Gør som tusindvis af andre bogelskere
Tilmeld dig nyhedsbrevet og få gode tilbud og inspiration til din næste læsning.
Ved tilmelding accepterer du vores persondatapolitik.Du kan altid afmelde dig igen.
INSTANT SUNDAY TIMES BESTSELLER - Two detectives: one human, one AI. And a case that will test them both. Detective Kat Frank knows all about loss. A widowed single mother, Kat is a cop who trusts her intuition, honed through years of on-the-beat police work. Picked to lead a pilot program that has her paired with AIDE (Artificially Intelligent Detective Entity) Lock, a hologram that is activated by a device on Kat's wrist, Kat's gut reactions about people and motives come up against Lock's statistical calculations and data analysis that can be done in seconds. But as the two missing persons cold cases they are reviewing suddenly become active, Lock is the only one who can help when the case begins to target Kat personally. AI versus human experience. Logic versus instinct. With lives on the line can the pair work together to solve the mystery in time? In the Blink of an Eye is a dazzling debut from an exciting new voice and asks us what we think it means to be human.
NEW YORK TIMES BESTSELLER - Central Park birder Christian Cooper takes us beyond the viral video that shocked a nation and into a world of avian adventures, global excursions, and the unexpected lessons you can learn from a life spent looking up."Wondrous . . . captivating."--Ed Yong, Pulitzer Prize-winning author of An Immense World A Washington Post and Chicago Public Library Best Book of the Year - Longlisted for the Andrew Carnegie Medal Christian Cooper is a self-described "Blerd" (Black nerd), an avid comics fan and expert birder who devotes every spring to gazing upon the migratory birds that stop to rest in Central Park, just a subway ride away from where he lives in New York City. While in the park one morning in May 2020, Cooper was engaged in the birdwatching ritual that had been a part of his life since he was ten years old when what might have been a routine encounter with a dog walker exploded age-old racial tensions. Cooper's viral video of the incident would send shock waves through the nation. In Better Living Through Birding, Cooper tells the story of his extraordinary life leading up to the now-infamous incident in Central Park and shows how a life spent looking up at the birds prepared him, in the most uncanny of ways, to be a gay, Black man in America today. From sharpened senses that work just as well at a protest as in a park to what a bird like the Common Grackle can teach us about self-acceptance, Better Living Through Birding exults in the pleasures of a life lived in pursuit of the natural world and invites you to discover them yourself. Equal parts memoir, travelogue, and primer on the art of birding, this is Cooper's story of learning to claim and defend space for himself and others like him, from his days at Marvel Comics introducing the first gay storylines to vivid and life-changing birding expeditions through Africa, Australia, the Americas, and the Himalayas. Better Living Through Birding recounts Cooper's journey through the wonderful world of birds and what they can teach us about life, if only we would look and listen.
In Building, a visionary carpenter shares indelible stories on building a life worth living, revealing powerful lessons about work, creativity, and design through his experience constructing some of New York's most iconic spaces. "This book is for people who are interested in doing anything well."―Sam Sifton, The New York Times Winner of the Inc. Non-Obvious Book Award For forty years, Mark Ellison has worked in the most beautiful homes you've never seen, specializing in rarefied, lavish, and challenging projects for the most demanding of clients. He built a staircase that the architect Santiago Calatrava called a masterpiece. He constructed the sculpted core of Sky House, which Interior Design named "Apartment of the Decade." His building projects have included the homes of David Bowie, Robin Williams, and others whose names he cannot reveal. He is regarded by many as the best carpenter in New York. Building: A Carpenter's Notes on Life & the Art of Good Work tells the story of an unconventional education and how fulfillment can be found in doing something well for decades. Ellison takes us on a tour of the lofts, penthouses, and townhomes of New York's elite, before they're camera-ready. In a singular voice, he offers a window into learning to live meaningfully along the way. From staircases that would be deadly if built as designed and algae-eating snails boiled to escargot in a penthouse pond, to the deceptive complexity of minimalist design, Building exposes the tangled wiring, scrapped blueprints, and outlandish demands that characterize life in the high-stakes world of luxury construction. Blending Ellison's musings on work and creativity with immersive storytelling and original sketches, photos, and illustrations, Building is a meditation on crafting a robust life, and a delightful philosophical inquiry beyond the facades that we all live behind.
WINNER OF THE PULITZER PRIZE - The acclaimed memoir about fathers and sons, a legacy of loss, and, ultimately, healing--one of The New York Times Book Review's ten best books of the year, winner of the PEN/Jean Stein Book Award, and a finalist for the National Book Critics Circle Award and the Los Angeles Times Book Prize When Hisham Matar was a nineteen-year-old university student in England, his father went missing under mysterious circumstances. Hisham would never see him again, but he never gave up hope that his father might still be alive. Twenty-two years later, he returned to his native Libya in search of the truth behind his father's disappearance. The Return is the story of what he found there. The Pulitzer Prize citation hailed The Return as "a first-person elegy for home and father." Transforming his personal quest for answers into a brilliantly told universal tale of hope and resilience, Matar has given us an unforgettable work with a powerful human question at its core: How does one go on living in the face of unthinkable loss?NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Michiko Kakutani, The New York Times - The Washington Post - The Guardian - Financial Times "A tale of mighty love, loyalty and courage. It simply must be read."--The Spectator (U.K.) "Wise and agonizing and thrilling to read."--Zadie Smith "[An] eloquent memoir . . . at once a suspenseful detective story about a writer investigating his father's fate . . . and a son's efforts to come to terms with his father's ghost, who has haunted more than half his life by his absence."--Michiko Kakutani, The New York Times "This outstanding book . . . roves back and forth in time with a freedom that conceals the intricate precision of its art."--The Wall Street Journal "Truly remarkable . . . a book with a profound faith in the consolations of storytelling . . . a testament to [Matar's] father, his family and his country."--The Daily Telegraph (U.K.) "The Return is a riveting book about love and hope, but it is also a moving meditation on grief and loss. . . . Likely to become a classic."--Colm TóibÃn "Matar's evocative writing and his early traumas call to mind Vladimir Nabokov."--The Washington Post "Utterly riveting."--The Boston Globe "A moving, unflinching memoir of a family torn apart."--Kazuo Ishiguro, The Guardian "Beautiful . . . The Return, for all the questions it cannot answer, leaves a deep emotional imprint."--Newsday "A masterful memoir, a searing meditation on loss, exile, grief, guilt, belonging, and above all, family. It is, as well, a study of the shaping--and breaking--of the bonds between fathers and sons. . . . This is writing of the highest quality."--The Sunday Times (U.K.)
Pulitzer Prize-winning art critic Sebastian Smee tells the fascinating story of four pairs of artists--Manet and Degas, Picasso and Matisse, Pollock and de Kooning, Freud and Bacon--whose fraught, competitive friendships spurred them to new creative heights. Rivalry is at the heart of some of the most famous and fruitful relationships in history. The Art of Rivalry follows eight celebrated artists, each linked to a counterpart by friendship, admiration, envy, and ambition. All eight are household names today. But to achieve what they did, each needed the influence of a contemporary--one who was equally ambitious but possessed sharply contrasting strengths and weaknesses. Edouard Manet and Edgar Degas were close associates whose personal bond frayed after Degas painted a portrait of Manet and his wife. Henri Matisse and Pablo Picasso swapped paintings, ideas, and influences as they jostled for the support of collectors like Leo and Gertrude Stein and vied for the leadership of a new avant-garde. Jackson Pollock's uninhibited style of "action painting" triggered a breakthrough in the work of his older rival, Willem de Kooning. After Pollock's sudden death in a car crash, de Kooning assumed Pollock's mantle and became romantically involved with his late friend's mistress. Lucian Freud and Francis Bacon met in the early 1950s, when Bacon was being hailed as Britain's most exciting new painter and Freud was working in relative obscurity. Their intense but asymmetrical friendship came to a head when Freud painted a portrait of Bacon, which was later stolen. Each of these relationships culminated in an early flashpoint, a rupture in a budding intimacy that was both a betrayal and a trigger for great innovation. Writing with the same exuberant wit and psychological insight that earned him a Pulitzer Prize for art criticism, Sebastian Smee explores here the way that coming into one's own as an artist--finding one's voice--almost always involves willfully breaking away from some intimate's expectations of who you are or ought to be. Praise for The Art of Rivalry "Gripping . . . Mr. Smee's skills as a critic are evident throughout. He is persuasive and vivid. . . . You leave this book both nourished and hungry for more about the art, its creators and patrons, and the relationships that seed the ground for moments spent at the canvas."--The New York Times "With novella-like detail and incisiveness [Sebastian Smee] opens up the worlds of four pairs of renowned artists. . . . Each of his portraits is a biographical gem. . . . The Art of Rivalry is a pure, informative delight, written with canny authority."--The Boston Globe
NEW YORK TIMES BESTSELLER - Wonderfully tender and hilariously funny, Eligible tackles gender, class, courtship, and family as Curtis Sittenfeld reaffirms herself as one of the most dazzling authors writing today. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR AND THE TIMES (UK) This version of the Bennet family--and Mr. Darcy--is one that you have and haven't met before: Liz is a magazine writer in her late thirties who, like her yoga instructor older sister, Jane, lives in New York City. When their father has a health scare, they return to their childhood home in Cincinnati to help--and discover that the sprawling Tudor they grew up in is crumbling and the family is in disarray. Youngest sisters Kitty and Lydia are too busy with their CrossFit workouts and Paleo diets to get jobs. Mary, the middle sister, is earning her third online master's degree and barely leaves her room, except for those mysterious Tuesday-night outings she won't discuss. And Mrs. Bennet has one thing on her mind: how to marry off her daughters, especially as Jane's fortieth birthday fast approaches. Enter Chip Bingley, a handsome new-in-town doctor who recently appeared on the juggernaut reality TV dating show Eligible. At a Fourth of July barbecue, Chip takes an immediate interest in Jane, but Chip's friend neurosurgeon Fitzwilliam Darcy reveals himself to Liz to be much less charming. . . . And yet, first impressions can be deceiving. Praise for Eligible"Even the most ardent Austenite will soon find herself seduced."--O: The Oprah Magazine "Blissful . . . Sittenfeld modernizes the classic in such a stylish, witty way you'd guess even Jane Austen would be pleased."--People (book of the week) "[A] sparkling, fresh contemporary retelling."--Entertainment Weekly "[Sittenfeld] is the ideal modern-day reinterpreter. Her special skill lies not just in her clear, clean writing, but in her general amusement about the world, her arch, pithy, dropped-mike observations about behavior, character and motivation. She can spot hypocrisy, cant, self-contradiction and absurdity ten miles away. She's the one you want to leave the party with, so she can explain what really happened. . . . Not since Clueless, which transported Emma to Beverly Hills, has Austen been so delightedly interpreted. . . . Sittenfeld writes so well--her sentences are so good and her story so satisfying. . . . As a reader, let me just say: Three cheers for Curtis Sittenfeld and her astute, sharp and ebullient anthropological interest in the human condition."--Sarah Lyall, The New York Times Book Review "A clever, uproarious evolution of Austen's story."--The Denver Post "If there exists a more perfect pairing than Curtis Sittenfeld and Jane Austen, we dare you to find it. . . . Sittenfeld makes an already irresistible story even more beguiling and charming."--Elle "A playful, wickedly smart retelling of Jane Austen's Pride and Prejudice."--BuzzFeed "Sittenfeld is an obvious choice to re-create Jane Austen's comedy of manners. [She] is a master at dissecting social norms to reveal the truths of human nature underneath."--The Millions"A hugely entertaining and surprisingly unpredictable book, bursting with wit and charm."--The Irish Times "An unputdownable retelling of the beloved classic."--PopSugar
"The economy [isn't] a bunch of rather dull statistics with names like GDP (gross domestic product)," notes Tim Harford, columnist and regular guest on NPR's Marketplace, "economics is about who gets what and why." In this acclaimed and riveting book-part exposé, part user's manual-the astute and entertaining columnist from the Financial Times demystifies the ways in which money works in the world. From why the coffee in your cup costs so much to why efficiency is not necessarily the answer to ensuring a fair society, from improving health care to curing crosstown traffic-all the dirty little secrets of dollars and cents are delightfully revealed by The Undercover Economist. "A rare specimen: a book on economics that will enthrall its readers . . . It brings the power of economics to life."-Steven D. Levitt, coauthor of Freakonomics"A playful guide to the economics of everyday life, and as such is something of an elder sibling to Steven Levitt's wild child, the hugely successful Freakonomics."-The Economist "A tour de force . . . If you need to be convinced of the everrelevant and fascinating nature of economics, read this insightful and witty book."-Jagdish Bhagwati, author of In Defense of Globalization"This is a book to savor."-The New York Times "Harford writes like a dream. From his book I found out why there's a Starbucks on every corner [and] how not to get duped in an auction. Reading The Undercover Economist is like spending an ordinary day wearing X-ray goggles."-David Bodanis, author of Electric Universe "Much wit and wisdom."-The Houston ChronicleFrom Publishers Weekly Nattily packaged-the cover sports a Roy Lichtensteinesque image of an economist in Dick Tracy garb-and cleverly written, this book applies basic economic theory to such modern phenomena as Starbucks' pricing system and Microsoft's stock values. While the concepts explored are those encountered in Microeconomics 101, Harford gracefully explains abstruse ideas like pricing along the demand curve and game theory using real world examples without relying on graphs or jargon. The book addresses free market economic theory, but Harford is not a complete apologist for capitalism; he shows how companies from Amazon.com to Whole Foods to Starbucks have gouged consumers through guerrilla pricing techniques and explains the high rents in London (it has more to do with agriculture than one might think). Harford comes down soft on Chinese sweatshops, acknowledging "conditions in factories are terrible," but "sweatshops are better than the horrors that came before them, and a step on the road to something better." Perhaps, but Harford doesn't question whether communism or a capitalist-style industrial revolution are the only two choices available in modern economies. That aside, the book is unequaled in its accessibility and ability to show how free market economic forces affect readers' day-to-day.Copyright (c) Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From Bookmarks MagazineHarford exposes the dark underbelly of capitalism in Undercover Economist. Compared with Steven Levitt's and Stephen J. Dubner's popular Freakonomics (*** July/Aug 2005), the book uses simple, playful examples (written in plain English) to elucidate complex economic theories. Critics agree that the book will grip readers interested in understanding free-market forces but disagree about Harford's approach. Some thought the author mastered the small ideas while keeping in sight the larger context of globalization; others faulted Harford for failing to criticize certain economic theories and to ground his arguments in political, organizational structures. Either way, his case studies--some entertaining, others indicative of times to come--will make you think twice about that cup of coffee. Copyright (c) 2004 Phillips & Nelson Media, Inc.
Tilmeld dig nyhedsbrevet og få gode tilbud og inspiration til din næste læsning.
Ved tilmelding accepterer du vores persondatapolitik.