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What does it mean when an item within a museum talks back? How are the concepts of the trained gaze, the panopticon, and the sacred feminine connected? Artist and writer Shanta Lee Gander probes these questions and more in Dark Goddess: An Exploration of the Sacred Feminine.
Wood Gaylor and American Modernism, 1913-1936, accompanying a traveling exhibition organized by the Fleming Museum of Art at the University of Vermont, is the first book-length work focused on this artist's contributions to American modernism in the early twentieth century. Illustrated in colour and b&w.
This is a catalogue with full-page colour reproductions of sheets selected from Ree Morton's notebook and sketchbook from 1968 to 1977. Back material includes an exhibition checklist, a 3-page essay by Allen Schwartzman; an afterword by Barbara Zucker, and acknowledgments by Janie Cohen.
Examines the work of a group of architects which converged in Vermont in the mid-1960s, tracing the development of this Design/Build movement from its roots in Bauhaus theory at Yale School of Architecture. It includes archival photographs and drawings and new architectural photographs. A stunning celebration of the Design/Build movement.
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