and enemies he made along the way: Lenin, Trotsky, Kropotkin, Alexander Berkman, Emma Goldman, Ida Mett, and others."--

"Portland, Oregon, 1988. The brutal murder of Ethiopian immigrant Mulugeta Seraw by racist skinheads shocked the city. In response disparate groups quickly came together to organize against white nationalist violence and right wing organizing throughout the Rose City and the Pacific Northwest. It Did Happen Here compiles interviews with dozens of people who worked together during the waning decades of the 20th century to reveal an inspiring collaboration between groups of immigrants, civil rights activists, militant youth, and queer organizers. This oral history focuses on participants in three core groups: the Portland chapters of Anti Racist Action and Skinheads Against Racial Prejudice, and the Coalition for Human Dignity. Using a diversity of tactics-from out-and-out brawls on the streets and at punk shows, to behind-the-scenes intelligence gathering-brave antiracists unified on their home ground over and over, directly attacking right wing fascists and exposing white nationalist organizations and neo-Nazi skinheads. Embattled by police and unsupported by the city, these citizen activists eventually drove the boneheads out of the music scene and off the streets of Portland. This book shares their stories about what worked, what didn't, and ideas on how to continue the fight"--

The Department of Justice sought information on all who visited the DisruptJ20.org website for Donald Trump's inauguration. Undercover agents infiltrate BlackLivesMatter protests. Police routinely command bystanders to stop filming them by falsely claiming it is a crime. Agricultural states such as Iowa, Idaho, Utah, and Wyoming enact laws that criminalize the filming of factory farm cruelty while allowing other-than-human animal suffering to continue unabated. Dissent and poverty are increasingly criminalized by the state as precarity grows.Abolishing Surveillance offers the first in-depth study of how various communities and activist organizations are resisting such efforts by integrating digital media activism into their actions against state surveillance and repression and for a better world. The book focuses on a wide array of movements within the United States such as Latinx copwatching groups in New York City, Muslim and Arab American communities in Minneapolis, undercover animal rights activists, and countersummit protesters to explore the ways in which government surveillance and repression impacts them and, more importantly, their different but related online and offline tactics and strategies employed for self-determination and liberation. Digital media production becomes a core element in such organizing as cell phones and other forms of handheld technology become more ubiquitous. Yet such uses of technology can only be successfully employed when built upon strong grassroots organizing that has always been essential for social movements to take root. Neither idealizing nor disparaging the digital media activism explored within its pages, Abolishing Surveillance analyzes the successes and failures that accompany each case study. The book explores the historically shifting terrain since the 1980s to the present of how historically disenfranchised communities, activist organizations, and repressive state institutions battle over the uses of digital technology and media-making practices as civil liberties, community autonomy, and the very lives of people and other-than-human animals hang in the balance.

"Fierce and funny, this memoir in essay and song is full of wonderful tales of art and protest. Leon Rossleson's Where are the Elephants is a rare behind the scenes look at the life and times of one of England's foremost folksingers. This clear-eyed portrait of an activist who never gave up and whose talent, wit, and verve brought the world into finer focus provides a model for a whole new generation of radicals. Fans will love revisiting the lyrics from his hits-and behind the scenes glimpses of the stories and events that inspired his songs, but Rosselson's story of growing from a red diaper baby into a modern troubadour up against the barricades is a tale for the ages"--

The Sea is Rising and So Are We: A Climate Justice Handbook is an invitation to get involved in the movement to build a just and sustainable world in the face of the most urgent challenge our species has ever faced. By explaining the entrenched forces that are preventing rapid action, it helps you understand the nature of the political reality we are facing and arms you with the tools you need to overcome them. The book offers background information on the roots of the crisis and the many rapidly expanding solutions that are being implemented all around the world. It explains how to engage in productive messaging that will pull others into the climate justice movement, what you need to know to help build a successful movement, and the policy changes needed to build a world with climate justice. It also explores the personal side, how engaging in the movement can be good for your mental health. It ends with advice on how you can find the place where you can be the most effective and where you can build climate action into your life in ways that are deeply rewarding.

Originally published in German in 1999 by Konkret-Verlag.

Spanning the famous Homestead steel strike of 1892 through the century-long fight for a union and union democracy, Homestead Steel Mill—the Final Ten Years is a case history on the vitality of organized labor. Written by fellow worker and musician Mike Stout, the book is an insider’s portrait of the union at the U.S. Steel’s Homestead Works, specifically the workers, activists, and insurgents that made up the radically democratic Rank and File Caucus from 1977 to 1987. Developing its own “inside-outside” approach to unionism, the Rank and File Caucus drastically expanded their sphere of influence so that, in addition to fighting for their own rights as workers, they fought to prevent the closures of other steel plants, opposed U.S. imperialism in Central America, fought for civil rights, and built strategic coalitions with local environmental groups.Mike Stout skillfully chronicles his experience in the takeover and restructuring of the union’s grievance procedure at Homestead by regular workers and put at the service of its thousands of members. Stout writes with raw honesty and pulls no punches when recounting the many foibles and setbacks he experienced along the way. The Rank and File Caucus was a profound experiment in democracy that was aided by the 1397 Rank and File newspaper—an ultimate expression of truth, democracy, and free speech that guaranteed every union member a valuable voice.Profusely illustrated with dozens of photographs, Homestead Steel Mill—the Final Ten Years is labor history at its best, providing a vivid account of how ordinary workers can radicalize their unions.

Advertising Shits in Your Head calls adverts what they are—a powerful means of control through manipulation—and highlights how people across the world are fighting back. It diagnoses the problem and offers practical tips for a DIY remedy. Faced with an ad-saturated world, activists are fighting back, equipped with stencils, printers, high-visibility vests, and utility tools. Their aim is to subvert the adverts that control us.With case studies from both sides of the Atlantic, this book showcases the ways in which small groups of activists are taking on corporations and states at their own game: propaganda. This international edition includes an illustrated introduction from Josh MacPhee, case studies and interviews with Art in Ad Places, Public Ad Campaign, Resistance Is Female, Brandalism, and Special Patrol Group, plus photography from Luna Park and Jordan Seiler.This is a call-to-arts for a generation raised on adverts. Beginning with a rich and detailed analysis of the pernicious hold advertising has on our lives, the book then moves on to offer practical solutions and guidance on how to subvert the ads. Using a combination of ethnographic research and theoretical analysis, Advertising Shits in Your Head investigates the claims made by subvertising practitioners and shows how they impact their practice.

Cuando Filomena Buscarsela, detective privado trabajando en Nueva York, lleva a su hija adolescente Antonia a Ecuador para que conozca a sus familiares, la visita se trastoca en más que un simple regreso a casa. Filomena no ha pisado Ecuador en años, y este viaje le devuelve episodios de su vida pasada en los que fue una revolucionaria. Ni siquiera logra tener tiempo de adaptarse a su nuevo entorno cuando es asesinado el sacerdote que, años atrás, le salvó la vida y la ayudó a escapar hacia Estados Unidos.La investigación que emprende Filomena sobre dicho asesinato la lleva a reencontrarse con las personas de las que tuvo que escapar en el pasado. Mientras el país está atormentado por desastres naturales y sociales—deslizamiento de tierras, inundaciones, escasez de alimentos, protestas, represiones—Filomena se convierte en una fugitiva de la ley que atraviesa el país para tener un enfrentamiento culminante en la selva amazónica. Wishnia construye una novela rica en paisajes, sonidos y peligros de Ecuador, además provee una mirada irresistible sobre las raíces de una de las heroínas más dinámicas del género ficción criminal.

Wielding Words like Weapons is a collection of acclaimed American Indian Movement activist-intellectual Ward Churchill’s essays in indigenism, selected from material written during the decade 1995–2005. It includes a range of formats, from sharply framed book reviews and equally pointed polemics and op-eds to more formal essays designed to reach both scholarly and popular audiences. The selection also represents the broad range of topics addressed in Churchill’s scholarship, including the fallacies of archeological and anthropological orthodoxy such as the insistence of “cannibalogists” that American Indians were traditionally maneaters, Hollywood’s cinematic degradations of native people, questions of American Indian identity, the historical and ongoing genocide of North America’s native peoples, and the systematic distortion of the political and legal history of U.S.-Indian relations.Less typical of Churchill’s oeuvre are the essays commemorating Cherokee anthropologist Robert K. Thomas and Yankton Sioux legal scholar and theologian Vine Deloria Jr. More unusual still is his profoundly personal effort to come to grips with the life and death of his late wife, Leah Renae Kelly, thereby illuminating in very human terms the grim and lasting effects of Canada’s residential schools upon the country’s indigenous peoples.A foreword by Seneca historian Barbara Alice Mann describes the sustained efforts by police and intelligence agencies as well as university administrators and other academic adversaries to discredit or otherwise “neutralize” both the man and his work. Also included are both the initial “stream-of-consciousness” version of Churchill’s famous—or notorious—“little Eichmanns” opinion piece analyzing the causes of the attacks on 9/11, as well as the counterpart essay in which his argument was fully developed.

This Is Not a Photo Opportunity is a street-level, full-color showcase of some of Banksy’s most innovative pieces ever.Banksy, Britain’s now-legendary “guerilla” street artist, has painted the walls, streets, and bridges of towns and cities throughout the world. Once viewed as vandalism, Banksy’s work is now venerated, collected, and preserved.Over the course of a decade, Martin Bull has documented dozens of the most important and impressive works by the legendary political artist, most of which are no longer in existence. This Is Not a Photo Opportunity boasts nearly 200 color photos of Banksy’s public work on the walls, as seen from the streets.

Tar sands “development” comes with an enormous environmental and human cost. In the tar sands of Alberta, the oil industry is using vast quantities of water and natural gas to produce synthetic crude oil, creating drastically high levels of greenhouse gas emissions and air and water pollution. But tar sands opponents—fighting a powerful international industry—are likened to terrorists, government environmental scientists are muzzled, and public hearings are concealed and rushed.Yet, despite the formidable political and economic power behind the tar sands, many opponents are actively building international networks of resistance, challenging pipeline plans while resisting threats to Indigenous sovereignty and democratic participation. Including leading voices involved in the struggle against the tar sands, A Line in the Tar Sands offers a critical analysis of the impact of the tar sands and the challenges opponents face in their efforts to organize effective resistance.Contributors include: Greg Albo, Sâkihitowin Awâsis, Toban Black, Rae Breaux, Jeremy Brecher, Linda Capato, Jesse Cardinal, Angela V. Carter, Emily Coats, Stephen D’Arcy, Yves Engler, Cherri Foytlin, Sonia Grant, Harjap Grewal, Randolph Haluza-DeLay, Ryan Katz-Rosene, Naomi Klein, Melina Laboucan-Massimo, Winona LaDuke, Crystal Lameman, Christine Leclerc, Kerry Lemon, Matt Leonard, Martin Lukacs, Tyler McCreary, Bill McKibben, Yudith Nieto, Joshua Kahn Russell, Macdonald Stainsby, Clayton Thomas-Muller, Brian Tokar, Dave Vasey, Harsha Walia, Tony Weis, Rex Weyler, Will Wooten, Jess Worth, and Lilian Yap.The editors’ proceeds from this book will be donated to frontline grassroots environmental justice groups and campaigns.

When the socialist politician Salvador Allende dramatically won Chile’s presidential election in 1970, a powerful cultural movement accompanied him to power. Folk singers emerged at the forefront, proving that music could help forge the birth of a new society. As the CIA actively funded opposition media against Allende during his campaign, the New Chilean Song Movement rose to prominence, viscerally persuading voters with its music. Víctor Jara, a central protagonist at the time, became an icon in Chile, Latin America, and beyond for his revolutionary lyrics and life. Inti-Illimani, Quilapayún, and other musicians contributed by singing before audiences of workers outside factories or campesinos in Chile’s rural countryside.A short cultural history, “Venceremos“ charts the development of the movement from the years before Allende’s victorious campaign to the brutal U.S.-backed military coup on September 11, 1973, that overthrew his presidency and imposed the dictatorship of General Augusto Pinochet. Featuring interviews from key figures and lyrical analysis, “Venceremos“ gives insight into how the New Chilean Song Movement’s revolutionary anthems came to be.From the early folkloric documentation of Violeta Parra in Chile’s countryside to “Venceremos,“ the triumphant anthem of Allende’s Popular Unity Coalition, the music of Chile’s Nueva Canción was shaped by the larger history occurring all around it. Within the songs, all the hopes, dreams and apprehensions of the nation were reflected. At the same time, as its influence grew, the cultural movement claimed its own principal space as catalyst of not only Chile’s musical but its political future as well. So dangerous were its creations that the Pinochet dictatorship censored and attempted to destroy them. Most tragically, Víctor Jara’s life was taken in the bloody repression that immediately followed the coup.

The Struggle Within is an accessible yet wide-ranging historical primer about how mass imprisonment has been a tool of repression deployed against diverse left-wing social movements over the last fifty years. Berger examines some of the most dynamic social movements across half a century: black liberation, Puerto Rican independence, Native American sovereignty, Chicano radicalism, white antiracist and working-class mobilizations, pacifist and antinuclear campaigns, and earth liberation and animal rights.Berger’s encyclopedic knowledge of American social movements provides a rich comparative history of numerous social movements that continue to shape contemporary politics. The book also offers a little-heard voice in contemporary critiques of mass incarceration. Rather than seeing the issue of America’s prison growth as stemming solely from the war on drugs, Berger locates mass incarceration within a slew of social movements that have provided steep challenges to state power.