Bøger udgivet af RM Verlag SL

Textures and palimpsests of the politicalScratched, scarified and incised photographs depict the grim physical reality of decades of political struggle across various locales in Chile, Argentina, Colombia, Peru, Cuba and Mexico.

A tribute to the streets of Madrid and its people across four decadesGathering a selection of black-and-white works taken between 1984 and 2017 by the well-known photographer Luis Baylón (born 1958), Madrid en plata is arranged in an arresting and dynamic combination of careful sequence and chance interpolation.

Three years of conflict at the threshold of Europe and RussiaMagnum photographer Jérôme Sessini (born 1968) documents the chaos and banality of life in wartime Ukraine between 2014 and 2017, in photographs and text.

A nonlinear survey of Liliana Porter, with special emphasis on her recent theatrical workNew York-based Argentinian artist Liliana Porter (born 1941) works across a range of mediums such as printmaking, sculpture, photography and, more recently, performance, to explore the conflicting boundaries between reality and fiction. Other Situations offers a descriptive account of the eponymous exhibition, a nonlinear survey of Porter's work, organized by the SCAD Museum of Art in Savannah, Georgia, in 2017. It also includes documentation from her play, Them, which was specially commissioned for the show and performed in New York at The Kitchen in 2018 when Other Situations traveled from the SCAD Museum of Art to El Museo del Barrio. This is the first publication to incorporate material related to the artist's theatrical work, a central element that serves as a gateway to understanding the exhibition and the body of work that composes it.

A new, up-to-date retrospective on photography legend Lee FriedlanderOne of the masters of contemporary photography, Lee Friedlander has dedicated his career to the documentation of everyday life in the United States. His images are characterized by a composition that utilizes the urban geometry of storefronts and street signs--and later car windows and telephone poles--as a framing technique. This catalog, published in conjunction with a retrospective organized by the Fundación MAPFRE in Madrid, surveys the wide scope of Friedlander's career from the 1960s to today. High-quality reproductions of all of the exhibited works are supplemented by text written by curator Carlos Gollonet and photographer Nicholas Nixon. The volume serves as a comprehensive guide to Friedlander's body of work, with personal insight provided through an interview between Maria Friedlander and gallery director Jeffrey Fraenkel, as well as a chronology of the artist's life by his grandson Giancarlo T. Roma. Lee Friedlander was born in Aberdeen, Washington, in 1934, and studied photography at the Art Center College of Design in Pasadena, California. In 1956 he moved to New York City, which quickly became both the setting and subject of the majority of his work. Friedlander was represented alongside Diane Arbus and Garry Winogrand in the 1967 New Documents exhibition at the Museum of Modern Art, now understood as a landmark event in American documentary photography. Friedlander still lives and works in New York, and is represented by the Fraenkel Gallery.

A midcareer survey on Spanish photographer Juan Valbuena through five travelogues This book looks at the career of Juan Valbuena (born 1973) through five photographic series, the earliest from 1999 and the most recent, Dalind, previously unpublished.

Found photographs from the Spanish Civil War dialog with a 1930 Bible in this ingenious and eerie artist's bookIn this beautifully produced artist's book, Spanish photographer artist Javier Viver (born 1971) incorporates archival photographs of the Spanish Civil War and the profanation of religious images into a 1930 pocket edition of the Gospel according to St Matthew.

Prosopagnosia (memory pathology to remember faces) is a project departing from a historial photo archive from a Spanish local newspaper active in the 30ΓÇÖs, devoted to public personalities of the time.This collection of faces is the input for a G.A.N. (Generative Adversatorial Network) algorithm which develops a machine learning process to generate new faces out of the archive portraits (although it could apply it to any kind of archive).The result is a new collection of photorealistic images of non existing persons. The final pictures are convincingly photographic but the focus is mainly set on the wonderful sequence of failed attempts that review important steps in art history: Expressionism, Cubism, Surrealism, Picasso, Bacon, Abstraction and so on..

A portrait of a Peruvian mining townThese 19 photographs by Peruvian photographer Pablo Hare (born 1972) depict the town of San Juan de Marcona, a mining enclave in the Nazca province on the South-Pacific coast of Peru. Built in the 1950s by the American Marcona Mining Company, Marcona has undergone decades of hardship.

Yvonne Venegas explores the rules and accidents of weeding photography, probably the social use of intimate photography most simbolically charged.Special Days is the result of the rescue of images from the archive of Venegas Fotografía Fina, a photography studio that her father, José Luis, established in Tijuana, Baja California, in 1972. The younger photographer thus reveals the routines that came to define the iconography of the emergent middle class who lived in this border city in the 1970s and ’80s, appropriating a set of images that, by breaking the photographer’s social contract with his subjects, offer us a fleeting, fragmentary viewpoint.

The little-known color photography of Manuel Álvarez Bravo, presented in a beautiful cloth binding with a tipped-on cover imageOne of Time Magazine's best photo book of 2019 Manuel Álvarez Bravo produced around 3,000 images in color over the course of his career, though he has tended to be better known for his black-and-white photography. In Color presents more than 80 of his most significant color photographs, many of them published for the first time. A broad spectrum of subject matter is presented in this volume, including photographs of a piece with his familiar style and themes--Mexican culture, street life and countryside, formal portraits, nudes--as well as his little-known color experiments. These works in color greatly expand our understanding of his scope and abilities. A key figure in 20th-century Latin American photography, Manuel Álvarez Bravo (1902-2002) was born in Mexico. Self-taught as a photographer, and influenced by avant-garde photography and (later) the Mexican muralist movement, he developed a very personal style that is now seen as marking the beginning of a true Mexican photography.

Chronicling the aesthetics of sacrifice in Mexican artist Ximena Labra's public interventionsThis volume documents 25 years of public interventions by Mexico City-based artist Ximena Labra (born 1972). Focusing in particular on Labra's use of the supernatural and carnivalesque aesthetics of sacrifice, the book features texts by Cuauhtémoc Medina, José Luis Barrios and Bef.

Latin American female photographers reflect on personal and collective struggleShowcasing 12 Latin American female photographers--Adriana Lestido, Luz María Bedoya, Johanna Calle, Helen Zout, Claudia Donoso, Rosa Gauditano, Leonora Vicuña, Carla Rippey, Carolina Cárdenas, Milagros de la Torre, Paz Errázuriz and Rosario López--Black Sun reflects on personal and collective tragedies.

Includes already published interviews with J. Guerrero (1979-), Spanish photographer.

An exquisitely produced survey of Eamonn Doyle's searing, strange views of Dublin's streets This volume looks at the recent work and the meteoric rise within the photography world of the Irish photographer Eamonn Doyle (born 1969). An established electronic music producer in his hometown of Dublin, Doyle returned to photography after a 20-year break and produced the Dublin trilogy, a series of instant photobook classics: i (2014), described by Martin Parr as "the best street photo book in a decade," ON (2015) and End. (2016). Doyle's newest body of work, K, is his most mysterious and personal. Titled after the Irish tradition of keening, a vocal lamentation for the dead, the series was born partly out of personal loss, and features spectral figures set against dramatic natural landscapes. Eamonn Doyle features selections from each of the photographer's major recent series, a group of early dark room prints and works from Made in Dublin (2019), a collaborative book project Doyle undertook with writer Kevin Barry.

Catalogue gathers photographs of prostitutes that where provided to select clients of a brothel in Mexico City and shown to Calderon by his uncle, when he was thirteen years old, so he could undergo his "Initiation into manhood"

Groups and Spaces in Mexico. Contemporary Art in the 90's Vol. 1: Licen- ciado Verdad Licenciado Verdad tells the story of a generation of artists and curators that substantially transformed Mexico's contemporary art scene in the late 80s and early 90s.

This volume represents the conclusion of Alex Arteaga's research project into Mies van der Rohe's German Pavilion for the 1929 World's Fair in Barcelona.It consists of a sound installation with video, audio and text, exploring concepts of interiority and exteriority in architecture. Documentary photographs and essays shed light on the project.

The volume explored one of the many and varied aspect of multifaceted artist Frederic Amat (b. 1952 in Barcelona), one of the most outstanding figures on the Spanish contemporary art scene.

Life in the Folds makes use of an encrypted alphabet as a typographical and visual resource in approaching the project created by Carlos Amorales for the Mexican pavilion of the 2017 Venice Biennale.

HUUN is a new annual magazine-book that offers a space for artistic expression.Contributors include poets, critics, fiction writers, composers, and artists such as Vivian Abenshunshan, Daniel Aguilar Ruvalcaba, Manuel Álvarez Bravo, Luigi Amara, Edgardo Aragón, Sandra Barba, Mario Bellatin, Ana Bidart, Iñaki Bonillas, Hernán Bravo Varela, Juan Caloca, Abraham Cruzvillegas, Data4, Claudia de la Torre, Mónica de la Torre, Dolores Dorantes, Frida Escobedo, Miguel Fernández de Castro, Rodrigo Flores, Mateo García Elizondo, Verónica Gerber Bicecci, Maricela Guerrero, Aline Hernández, Alejandro Hernández Gálvez, Tedi López Mills, Valeria Luiselli, Gabriela Jáuregui, María Minera, Emiliano Monge, Mayra Martell, Mónica Nepote, Enrique Olvera, Gabriel Orozco, Damián Ortega, Rodrigo Ortiz Monasterio, Francesco Pedraglio, Tania Pérez Córdova, Eduardo Rabasa, Cristina Rivera Garza, María Rivera, Mauricio Rocha, Yvonne Venegas and Karen Villeda. The cover was designed by Gabriel Orozco.

Surrounding ourselves with more or less complex rituals, we all seek to evade the ineluctable fact that, sooner or later, we will hear Death whispering the words nemini parco (`I spare no one') in our ear.

The itinerary of Roger Grasas through the countries of the Persian Gulf region has something of a nineteenth-century journey of exploration. Min Turab -the title means "of the earth" in Arabic- shows how a landscape can be torn, fractured, and swept away, with a new one imposed in its place.

Barraquitas is a Venezuelan fishing village on the shores of Lake Maracaibo marked by alarming poverty and genetic illness: the village is a major focus of Huntington's Disease.Venezuelan documentary photographer Vladimir Marcano (born 1971) captures the ravages of this neurodegenerative disease in an environment of appalling poverty.

The book A chupar del bote -whose title, a phrase that translates roughly as "living off the public teat," comes from a show performed at the popular Barcelona cabaret El Molino in the mid-1970s- constitutes a rediscovery of Ximo Berenguer (1946-1977), a virtually unknown figure in Spanish photography.

French-Mexican photographer Colette Urbajtel (born 1934) captures scenes in tranquil places, small events--occasionally the amusing or ironical--plants, animals and insects. This artist's book gathers 52 images selected by the photographer herself, a testament to the atypical conversion of a Parisian economics student to Mexico-based photographer.

Controversial Mexican photographer Josae Luis Cueva's (born 1973) New Era evokes a time of spiritual darkness: full of symbolic echoes, the series suggests the coming of the apocalypse. In images of mystical objects, landscapes burn to ashes and suffering, and Cuevas progresses through concepts of expiation, purification and rebirth.

This book was published on the occasion of the exhibition "Alicia Penalba, escultora" held at MALBA - Museo de Arte Latinoamericano de Buenos Aires, October 2016 - February 2017, curated by Victoria Giraudo.

Includes essay: Esa suerte que tiene olor a muerte (= That fate that smells like death) by Cuauhtâemoc Medina.