Bøger udgivet af Reaktion Books

"Outposts of diplomacy traces the evolution of the embassy from its ancient origins to its enduring presence in the modern world. Beginning with the embassy's precursors in antiquity, this book explores its emergence on the cusp of the Italian Renaissance, its pinnacle during the nineteenth century and its navigation through the challenges of twentieth-century conference diplomacy"--Front jacket flap.

An eye-opening and richly detailed history of women's sexuality that upends entrenched perceptions of the long eighteenth century. Libertine London investigates the sex lives of women throughout the period 1680 to 1830, known as the long eighteenth century. The book uncovers the various experiences of women, whether as mistresses, adultresses, or as participants in the sex trade. From renowned courtesans to downtrodden streetwalkers, it examines the multifaceted lives of these women within brothels, on stage, and even behind bars. Based on new research in court transcripts, asylum records, magazines, pamphlets, satires, songs, theater plays, and erotica, Libertine London reveals the gruesome treatment of women who were sexually active outside of marriage. Julie Peakman looks at sex from women's points of view, undercutting the traditional image of the bawdy eighteenth century to expose a more sordid side, which often left women distressed, ostracized, and vilified for their sexual behavior.

A revealing new account of the life and work of this early modern German printmaker. This captivating biography brings Lucas Cranach the Elder into the spotlight for the twenty-first century. The illuminating narrative unveils an artist whose vision transcended personal brilliance as he sought to elevate a nascent nation and foster a sense of community with his work. Perhaps Cranach's most remarkable achievement lay in forging a robust Lutheran community, endowed with a resounding message of salvation. Using prints (the prevailing medium of mass communication) and multiple versions of paintings, he developed an intricate symbolism that resonated with the populace in early modern Germany. Jennifer Nelson also explores his extensive repertoire of female nudes and shows how these seductive artworks not only tantalized his patrons but constructed for them a deep history of Germany's notional connections with ancient Greece and Rome.

Feathered with illustrations, a deep dive into the meaning of this half-lion, half-bird creature over millennia of human history. Griffinology is a fascinating exploration of the mythical creature's many depictions in human culture. Drawing on a wealth of historical and literary sources, this book shows how the griffin has captured the imagination of people for over five thousand years, representing power, transcendence, and even divinity. It explores the history and symbolism of griffins in art, from their appearances in ancient Egyptian magic wands to medieval bestiaries, and from medieval coats of arms to modern corporate logos. The use of the griffin as a symbol of power and protection is surveyed throughout history and into modern times, such as in the Harry Potter series. Beautifully illustrated, this book should appeal to all those interested in monsters, magic, and the mystical, as well as art and history.

The untold story of women artists in the United States and the social impact of their work during the crucial decades of the 1950s to the 1970s. In Women Artists in Midcentury America, readers embark on a journey spanning two decades, delving into the evolving social and artistic landscapes through the lens of all-women exhibitions. These groundbreaking projects courageously confronted issues of sexual and racial discrimination, igniting profound discussions about women's roles within modernism and democracy. Looking closely at the inception and reception of these exhibitions by curators, artists, critics, and the public, the book sheds light on the remarkable contributions of numerous artists, from Ruth Asawa to Marguerite Zorach. By foregrounding the accomplishments of women artists during a conservative period overshadowed by the feminist movement of the 1970s, Daniel Belasco provides a fresh perspective on the complex history of women's art in America and its significance in the broader art world.

A thrilling account of the 1911 Siege of Sidney Street--when a young Winston Churchill allowed two immigrant revolutionaries to burn to death in London's East End. On January 3, 1911, police discovered Latvian revolutionaries on the lam in London's East End. A six-hour gunfight ensued until fire consumed the building where the radicals had taken refuge. When a not-yet-prime-minister Winston Churchill arrived at the scene, he ordered officials to let the fire run its course. At least two people burned to death in the blaze, but the Latvian ringleader, Peter the Painter, remained at large. Known as the Siege of Sidney Street, the event was a nationwide sensation and ignited fierce debates about immigration, extremism, and law enforcement. This book unravels the full story of the siege, the Latvian expatriates, and London's vibrant anarchist movement in the early twentieth century.

From celebrated historian and writer Peter Ackroyd, a magisterial portrayal of English Christianity over the centuries. This book portrays the spirit and nature of English Christianity, as it has developed over the last fourteen hundred years. During this time, Christianity has been the predominant faith of the people and the reflection of the English soul. This fascinating new history is an account of the Christian English soul, which recognizes the fact that Christianity has been the anchoring and defining doctrine of England while accepting respectfully that other powerful and significant faiths have influenced the religious sensibility of this nation. Peter Ackroyd surveys the lives and faith of the most important figures of English Christianity from the Venerable Bede to C. S. Lewis, exploring the mysticism of Julian of Norwich and William Blake; the tumultuous years of the Reformation; the emergence of the English bible; the evangelical tradition, including John Wesley; and the contemporary contest between tradition, revival, and atheism. This is an essential, comprehensive, and accessible survey of English Christianity.

An original survey of the Renaissance painter's life and work. This book is a concise survey of the life of the Florentine painter Piero di Cosimo (1462-1522) within his social and cultural surroundings. Delving into the artist's deliberately idiosyncratic life, the book shows how di Cosimo chose to live in squalor--eating nothing but boiled eggs cooked fifty at a time in his painting glue. Sarah Blake McHam shows how the artist became a favorite among sophisticated patrons eager for pagan artworks featuring Greco-Roman mythological subjects as well as orthodox, but never ordinary, religious altarpieces and private devotional paintings. The result is a newly accessible introduction to the life of this important Renaissance artist.

"The untold story of the engineering behind the empire, showing how imperial Spain built upon existing infrastructure and hierarchies of the Inca, Aztec, and more, to further its growth. Sixteenth-century Spain was small, poor, disunited, and sparsely populated. Yet the Spaniards and their allies built the largest empire the world had ever seen. How did they achieve this? Felipe Fernâandez-Armesto and Manuel Lucena Giraldo argue that Spain's engineers were critical to this venture. The Spanish invested in infrastructure to the advantage of local power brokers, enhancing the abilities of incumbent elites to grow wealthy on trade, and widening the arc of Spanish influence. Bringing to life stories of engineers, prospectors, soldiers, and priests, the authors paint a vivid portrait of Spanish America in the age of conquest. This is a dazzling new history of the Spanish Empire, and a new understanding of empire itself, as a venture marked as much by collaboration as oppression"--

"Insurrection offers a profound and incisive analysis of the underlying factors that culminated in the assault on Washington's Capitol on that fateful day in January 2021. Going far beyond journalistic accounts, this book delves into structural trends within the United States, providing a broader and deeper context for comprehending the magnitude for the uprising. It explores the crisis of democracy, escalating violence, widening inequality, and the prominence of conspiratorial discourse within American politics. By examining the long-term issues as well as the tumultuous events of 2020, including the COVID-19 pandemic, policing challenges, and the fiercely contested presidential election, this book uncovers the catalysts behind conspiracy theories and the politics of outrage to create a compelling narrative about the contemporary face of the USA."--Back cover.

"Olson deftly sketches a lively portrait of the man. . . . She gives us his rich inner life as well. . . . Riveting. . . . Refreshing."--Wall Street Journal Exquisitely illustrated and innovative, an investigation of the artistic evolution of John James Audubon. John James Audubon (1785-1851), artist, naturalist, and creator of the celebrated The Birds of America, is widely regarded as America's first exceptional watercolorist. This book offers a unique exploration of Audubon's artistic journey intertwined with the drama of his life, unveiling how he studied both past and contemporary artists to forge something entirely innovative. Through this book, readers are invited to rediscover Audubon's groundbreaking watercolors as exemplary works of fine art. Moreover, the book delves into the controversies surrounding this legendary figure, who, for the first time in history, accurately represented all avian species life-size. Beautifully illustrated, it chronicles how Audubon infused ornithological illustration with a sense of exhilaration, breathing new life into once-conventional formulas and transforming them into awe-inspiring masterpieces.

"The celebrated art nouveau architect Antoni Gaudâi was a contradictory figure: deeply religious and politically right-wing, he nevertheless created revolutionaly, lyrical buildings. This book explores Gaudâi's life, work and influences, from Catalan nationalism to the Industrial Revolution. Michael Eaude expertly guides readers through Gaudâi's great works--including the Sagrada Famâilia, which attracts millions of tourists to Barcelona each year--and examines his monumental life, from the architect's provincial upbringing in Reus to his time in Barcelona, where he became a dandy whose only attempt at marriage was rejected. Gaudâi later suffered a nervous breakdown, became obsessively religious, and fused Gothic, Baroque and Orientalist architecture into his unique style" --

From cave paintings to Google, a thought-provoking investigation of how maps do not just reflect the world around us, but shape the way we live. Maps go far beyond just showing us where things are located. All Mapped Out is an exploration of how maps impact our lives on social and cultural levels. This book offers a journey through the fascinating history of maps, from ancient cave paintings and stone carvings to the digital interfaces we rely on today. But it's not just about the maps themselves; it's about the people behind them. All Mapped Out reveals how maps have affected societies, influenced politics and economies, impacted the environment, and even shaped our sense of personal identity. Mike Duggan uncovers the incredible power of maps to shape the world and the knowledge we consume, offering a unique and eye-opening perspective on the significance of maps in our daily lives.

The life, work, and legacy of one of the twentieth century's most published African American women. This book explores the life and legacy of Zora Neale Hurston (1891-1960), the most-published African American woman of the first half of the twentieth century. Famous today as the author of Their Eyes Were Watching God, Hurston was also an anthropologist and a folklorist. In this new biography, Cheryl Hopson casts Hurston as a modern woman on the move, particularly as a collector of stories in and around the Jim Crow South. Hopson details her rejection by the Harlem Renaissance as well as her recovery by Black feminists such as Alice Walker years after her death. The result is an accessible and fresh account of the celebrated writer's life and work.

The story of how the country house, historically a site of violent disruption, came to symbolize English stability during the eighteenth century. Country houses are quintessentially English, not only architecturally but also in that they embody national values of continuity and insularity. The English country house, however, has more often been the site of violent disruption than continuous peace. So how is it that the country how came to represent an uncomplicated, nostalgic vision of English history? This book explores the evolution of the country house, beginning with the Reformation and Civil War, and shows how the political events of the eighteenth century, which culminated in the reaction against the French Revolution, led to country houses being recast as symbols of England's political stability.

Upending our perception of employment, a surprising investigation into the mystical nature of our daily toil. Dreamwork is a book about the ideas, dreams, dreads, and ideals we have about work. Its central argument is this: Although we depend on the idea of work for our identity as humans, we feel we must disguise from ourselves the fact that we do not know what work is. There is no example of work that nobody might, under some circumstances, do for fun. All work is imaginary--which is not to say that it is simply illusory, but rather that, to count as work, it must be imagined to be work. In other words, a large part of what we mean by working is this work of imagining. Work is therefore essentially mystical--just the opposite of what it is taken to be by all of us spending our days at desks, behind cash registers, and in factories. Delving into this complex mythos, Dreamwork looks in turn at worries about whether or not work is hard; the importance of places of work; the meanings of hobbies, holidays, and sabbaths; and the history of dreams of redeeming work.

A compelling survey of contemporary radical art in Brazil. Today Is Always Yesterday explores the historical constructs underlying contemporary art in Brazil. Michael Asbury argues that art can activate as well as illustrate history. The colors of the Brazilian flag structure the book's five chapters as Asbury explores artists' vital role in unraveling Brazil's core myths and its projected image as a racial melting pot. Richly illustrated, this book presents a compelling account of contemporary debates in Brazilian art.

A biography of the revolutionary philosopher and psychiatrist. Doctor, militant, essayist, ambassador, teacher, journalist, pan-Africanist, Frantz Fanon sought to decolonize mid-twentieth-century culture as he embodied a new kind of intellectual. Born in colonial Martinique, he fought for France during World War II but later renounced his citizenship and fought in the Algerian War of Independence. This book emphasizes Fanon's gift for self-invention and performance as it follows his short but extraordinary life and explores how his pioneering work in psychiatry influenced his revolutionary philosophy.

The first extended history of the Chinese picture-scroll. The Chinese picture-scroll, a long, horizontal painting or calligraphic work, has been China's pre-eminent aesthetic form throughout the last two millennia. This first history of the picture-scroll explores its extraordinary longevity and adaptability to social, political, and technological change. The book describes what the picture-scroll demands of a viewer, how China's artists grappled with its cultural power, and how collectors and connoisseurs left their marks on scrolls for later generations to judge.

Both a history and a contemporary analysis, an illuminating investigation of the defining economic concern of our time. The last year has seen the return of inflation as a preoccupation of political decision-makers, economists, and the general public. After two decades of wondering why inflation was so low, despite vast economic stimulus, economists were surprised by the recent surge in price increases. Despite disagreement about what exactly is happening in the economy, there is unanimity in one belief: slowing growth to control inflation. To focus on inflation's return, Paul Mattick looks at both the past and present, placing current events in the context of capitalism's history. Exploring the nature of money itself, he provides a concise, jargon-free understanding of recent inflation as well as official efforts to control it, illuminating the state of our contemporary economy.

An accessible biography of the celebrated early Netherlandish painter, now in paperback. In his lifetime the early Netherlandish painter Hieronymus Bosch was famous for his phantasmagoric images, and today his name is synonymous with the infernal. The creator of expansive tableaus of fantastic and hellish scenes--where any devil not dancing is too busy eating human souls--he has been as equally misunderstood by history as his paintings have. In this book, Nils Büttner draws on a wealth of historical documents--not to mention Bosch's paintings--to offer a fresh and insightful look at one of history's most peculiar artists on the five-hundredth anniversary of his death. Bosch's paintings have elicited a number of responses over the centuries. Some have tried to explain them as alchemical symbolism, others as coded messages of a secret cult, and still others have tried to psychoanalyze them. Some have placed Bosch among the Adamites, others among the Cathars, and others among the Brethren of the Free Spirit, seeing in his paintings an occult life of free love, strange rituals, mysterious drugs, and witchcraft. As Büttner shows, Bosch was--if anything--a hardworking painter, commissioned by aristocrats and courtesans, as all painters of his time were. Analyzing his life and paintings against the backdrop of contemporary Dutch culture and society, Büttner offers one of the clearest biographical sketches to date alongside beautiful reproductions of some of Bosch's most important work. The result is a smart but accessible introduction to a unique artist whose work transcends genre.

The never-before-told story of the extraordinary women behind a trailblazing British magazine. During the 1890s, British women for the first time began to leave their family homes to seek work, accommodation, and financial and sexual freedom. Decadent Women is an account of some of these women who wrote for the innovative art and literary journal The Yellow Book. For the first time, and drawing on original research, Jad Adams describes the lives and work of these vibrant and passionate women, from well-connected and fashionable aristocrats to the desperately poor. He narrates the challenges they faced in a literary marketplace, and within a society that overwhelmingly favored men, showing how they were pioneers of a new style, living lives of lurid adventure and romance, as well as experiencing poverty, squalor, disease, and unwanted pregnancy.

In 1985 Boria Sax inherited an area of forest in New York State that had been purchased by his Russian Jewish Communist grandparents as a buffer against what they felt was a hostile world. For Sax, in the years following, the woodland came to represent a link with those who lived and had lived there, including Native Americans, settlers, bears, deer, turtles, and migrating birds. In this personal and eloquent account, Sax explores the meanings and cultural history of forests from prehistory to the present, taking in Gilgamesh, Virgil, Dante, the Gawain poet, medieval alchemists, the Brothers Grimm, the Hudson River painters, Latin American folklore, contemporary African novelists and much more. Combining lyricism with contemporary scholarship, this book opens new emotional, intellectual, and environmental perspectives on the storied history of the forest.

The first anthology of women's writing about walking, edited by Wanderers author Kerri Andrews.

An accessible introduction to the life of this most-venerated saint. This book is an accessible biography of Francis of Assisi, founder of the Franciscan religious order and one of the most venerated figures in Christianity. In it, Michael F. Cusato explores how Francis and his early brothers embraced a life of poverty in solidarity with the lowest ranks of society, preaching a message of justice and dignity for all. He examines how and why Francis's vision ultimately expanded to embrace non-Christians and Muslims in particular following Francis's celebrated encounter with the Sultan al-Malik al-Kamil in 1219. Finally, Cusato considers the clash between Francis and newer members of his Order, his reception of the stigmata, and his final years defending his vision among his own brothers, all while living as an exemplar of the gospel life.

An investigation of representations and ideals of manhood in the courts of fifteenth-century Italy.

Aldus Manutius is perhaps the greatest figure in the history of the printed book: in Venice, Europe's capital of printing, he invented the italic type and issued more first editions of the classics than anyone before or since, as well as Hypnerotomachia Poliphili, the most beautiful and mysterious printed book of the Italian Renaissance.0This is the first monograph in English on Aldus Manutius in over forty years. It shows how Aldus redefined the role of a book printer, from mere manual labourer to learned publisher. As a consequence Aldus participated in the same debates as contemporaries such as Leonardo da Vinci and Erasmus of Rotterdam, making this book an insight into their world too.

"In a world flooded with images designed to create memories, validate perceptions and influence others, botanical illustration is about creating technically accurate depictions of plants. Reproductions of centuries-old botanical illustrations frequently adorn greetings cards, pottery and advertising, to promote heritage or generate income, yet their art is scientific: its purpose is to record, display and transmit scientific data. The Beauty of the Flower shows us how scientific botanical illustrations are collaborations among artists, scientists and publishers. It explores the evolution and interchanges of these illustrations since the mid-fifteenth century, the ways in which they have been used to communicate scientific ideas about plants and how views of botanical imagery change. Featuring unique images rarely seen outside of specialist literature this book reveals the fascinating stories behind these remarkable illustrations." --