Bøger udgivet af Royal Academy of Arts

An authoritative study of the artist Milton Avery, an influence on the generation of Mark Rothko and Barnett Newman.

The author has returned to England to paint the landscape of his childhood in East Yorkshire. Executed in watercolour and ink, this title features panoramic scenes that have the spatial complexity of finished paintings - the broad sweep of sky or road, the patchwork tapestry of land - yet convey the immediacy of the author's impressions.

A new study examining the life and work of Helene Schjerfbeck, the Finnish painter who influenced Bacon, Freud and Auerbach

A sumptuous study examining all the ways Pablo Picasso used paper in his art

A major study of Francis Bacon's paintings of animals reveals his explorations of the human condition

In 1946 the art critic Robert Coates, writing in The New Yorker, first used the term 'Abstract Expressionism'. The two words combine the emotional intensity of the German Expressionists with the anti-figurative aesthetic of the European Abstract schools. This title seeks to re-evaluate the movement, recognising its complex and fluid reality.

Presents paintings from the remarkable Ordrupgaard Collection, including masterpieces by Manet, Morisot, Monet, Renoir, Cezanne, Sisley, Courbet, Mattise and Gauguin.

Lucian Freud's arresting self-portraits provide an insight into the enigmatic artist's psyche and document his developing style and this book reproduces all of Freud's self-portraits

An exploration of Russian art, design, and filmt, from its proliferation in the aftermath of the 1917 October Revolution to its eventual repression under Stalin.

One of Britains foremost printmakers, Norman Ackroyd CBE RA has spent a lifetime recording the coastal landscapes of the British Isles. This title contains forty of his vivid landscape sketches in watercolour.

Considered one of the most important religious structures of the twentieth century, the Chapel of the Rosary in Vince was regarded by Matisse himself as his great masterpiece. This illustrated volume explores the extraordinary story of the chapels creation and the challenges faced by the 77-year-old artist in realising his great vision.

Three Renaissance masters converge in 1504 FlorenceIn a single year at the turn of the 16th century, three titans of the Italian Renaissance briefly crossed paths while competing for the attention of the most powerful patrons in Republican Florence. In 1504, the city's prominent artists came together to advise on an appropriate location for Michelangelo's sculpture David. Among them was Leonardo da Vinci, who--like Michelangelo--had only recently returned to his native Florence. David was placed outside the Palazzo Vecchio, inside which da Vinci was planning a painting of the Battle of Anghiari for a council chamber wall. In short order, Michelangelo was commissioned to paint The Battle of Cascina on the opposite side of the room, creating a showdown between the city's celebrated sons. Although neither painting ultimately came to fruition, this flurry of conspicuous commissions was witnessed by a promising young painter: none other than Raphael.In this beautifully designed book, Scott Nethersole and Per Rumberg take the Royal Academy's celebrated Taddei Tondo by Michelangelo as a starting point, and from there turn to such treasures as Leonardo's Burlington House Cartoon and studies by Leonardo and Michelangelo for their dueling battle murals. These pivotal works examine the rivalry between Michelangelo and Leonardo, and the influence of both artists on Raphael.

Bright, colorful and minimalist, Michael Craig-Martin's paintings and sculptures tackle the semiotics of everyday objectsMichael Craig-Martin (born 1941) is an important figure in British Conceptual Art, and among the most influential artists and teachers of his generation. Since his rise to prominence in the late 1960s, he has moved between sculpture, installation, painting, drawing and print, creating works that fuse elements of Pop, Minimalism and Conceptual Art. His work transforms everyday objects--from buckets and ladders to sneakers, mobile phones and laptops--with bold colors and simple, uninflected lines. Renowned as an art educator, he has inspired generations of artists, most notably the Young British Artists (YBAs). This handsome book, the catalog of the largest exhibition of Craig-Martin's work to have been mounted in the UK, contains thought-provoking text by critics Michael Bracewell and Richard Cork and an illuminating conversation between the artist and the writer Carolina Grau.

This beautiful monograph dedicated to Emma Stibbon RA presents many of the artist's new works and includes an engaging interview with the artist by Sara Cooper.

Pocket-sized watercolor sketches of tango aficionadosIn Tango, British painter David Remfry (born 1942) captures tango dancers in movement. He shows neither their heads nor their feet, instead concentrating entirely on their midriffs in this charming celebration of the most seductive and passionate of dances.

Exuberant monotypes play with the effects of light and movement in the changing cityscapeBorn in London in 1943, Bill Jacklin moved to New York in 1985. Since then he has concentrated on making portraits of the city in all its guises, from large-scale compositions of crowds in flux to Seurat-like etchings depicting more intimate urban moments.

Hall's abstract works in gouache and charcoal illustrate his preoccupation with space and balanceOne of the foremost sculptors of his generation, Nigel Hall (born 1943) has created acclaimed works in steel, aluminum and polished wood. This new volume reveals his skill as a draftsman and the importance of drawing to his sculptural practice.

Informed by ongoing research, this handsome exhibition catalogue features the work of artists connected with the Royal Academy in an exploration of migration, exchange, artistic traditions, identity and belonging.

This publication presents some seventy masterworks on paper by leading Impressionists and Post-Impressionists.

The author has long been fascinated by the relationships that develop between dogs and their owners. In this book, his delicate portraits in watercolour and gouache reveal the mutual understanding and sympathy of these partnerships.

This new publication gives an authoritative account of the inner workings of Swiss architectural firm Herzog & de Meuron.

The Hispanic Society of America in New York is the vision of Archer M. Huntington (1870-1955). From an early age, Huntington developed an abiding love both of Hispanic culture and of museums and libraries. He resolved to devote his considerable fortune to combining these two passions, and carried out his project so resourcefully that the collections he assembled remain exceptional for their depth and richness, displaying the culture of Spain and Latin America in the broadest sense. Their scope ranges from the prehistoric era to the early 20th century, including antiquities, decorative arts, Islamic works, manuscripts and rare books as well as superb canvases by Old Masters such as El Greco, Velâazquez and Goya. This handsome new publication features an introduction to Archer M. Huntington and the Hispanic Society by Patrick Lenaghan, the Society's Head Curator of Prints, Photographs and Sculpture, and plates and catalogue entries on some of its greatest treasures by the Society's curators. Exhibition: Royal Academy of Arts, London, UK (21.01. - 10.04.2023).

Sculptor Antony Gormley (born 1950) has become a household name, particularly in his native Britain, thanks to his prominent public installations and major solo shows. Awarded the Turner Prize in 1994, he was knighted in 2014. From The Angel of the North (1998) to the hundred cast-iron life-size human figures that populate Crosby Beach in Liverpool (Another Place, 2007), Gormley makes works that explore the human body and its relationship to space. As Gormley put it, "I've never been interested in making statues. But I have been interested in asking what is the nature of the space a human being inhabits. What I try to show is the space where the body was, not to represent the body itself." A new, authoritative survey, Antony Gormley focuses on recent work by one of the best-known and most respected sculptors working today. In this volume, a diverse range of contributors bring excitingly multidisciplinary perspectives to bear on Gormley's oeuvre. Leading scientist and writer on cosmology Priyamvada Natarajan explores the role of space and light in Gormley's work. Michael Newman places Gormley within the British sculptural tradition, while the novelist Jeanette Winterson explores her personal response to Gormley's sculpture. Finally, art historian and curator Martin Caiger-Smith introduces Gormley's new body of work, exploring the roots of Gormley's practice and the role that public sculpture can play in the 21st century.

Jasper Johns is regarded as one of the most influential artists of the 20th century, and has remained central to American art since his arrival in New York in the 1950s. With his then partner Robert Rauschenberg, Johns helped to establish a decisive new direction in the art world, termed "Neo-Dada" at the time. Johns' striking use of popular iconography, "things the mind already knows," as he put it (flags, numbers, maps), made the familiar unfamiliar--and made a colossal impact in the art world, becoming a touchstone for Pop, minimalist and conceptual art. This handsomely illustrated book, now available in paperback, brings together Johns' paintings, sculptures, prints and drawings. From his innovations in sculpture to his use of collage in paintings, it gives focus to different chapters of Johns' career and examines the international significance of his work. Featuring contributions from a range of experts, this volume explores the depth and breadth of Johns' oeuvre, encompassing more than half a century. Jasper Johns (born 1930) made his major breakthrough as a painter in the mid-1950s when he started using iconic, popular images in his paintings--an explosive move at a moment when advanced painting was understood to be exclusively abstract. Johns' midcentury paintings' lush, painterly surfaces resemble those of abstract expressionism, but Johns arrived at them through slow, labor-intensive processes and mediums such as encaustic. Throughout his 60-year career Johns has worked with many different mediums and techniques, using the restlessness of his own process to explore the interplay of materials, meaning and representation in art.

From the 18th century to the 21st, the Royal Academy of Arts in London has occupied a prominent, sometimes controversial and always individual position in the art world. Its Annual Exhibitions, now known as the Summer Exhibitions, have seen artistic reputations rise and fall, and its enduringly popular international loan exhibitions have helped to shape the public's appreciation of the visual arts. As it celebrates its 250th year, the Academy continues to be governed and run by artists. Packed with illustrations, this concise introduction to the Academy's 250-year story considers the people, places and events that have made the Academy such a unique institution.