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An essential and long out-of-print document of formative works by institutional critique progenitor Michael AsherOriginally published in 1983, Writings 1973-1983 on Works 1969-1979, by Los Angeles artist Michael Asher (1943-2012) presents select documentation of 33 works through writings, photographs, architectural floor plans, exhibition announcements and other ephemera. For most of his career, Asher did not create traditional art objects; instead, he altered the existing institutional apparatus through which art is presented, creating work that intervened in the architectural, social or economic systems that undergird how art is produced and experienced. For example, in 1974, he removed the partition wall dividing the office and gallery space of the Claire S. Copley Gallery in Los Angeles, revealing the day-to-day activities of the gallery to the public. In another work from 1979, Asher had a bronze replica of a late 18th-century sculpture of George Washington moved from the exterior of the Art Institute of Chicago to a museum gallery that housed 18th-century art, reintroducing the statue to its original period context and shifting its function from public monument to indoor sculpture. Due to its site- and time-specific nature, Asher's work generally ceased to exist after an exhibition, which makes this highly sought-after book an invaluable resource. As the artist states in the introduction: "This book as a finished product will have a material permanence that contradicts the actual impermanence of the art-work, yet paradoxically functions as a testimony to that impermanence of my production." Initiated by Kasper König, Writings 1973-1983 on Works 1969-1979 was originally copublished by the Press of the Nova Scotia College of Art and Design and the Museum of Contemporary Art, Los Angeles, and was largely shaped by Asher's close collaboration with Benjamin H.D. Buchloh, who succeeded König as editor of the press.

A facsimile of Graham's ultra-rare artist's book documenting early performance worksOriginally published in 1978 and produced here in facsimile form, Theatre is an artist's book documenting seven early performance works by Dan Graham (born 1942) taking place from 1969 to 1977, with notes, transcripts and photo documentation for each performance. These performances catch the artist at a unique moment, as he shifts away from his early media works and towards his hallmark video and written work around underground music and youth culture.The works in Theatre focus primarily on the psychological and social space between individuals and the roles they serve inside the arena of performance, subverting them by creating conditions by which a performer or audience simultaneously functions as both (creating a type of feedback loop through social transgression). Like most of Graham's work, these performances also serve as a critique of cultural norms, with many of the performances utilizing quotidian, social acts that are amplified over time.

Commemorative coins, patches, mugs and other ephemera from the shadowy world of US military aviation and aerospaceIn From the Archives of Peter Merlin, Aviation Archaeologist, multidisciplinary artist Trevor Paglen (born 1974) collaborates with Peter Merlin, a former NASA archivist, on this new artist's book featuring a photographic inventory of objects from the aerospace historian's archive of research culled from military bases such as Area 51.Featuring images of challenge coins, patches and commemorative mugs from within these bases, as well as debris recovered from the surrounding crash sites, the book presents both a social and technological investigation into the US government's secret aviation history from the atomic age to today's drone wreckage.The symbols and texts featured on these objects that celebrate covert missions range in character from goofy to sinister, though their actual meaning may never be fully explained to the public. In addition to photographic images, the book includes an essay by Paglen as well as in-depth captions of the archive's inventory, offering context for this history and addressing the present-day ramifications of these military advancements across the realms of communication, surveillance and warfare.

Take your art to the next level with "Poses for Artists Volume 9: Feet" by Justin R. Martin. As the latest addition to the bestselling "Poses for Artists" series, this book provides artists with a comprehensive guide to foot pose reference, drawing upon the author/illustrator's expert knowledge and experience. With over 200 foot poses expertly drawn by Justin R. Martin, you'll have a wealth of inspiration and reference material at your fingertips. Whether you're a beginner or a seasoned artist, this book will provide the guidance and resources you need to master foot poses and bring your artwork to life.

New York: Artist Space, March 2007-May 2007

SHE MOVES AMONG NASHVILLE'S BIGGEST STARS. HE'S A SMALL-TOWN KIND OF GUY.Brooke Summers has always known she would follow in the footsteps of her father, legendary Nashville talent manager Bobby Summers. They've worked side-by-side since her graduation from college, and as Bobby eyes retirement he wants her to manage the career of their biggest client.Raven McCloud is the darling of country music, a megawatt superstar who is equal parts beautiful and demanding. Her songs top the charts, and her concerts sell out in minutes. Bobby has been with Raven every step of the way, as mentor, father figure, and trusted friend. Her resistance to Brooke is immediate and public.Bobby's discovery of a box of Raven's old recordings promises a respite from the tension. The songs were recorded years before she made it big. One especially piques Bobby's interest. It's a catchy Christmas tune called Making Santa Smile. And the singer isn't Raven. It's a man.Bobby thinks it can be a hit, but first he needs to find the mystery man behind the song. Raven isn't much help. She vaguely remembers him as a freshman year boyfriend named Carl. Their relationship didn't survive the semester, and she hasn't thought of him since. Brooke sends the song to a handful of Nashville radio stations to get their opinion. The feedback is quick. Everybody loves Making Santa Smile.Brooke accepts the challenge to locate the mystery singer known only as Christmas Carl. Her search leads to the doorstep of an unassuming small-town pharmacist who has no idea what is about to hit him. And Brooke? She finds her feelings for Christmas Carl moving well beyond his singing ability.

Take your art to the next level with "Poses for Artists Volume 8: Hands" by Justin R. Martin. As the latest addition to the bestselling "Poses for Artists" series, this book provides artists with a comprehensive guide to hand pose reference, drawing upon the author/illustrator's expert knowledge and experience. With over 100 hand poses expertly drawn by Justin R. Martin, you'll have a wealth of inspiration and reference material at your fingertips. Whether you're a beginner or a seasoned artist, this book will provide the guidance and resources you need to master hand poses and bring your artwork to life.

The African American ABC Book is a point-and-say alphabet book that captivates a child's attention while laying a foundation for learning their ABC's. The ABC Book is a modern day picture book with an African American twist. As you turn the page, each alphabet accompanies a picture to promote reading readiness and observational skills. The African American ABC Book is perfect for teaching each alphabet from A is for Africa to Z is for Zulu. The African American ABC Book was written to encourage parents and little readers to explore the letters of the alphabet in a whole new and meaningful way.

Texts accompanying 77 works from the humorous and enigmatic Darren BaderThis volume of writings by New York conceptualist Darren Bader (born 1978) features texts for 77 artworks. Writing is at the core of Bader's work: he offers deceptively simple propositions for artworks to be carried out by gallerists, museums and collectors who then exhibit the works. Each time a work is sold, Bader produces a text that explains the parameters of the artwork. The propositions can be extremely precise or abstract; however, these guides are not made available to the public. Bader has also written propositions for impossible artworks, such as a proposal for installing a baby-changing table under Leonardo da Vinci's "The Last Supper" at the Convent of Santa Maria delle Grazie in Milan. This book foregrounds Bader's writing and provides a key to his humorous and sometimes enigmatic works.

In a 1973 interview, Minimalist sculptor and poet Carl Andre (born 1935) proclaimed: "I am a native son of Quincy, Massachusetts, proud of the town whether the town is proud of me or not." In lieu of an exhibition catalogue for his 1973 solo show at the Addison Gallery, Andre hired a commercial photographer to document landscapes from his hometown. Taken in the winter of that year, the resulting images of Quincy's snow-covered headstones and monuments were composed into this artist's book (the wry cover image is of a locally quarried headstone reading "Andre"). The stark black-and-white photographs focus on the industrial, working-class side of the city--the shipyard, railroad tracks, cranes and granite quarries--as well as on the creeks and dirt roads of its desolate wooded outskirts. An unusual work within Andre's oeuvre, this artist's book hints at the origins of his sculptural aesthetic.

The long-awaited compendium of Wegman's hilarious, ingenious writings and language-centric art, from the early 1970s to the presentWhile he's famous the world over for his instantly recognizable images of Weimaraner dogs, William Wegman has long been one of Conceptual art's true innovators. Filled with previously unknown and wildly entertaining texts, drawings and early photos, Writing by Artist is the first collection to focus on Wegman's longstanding and deeply funny relationship to language.This career-spanning edition presents a thematically organized selection of rediscovered writings dating back to the 1970s and 1980s, alongside landmark early photographs and hilarious drawings from throughout his career. All of the works brilliantly incorporate words in one form or another, altering logic and pushing the boundaries of what artist writing can be. Writing by Artist serves as a genuine epiphany for those only familiar with his later work, and a welcome reminder of his madcap inventiveness for the already enlightened. What you do or don't know about William Wegman now conveniently fits into this strangely beguiling book.William Wegman was born in 1943, in Holyoke, Massachusetts. He received a BFA in painting from the Massachusetts College of Art, Boston, in 1965 and an MFA in painting from the University of Illinois, Champagne-Urbana, in 1967. By the early '70s, Wegman's work was being exhibited in museums and galleries internationally. In addition to solo shows with Sonnabend Gallery in Paris and New York, Situation Gallery in London and Konrad Fisher Gallery in Düsseldorf, his work was included in such seminal exhibitions as When Attitudes Become Form and Documenta V, and was regularly featured in Interfunktionen, Artforum and Avalanche magazines. Wegman has created film and video works for Saturday Night Live and Nickelodeon, and his video segments for Sesame Street have appeared regularly since 1989. In 1995, Wegman's film The Hardly Boys was screened at the Sundance Film Festival. Wegman has appeared on The Tonight Show with Johnny Carson and with Jay Leno, The David Letterman Show and The Colbert Report.

An essential anthology of fiction, art and more from the experimental, punk-feminist 1980s downtown journal, with work by Kathy Acker, Constance DeJong, Cookie Mueller and morePublished between 1978 and 1991, Top Stories was a prose periodical specializing in experimental writing with a collaborative, punk-feminist ethos, edited by New York-based photographer Anne Turyn (born 1954). Turyn founded the publication in Buffalo, New York, before moving the operation to Chelsea in the 1980s, where issues were produced in Chinatown, distributed by mail order and through Printed Matter, and printed in runs between 500 and 2,000. With 29 issues in total, the publication played a key historical role in the development of the group of artists and writers who helped define the "downtown" scene of the 1980s.All 29 issues of the periodical are collected in this anthology, which compiles experimental fiction, art, photography and graphic design.Contributors include: Donna Wyszomierski, Laurie Anderson, Pati Hill, Suzanne Johnson, Linda Neaman, Gail Vachon, Jenny Holzer, Peter Nadin, Judith Doyle, Kathy Acker, Lynne Tillman, Jane Dickson, Kirsten Thorup, Janet Stein, Anne Turyn, Lee Eiferman, Constance DeJong, Ursule Molinaro, Romaine Perin, Cookie Mueller, Ascher / Straus, Susan Daitch, Lou Robinson, Lisa Bloomfield and Mary Kelly.

A revelatory compendium of writings, art and ephemera on the '90s New York collective that fostered a social space for diasporic Asian artistsA New York Times critics' pick Best Art Books 2021 This anthology gathers writings, documentation and ephemera from Godzilla: Asian American Arts Network, a collective based in New York from 1990 to 2001, which was formed to provide a support structure for Asian American artists, writers and curators to stimulate visibility and critical discourse for their work. Edited by curator Howie Chen, the book gathers archival material from the group's wide-ranging activities, which included producing exhibitions and forums to social change advocacy surrounding institutional racism, the politics of representation, Western imperialism, the AIDS crisis and violence against Asian Americans. Godzilla created a social space for diasporic Asian artists and art professionals, including members Tomie Arai, Karin Higa, Byron Kim, Paul Pfeiffer, Eugenie Tsai, Lynne Yamamoto and Alice Yang, among others.Founded by artists Ken Chu, Bing Lee and Margo Machida in New York and eventually expanding into a national network, Godzilla's aim was to "function as a support group interested in social change through art, bringing together art and advocacy" and "to contribute to changing the limited ways Asian Pacific Americans participate and are represented in broad social context--in the artworld and beyond." This comprehensive chronicle of Godzilla: Asian American Arts Network assembles art projects, critical writing, correspondences, exhibition and meeting documentation, media clippings and other archival ephemera to convey the political and cultural stakes of the time.