Bøger udgivet af Samuel French Ltd

"Emmie is one of the only Black people living in Paris, Vermont, and she desperately needs a job. When she is hired at Berry's, a store off the interstate selling everything from baby carrots to lawnmowers, she begins to understand a new kind of isolation. Paris is a play about invisibility, being underpaid, and how it feels to work on your feet for ten hours a day."--

A play with intense audience participation! Engrossing, controversial courtroom drama, where the audience must serve as judge and jury, deciding motions and verdict, in a case against the five women who betrayed the Grand Duchess Anastasia Romanov, the last surviving daughter of the Tsar of Russia. Complex ethical questions on a set of folding chairs.The Anastasia Trials is a farcical, but profoundly engaging excursion into the hidden world of ethics for women who are both survivors and perpetrators of abuse toward women. The format is a play-within-a-play, where a radical feminist theatre company comes together in order to perform a courtroom drama. The play is shaped by the audience decisions to overrule or sustain the attorneys' motions, and every night's audience sees a different play.In presenting the play, the Emma Goldman Theatre Brigade has instituted a new system to insure equal opportunity for the actors: a lottery. As the women assemble to draw their roles from the hat for the evening's performance, sisterhood is put to the test. The performance itself is a conspiracy trial against five women accused of denying a woman her identity. The plaintiff is none other than Anastasia Romanov, sole survivor of the massacre of the Russian imperial family in 1918.¿"Elegantly conceived...A feminist Noises Off." - Washington City Press"Powerful." -San Diego Lesbian Press"Farce, social history, debate play, agitprop, audience participation melodrama, satire [that] makes the head reel!" -San Diego Union Tribune"Wild... It's lively and moves quickly... Very funny yet poignant." -Washington Blade"Carolyn Gage's raucous, multilayered script explores issues of empathy, loyalty, and betrayal among women..." --The Washington Post."Verdict: An unexpected delight... " --Miami Herald, FL."... farcical humor, imaginative plot twists, and just pure theatrical fun..." --South Florida Sun-Sentinel, Ft. Lauderdale."... fascinating and complex play..."--Fresno Beehive.com"I am constantly amazed at Carolyn's ability to make complex social issues not only accessible but also irresistibly fascinating... the play... [The Anastasia Trials ] touched us, made us laugh and gripped us in a white-knuckle intensity usually found only in Hitchcock films." --R.J. McComish, Literary Manager of the Portland Stage Company, Portland, Maine."... fabulously interesting, brilliantly thought-provoking and exquisitely funny... masterpiece of feminist theater..." --off our backs, Washington, DC."Each performance could potentially have a different result and many students saw every performance just so they could see how the show ended."--At Oldfields, Glencoe, MD.

Runaways is a collection of songs, dances, and spoken word pieces performed by children who have run away from their homes. Initially created from interviews with homeless children and those in orphanages, Liz Swados' unique piece weaves songs about personal struggle and the world at large through the eyes of youth in New York City in the '70s. The show blends different musical styles, from pop to hip-hop and jazz to reggae, while asking why children can't remain children.The licensed version of Runaways reflects the version performed by Encores in 2016.

New version approved for virtual performance! What "The Irish Curse" is - and how it manifests itself - is the raw centerpiece of this wicked, rollicking and very funny new play. From its blistering language to its brutally honest look at sex and body image, The Irish Curse is a revealing portrait of how men, and society, define masculinity. In doing so, it dares to pose the fundamental question that has been on the minds of men since the beginning of time: "Do I measure up to the next guy?"Size matters to a small group of Irish-American men (all professionally successful New Yorkers) who meet every Wednesday night, in a Catholic church basement, at a self-help group for men with small penises. This alleged Irish trait is the focus of their weekly sessions, as they all feel this "shortcoming" has ruined their lives. One evening, when a twentysomething blue-collar guy joins the group, he challenges everything the other men think about "the Irish Curse"... tackling their obsession with body image and unmasking the comical and truthful questions of identity, masculinity, sex and relationships that men face every day.

A gang of teenage girls gathers in an abandoned treehouse to summon the ghost of Pablo Escobar. Are they messing with the actual spirit of the infamous cartel kingpin? Or are they really just messing with each other? A roller coaster ride through the danger and damage of girlhood - the teenage wasteland - has never been so much twisted fun.Critic's Pick! "Highly entertaining - equally funny and scary." - The New York TimesFour Stars! "Just when you think you know where the play is heading, there's a disorienting coup de théâtre that leaves you shaken. Our Dear Dead Drug Lord isn't for the faint of heart, but neither is coming of age." - Raven Snook, Time OutCritic's Pick! "Highly entertaining - equally funny and scary - the play starts off as a hoot and winds up a primal scream. They're throwing quite a seance at the McGinn/Cazale Theater." - Ben Brantley, The New York Times"As funny as it is violent and dark... Our Dear Dead Drug Lord is not quiet, small, or apologetic. It is loud and messy and truthful. It is incredibly complicated and a thing of extreme beauty. It is everything in women that society tells them they need to repress, and in this I found it incredibly enjoyable and inspiring." - Brittany Crowell, New York Theatre Guide"The challenges of female adolescence... explored with a remarkably fresh, honest and sometimes hilarious perspective." - Brian Scott Lipton, Theater Pizzazz"Unsettling... Scheer's characters are brilliantly drawn... the work of a born playwright and a unique new voice... As a story of female empowerment, it is both scary and revealing." - Victor Gluck, Theater Scene"An imaginative and ultimately savage new play... An offbeat Mean Girls sort of dramedy that unexpectedly concludes in a violent burst of magical realism." - Michael Sommers, New York Stage Review

Inspired by the writings of Italo Calvino (Invisible Cities and If on a Winter's Night a Traveler), The Late Wedding is a fractured portrait of a fractured marriage, as told through a series of interconnected fables, including an anthropological tour of fantastical tribes and their marital customs. Christopher Chen's winking second-person narrative, delivered by a six-person shape-shifting cast, deftly guides you on a wild and delightful examination of love and longing. At once an anthropological tour through marriage customs, a spy thriller, and a sci-fi love story, the mind-bending The Late Wedding is an inventive and surprising theatrical experience."Wild, witty... contemplative and poignant... you gotta see this funny, brilliant play." - San Francisco Examiner"A seductive play... a fascinating little gem... a script about the mystery and challenges of love, in all its permutations. The play is a provocative one-act composed with a unique theatrical structure... a swirling nebula of magical notions put down in a contemporary world." - DC Metro Theatre Arts"A comic, dramatic inquiry into human relationships - between lovers or spouses; between playwright and audience - [The Late Wedding] is another of Chen's slyly metatheatrical, blissfully funny, whiplash-smart creations... What begins as a look at anthropological research into the marital arrangements and lore of a few odd tribes segues without warning into a political drama cum action thriller." - SF Gate"Bold and brainy... As The Late Wedding dips in and out of such genres as the spy caper and science fiction... it blurs the boundaries between its two strands of Calvino homage, so that the genre-sampling meta-theater begins to reflect on the bittersweet realities of marriage." - The Washington Post"[The Late Wedding] is about the vagaries of love and marriage, both homo- and heterosexual, and the way that we both cherish and distort the past, and about the creative process itself... you gotta see this funny, brilliant play." - San Francisco Examiner

"Combining West African folklore and contemporary American culture, If Pretty Hurts Ugly Must be a Muhfucka follows four teenage girls as they grapple with societal definitions of beauty. In the fictional setting of Affreakah-Amirrorkah, the four young women -- Kaya, Massassi, Adama, and Akim -- are given an opportunity to live in a society where their individual beauty can reign supreme. But this opportunity comes at a dangerous cost. Tori Sampson's hilariously provocative play doesn't ask the question 'How much is beauty worth?' but rather, 'Why are so many willing to pay its price?'"--Back cover.

This collection of seven darkly funny and mysterious plays includes the long one act Pirandello, in which the great Italian playwright, writing alone on the stage of his theatre late at night, is interrupted by the Italian dictator Mussolini, who wants him to write the authorized biographical play of the dictator's life, Pirandello's jealous wife, who believes Pirandello is sleeping with every woman in sight, including his daughter, and an increasingly disturbing group of characters who may or may not be real, leading Pirandello to question the relationship between his theories about the malleable nature of reality to the rise of Fascism and Fascist propaganda; The Recollection Of Green Rain, which tells the mostly true story of two green children found wandering near an English village, who spoke an unknown language and insisted they were from a mysterious green underground kingdom; Pinocchio, in which Gloria's blind date turns out to be an angry puppet with a rather unsettling story to tell; Rusalka, in which a police officer investigating the disappearance of a young girl tries to make sense out of the increasingly odd stories her best friend tells about her; Humpty Dumpty, in which an enormous egg with very bad hair sits on top of a wall and talks about making Wonderland great again; Brimstone Run, in which a family legacy of betrayal and tragedy is played out at the town dump; and Nictzin Dyalhis, in which a legendary, reclusive writer of weird tales is haunted by a sea goddess he may or may not have invented. In each of these plays, in one way or another, compelling characters find themselves lost in a labyrinthine twilight zone of dream variations which combine the Gothic, the surreal and the absurd.Don Nigro is among the most frequently published and widely produced playwrights in the world and has continued to build a deeply interrelated and diverse body of dramatic literature, employing a wide variety of dramatic conventions and styles of presentation. He has written monologues and epics, spare realistic dramas and surreal homicidal puppet farces, plays with music and verse plays. He continues to build the long cycle of Pendragon County plays, which traces the history of America through the lives of several related east Ohio families from the eighteenth century to the present, and features many characters whose lives are traced from youth through middle age to old age in a number of plays that may be presented in a variety of combinations.

This show-within-a-show follows the romance between a chorus girl and an Assistant Stage Manager leading to their secret marriage. Their happy union is threatened by the electrician who still carries a torch for the girl and, in a drunken rage, tries to kill them both. A contrasting romance involves the Stage Manager, whose credo never to fall for a girl in a show he's working on is complicated when a dancer he's been wooing is suddenly thrown into the cast of 'Me and Juliet.' Informed by rich insights into the world of Broadway - how jobs are gotten and lost, the inside tricks of the trade and the pitfalls of backstage romances - Me and Juliet is an innovative, irresistible show that consistently delivers both musically and dramatically.

It is 1862 in Siam when an English widow, Anna Leonowens, and her young son arrive at the Royal Palace in Bangkok, having been summoned by the King to serve as tutor to his many children and wives. The King is largely considered to be a "barbarian" by those in the West, and he seeks Anna's assistance in changing his image, if not his ways. With both keeping a firm grip on their respective traditions and values, Anna and the King grow to understand and respect one another in a truly unique love story.

The Underlying Chris is a life-affirming and high-spirited look at how a person comes into their identity, and how sometimes it's life's tiniest moments that most profoundly change our lives. In these divided times, The Underlying Chris serves as a celebration of our differences, our individuality and the many mysterious, difficult and beautiful things we share simply by being alive.

Nicolas, just two years ago a smiling boy, is going through a difficult phase after his parents' divorce. He's listless, skipping classes, lying.He believes moving in with his father and his new family may help. And a different school, a fresh start. When he doesn't feel comfortable there, when he senses he isn't wanted, he decides that going back to his mother's may be the answer.But at some point, options are going to dry up. And then what? I'm telling you. I don't understand what's happening to me.Florian Zeller's The Son forms the final part in a trilogy with The Mother and The Father, all of which are translated by Christopher Hampton. The Son premiered at the Kiln Theatre, London, in February 2019.From the cobbled streets of post-war London to the shimmering avenues of Paris, Ada transforms the lives of everyone she meets along the way; but can she let go of the past and finally allow her own life to blossom?

The Mamalogues portrays what it's like to parent while Black, unmarried, sand middle class. During a retreat, three single mothers share their angst about racial profiling on the playground, navigating social minefields during soccer season, and their child being the "only one." The satirical comedy follows the agonies and joys of motherhood as these moms lean in, stress out, and guide Black children from diapers to college in a dangerous world.

In the fictional mining town of Greater Clements, Idaho, wealthy out-of-staters have begun purchasing properties, leaving lifelong residents - largely blue-collar workers - disenfranchised and disenchanted. Practical, unpretentious Maggie, the divorced owner of a failing Mine Tour and Museum business, cares for her troubled adult son, who has moved back home to recover. As Maggie contemplates closing her business, an old flame visits and asks her to join him in a new life beyond the desolate town's limits. Through quirky humor, keen observation, and deeply sensitive and idiosyncratic characters, Greater Clements explores just how hard it can be to leave one's past behind.

Ohio State Murders explores the experiences of Suzanne Alexander, a fictional Black writer whose life both is, and is not, like her author's. When Suzanne enters Ohio State University in 1949, she has no idea what the supposed safe haven of academia holds in store. Years later, Suzanne returns to the university to talk about the violence in her writing. A dark mystery unravels. Adrienne Kennedy's play is an intriguing, unusual and chilling look at the destructiveness of racism in the U.S.¿

Rodgers & Hammerstein's only musical written directly for the screen is now a stage musical that's had critics raving from coast to coast. Set against the colorful backdrop of an American heartland tradition, State Fair travels with the Frake family as they leave behind the routine of the farm for three days of adventure at the annual Iowa State Fair. Mom and Pop have their hearts set on blue ribbons, while their children Margy and Wayne find romance and heartbreak on the midway. Set to the magical strains of an Academy Award-winning score and augmented by other titles from the Rodgers and Hammerstein songbook, State Fair is the kind of warm-hearted family entertainment only Rodgers & Hammerstein could deliver!

Winner! Three 1947 Donaldson Awards, for Best Book, Best Lyrics and Best ScoreNominee: Seven 2005 Helen Hayes AwardsWinner! Two 2005 Helen Hayes Awards for Outstanding Resident Musical and Outstanding DirectorThis ensemble musical chronicles nearly four decades in the life of an Everyman, Joseph Taylor, Jr., from cradle through a mid-life discovery of who he is and what his life is truly about. The first musical to be staged by a director who also served as choreographer (the legendary Agnes de Mille), Allegro followed a unique structural format traveling from Joe's birth through his childhood, from college dorm to marriage altar, and on to his career; from the tranquility of his small Midwestern hometown to the hectic din of big city life, in a series of vignettes and musical sequences dazzling in their simplicity and stunning in their impact. Ahead of its time theatrically, Allegro remains timeless in its appeal.

New virtual version! From the award winning playwright of End Days, Deborah Zoe Laufer, comes a story about three twenty-something roommates who are glued to their video games. They are masters of the virtual worlds behind the computer screens in their Las Vegas basement. When one of them uses his gaming skills to land a job with the National Security Agency launching actual drones and missiles, online battles begin to have real consequences. Leveling Up is a fresh, contemporary look at how we navigate the blurry line between worlds both virtual and real and what it means to grow up.

Winner! 1993 Olivier Award, Best Musical RevivalWinner! Five 1994 Tony Awards, including Best Revival of a MusicalWinner! Three 1994 Drama Desk AwardsNominee: Seven 1994 Drama Desk Awards, including Outstanding Musical RevivalWinner! Two 2018 Tony AwardsNominee: Eleven 2018 Tony Awards, including Best Revival of a MusicalWinner! Five 2018 Drama Desk Awards, including Outstanding OrchestrationsNominee: Twelve 2018 Drama Desk Awards, including Outstanding Musical RevivalIn a Maine coastal village toward the end of the 19th century, the swaggering, carefree carnival barker, Billy Bigelow, captivates and marries the gentle millworker, Julie Jordan. Billy loses his job just as he learns that Julie is pregnant and, desperately intent upon providing a decent life for his family, he is coerced into being an accomplice to a robbery. Caught in the act and facing the certainty of prison, he takes his own life and is sent 'up there.' Billy is allowed to return to earth for one day fifteen years later, and he encounters the daughter he never knew. She is a lonely, friendless teenager, her father's reputation as a thief and bully having haunted her throughout her young life. How Billy instills in both the child and her mother a sense of hope and dignity is a dramatic testimony to the power of love.

In dusty, time-warped Indian villages, the last camels plough the land, last charkhas spin and last handlooms weave. The global ¿outside¿ pushes in via Western culture, technology, huge land and agro-chemical contracts and the desire for a ¿number 2¿ illegal route abroad.Zameen (Land) is set in the cotton fields of Punjab, India. Baba, an ageing Sikh cotton farmer, toils away in his fields, struggling against the vagaries of nature and the modern world. His dutiful daughter Chandni dreams of escaping her fate. Her wastrel brother Dhani dreams of ¿Amrikä. When the moneylender Lal¿s son Suraj returns from the outside world, Chandni and Dhani reflect on faded lives and aspirations and reach for ¿phoren¿ dreams. A final reckoning on Babäs land draws out truths, forcing the family to the brink of collapse, in a world changing fast and losing its values.Rooted in Punjabi farming and folk culture, ancestral land and soil, Zameen was written before mass Indian farmer protests against the increasing corporatisation of agriculture, rising farmer suicides and decimation of small farmers. Facing a climate change catastrophe, Zameen captures a world in transition, as nature, tradition and globalisation violently collide around small village lives ¿ lives steeped in a history of toil, struggle ¿ and resilience.

'Sometimes it feels so exposing just walking in the village. I told Jimmy toignore it at first, he tried to, but it's isolating he said, eyes on you, not a wordspoken. Even when you meet their eyes they don't look away. Like they have aright to, like you're a spectacle, an object.'Olivia has recently moved into her great-uncle's farmhouse. She's not local, butshe knows her way around. Matty is a gamekeeper, but he doesn't often tellanyone. He's wary of newcomers.These unlikely strangers find themselves beside a stream on the longest nightof the year.Pentabus and Theatre by the Lake present a brilliant new drama from award-winningplaywright Lorna French that explores loss, love, prejudice, race andbelonging.

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"Why does living where you're from have to be such a political act?"On a farm on the border, a fence is in need of repair after being destroyed by vandals. When Sinead finds Henry hungover in her field, she ropes him in to help. But rebuilding a fence is more complicated than it seems. What begins as a simple task soon turns to talk of their past, a reliving of old memories, and a relentless competition to come out on top.A timely and powerful reflection on 100 years of the border in Ireland and how it has impacted those who live along it. Inspired by 100 testimonies from real people who live on the border.

Winner of the Alfred Fagon AwardDebra wants a simple candle lit remembrance, Lenny is desperate to forget, and activist Alex thinks it's everyone's duty to provoke change. Having missed her mother's funeral, Gina finally turns up a year late. Amid recurring memories, intensifying relations and mixed news reports on escalating knife crime, each walks in and out on each other, struggling to make sense of an increasingly troubled time. A story of two sisters, responsibility, loss and love

"...Five absurdist, hilarious, provocative plays exploring everything from power to loneliness to menstruating hippos. The collection contains: Real American Dinner Party - Sometimes you lose your keys, sometimes you lose your temper, and sometimes you lose the most unexpected of things. A particularly tense dinner party can change everything in the blink of an eye; Hippos of the Eastern Enclosure - On Thanksgiving, a nervous male zookeeper is overwhelmed by three female hippos, who all get their periods. While the zookeeper, his girlfriend, and his co-worker decide who is on clean-up, the hippos interrogate the nature of ambition; The Visitations - Dana has been alone in her home for a bit too long. Either she is losing it or she is having an increasingly intimate relationship with a ghost.; Ubu Anew (A Play for Strange People) - A shortened and extremely loose adaptation of Ubu Roi, featuring Pixy Stix and Hillary Clinton; Your Mother in the Night Sky - Your mother leaves a voicemail, the strangest voicemail you've ever received." --

Balancing the high expectations of the previous generation, the doctrines of their Muslim community, and the demands of secular Western culture, Azeem Bhatti and his wife Saima struggle to straddle the gap between their Pakistani heritage and their British upbringing.With deep compassion, Hammaad Chaudry brings to life a recognizable and unforgettable family, and with sharp intellect, asks potent questions about the challenges of integration and assimilation for immigrants in today's global world. As witnesses, we are all forced to confront pressing questions about the nature of belonging and our own internal prejudices about that which is "other."

A Twisted Christmas Carol is a Texas spoof of Charles Dickens' classic A Christmas Carol. It's Christmas Eve in a small west Texas town, and cantankerous barbecue joint owner Buford Johnson gets in an argument with his wife Darla, tells her he's skipping Christmas, storms out of the restaurant, goes four-wheeling in his pickup, gets hit by a twister, rolls his truck, and goes into a coma. He comes back in his dream where he's visited by ex-business partner, Hank Walker, who plays the ghost of Christmas past, present, and future. Hank takes Buford on a journey similar to Scrooge's in A Christmas Carol, only Texas-style.